killer, heavyweight double pack from the chicago dons - master c&j! originally released in 2002 and featuring some unreleased and alternative mixes and versions of some classics and various projects they worked on this double lp is indispensable for any fans of vintage dance music. all of the hallmarks of master c&j s sound are here and we ca easily see what a huge influence their style was on everyone who came after them, this double lp serves as an essential collection and overview of some of their finest moments. remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

supported by: bottin, chris fortier, bill brewster, pete herbert, ibiza sonica, dmc world, ibiza global radio, cole medina, paul bonomo, laurent pastor

better known as kemback, geoff wright is a bristol based producer, selector, composer, violinist, teacher, and waiter whose music is rooted in house and techno but often treads into the weird and wonderful worlds of jazz, soul, folk, and blues. while his gritty drums and shuffling grooves bear the hallmark of the city he now calls home, the melodic sensibility of his emotive strings and distant glimmering synths harks back to the tree-lined footpaths of the tiny scottish village from which he takes his name. his debut release in 2014, on bristol mainstay futureboogie, received widespread support from djs as diverse as skream, mosca, and nemone. more recently his effort as part of alfresco disco s acclaimed maximum joy series, titled awaken , has been likened to the music of artists including floating points and leon vynehall. good night & for you today, the two tracks on kemback s omena debut, showcase a high level of production skill. to complete the package the always excellent auntie flo (aka brian d souza) & omena label boss tooli take turns in remixing good night.

hunting down the coolest sounds around the globe, the wewantsounds crew have curated another special mix for your lazy sundays. dishing out a tasteful mix of new tracks from under the radar, this selection features a string of sunny pop, indie grooves, chilled electro and relaxed disco, the whole seasoned with a couple of leftfield cult classics and classy jazz tracks for good measure. sunday mixtape is the perfect sonic brew that will bring you back to life after a long night or hard partying.
the double vinyl release includes a download code.

shackletons most expansive, ecstatic and hallucinatory music to date’ (in impressive gatefold packaging)

nice price deal !!! free download code for this album included.

it’s been 3 years since cayetano’s -once sometime- album, which received great reviews from the press as well as amazing feedback and support from artists such as thievery corporation, the herbaliser, mop mop and skeewiff to name a few. now, cayetano is back with 11 different stories about everyday life, love and loneliness to be heard as one. it’s the first album where he plays almost all instruments by himself, apart from the guitars, performed by alex papoulidis. from the fusion feeling of -talk to me-, or the deeply emotional -something in you- and -hold me tight-, to the funky -third world war- and the cinematic -leningrad-, from the jazzy -fading away-, to the pop oriented -treat you right-, -where the sun shines- and -never said it’s easy-, cayetano creates another sonic kaleidoscope for your special moments. electronic music at it’s best. music with soul and heartbeats by one of the leading greek artists. cayetano is back.

180g vinyl, original release date: 1972 - this reissue: 2016 genuine reissue from the original audio sources, new analog transfer and improved mastering, pressed on black heavy vinyl. file under: psychedelic, rock

nice price deal !!! supported by: xpansul, mathias kaden, ellen allien, johnny d, cirillo, dandy jack.

special summer deal! bouncy & soulful late night house groovers & effective dj tools

original, warm, pure house jackers and true dj weapons

growin music is a new experimental & atmospheric label who s fourth release comes courtesy of the dlsk project.

bleed release a second ep of the year in the form of a third solo outing for label head volte-face, who also records alongside daniel avery as rote. recently featuring on semantica s latest nonnative compilation, you bury me sees volte-face further refining his hypnotic, atmospheric approach to techno. the a1, shirime , is dark and trippy, with a brooding atmosphere throughout. iori s remix on the a2 recontextualises the core elements of the original track with a broken-beat. the b1, you bury me , features a grindingly anthemic synth-line and marries it to a gothic ambience. dead cat on the dinner table rounds off the ep, an unapologetically straightforward beat underpinning some outrageous and unpredictable sounds. early support from dj nobu, svreca, daniel avery, tripeo and etapp kyle.

the 2nd release for re.you on connected – the brixton/berlin based label – distributed by kompakt records and run by terranova and stereo mcs

admaiora is proud to announce another release. no one other than arado makes his debut on our label with even if u have ep. hailing from düsseldorf, arado made his strong entrance in the music scene back in 2010 with ‘uganda express’ (with den ishu): since than hes been loco dices protégé for a long time, with several appareances on desolat, area remote and snatch! to name a few. he also had some very successful collaborations with italian marco faraone, which were released on moon harbour and etruria beat too.

the seminal production duo that was kevin hedge and josh milan - aka blaze - during the 90’s set the bar for soulful dance music. their body of work in the 90’s is unparalleled in house music, and is still discovered by generations of music lovers today. on this limited edition 12” repress we combine two timeless productions with milan performing under the moniker of alexander hope.

guitarist rolando bruno hails from buenos aires and got his start playing a raw brand of garage and punk with his band los peyotes. a few years back he took a step into the not-so-distant world of afro-peruvian psicodelico that s had a recent renaissance throughout south america. what made his early forays into a more tropical branch of fuzz so unique was his accompanying band-or lack thereof. armed with an electric guitar and self-produced and recorded backing tracks, rolando bruno and his orquesta midi jet-setted across europe and japan as a mad scientist one-man band, laying down a relentless style of chicha classica gone loopy that earned him several tours and a full-length album with the swiss imprint, voodoo rhythm. originally recorded in 2011 and now remastered and presented by names you can trust on vinyl for the first time, these two tracks are a glimpse into rolandos prolific electric madness and a lysergic-laced pointer towards things to come from the talented six-stringer.

a smoky 80s nightclub, muffled background voices, dim red lights and whiskey drowning your soul... this is -so you are- scenario, the perfect soundtrack to a lost love that takes comfort in a slow and dogged boogie-down vibe. voice by filippo zenna (records collector and dj, periodica), drums sandro zampera (collective blends), keyboards alessandro mutto (collective blends).

with almost 50 digital releases in the space of 8 years, it s about time we gave the vinyl junkies what they want: lazerslut on wax. an intense studio period recently took place and the three originals on this release come straight from the obscure soul of miro, a genius mind backed by two decades worth of music production experience. the ep comes topped with a remix by troy pierce.

“last days and time” is the third studio album by american r&b group earth, wind & fire, released in 1972, their debut album on columbia records. it was recorded at the legendary sunset sound studios in hollywood, california, with founder and multi-instrumentalist maurice white, verdine white and philip bailey. due to their live performances it cemented their status as the main funk band and set the stage for the band’s blockbuster breakthrough. songs on the album like “make it with you” (originally from bread) the pre-“brazilian rhyme” powerful funk sax style “power”, (which sounds like an early version of “serpentine fire”) and “remember the children” are excellent examples of the great songs and albums they have made during their career.
180 gram audiophile vinyl, housed in a gatefold sleeve.

lastly, she owns the game is the most melodic of the lot, with a far sighted ripple of keys, spaced out atmospheres and muttered vocal lines all making for something that is truly from another world.

major discoveries found in a chicago basement shared with world! this collection shows vast possibilities and a hope for the future of house music that there is much more we still don t know! keep your eyes and ears wide open and support this label! encourage the search to continue. note the mr. fingers sounding track included.

stamp s back in business with two surefire disco edits from the mighty man power! after releasing some great original material on correspondent, hivern discs, throne of blood and voyeurhythm, the englishman-in-mexico shifts his focus to reinterpreting an early 80 s r&b hit and some hypnotising funk from the sultan of seduction. thnk u on the a side is all about building tension and teasing the crowd while ablett on the flip pushes up the tempo to create a break-heavy and hypnotic roller destined for peak time euphoria. unmistakable keys and excellent drum programming. keep em coming man powe

recorded in kobe, kyoto, tokyo, september 2015 photos by jim orourke. layout by shunichiro okada despite decades of activity and having crossed paths in various collaborations editions mego is honoured to release the first ever duo recording from two of the most highly regarded citizens of planet experimental electronic. individually, jim orourke and christian fennesz have been responsible for numerous legendary works which merge the traditional avant-garde with contemporary sensibilities. on its hard for me to say im sorry these giants of experimental electronic practice come together for an immensely powerful sonic experience. the signature of both o rourke and fennesz cohabit this new release with o rourkes gurgling harmonies swimming amongst the shimmering frequencies and strummed melodies produced by fennesz. two side long tracks situate themselves as a warm electronic adventure. simultaneously radical and comforting these works shift from gentle sonorities to fully distorted explosions all of which reside within a template of tension between musical and non-music matter. timeless in execution and presentation its hard for me to say im sorry is a deeply rewarding sonic experience from two of the most romantic gentlemen active in experimental music today.

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension.don’t worry,the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostfacekillah, one of wu tang clan’s members that delivers a punchy performance on the upbeat tempo track “thrilla-, as well as steve edwards, the house music singer who sang with swedish producer axwell, and who’s also known for having lent his voice to bob sinclar on the famous “world, hold on-. we’re releasing the album once more, so that you can get back into the fabulous swing of cassius.

der dortmunder larse hat bereits eine lange liste an fantastischen releases vorzuweisen, mit originalen und remixes auf großartigen labels wie dfa, defected und eskimo, eine der einflussreichsten deutschen radiosendungen für clubmusik (1live -clubbing-), ein bbc -essential tune-, eine goldene schallplatte, uvm. mächtig stolz sind wir, diesen ausnahmeproduzenten nun als festes mitglied der suol-familie willkommen zu heißen, dessen style genau dem entspricht, was wir bei suol mögen: vielseitig, geschmeidig, mit einer menge soul und dabei stets tanzbar. und das trifft auch auf die -on canvas pt.1- ep zu, die neben funky grooves und straighten 4-to-the-floor rhythmen auch die wunderbare stimme von lisa shaw (naked music) vorweisen kann.

very tasty output by high water! tip! jazzy, trippy reggae house vibes

nice price - all tracks written and recorded by gordon sharp and matt kinnison between 2006–2011 at roi vert, okamoto (japan), 13th floor and space eko (london), southend (essex)... mastered at piethopraxis, june 2011. cut by rashad becker at dubplates & mastering, berlin, june 2011. hold everything dear is the third instalment in the new cindytalk sound which started with 2007s the crackle of my soul, and then last years up here in the clouds. its the first in the trilogy to feature musicians other than gordon sharp namely the late matt kinnison, to whom the album is dedicated. inspired by the john berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments. and what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks are no longer clearly defined. it harks back to the odder parts of in this world and the wind is strong albums from the early 1990s

die fans im londoner hammersmith odeon ahnten nicht was passieren sollte, als sie gespannt auf ihr idol bowie aka ziggy stardust warteten. es sollte die letzte show der person ziggy stardust sein. ein furioses set mit allen hymnen aus bowie’s damaligen schaffens dokumentiert die großartigen live-qualitäten von ziggy und den spiders from mars. vor dem letzten song läutet bowie den “bühnentod” von ziggy stardust mit den worten ein: “of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it s the last show that we ll ever do. thank you.”

how to introduce the first record by wolfgang tillmans? now considered one of the most significant visual artists working today, his very first passion in life lay with music. this record features on its b-side three songs recorded in 1986 in his home town of remscheid. the a-side features two pieces recorded in 2015/2016.

eduardo de la calle brings back to memento his trademark analogue sounds and musical experimentations with the golden archives 1 ep. two tracks that once again define the spanish mavericks personal hybrid of detroit techno and european electronica, veering into psychedelic territory and progressive rhythms, and continuing to explore the outer limits of the underground scene. * missing you (edit)*s chants and deep soulful atmospherics build up with emotional piano melodies, while * quasicalligraphic*s mechanical stabs and ghostly synths are accompanied by spectral percussions and melancholic chords.

elektronische remixes für die vierte single let it carry you aus dem aktuellen josé gonzalez album vestiges & claws . dfas new yorker synth-popper holy ghost! verzaubern mit einem 1980 er dancefloor-groove mit deutlichen italo-disco-anleihen, während disco-guru dino socchio aus los angeles seinen remix auf einem smoothen, mellow, fast balearischen sommer-vibe-level hält.

the hungarian drum & bass innovator jade, known as head honcho of neurofunk powerhouse eatbrain, returns to citrus recordings. for the a-side none other than break takes up remix duties reworking jade’s “what you are” that was originally released on his own imprint back in 2014. continuing with “monstereo” we hear a more rolling, pumped up groove underlined by tear up bass sounds and fueled by hyperactive arpeggios.

and again - a fresh acid techno release outta space! this time: on the a-side you find the repress of the acid techno cracker from steve mills & dave the drummer licensed from wah wah 021 and an excellent new acid techno track is added on the b-side from steve mills & jack wax! don’t miss this one!

the 6th studio album from band of horses as 12 inch vinyl with download code included.

groovige tech house ep

taking a step back from packed yoshi classics, weve decided to keep it simple with this one, kings of tomorrows i want you for myself. this tune needs no introduction its a vocal powerhouse that had dancers singing along worldwide in the summer of 98.

12 track album from horace andy, wayne jarrett & the wailers released by dub store records.

qnd philosophy starts with a new project from veteran cosmic disco originator daniele baldelli and his long time partner in crime marco dionigi. the two gents will take us into a spaced out galaxy of sounds. so sit back. fasten your seat belts and enjoy the trip. daniele baldelli (baia degli angeli/cosmic) considered worldwide as a truly innovator for his cosmic style trademark a mix of african music, disco, psychedelic rock, krautrock and dub, often played at the wrong speed, hes a very active dj and respected artist. marco dionigi resident dj of top italian club alterego since 89. besides being the mastermind and founder of quantistic division/qnd philosophy labels. he is a popular dj and and experienced producer key releases baldelli & dionigi cosmic disco? cosmic rock! (eskimo recordings) baldelli & dionigi the units remix high pressure days (opilec music) baldelli & dionigi adaptors the music of richard bone cd (prismatikone records/word and sound) baldelli & dionigi phil manzanera caracas - mental remix (ln/cc recordings) baldelli & dionigi museum of love remixes (dfa records)

with magnum vol. i, d.o.c. records has positioned it self as the home for both veteran and freshman artists, a well-needed break from the labels regular routine that was put to good use, resulting in one of the most defying releases to date. filled with exclusive brand new tracks from monolink, ant, l_cio, m.a.s., shadow movement, elekfantz, hnqo, come and hell, monotype this v.a. meets the high demands of the music scene, thanks to a particularly strong line-up showcasing both the best sellers and the personal favorites of the last two label years.

death in vegas kehrt mit -transmission- zurück ins rampenlicht, dem sechsten release des von richard fearless vor fast zwei jahrzehnten in leben gerufenen projekts. dieses album setzt den weg fort, den fearless mit satans circus und trans-love energies begonnen hat, und ist aus dem bedürfnis nach einem immer raueren, präziseren klang entstanden. verbunden über die liebe zu throbbing gristle und chris and cosey, hat sich fearless mit künstlerin und schriftstellerin sasha grey zusammengetan, deren texte in den klangkulissen aus viszeralem techno und beunruhigenden, diskordanten drones nachhallen, eingewoben in einen zustand traumähnlicher euphorie. sowohl aussenaufnahmen von dem konstanten gedröhn des flugverkehrs und dem unaufhörlichen lärm aus der stahlfabrik gegenüber den metal box studios von fearless, als auch die scheinbar aus einem roman von j.g. ballard stammende landschaft, in der diese gelegen sind, üben ihren einfluss auf das album aus, das licht im dunkel suchend.

limitierte wiederveröffentlichung des 1996er albums “animal rights” als 180g schwere vinyl edition. bei erscheinen waren die moby fans irritiert, denn statt eines weiteren elektronik-albums wandte sich moby ohne vorwarnung dem alternative und punk-rock zu. in der rückschau passt dieses album jedoch perfekt in seine discographie und harmoniert mit seiner sozialisation und seinem weltbild. auf dem album covert moby mission of burmas thats when i reach for my revolver und entschließt sich nach veröffentlichung mit künstlern wie soundgarden und red hot chili peppers zu touren. auf dem cover ist moby zu sehen, nur zwei wochen alt, in den armen seines großvaters.

mr. britpop meldet sich zurück an bord: viertes soloalbum des ehemaligen verve-frontmanns.
das 180 gramm schwere doppel-vinyl erscheint im klappcover inklusive downloadcode.

soul jazz records’ new ‘boombox’ features some of the many innovative underground first-wave of rap records made in new york in the period 1979-82, all released on small, independent, often family-concern record companies, at a time when hip-hop music still remained under the radar.
triple heavyweight vinyl includes full artwork, text and notes as well as free download code.

singularis, the talented young beat-wrangler from the netherlands, first appeared on the cold busted label at the age of 16 with his impressive debut album evening hours. since then hes grown both as a producer and in age, now unveiling what a time, his third fulllength for the prestigious downtempo imprint.

2016 reissue, kieran hebdens fünftes album ist erhältlich als eingeschweißte, schwarze heavyweight doppel-lp mit mp3 downloadkarte im gatefold-sleeve!