gatefold + innersleeve + album sticker!taken under the wing of kyambo hip hop joshua. after releasing revolution rising mixtape in with just blaze and collaborating with crystal castle on a split lp, first album is finally out on owsla (skrillex label) for the us and kitsune for the rest of the world. album written, composed and produced by heartsrevolution. mixed by chris zane(passion pit, friendly fire…) but also rock mafia hit makers (no doubt, green day…)

from the often indistinct morass of modern hip-hop comes something so singular as to merit special attention wrote the guardian about: brownstudys tell me more about bubble album, released on third ear in 2005. a most soulfully cerebral volume of no-pose wisdom. mojo wrote, musically: brownstudy evokes the clammy, distressed soul of sly stones riot, and the lush visions of 4 hero. life well lived is brownstudys new album. 11 songs (9 lyrical flows and 2 intrumentals).

im jahr 2007 waren die amerikanischen mcs mystic (goodvibe), hezekiah (soulspazm) und dave ghetto (counterflow) in europa auf tour und machten auf ihrer love life-tour in wien halt. die drei umtriebigen mcs der underground-hip hop-szene begaben sich mit dj buzz, produzent und mitglied der turntablist/dj crew waxolutionists, über mehrere tage in sein buzzment studio und so entstand bislang unveröffentlichte musik, die dj buzz nun endlich zu einem 17-track starken album arrangiert hat, dass nun auch als limitierte edition der instrumentals auf dem personal records label von preddy tendergrass aus wien erscheint!

here it is. the 8th release from leipzig vinyl imprint ors. a various artist ep compiled by label owner filburt. it comes as a five-tracker with works from ranko, andreas techer, mille & hirsch, donnie dubson and filburt himself. donnie dubson and ranko are leaving the clime of house. its more postdubstep infused hip hop. however mille & hirsch bringing back the good old house vibe with the lounge 44 version of their track my mind. the hit of the ep. filburt boils the crowd down with his impression of a morning blossom and andreas techer wake(s) up to start the afterhour at the end of the ep. limited to 300 hand numbered blue vinyl copies.

the first release on our brazil 45s imprint. 1000 press, packaged in brazil 45s house bags.
*deixa eu dizer* is an absolute essential brazilian record, as sampled by marcelo d2 on one of our favourite brazilian hip hop records *desafabo*. the track features on her stunning album of the same name has never been released on 7 inch.
cizinhas track was originally released on rozenblit and has been a firm favourite of ours for a while, although we know nothing about the track.

sub-elevation is a new 12 inch afro-jazz hip hop vanguard straight from cuba, produced by kumar aka sublevao-beat.

cottam is proud to present the first release on his new label, ruff draft. paul cottam came to wider attention with a series of limited edition blank-label 12s released from 2009 onwards, showcasing his production talents by re-working afro-beat, neo-soul, funk & hip-hop into deep house burners, but ruff draft is all about original tracks, and the first release sees three tracks from the man himself.

double vinyl in a matte gatefold sleeve. includes cd-copy of the album.
dfa records is proud to present we got a love, the sophomore full-length by shit robot a.k.a. dublin native marcus lambkin. recorded in germany and new york, the nine-track album includes the killer recent singles, *feels real* and *we got a love*. like lambkins 2010 debut from the cradle to the rave, we got a love sports an array of guests that include dfa veterans nancy whang, museum of love and luke jenner (the rapture), plus hip-house hero lidell townsell and australian singer holly backler. the albums distinctive artwork was created in collaboration with irish graffiti artist maser.

the debut album by dam swindle. it has everything you would expect from the swindles, some slow burners with a hint of disco, some deep house, some banging club monsters and hey, even some leftfield hip hop jams

bostons legendary mc edo. g teams up with producer duo red & spinache for this new, limited translucent, purple colored 7 inch vinyl single. *the great divide*, pressed on a beautiful, purple vinyl is a soulful hip hop anthem. side b, remixed by bodziers adds a gritty, boom bap flavour to the whole package. 500 copies available.

it s time to celebrate! at catalogue number 20 uncanny valley extends its compilation-concept to 12 tracks spread over three records (or as a bundle if you prefer digital). with new music by label-regulars like jacob korn, cuthead and credit 00, friends like rvds & k alexi or filburt and fresh talents like goetterkreis & steve kasper it is an exciting ride along the winding roads through the uncanny valley. the three records are visually linked with distinctive artwork by the ever-reliable paul waak. part 2 sees the long awaited return of jacob korn whose der don is his first production for uncanny valley since his acclaimed album you & me in 2012. with overlapping strings and thrilling beats it s an epic dance floor banger and jacob korn at his best. dresden s goetterkreis and steve kasper put their focus on percussions and dub techniques. their puli kali (rooted dub) is a well-executed combination of dubby techno and funky uk bass music. also new to the label is lounge 44 who works up a soul tune into a climatic house track in best cut-up fashion. kornhead aka jacob korn and cuthead throw together their preferences for pumping beats and jazzy samples which results in a laid back house track that actually wanted to be hip-hop jam. free download included.

moj001 delivers to you five tracks from little nobody which fascinatingly branch through diverse genres and influences which here, on the one record alone, manage to represent this artists wide variety as well as nicolas. judging from this artists extensive bio, since hes delved through techno, idm, hip hop, jazz, disco, electro, etc, the wide-spectrum approach becomes evident. like many artists from the 1990s, little nobody brings with him the healthy baggage of music with a message, polemic subjects, thoughts, ideas, humor, you name it. this comes as an aural statement: music has the power to challenge us, the way in which we perceive the world, and points out things which could potentially generate change for the better — if we only stopped and considered looking that much deeper. so this record couldnt come at a better time, a period in which we live where everything is disposable and a numbed societys music attempts to reach out for our consciousness — posing for us the opportunity to stop and think.

tartelets latest comes from glenn astro. currently residing in essen, he has spent a bit more than half his life djing and producing, first in the realm of hip-hop and more recently with an ear toward dance music. after his first releases in this style in 2011 and 2012, glenn really went for it in 2013 with a trio of eps that showed hip-hops soul and house musics drive are in no way mutually exclusive. this 26-year-old may embrace the latter these days, but when you close your eyes and let his gritty low-end do its dirty work, you will hear plenty of the formers bump still kicking around in there.

die harmonien seiner spanischen heimat treffen auf den bumms von berlin und die zeitlose magie kalifornischer sommernaechte - und das mitten im wunderschoenen lichtenberg am meer. trommelwirbel, fanfaren, fliegender roter teppich: der style fuer das fruehjahr 2014 heißt surf n bass. den meisten ist der 26-jaehrige wahlberliner bekannt aus dem umfeld des deutschen hip hop-endbosses marteria, seit vier jahren ist der selbsterklaerte affenjunge fester bestandteil von dessen crew

on remix duty, soul clap transforms the tempo and vibe into a dance groove guaranteed to get the juices flowing like a glass of funky cold medina.

boston label get on down can always be counted on to produce high quality reissues of hip-hop gems, and of course this album is no exception. lord willin was the acclaimed breakthrough release by virginia duo clipse, featuring rappers pusha t and no malice, backed by the eccentric production of the neptunes. both mcs had past connections to the underground drug world, which influenced the gritty, hard-hitting street rap within. the album also featured guest spots from jadakiss, styles p, nore, fabolous, faith evans, and early-in-their career appearances from sean paul, kelis, and lil wayne. get on down now presents the album, fully re-mastered and re-constructed on double vinyl, after long being out of print in the format.

truth & souls frauengruppe lady, angeführt von der einzigartigen perfomerin und songschreiberin nicole wray, mit einer neuen 10 inch aus ihrem gleichnamigen debütalbum mit remixen von dj spinna, oh no und truth & soul productions. die new yorker hip hop- & house-legende dj spinna verwandelt *good lovin* in einen treibenen house-track mit old school acid flair, madlibs bruder oh no (stones throw) gibt dem ganzen einen dreckigen hip hop punch und das truth & soul-productions team (jeff silverman & leon michels) hat für den monströsen hlic mix das ganze neu aufgenommen und gemixt. limitiert auf 500 stück weltweit!

limitierte 180g auskopplung aus dem debütalbum des electro-goth duos snow ghosts samt einer ambienten dekonstruktion des multiinstrumentalisten richard skelton und eines idiosynkratischen dancefloormix von matthew herbert. hinzu kommt ein bonus-remix von covenant, an dem neben dem dubstep-künstler blue daisy auch hey zeus aka dahlia black teilnimmt, der das original zu einer horrorcore-hip hop version mutieren laesst.

nice price deal !!! mit seiner mischung aus juke, electro, dubstep, ghetto-house und jeep-rocking hip-hop erstellten bass musik zum tanzen zwingt oder man sich die unterlippe wund beißen müsste.

geschmeidig faedelt madmotormiquel seine audiospuren durch genres und stilistische andeutungen. dabei gelingt es ihm, das scheinbar gegensaetzliche zu harmonischer stimmigkeit zu vertwisten. etwa hip hop und gradlinige tanzmusik. für den titel daddy are you proud verteilt der berliner produzent jazzige piano-samples und poetischen rap zwischen wummerndem bass und treibenden hi hats. mollono.bass setzt die stimme des originals nur sparsam ein, angelt sich für seinen remix die hintergruendigen synthesizer-akkorde und lotet ihre melodioese tiefe aus.. sie erweist sich als verdammt groß. im zwielicht hypnotischer flaechengebilde zeichnet sich mit minimaler und doch extrem schwungvoller rhythmik ein klangbild namens recall ab, und im spiel zwischen trippigem beat-gefrickel und verträumtem klavier-geklimper entsteht die dynamische ironie von too much money not enough style. eingaengige grooves aus faszinierenden zwischenwelten!

this limited edition 7 vinyl from mcm, released in conjunction with headcount records is a little slice of history. the former lyricist and front-man of the pioneering uk hip hop crew, caveman delivers two solid joints. caveman was the first uk hip hop group to get signed to a major label and signed to profile records in 1990. the crew quickly established themselves as one of the uks most popular and versatile acts. over 20 years after the first caveman album, mcm is back. the a side cut, r.e.a.l (rhymes equal actual life) is featuring fellow high wycombe emcee c-lone and is produced by rinse dog with the cuts by mr brown. the b-side cut is through and through mcm.

limited 7 inch release, killer hip hop

der baltimorer dj und produzent mit seiner 12inch zwischen house, hip hop, dub und techno. feat. osunlade (yoruba records). limited edition of 500 copies on clear vinyl.

robosonic has been a pivotal part of off recordings roster, their releases being highly expected every time and usually meaning instant dancefloor melting magic. with a hip hop and techno background and adding many frequent flyer miles with worldwide gig schedule, the pair shows no sign of stopping. this time is no exception, cord and sacha get back in their creative roll of sample wizardry to provide two mouth watering jams. they once again prove their love for organic sounds and reivindicate the use of the turntable as an instrument, adding that old-school vibe to their trademark beats. macho madness is quite a trip, sweet rhodes over a bouncy bassline, great sample work adding guitars and an insane speech. as always, breakdowns are intense and its impossible not to dance to the groove!for the second track, robosonic joins another off family team, mat.joe and together they go deep into their hip hop influences again working the samples as only they could, a little disco flavor, a driving bass...all the ingredients are there for another instant classic and a respectful shout out to detroit producer legend j dilla, who left the game too early. r.i.p!

nice price deal !!! georgia is a collaboration between brian close and justin tripp. on their own georgia sounds imprint, they have previously released one album, asemic club, a collection of sound recordings from the previous 5 years, woven together into a dizzying stew

marteria gehoert ohne jeden zweifel zu den erfolgreichsten kuenstlern der deutschsprachigen musikwelt, vor allem jedoch zu den entscheidenden vorreitern und impulsgebern des aktuellen hip hop-booms. dreieinhalb jahre nach dem hochdekorierten erstling ist der rostocker nun mit dem nachfolger zum glueck in die zukunft ii zurück: ein visionaeres album, das von lebensentwürfen und lebensbewaeltigung handelt, von der revolution und vom reisen, vom erwachsenwerden und davon, auf ewig kind zu bleiben. es ist groeßer als hip hop.
das doppel-vinyl erscheint inklusive cd-version des albums und 2 doppelseitigen foto-drucken.

ron morelli returns to stare down the ‘floor with four pieces written during the stress-busting sessions for ‘spit’. the muggy, droning welt of ‘public consumption’ kicks off with the sound of new york techno shot from the hip, while ‘another hit’ vents a vintage era-regis style built on skull-chipping snares and effluent acid modulation. the album’s writhing batacuda banger, ‘crack microbes’ reappears here as an extra-ferric extended version, sustaining the hypnotic intensity for nine minutes of panic attack acid and febrile cowbells, while ‘’rushing again’ escorts us to a close with triplet techno shook down by railgun snares and a grotty synthline.

back to the oldschool. this classic rap tune was turned into raw and jacking hip house. early support by: gorge, tapesh, mario aureo, robosonic, luca marano, kolombo

die münchnerin verbindet auf ihrem debüt orientalisches mit hip-hop und r&b. pressung auf 180 gramm vinyl, inklusive cd-version des albums.

180 g vinyl! a real hip hop classic you ll all know this classic tracks - a must have

limited 2013 repress !!
4 track ep of three now unavailable trusme productions (originally released on the still love for music 12s) and a hip hop tune taken from the >producer no. 1< compilation on fat city. includes >good god<, >browns<, >w.a.r. dub< and >phone spittin<. these tracks have not been released on the trusme lp!

michael & mattis are based between new york and oslo. maybe thats why their music has such a unique feel. blending the oddness of norwegian labels as sex tags mania and the ongoing musical heritage of nyc in hip-hop, disco and house, they produce twisted house jams that manage to remain raw and catchy at the same time. bold grooves and smooth vibes produ- ced with tape warmth and a singular pop appeal.

dan le sac vs. scroobius pip, das britische hip hop- / elektro-duo, kehren knapp vier jahre nach der veroeffentlichung ihres vorgaenger-albums the logic of chance mit ihrem dritten studio-album repent replenish repeat zurueck. repent repenish repeat featured auf dem track gold teeth den britischen dubstep produzenten und dj flux pavilion.
pressung auf schwerem 180 gramm vinyl, inklusive liner-notes und downloadcode.

repress - aller guten dinge sind drei. shuko & f. of audiotreats sind wieder da. im rucksack haben sie den dritten teil der cookies & cream -serie. seit der letzten cookies & cream lp ist vor allem bei platin-produzent shuko wieder viel passiert. der gebürtige mainzer, der im letzten jahr mit produktionen für talib kweli und für die platinalben von 1995, sowie sexion d assault glänzte, konnte auch dieses jahr wieder edelmetall in seinem studioflur auhängen. es enstanden produktionen für den rap-shooting star cro, die nr. 1-Überraschung des sommers, genetikk und das jbg2-album der gangstar-rap supergroup kollegah & farid bang, dass in der ersten woche mehr als 80.000 einheiten über selfmade records verkaufte. außerdem enstanden kollaborationen mit dem westcoast-mc blu für eine weitere jakarta records veröffentlichung als limitierte 10inch und beiträge auf dem aktuellen ra the rugged man album. f von den audiotreats hat in der vergangenheit für künstler wie chima, dendemann und joy denalane produktionen beigesteuert. cookies & cream 3 fügt sich nahtlos in die reihe der beiden vorgänger lps ein. soulfull und feingliedrige hip hop-beats als instrumentale, die auch auf albumlänge funktionieren. ein deutscher beitrag zu der z.zt florierenden beatscene, die weltweit die aufmerksamkeit der major labels erweckt. die vinylversion des albums ist auf 300 kopien limitiert.

since the early 80s maddisco has been heavily into hip hop and electro, recording his favourite stuff from the radio until the late 80s when he started collecting vinyl and djing, chicago house and detroit techno were the first genres he went for after hearing them at the club rip in clink street, quickly followed by balearic, disco, funk, dub and ambient music some of which he heard at danny ramplings club shoom

in the midst of the increasingly popular house music hurricane comes a fresh two track ep from one of the movements most promising talents, richy ahmed. taking cues from hip-hop, techno, funk and disco, the drums ep arrives on the 2nd of december via hot creations.

fresh from producing kanye west, remixing woodkid and releasing two blazing hip-hop-influenced mixtapes, late night alternative and the purple ride, brodinski continues to spearhead the new wave of french electronic dance music with this brand new club orientated collaboration with multi-talented rapper/songwriter theophilus london.

belfasts seven music returns with yet another 12 inch that sees the return of montel, a belfast house head whose rise has been nothing short of meteoric. first surfacing in january of this year, montel has graced many of the underground house scenes best imprints with his straight up, no nonsense approach to house & garage!

next sinnmusik. 4 deep blunts between new york and chicago house. forward thinking label, publishing group and talent scouts >sinnmusik< present another promising producer in kassel based georgi barrel. with his roots set in hip-hop production, georgis debut ep >ghetto dinner< is a pack of roughly forged house grooves peppered with dusty percussion and soulful vocals.

limitierte 12inch mit zwei tracks aus dem neuen jackson and his computerband-album glow mit den originalen plus zwei neuen remixes von jackson himself sowie dem mann der stunde an der schnittstelle zwischen hip hop und electro, hudson mohawke (tnght).

4 raw, moody deep house cuts from vancouvers resident soul slinger. heavily influenced by classic hip hop production styles, he reworks soulful vocal samples with gritty drum grooves for a modern twist on classic urban sounds. limited to 300 numbered copies.

the british producer luke solomon wanted to add his own remix of thankyou porvenir to the oblack collection. a remix that is gonna give more than one broken bone in the hip and pelvis. it is music strictly made to dance to, full of energy and showing the craziest side of house. a track where horns and whistles can be heard, even pixelated voices, with an insane 8beat path that gives to the song the exact amount of tasty flavour. no joke fellas! this is a kind of slam dunk piece for solomon

it is 2013 and in this release we hear a totally new approach to sampling. a vinyl release of two artists. fitz ambro$e (cape breton island) residing intokyo, & ohbliv of richmond, virginia(usa). fitz ambro$e sound has unique influence from 90s hip hop and 80s soul, he is also affiliated with cosmopolyphonic collective in tokyo. from the record archives of his father, ohbliv developed the charm of sampling. the record is a 14 track collage of beats from two uniquely talented artists who transcend their individual musical roots. as if competeing with each other both leave the remnants of sampling material, and the method in which they cut and chop is truely an interesting work.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

ol aka oleg buyanov is well known in his native russia already. he has a background extending from releases on faces records and scuzzy lo-fi hip hop beats on labels like error broadcast, idle and fine grains dating back to 2007. more recently though he has been increasingly turned on by dance floor focussed sounds and as such, here come two missives on russias capital bass (which also hosts a popular bass and garage night in moscow and has done since 2006).

transparent sound formed in bognor regis (west sussex) 1994 and are one of the uks longest running electro acts. transparent sound is a collaboration between orson bramley and martin brown. having grown up on hip hop, electro, 70s electronica & legends visage & cabaret voltaire, they set about creating their own unique electro sound. we proudly present their first release on society 3.0 recordings, which comes with remixes by icr and arquette aka marquez ill.

our west coast brother from another mother marc barrite has been a vital part of the circus company troupe since the early days of the label, due in no small part to his combination of flamboyant style and hefty funk. for all the experimental qualities in marcs music as dave aju there is an equal amount of hip hop swagger and heartfelt soul, and when you filter those elements through a house music template you get close to a perfect definition of the tastes that drive our label.

after a new trip to new york and several collaborations on their respective projects both fellows decided to work on a common project: in the cut. still inspired by mid-90s new york hip-hop, this albu is produced entirely by dj low cut. nutso is not alone behind the microphone since you will found many guest appearances like smiley the ghetto child, rasheed chappell, dirt platoon, timeless truth, nems, ft, ag da coroner and c-rayz walz. like the song *shut em down* (a tribute to public enemy) or *grand scheme*, the 10 tracks of *in the cut*, definitely boom bap, will bring you in a world where underground hip-hop sharp lyrics, mingles with the melancholy samples soul 70s.