nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

an incredible u.s.a.-belgium collaboration between the dirtiest mc juan huevos and phranteek. all started when phranteek was sound engineering a juan live act. he just says >man? i guess you ll like to records some miami bass tracks?<. juan was like >of course!<. at the end of is tour, kick the lyrics on some phranteeks 808 beat. and the magic happened! phranteek says that mr. huevos is a studio beast… and we can feel it.
on b-side, daveluxes dubstep remix is incredibbly fat. we never thought releasing dubstep music, but this is not dubstep… this is deep schizophrene robot sounds highly doped on bootybass music!
winner of octaves de la musique award in 2011, dj elephant power remix sounds like a travel in a futuristic india. while listening to it, you can imagine some elephants in disguise dancing on ghettomusic!

warm atmospheric extended house grooves

with his recent,chart-topping releases on 100% pure, tronic and rejected,its safe to say bart is in topshape: on his double-a side for bns, he pushes his signature percussive techno-house sound to a new height!

gamm proudly presents the reflex, a new and rising star within the edit scene. after his edits made big noise on soundcloud they are now finally coming out on two separate gamm releases. note, these are not just standard edits but fully reworked productions using multitracks, original samples and even live elements. the second ep by the reflex delivers three outstanding reworks. first up is a killer stomping breakbeat take on marvins & tammy terrells >aint no mountin high enough<. next is a 60s soul twist on amys >rehab< hit. the best is saved for the last when mavins >whats going on< gets an tasteful beatless rework … simply beautiful!

limited 1st edition in picture sleeve, 1st ever vinyl outing for these long lost post-industrial classics... this lp release on blackest ever black is a selection of the best black rain instrumentals from those 94-95 sessions: seven richly atmospheric, brooding rhythm tracks that together constitute a lost classic of post-industrial music, and a genuine cyberpunk artefact, remastered and cut to vinyl for the very first time

in a career laden with highlights and hallmarks in the annals of soul history, >just as i am< is rather overlooked as one of the best soul debuts ever issued. beautifully remastered, >just as i am< is presented to a new generation of listeners who may have missed out the first time.
give this classic record a spin, and get ready to be submersed in the soul of one of the true masters of the genre!
remastered re-issue on 180 grams audiophile vinyl, including the hitsingle >aint no sunshine<.

limited reissue of this huge funky / disco classic

limited reissue of this huge funky / disco classic

just wonderfull! timeless remixes by stephan bodzin & samuel l session for pig & dan s love song

victoriaville finishes the exploration of stefan goldmanns sweet track archives with 3 unreleased house gems. the main tracks here are pure dancefloor material, with electric bazaar centering on in-depth drum design. zobel network provides a prime example of neurofunk. hidden on the a side, chapter 2 is an early hint at stefan’s experimental edge. essential! revisiting the years 2000 - 2005,emptying the vaults highlights the era of stefan goldmanns uk years. often his actual releases with classic and ovum reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, here’s some startling evidence of how deep the roots of house actually were in berlin years before the hype set in.

juan atkins returns to r&s on a model 500 solo mission. the last model 500 single enlisted the help of the live line up that includes detroit techno royalty mike banks and ur alumni mark taylor, but this latest release is just juan in the studio and back at his best. >control< is vintage model 500, the classic electro that atkins pretty much invented, with his treated vocals riding over the crisp rhythm programming, dark basslines and detroit synths. >the messenger< on the flip is a moodier affair, with the liquid synths almost running away with themselves over the rough beats. model 500 and r&s has proved to have been a classic combination over the years and this release is one to file next to the classics.

limited edition super loud double vinyl, also contains free junior vasquez mix cd!
the music on this two volumes of 2x12 lp features tracks that were the soundtrack to voguing, the dance style that erupted in new york city between 1988–1995.

this ep represents a landmark on nice cats history as fiat 600 cuts a deep slice of musical history on chileans underground scene, since >the pinochet boys< , back in the 80s where miguel conejeros started his unique approach to groove making as the brains of this legendary art-punk band ( think glaxo babies meets los angeles negros) and throughout his oblique jungle-drums and bass excursion in the nineties this national treasure always knows how to deliver the unexpected and leave a sweet aftertaste. here are six offbeat dance gems , including his reworking of villalobos-los updatess >miss u so<. we at nice cat try to keep it cool but , if truth needs to be told , we are gleaming with pride. nice cat 05 . all tracks and music by miguel conejeros except a3 ( ricardo villalobos / jorge gonzález) and b2 ( carlos vergara-miguel conejeros). artwork by yvonne blanco

limited edition double vinyl in gatefold cover. part 1 of this special collection of rare 1970s dance music, compiled and re-edited by al kent.

limited white vinyl deep house pressing!!!

excellent 4 track vinyl with fantastic deep house. it gets started with >spring loop<, a track that looks to its name both for feeling and production sense. of course that sensuous vocal sample that gets drawn through it wouldnt do the job on its own, but rau knows that too and surrounds it with a warm, humid bassline and his always changing and snapping drums to keep it in the pocket for the whole 5 minutes. even though the groove on the a1 is already heavy for him, he goes deeper yet with >swearing (vinyl version)< that jamaican vocal is something so classic that we wont spoil it here, but the pumping house beat and piano stabs he winds around it give even more poignancy to the lyrical substance… we are pretty sure that by the time he finally echoes the vocal out late in the track there will be some hands in the air for this one

nice detroit 4 track ep!! but attention: first track, save the bluebird: sounds are very raw and noise with clicks and clacks ... just listen, snippets are directly from vinyl

6 months after we first ventured into vinyl territory were back with a new ep. the follow up to kastils dusty edits is a sampler containing 4 tracks by 3 artists we are heavily supporting at the moment. the a1 is again by basque county based kastil. shes back is a wonderful sample drenched house track containing soul touching vocals. definitely one for the dancefloor. on the a2 we have doctor bills by fellow rotterdam native ben la desh this is actually his first release out of many to come. this track has been circulating the soundcloud for a few months and was played by ooft! in one of his excellent podcasts. on the flip we find two tracks by taiko mochi name:tomas malo. while the b1 scenesters is a great more uptempo disco house track with quite an emotive break its the b2 slomo track shelter that has been stealing the show until now. if youre in to real slow and mesmerizing music this might just be the one for you. support by: ooft!, the dead rose music company, miguel campbell, craig smith (6th borough project), andy ash, james johnston, soho808, sleazy beats recordings, zoo look, kirill tipo, fulbert, satore.

chicagos richard pegue was one of the most intriguing figures to come out of the chicago soul scene in the 1960s and 1970s. raised during the citys fertile doo-wop era, pegue immersed himself in music immediately. he cut his chops as a mobile dj, record store clerk and recording artist before stepping into the booth as one of chicagos most enduring radio personalities to grace the citys airwaves. the nickel and penny labels featured in this compilation are twin sides of the same eccentric coin, pegue himself.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. for our first release we have gone back to 97 and a producer known and respected worldwide in the house music community with more than 200 production credits under his belt. joshua michaels aka joshua iz perhaps best known for his collabs with dwayne washington as iz & diz but has of course used many other pseudonyms over the years for releases on labels like prescription, balance, classic, junior boys own, om and guidance. the return was first released on heard, sub-label to tom middletons evolution / universal language productions ltd. using his moniker circulation. the track can easily be described as a mammoth house track, clocking in just over 12 minutes. its one of those pieces of music that’s stood the test of time and why iz has been a major force in electronic music for so many years. on the flip much hyped duo prommer & barck stripped it down from its original costume leaving not much left of the source material resulting in something that we best could describe as old school warehouse meets uk bass. its pretty raw and definitely a basement sureshot!

>hold on< has been given the inimitable touch of deep house master marcus worgull. a classically trained musician like kabuki, he has stripped the track and used jennas vocals stabs to create a exquisite minimal groove to stunning effects. rising drum and bass star eveson has been given >generation x< to remix, and his <ode to a rave generation< is exactly what it is: keeping the haunting synth loop throughout, slowing the track down to finally go back to a rave-friendly 140 bpm with vintage breaks, and making the most of paul st hilaires colourful voice. the result is as awesome as skreams recent >burning up<.

it had been since the dj qu remix of walt j that we did something on our subdivision petite. you know, this is where we like to re-release those forgotten pearls, with a new remix on the flip. this time we chose for >on and on< by italian-living-in-scandinavia raiders of the lost arp. in 2003 >on and on< appeared as the d2 track on his album >4<. but we thought this track is so great, it deserved a full a-side. on remix duties this time someone we have been wanting to work with since a long time, patrice scott. we have been following his sistrum label since the very first release, and he just never disappoints. neither does he this time.
pressing on translucent, white marbled vinyl.

killer follow up from warm sounds - the raw interpreter lives up to his name and delivers 4 cuts of raw analogue power. vinyl only, of course.

next huge kanzleramt killer! the biggest question by fellow producers always is, how does the sound-wizard get his tunes sooo crunchy and big? we wont reveal the secrets, but we are very proud to have peter horrevorts on board with 2 more unique examples to study. and boy is the dutchman busy. just in 2011 peter has releases, single-tracks and remixes appearing on: gem records, wasabi records, toolroom recordings, vibrating balance, stealth records, be real, suara, kimaks, azuli, vapour recordings, weave music, tronic and many more...

just like different fishes can be found in different grounds, also the acoustic tales of the micronaut take place in different regions of the emotional landscape: sometimes warm, sometimes fresh – sometimes calm and stagnant, sometimes lively and floating. and just like all the fishes are connected by the water surrounding them, also this album has its connecting element: a very individual and independent groove. this groove comes with a lot of surprises. for instance, when a guitar chord from the acoustic band atmosphere of gruen- dling suddenly gets tangled up in a loop and introduces an unexpected but coherent change into the direction of broken, electronic beats. or when the emotional world music elements of schleie mix up with exciting halfstep rhythms. sophi- sticated arrangements, unusual instrumentations and intense emotions- these are the main attributes of friedfisch . though the experimental character of this work does not really aim the dance floor, it still keeps connected to this place: two sensitive remixes by mollono.bass represent the upbeat for an entire series, being exclusively released on vinyl.

terpsiton are proud to welcome to the gang the new faces of the scene and old friends of the label called themselves the scene. this strongly and catchy headline is wisely chosen and named after the legendary detroit based tv-show that turned usual men into celebrities over night. it absurdly and hilariously demonstrates how to get a name and how to get fame just by being marked as a celebrity. so, these well talented guys that are totally into the deep and underground house stuff vault themselves into the scene by releasing this ass-kicking and groundbreaking record that is full of catchy and lovely hook lines, forcing kick drums, intense arrangements and a true passion for the house movement as it was back in the days. on two songs (feist movement & lab) the scene is supported by two other new gang members soon to be well known namely as niki and franz b. werner who add their feel and taste of sounds. a unique blend of individuals, great sounds and real emotions that will make history. never mind the celebrities - here comes the scene!

collectors item !!

ramona is pretty nervous to welcome a new name to her ever-growing happy family. in fact, its actually an old band member. christian beisswenger alias cb funk alias one half of arto mwambe is not exactly one you would call a stranger. for >77 reasons< he debuts as the citizens band with some novel sounds on risky grounds. in love with details, fragile sounds, little tricks and with a fine ear for the action, the band leader tiptoes into deep bleepy house just enough to call >west 42nd< exactly that. >77 reasons< however plays around with a memorable little melody, a skanking lead and some boom sonics. whatever you want to call it, ramona is fine with it. orson and kane would be proud.

ruede hagelstein wants it all, and not just that jazz. the berlin producer, known for his productions that straddle the boundary between house on techno, released on labels like souvenir and upon you records, will release his debut album soft pack together with his band, the noblettes on november 18, 2011. a priori is the first track on the indie-electronic lp, and cannot claim itself free from jazz influences. with piano, a horn section, and brushed snares, the track swings with the best of them. since ruedes vocals also require something a little more dancefloor-friendly, this digital appetizer will be served up with a remix from the man himself. the vinyl will follow with remixes from guillaume & the coutu dumonts, noir and tiefschwarz.

played by reboot, joris voorn, martinez, christian prommer, lee curtiss, sis, ... ever wondered what a butch diana ross on acid might sound like…? well youre about to find out… but before we get to overside, youve gotta enjoy and marvel at the sheer brilliance of the rest of jairo catelos latest offering on silicone souls darkroom dubs. our man from the asturias has rapidly built a strong and loyal following thanks to his beautifully crafted house cuts. jairos ability to bring together dubby textures and an innate soul within his productions is most enviable. his warehouse ep features three original new cuts backed by a rework from french house guru, phil weeks. lead cut soul school is something of a two-headed beast. whilst its kick-drum and dramatic synth stabs drive it with a serious dose of funk, it still retains a warm-summer soul that will keep the fillies moving. then, as a little sax break goes to our head, were flipped and the beats and bass get sleazy and old school. killer! mr. weeks beings some 90s flow to the table on his remix. working the guitar licks and bassline hard but always retaining a smooth as silk groove, phil shows just how to keep the dancefloor cookin. a beautiful house record from one of the very best. >yairos 303 acid< mix of overside finds us getting upside down and inside out. serious funk with an injection of some classic acid styles. final cut >the shake< sees jairo roll out drums. a lazy bassline is swarmed by ripping snares and a host of percussive sites and sounds. a perfect close to a pretty much perfect ep.

the wörld is ours is the twentieth album by british rock band motörhead, first released on 14 december 2010.

now with lovingly remastered audio, extensive liner notes, and unpublished photos, this double l.p. set gives you both of the aforementioned rarities and the best of overton berry - that is, if you havent had the good fortune of seeing the man play live. still performing his trademark blend of standards, thoughtful interpretations, and original compositions weekly in-and-around seattle, if you find yourself music hungry in the pacific northwest, you just might have a chance. berry is still doing his thing with the utmost respect and dedication to his craft.lp limited to 1000 copies.

off we go and leave the cannibals all empty. the skies are lowering into the sea. gently pushed by stones we wonder/wander on. somewhere behind a rainbow, apartment houses quietly suspire their berlin. the cheeky spirit is pinching the nose with zest. watch them trip and do the mashed morale. we dance with them, but not for long. spirits are holding the upper hand again. still we miss a beat with a heart still strong. noisy colors all blending in one blue. i sit with you where the citys down low. we know no wrong in the sound of a song. down tumble waters rise behind our backs. the pointy poets heads hat breaks in two unlike the jesters scepter whos mad with magics saving factor. we wander on, stroll to and fro things weigh us out, no con, no pro, unlike the jesters saving factor we stick around too long a-go. down tumble waters rise behind our backs. the meek musicians heads hat breaks in two unlike the jesters scepter whose magics not an urban factor. strike up the band, play on and on for sweet sage music always wins just like the jesters magic scepter beats up and down, forgives all sins. this is when you come stepping in. a row of tender houses smash your knees. the skies are lowering some more. existences twitching here and there. rain reflects berlins icy glow: a frisking spirit on the tip of your nose. we dance with him for quite some time. no stopping a hand that holds up in a work. no missing a beat for a heart goes on. flamboyant whispers strike a chord back home. you come to me, im not alone, in the sound of a song we know no wrong

just in time for the australian summer, sydneys indie-electronic-popettes, convaire bring the first and title tune from their highly anticipated debut ep, the new you. equal measures quiet childhood nostalgia and barefooted summer festival romance, the new you is a sparkling indication of what convaire do so exceptionally well - the art of creating synth-happy, 80s inspired, chill-sweet pop songs. inspired by the likes of talking heads, friendly fires and phoenix, convaire were first given airtime by local sydney radio heroes, fbi radio. since then, the four-turned-five piece released their first single gate track in september 10 to national airplay and gushing reviews. their exceptional reputation was vindicated whilst winning a triple j unearthed initiative, which saw the band play alongside delorean, kele (bloc party) and 2manydjs at sydneys iconic dance festival, parklife. two singles, over one hundred shows and a few tambourine shakes later future classic saw potential in john toweys vocal likening to the cures robert smith and the energy of the synth-loving slattery sisters. the new you ep is available in a 7 inch vinyl package + 5 track bonus cd, which is exciting enough to warrant a shoe shuffle and a couple of hand claps.

marcin czubala has been a busy man of late but the paper work certainly hasnt stopped the creativity flowing. whilst setting up his own imprint >your mamas friend<, for which he produced the first release, he is now back with a very strong ep for mobilee records >just away<. as someone who is always moving forward and looking to expand in new ways, czubala applies the same philosophy to his music production and this release presents a very fresh look on modern house music. >just away< features four tracks, each of which are expertly produced and have their own moment in the night, with much more bass, rawness and energy than his previous releases. whilst the title track warms the floor with drawn out synths and a expectant bassline, >memory lane< is an obvious peak time killer. meanwhile on the flip, >not like this< and >pleasure control< carry a calmer deep house vibe, but still enough of a kick to keep the floor moving. enjoy!

kill the pain: epic is the only way to describe the extended intro of kill the pain, featuring acoustic guitar and an earnest male vocal. then, just before two minutes in, things quickly take a nasty turn as choppy breaks splinter into pieces and the bassline reboots the texas chainsaw massacre. an aggressive, genre bending, sure fire floor smasher.
letting go: teaming up with kryteria for the flip, a eurphoric, trancey intro leads into a chainsaw reece, setting the scene for the chaotic chiaroscuro to come: beyond the drop sweeping synths and ethereal vocal snippets somehow successfully coalesce with heavily edited breaks and sawing bass, creating a kind of beautiful violence. subsequently, side effects of letting go include spontaneous eruptions of feet on the floor and hands in the air.

nice price deal !!! three international artists offer brand new visions of guillaminos left in the wild, originally part of the whip gymnastix ep. montreals jacques greene from the luckyme crew has just re-drawn radioheads lotus flower. now he turns guillaminos left in the wild into a refined, sideral analogue sounding slow acid jam. icans esteban adame, linked to underground resistance, galaxy 2 galaxy, and to carl craigs planet e label, translates left in the wild into avid tech-house. certification mark: detroit to los angeles. and finally, from guadalajara, mexico, pepepe is the leader of los amparito and former classmate of guillamino at red bull music academy.

these fellas hailed from leeds, and apparently have some sort of morbid love affair with balconies... mystery meat is on a tear these days and continuing to up the ante bring you a trio of terrific reworks from leeds finest, the dashing duo that is death on the balcony. paul and mark have been on the forefront of the deep house and disco world for a number of years now following a killer contribution to soul claps 2nd free.p >cruel banana< not to mention their >adventures of soul clap podcast - downtown:uptown<. fast forward to 2011 and the boys are on all of the top labels of the moment, including culprit, silver network, airdrop and their own magicbag. its no wonder then that their contribution to the fabled mystery meat imprint is anything short of stellar. >get out of your world< is an electro boogie monster, already melting down dancefloors from london to los angeles, berlin to beijing and back again theres just no denying that bassline! >what is dub< takes things more melodic and dare we say deeper with a hypnotic vocal that you just cant get out of your head. rounding death on the balconys ep out is >if you want my champagne<, a bouncy house re-work of one of the 80s finest voices. bounce to this!

more than 20 minutes of deep bubbling to twisted jacking dancefloor exploration by jason wright on this first hut vibez release. better be quick on this 200 copies limited release!

another superb love record filles with trancey atmospheres and epic breaks. this is one that will go off in the club at peak time. the a side is the ultimate banging club record that is both a very uplifting track and also a straight forward steamer. the flipside hot n old is a rather hard katy perry bootleg with a very mysterious intro that will leave you dazzled once the drums kick in. also this side is very atmospheric and trancey again. perfect for the winter, the roaring bass on this is enormous.

the allmighty prspct arsenal gets expanded bigtime with the coming of prspct xtrm. the name says it all extreme.. over the top underground vibes!
the first release sees the dj producer going head to head with bong ra in a collaboration that is just too much. it starts off with >the abominable<, a track that is insane in every way. heavy hardcore kicks combined with destructive jungle breaks is something only this duo can combine! sitting firm on the edge of hardcore, breakcore and dnb like only these 2 can. >bloodclot techno< is something totally different.. this one focusses more on the jungle/break core side of things but combined with almost terminator esque vibes. definably an epic production if there ever was one!

persnickety sounds is here to funk-ti-fy your world!
in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.
let the labels fall and just get it movin!

simoncino an ultra talented producer from italy with this warrior dance ii will feature on a side his 2 brand new tracks: one cover of marshall jefferson as jungle wonz >time marches on< & >ingas crème<. on b side, we have the very very big honor to get 2 extraordinary remixes from the legendary chez damier, that will remind us whats house music is all about ! a club mix of >ingas creme< & another atmospheric, deep as hell version. useless to say that simoncino is on top right now & is writing some future & clut club classics. just wonderful!

hot off the presses. we just got these in last nite from portland. this is our first real peak at body work, glass candys much anticipated third album. johnny & ida have been destroying clubs with both of these tracks for almost two years now. forever pushing forward into new ground from where b/e/a/t/b/o/x & 2010s feeling without touching left off, they candy coated this slice of analog glamour & sprinkled it with some stardust on top. lazer driven melodies bounce off electro primitive drums that would make moe tucker proud. idas crazy like a monkey & happy like a new year as she sings a call & response to the crowd. >warm in the winter< continues to unfold for seven plus minutes of shimmering percussive synth. the proto boogie b side >beautiful object< is so grimey it makes us think of bbbb s production on the first madonna album. the rhythms keep turning while future & past collide. johnny gives us the usual dosage of heavy bass & crisp handclaps. written & recorded in the icey montreal winter. mixed for all seasons.
entire first pressing on delicious rasperry colored vinyl !

this is the third of the black dogs liber series of releases that are purely aimed at the dance floor. it follows the previous, well received liber kult & liber temple 12s, these singles all lead to liber dogma, due on soma in october, and further chapters. high rise choir reprise opens with clattering percussion taken straight from recordings at forgemasters before a face-ripping gut-wrenching bassline cuts through with one of the black dogs strongest minimal grooves yet. built to move heads and feet, the hypnotic groove hooks you instantly while the haunting strings bring the emotion in massive dark waves, you cant help but fall into this track. beautifully simple, addictive and massive. dissident bleep is just that. over the years the myth that sheffield is all about bleep and bass has gathered ground but those who live here know its all about the bass. industrial repetition gives way to twisted vocal samples of >over, over<, a sure-fire nod to cabaret voltaire, before the kicks and filters pummel you.

carefully caressing your back whilst whispering sweet nothings into your ear, pillowtalk join the life and death family with their modern dance soul hybrid, >the come back ep<. despite the name, its actually a debut ep -- and one that quickly establishes pillowtalks unique sound as an important voice in the new generation of contemporary dance music. already getting serious play (and props) from a wide range of djs, from the deep & soulful wolf + lamb and soul clap crews all the way to the banging bass centric justin martin, >the come back< finds life and death once again crossing the conventional genre descriptions with a true dancefloor bomb that everyone can get behind. imagine motown and classic doo-wop blended with a modern dance sensibility and you may start to get an idea of the pillowtalk sound. but its better to stop imagining and just have a listen because what these guys are doing is so genuinely unique, its not an easy one to pigeonhole with words and genre titles alone. the ep includes >the come back<, >soft< and >long lost friends< as well as a life and death remix of >soft<. put together in the life and death laboratories it brings a darker, deeper take on this beautiful and already incredibly sentimental dancefloor serenade.

powerplay from: iron curtis, quarion, dplay, jazzmina, oliver goldt, tristen …. and your mum! when leaves are falling down its always time for some heart-warming music. so we here at frank music decided to do another special 12inch this year. our good friend monosoul made this handsome house-track called >ignore the traffic lights< that we just love so much it gets a singlesided limited release. we are sure you know the feeling when riding your bike, cruisin your city at night: damn those traffic lights! well, be careful when crossing the street, though.... a real warehouse smash for sure and who needs b-sides anyways.