after the tense and dramatic soundscapes of jason letkiewiczs nzambi lp under his soundtrack guise alan hurst, emotional response have put the tracks to the test for three appropriately oddball remixers. fellow l.i.e.s. affiliate terekke turns out a heavily sedated dub of >nzambi< that rides a pacey house beat but buries everything in delay and reverb. timothy j fairplay brings some serious sleazy 80s electro tones to >parallel sensations<, complete with predatory vocal and thick ladles of synthy goodness. finally, jonas reinhardt cools off the intensity with a blissful ambient version of >before the dawn< which plunges headfirst into a warm bed of melodic drones.

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

presenting a new collaboration featuring oren ambarchi on guitar, the electronics of robin fox, and both performing on various other instruments. the music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned australian contemporary dance company chunky move for their connected production.

the second volume in the detroitrocketscience series of cosmic journeys, produced in a low-earth flight plan that vectors between detroit and berlin. >alpha control / workers in orbital habitats< is a suite that takes you from the launch pad at alpha control to the orbital habitats, where vacc-suited, free-fall engineers work in zero gravity. >reentry into martian atmosphere< is the soundtrack to the treacherous reentry into mars unstable atmosphere, a.k.a. the 7 minutes of terror landing window of americas latest martian probe. collectible 10-inch black vinyl format.

>blurry< runs at 133bpm allowing it to sit neatly between dubstep tempo and the increasingly popular 125-130 bpm bass / house scene that has been developing in the uk over the last couple of years. taking things down an ongy-bongy path, this rhythm provides the soundtrack to a hunter chasing his prey through a humid jungle landscape, with fast weaving beats charged heavy by the deadly subs. the heat is on.
>spearhead< sees roska making a rare 140bpm trip, taking this rhythmical excursion neatly into dubstep tempo territory, creating an original cut which sits in its own world of tribal grime. the bassline pounds heavy, eventually rising upward before suddenly plummeting back down to the murky depths from where it came, and back round again. dis-hyeer quality dubstep music produced pon the other side of the looking glass.

alejandro vivanco, chilean producer and dj offers us >energia roja<, an unusual and sensory journey into his minimal, organic techno universe, which takes us far, far away, on a journey to the distant borders of abstract. in the same, insane and twisted vein, >los imaginarios< is an invitation into a land of dreams, a perfect soundtrack to tim burtons alice in wonderland played in slow-motion and a perfect companion to further appreciate this epic journey. two non-conventional tracks which are somewhat reminiscent of productions from berlins perlon records.
last but not least, the remix of >energia roja< by jens bond, one of berlins techno activists that needs no more introduction, this rendition takes us a step closer to the dancefloor with a minimal, deep version of the track that is just perfect for those lush, sexy warm ups.

the forthcoming release adds another notch to whats been an impressive and prolific year for funkineven, closely following that all-conquering fatima collaboration phone line and the funkinevil record produced with kyle hall. the two track on it make for a stylistic about-turn from the tv theme funk of the last apron release (and artwork of the year contender) chips & sweets, >dracula< is the kind of stuttering 303 acid jam funkineven is an expert of, reminiscent of the brilliant rolands jam, while cha! is a loose-limbed slice of proto-techno which goes heavy on the unfiltered analogue bass, driven forward with lolloping drum machine beats. released on red coloured vinyl, the look & sound for a perfect horror movie soundtrack !!!

hidden recordings presents the perfect soundtrack for the chilly, darker days of october. the month conjures thoughts of halloween and with it scenes of eerie, grim, and shadowy landscapes. it is the perfect time to showcase the latest addition to the hidden recordings family, american techno producer memnok who has become widely known for his ethereal sound full of heady grooves and self-reflective moments. on his debut his range includes spooky and gritty cinematic strains that would make alfred hitchcock proud. the pair of tracks each have a stand-out remix by techno fast risers – ascion who has worked in the past with labels such as drumcode, kiddaz, synewave, sleaze, and prosthetic pressings, and daegon who has graced releases from labels such as frucht, der hut, android musiq and silent steps.

wonder & amazement is a record ive had in various forms and incarnations from ex chicken lips members steve kotey & andy meecham for about a year now – a song that immediately grabbed me from the very first moment i heard it. reminiscent of days gone by mixed with a touch of the new - a song that contains a mixture of both the old classic and the new classic. ive been championing it for a while now either in sets or charts, even including it on a recent compilation i did. a record that we are proud to be able to use as a soundtrack to this new era of classic.

hinter dem namen superheavy verbergen sich fünf superschwergewichte der musikwelt: mick jagger hat sich mit eurythmics-mastermind dave stewart, der britischen soul-senkrechtstarterin joss stone, dem indischen oscar-gewinner und soundtrack-komponisten a.r. rahman (slumdog millionaire) und mit reggae-superstar damian marley zusammengetan und so ein neues bandprojekt auf die beine gestellt.

heartfelt records continues to cement its emphasis on deep and hypnotic bass music with the second instalment of the disgu!se remixes series. this time round we find consequence, hot off the tails of his tempa release, unleashing an atmospheric and tribal take on disgu!ses sultry >inside out of love<. part soundtrack, part techno, all good – this will have you going back for more time and time again. over on the aa disgu!se rework their song >hourglass< into the lush and emotive fashionably late mix which moves gracefully all the way to the run out groove, making this another solid 12 inch with the punter well and truly in mind. the original versions will be available on disgu!ses debut album, coming soon. limited to 300 copies. hand stamped and stickered with 2 alternative stamps.

this second release of the grey series is dedicated to the above mentioned star alpha centauri. ness uses all his skills and experience to create a soundtrack to describe the atmosphere of three important stages. drones and metallic sounds that move through space and a mystical universe. three tracks where you can feel the depth and experience the fear of the unknown. techno of a high quality that fully reflects the school of music where ness comes from.feelings that come from far away!

whilst most of us would associate the productions of butch with his effortlessly flowing, melodic and uplifting style, perfect music for the summer floors and terraces.... of late, the turkish born producer has been channeling back into his tougher and dare we say it, more butch techno sounds. having bathed us in the gorgeous tones of previous hits such as >papillon< and >eyes wide open<, butchs latest work for quartz music sees him expanding further on his recent chemically inspired cecille release >lsd 25<, by serving up a large helping of acid on, >303<. sinister and deadly, the creeping corrosive cut is perfect soundtrack for those dark strobe lit moments. >soul leaves body< sees on the polar opposite side of our trip as the blissed out beats of the tabla and strains of the sitar sweep us away an ethereal bed of sound.

limited edition heavyweight 180g 12 inch release.
new zealands 2 headed monster chaos in the cbd blesses the dancefloor with this 3 track number, working like the heavy house music soundtrack to a clubbing journey …

bastille days is heavy rolling stuff. its earth-moving kick drum impresses, but its the trademark technasia synth that really takes the track to another level. this is after all the soundtrack to a revolution. the beats remain heavy on the flip, sunkiss and belying its name, the track rolls out its tribal drums and crashing hats. perfect for the summer floors. enjoy!

afrojack, taurus & vaggeli, hardwell, funkagenda the ultimate soundtrack to the season!

(larse / federico scavo / popof and olivier giacomotto / rene amesz and jasper clash) the ultimate soundtrack to the season!

just imagine youre in..lets say ibiza..watching the sunrise over your favourite secret beach - this should probably be the soundtrack. one time pressing of 500 copies!

the original soundtrack for quentin tarantino’s timeless masterpiece from 1994 re-issued on 180 grams vinyl.

with another release that is made to be a soundtrack for sunny open air scenarios, acker records keeps living up to its name and pays tribute to the current summer season. in doing so, the label from mecklenburg one more time steps out of the line, since this release again distinguishes itself by a refreshing otherness. light and easy piano plonking as well as the lascivious french voice of singer rebecca dominate the atmosphere of ici, while its minimal electronic groove discreetly remains in the background. a really tropical feeling evolves in the long version of this track when playful synthesiser chords give rise to the idea of a steel drum. in his remix, mollono.bass manages to combine the very song-orientated approach of the original with a bouncy electronic arrangement. thus he not only creates a lot of dance floor thrust, but also provides the perfect link to rather conventional productions.

finally its here! moustache is proud to present the superhit memories by alden tyrell featuring the voice of italo - fred ventura. the original version takes you back to 1983 combining rolling basslines and heavy synths with freds outstanding lyrics. this is a true masterpiece which has already been a major hit on the cybernetic broadcasting system. the flipside contains an instrumental version of the original as well as a state of art remix by fred ventura and stefano tirone for state of art 2.0. stefano is the original songwriter from jock hattle and part of flexx when they made the futuro e donna soundtrack. the remix is really easy going and great for lazy sunday afternoons on the couch. cutted by the legendary lex van coeverden. 500 copies only!

gredits returns to basic fingers with his for second release. picking up where he left us last time with his pitched down and bumpin take on disco this one is a marriage between two giants on the disco scene.sister peak & musique love is the gredits treatments we know and love.
the perfect summer soundtrack to those late warm nights with bbqs and good friends. fans of jazzy jens & changed on basic fingers take notice, this one is for you!

coinciding with the cinema premier of bar25 – tage ausserhalb der zeit (bar25 –days out of time), the bar25 label is releasing the official soundtrack. together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut. the result is a remarkable compilation of works from a number of music genres – a unique collection of musical contributions by steadfast companions of the exceptional place that was bar25. this 12inch inch is a very special present to our vinyl friends.like the film, this compilation a tiny testament for eternity to the late, great bar25 something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.

spotlight ft. lucy randell - the anthem for the summer. this track is bound to be a soundtrack to many a festival this year. catos grimy rock style track compliments lucys powerful vocal. a definite singalong.
whos cato (spotlight instrumental) - the original instrumental, featured heavily at outlook festival 2011.
frenzy - shows catos 4×4 electro influenced smasher, bound to smash any dancefloor.

elitechnique is back! intrusion is a 8 track ep with some stunning tracks. the pair (remco de jong aka phako and florentijn boddendijk) find an ongoing source of inspiration in disco and electronic obscurities as weve learned from their previous releases (which have been played and charted by all the big names in modern disco), but combine this with their fascination for the great 60s and 70s soundtracks! the result is a timeless imaginary sound track that adds sex and intrigue to their music and unleashed from the chains of dancefloor productions. on this intrusion album they take freedom to play around with atmosphere, intensity and tension without only keeping the focus on the dance floor. the result is a great versatile ep which feels like a soundtrack for a 70s french movie! both being skilled producers and musicians the result is an album extraordinaire with all instruments and music played,recorded and arranged by themselfs over a period of more then a year! first 500 numbered copies come as collectors edition with full colour artwork and extra heavy vinyl!

summer is here people and ovum recordings are about to kick start the season with yet another label debut from dirty channels & bugsy. and this time it already comes recommended. techno takes a back seat as the label continue their stunning run of house releases with alone. label chief josh wink had asked house don, dave pezzner if he had anything in the locker for ovum. having just completed his own rework of alone, he sent it across and within minutes the ovum crew had fallen for its charms. josh actually tweaked the original pezzner remix for his own sets and before long has snapped up the whole release for ovum. dirty channels team up with longtime friend bugsy on the deliciously smooth alone. with their warm bassline, velvety synth and the sultry vocals of amina, the trio have delivered the perfect summer soundtrack. with a brace of mixes from wink backed with a reworked and refreshed double from pezzner, ovum are ready to turn up the heat. enjoy!

full support by: stephan bodzin, joris voorn, hernan cattaneo, nick warren, dominik eulberg, dave clarke, alexander kowalski, phil kieran, joel mull, kaisderdisco, marc romboy, marco bailey a new two track ep by max cooper sees vastly contrasting sounds and is lead by, fisted.firing off like a gatling gun the snare drum is backed by single kick bass drum as we navigate this electronic battlefield.on the flip we have the aftermath of the battle and the beautiful soundtrack that is,ruptured.stunning work from mr cooper once again.

journey, the american hard rock band that was formed in 1973 and became a sensation in the early 80s, didnt fully break through until their 1982 hit >dont stop believin<.
this classic rock anthem has been used in many a soundtrack, from southpark and my name is earl to bedtime stories, and most recently with great success as the theme tune for glee.
remastered audio on 180 grams audiophile vinyl.

journey, the american hard rock band that was formed in 1973 and became a sensation in the early 80s, didnt fully break through until their 1982 hit >dont stop believin<.
this classic rock anthem has been used in many a soundtrack, from southpark and my name is earl to bedtime stories, and most recently with great success as the theme tune for glee.
remastered audio on 180 grams audiophile vinyl.

samurai horo is pleased to welcome another of our favorite musical sound-scapers to the label as we continue our quest to go deeper. sam kdc has proved himself constantly as a unique individual with the power to craft elegant and emotive layers of sound that take you away to special, often contemplative states. his tunes for horo are multi dimensional and combine subtlety and grace in a blissful package. >between dreams< is the soundtrack to exactly that, transporting you slowly from one to the next, while >downpour< adds a touch of shade to the dream. aural drifting, velvet like states, your forgotten dreams now have a soundtrack…

dark robot electro on side a by q-chip, reminiscent of old dopplereffekt, and sinister film noir soundtrack electroscape music on side b by cestrian.

180 gram double vinyl with etching on side d. housed in a gatefold sleeve.
twist has become a dark romantic album, sultry and ghost-ridden, the ultimate soundtrack of the night.

for the labels 14th release, memento welcomes the collaboration of italys finest house enthusiasts pastaboys, who bring their love of dance musics black roots and afro-american soul sounds, combined with an exquisite european-influenced sense of rhythm and melodies.>tresca< evolves around a sweet italo-disco bass that sends the listener back to the 70s: a soundtrack to a sleazy underground movie, with nightmare-ish synth chords in the background.strong claps and percussion build the tension up to a donna summer-esque break, leading the track to an anthemic climax ready to shake the asses of all the party people out there.

as hot as ever the new ep from our siberian disco friends is finally landing into theomatic’s catalogue. the title track solar wind is a rhodes driven hands-in-the-air early night anthem: simple yet powerful, just the way we like it! the flipside features an offbeat cosmic number “planetarium” which sounds like a perfect soundtrack for some colourful sci-fi cartoon about the early years of space exploration, with all those rockets, flying saucers, stars and comets with long tails. the bonus track (available as a digital download only) is named after the soviet moon exploration robot vehicle lunokhod 2 (’moon walker’ in russian) which was sent to the moon in 1973. being rather minimalistic at the begining it slowly evolves and reaches its apogee closer to the end with calm and beautiful melody which leaves the listener in a peaceful mood

as one half of the revered duo zombi and with solo releases under is fake movie soundtrack composer alias gianni rossi(permanent vacation)or his real name(kompakt,l.i.e.s.)steve moore has an extensive record of worshiping wholeheartly and toying around with his musical obsessions: glam and prog rock, early spacey synth pop and their manifestations in tv themes and b-movie soundtracks, mainly of the italian kind.

sofie hein ist bekannt als komponistin, bassistin, programmiererin und sängerin des berliner gitarrenpop-duos wagner & pohl. mit ihrem soloprojekt lucyhoneychurch hat sie den soundtrack für die dokumentation >berlinized - sexy an eis<, ein film über die neunziger jahre in berlin, produziert. zur festivalpremiere erscheint am 20. april 2012 das mini-album >berlinized - longing and belonging< auf vinyl mit sechs titeln aus den filmscores, darunter ein remix des schweizer musikers und radio-djs oliver peter. geräusche und stimmungen der soundtrack-titel wurden inspiriert von industriellen klängen und krachigen gitarren der 90er jahre. mit hilfe von field recordings, beispielsweise von schrottplätzen, generiert lucyhoneychurch verschiedenste elektronische samples, und diese reichen von kompromisslosen beats bis zu harmonischen klängen. die tracks sind clubbig, poppig, sphärisch und manchmal auch brachial.

the next chapter in truesouls evolving story comes from marc antona. with discography highlights that include releases for mobilee, highgrade, micro-fibers and, most recently, his own dissonant label, antona is an already familiar name to followers of quality techhouse and the deeper, groovier side of techno. impressive career credentials that have been galvanized by marcs appearances for cadenza as part of their vagabundos tours. with such experience behind the ibiza-based producer, it comes as no surprise that this ep brings the kind of sunshine sensuality to truesoul that has come to characterize the soundtrack of dance musics mecca with the sultry percussion and understated funk of >gloves off< or the perpetual bass groove and twitching rhythm of >darwins corner stone<.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.

black 12 + white 7 inch pack - an epic journey into the deeper shadows of winter. echo 106 come from brunnen, the innermost part of switzerland, secrets are whispered, and eyes look at you through the windows. silly limited as usual ... 200 only!
this ep will take you there, where snow conceals, nightfall comes early and unwelcome visitants hunt you. 6 songs, not just tracks, that are a perfect soundtrack to your innermost toughts. lux rec had compiled this selection out of several tracks, new and from the archives, and delivers again some damn fine music. follow the rabbit.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.
music on vinyl is proud to re-release this album on vinyl for the first time since its original release!

nsyde is delighted to welcome another outstanding artists within our little growing family, imugem orihasam. with this ep nsyde indulges his love for pure detroit techno.imugem orihasam succeeds like no other to balance apparent opposites by using cool and clear transparency in contrast to the mesmerizing and warm pulsating soundscapes to create depth of the highest quality. if jeff mills and john beltran would ever have collaborated then it would probably sound like a1 “gleam from distant gate” is one of those tracks which seem quite unremarkable first, but with the time it creates a massiv hypnotic attraction, a wormhole-like effect you cannot escape from. that space seems endless, just right big enough to loose yourself in it. b1 misty evening seems to be just the right soundtrack to build an underwater metropolisis. it starts building a 2 minute elevated tension before its firering on all cylinders. b2 kotoni is clearest balance and harmony. it sooths your soul like the presense of a japanese garden. spirits are floating free – time and space is marvelous! welcome imugem orihasam!

for a blink of an eye shhhh leaves the mystical and foggy output to open its doors for floorburning loopfunk with a gypsy taste by no one else than german techno�producer sascha muller, an experienced senior in electro�scene releasing his infinite creative output for some decades now. starting with the main theme >sommernachtstraume< (summernight dreams) and a video with handmade moulded plasticine characters it burns down the romanian street credibility at first glance. an additional remix by bluff with reminiscences to ancient hypnotic techno music as celebrated in cologne mid 90s closes the a�-side while a new confusing journey starts on b�-side. with its two hypnotic big city nightlife classical electro pieces >bangkok< and >future punk part ii< the soundtrack returns again and reveals a soft carpet full of robotic cyberpunk maelstrom for dancers and listeners after 6a.m. we welcome another new unexpected artist on shhhh, stating that eclecticism is not a bad word, but a desired place to be.

the second edition of the mosso series adheres to its archetypal plan, as alejandro mosso leads us forwards on his musical trek and through the grooves carved onto this record. for this new number, alejandro mosso decided to delve back into his archives and take a closer listen to some forgotten, unfinished pieces. some listeners will surely recognise certain bits of this record as they were part of mossos live performance years ago. this is however the first time they will be edited and see the light of day. on the a-side, aconcagua is a festive theme on which a magnetic marimba riff turns into an escalating melody, surrounded by a forest of ascending percussions - characteristic of mossos production – lightly floating around it. cashmere, the flip, was conceived while airborne on a flying carpet, half way above the indian subcontinent and below the countles gleaming stars. perfect instance of alejandro mossos talent, it is a subtle blend of hovering winds and crystallized textures. the bansuri flute and the clave go hand in hand to form reassuring horizons, the soundtrack for a longer moment of hope, greater perspective and spiritual transformation.

his music is like a waterfall on house – organic, constantly running,sparkling and fresh.it could be the background tune for magazine beauties in st. tropez,it feels like a drive through californian valleys,or it may as well be the soundtrack tune for a full moon party on the greek islands - yes, it might indeed just be the result of many a club year. just as well, however, we can look at it as some sort of a flip side to those busy and dark times of dull and hard work back in the days, something to simply relax andm make you smile, after a hard days work, with a cigarette in one hand and a smooth drink in the other… imagine a piece of roxy music, a dancefloor in northern italy - some time in the late 80s - and joe smooths promised land.see what i mean?you picture this?well,in that case you have a pretty good idea of robertos serenades style.the original version of tell me feat.kholi is taken from the upcoming album dawn.

26 years old andrade is without doubt, one of the most exciting talents from the current crop of young french producers. having built a reputation within the paris scene for his skills behind the decks. releases on dessous followed and last year andrade also made an impressive debut on poker flat recordings. making the first release of his own label street knowledge, its time for andrade to take centre stage himself with the >sugar ep<. its bass-heavy groove is met with a busy vocal sample and refined piano chords, evoking a picture of his street knowledge. sugar is the soundtrack to a loft party. classics snares, mysterious synths chords and crowd noises. fantastic. keeping it old school and rolling with the bass lines and keys, andrade wraps up the originals with irreversible and berlin. for this first release, djulz offers two excellent remixes of sugar in order to confirm the power of this release.

imugem orihasam, offers a deep and introspective relation ep continuing the sistrum tradition of quality underground sounds for the true appreciators. track a1 - relation sets the tone right away, with soothing strings guiding a classic rhythm section into hypnotic territory. slowly, a tapestry of delicate textures evolves around the beats - sure to be the soundtrack to many a late night dancefloor. close your eyes and get inside your mind with this one. track b1 - “mirage” continues down the path of hypnotic, deep techno laid out on relation, toughening up the beats just a bit, with a subby kick and crisp back beat that gives it some extra punch. swirling, phasing strings and metallic, ring modulated tones float above a sub bassline that is sure to make things rumble. this is pure love from japan. track b2 - overlap lights (p. scott edit) - sistrum’s main man, patrice scott, steps in to offer his interpretation of imugem’s “overlap lights,” bringing forth his signature ultra deep, slow building future/classic detroit sound. patrice’s edit is a warm, delicate, masterful arrangement of imugem’s tones and textures - there never seems to be too much going on, just enough to convey his intended message, ever-so-effectively. clutter is left by the wayside and the listener is left with the perfect palette of sonic delights.

the second part of this strong remix package sees joshua - one of the pioneers of the san francisco sound - doing his thing on >into this lonely crowd<. a long build up plus distinctive use of atmospheric keys makes this the perfect soundtrack for hot and sexy summer nights. the original version by daniel scholz and matthias tanzmann aka gamat 3000 is included, too.

die neue telefon tel aviv ep featured den berauschend schönen album-opener the birds in seiner originalversion und in zwei remixen, wie sie gegensätzlicher nicht sein können: bpc-chefin ellen allien pustet die schwermütigen nebelwolken des originals kurzentschlossen mit einem knackigen housebeat und munteren acid-sequenzen fort. ghostly international-mitbegründer matthew dear hat schon auf seinem eigenen album black city und seinen remixen für die chemical brothers, the xx und the drums eine ausgeprägte vorliebe für sinistre klanglandschaften offenbart. seine version von the birds bewegt sich stilistisch zwischen allen stühlen, verbindet sie doch kongenial singer/songwriter-elemente mit einem athmosphärisch dichten electronica-kontext. als co-autor, gitarrist und seelenverwandter tritt kein geringerer als cocteau twins-mitbegründer robin guthrie in erscheinung - nicht nur für düstere wintertage und kalte nächte der perfekte soundtrack.

zooloft records is approaching to the era of future tech-noir and this release is the result of an internal process of thoughts and ideas behind them. it tells the story of a sad wanderer who is trying to find the path to personal truth. outside, a desolate scenario of modern architectures of cold glass, standing to the edge of horizon. a wonderland of mirrors and empty landscapes: the triumph of solitude. the a side starts with a complex and claustrophobic dark-techno driver which sets a point of no-return. an obsessive pattern of sub-frequencies collides with breaths from the beyond. sound paranoia. the highest frequencies create phrenetic and compulsive rhythms to make the dynamics imploding. the heroes of modern-age industrial techno, orphx, make the path to truth harder. they trace an obscure reinterpretation of the a side with a percussive alarm that marks the time, while dense and anxious atmospheres are followed by syncopated beats and distorted high-frequencies. the breaths from the beyond are now closer than ever. the ep gets closed by an evocative, thoughtful and beatless composition. the perfect soundtrack for those who are wandering and wondering