san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

cartoon soundtrack alike electronica with elements of jazz, funk...

the soundtrack to soul jazz records feature-length documentary *studio one story* on double 12 inch vinyl. 2024 repress.

haunted doorbell are timothy j. fairplay and matilda tristram who released xylophone together last year on astro lab recordings. picking up where xylophone left off unconnected thoughts on jacking is four tracks of naive melodies, rough slamjack drums, and new age atmospheres. starclash kicks off side a, with its dramatic arpeggios and sid chip crashes, techno to soundtrack the saturday night laser show at the planetarium. following is a night of adventure with its eastern scales and washy broken chorus unit hiss. on side b we have beautiful sheffield - an ode to electronic musics (possibly) most important british city and the title track rounds of the ep - house music for listening to while looking out to sea.

it s fair to say khijda s debut ep on especial was one of the highlights of the label to date. mustafa - in original form and remixed to distraction by timothy j fairplay - became the soundtrack for many a summer party, while abul was perfect for those deeper late night afters. ... played by jonny 5, dj sofa, ali renault, gitchell moore, the legendary 1979 orchestra, dynamicron (los grandes/our nights), jack pattern, lurid music

aaaas debut album *shiva watts* sounds both vivid and complex, capturing the raw energy of the mexican producers praised live performances at mutek, boiler room and elsewhere. it is a direct result of tireless, disciplined experimentation with analogue hardware. the 16 tracks on *shiva watts*, which is available for the first time ever on vinyl through the berlin-based antime label, take their cues from a variety of musical styles, most notably acid, combining elements of hard-hitting techno, textural idm, dry-but-funky electro and trance-inducing house with lush ambient-leaning interludes. *shiva watts* is an album which celebrates stylistic and emotional ambiguity, which provides the perfect soundtrack for a world yet to come - and everything that will follow after that. the vinyl lp includes a download code.

perfidious first release is a three-tracker by roebin de freitas. he brings us his personal soundtrack to dirk de wachters book ‚borderline times. a balance between subtle, blunt, pensive, effective, elaborate and straightforward techno will have your feet moving and your brain popping.

garofano rosso is the latest project by italian producer giorgio luceri, perhaps better known for his work on jamal moss mathematics label. this new work eschews the house stylings of previous releases in favour of a more classic cosmic approach. echoes of tangerine dreams thief ost mixed with what could perhaps be the imaginary soundtrack to miami vice if it had infact been set in rimini and starred maurizio merli as sonny crockett. these are not however just mere mood pieces, but take the sun, the sea and the body-count straight to the dancefloor. not to be missed. mastered by alek stark. artwork by eric lee. always limited. download code included.

the third release on palms & charms comes from tokyo club stalwart masanori ikeda (mansfield, ikeda x), who has had previous releases on the legendary flower records and cos/mes imprint snaker. a resident dj at london club wag in the early 90 s, masanori returned to japan later in the decade and has since provided the soundtrack to many a tokyo night-time adventure, most recently with his continuing residency at shibuya institution oath. with afro tipsy, masanori offers up a monster of rolling percussion and pulsating synths. feel the stress of the day fall away, your veins flowing as if with the very energy of a thousand suns. moving confidently to the dance floor, your head and limbs begin to move in new and unexpected rhythms. don t be alarmed - you feel good. on the flipside, the remix from almunia (claremont 56) takes you deeper than deep. the sound envelops you as you enter the club. the continental winds and low pressure lift you aloft and you circulate around the dance floor, carried far as if on a warm jet stream. the rhythm drives, dubbed-out guitar echoing through the night. leonardo ceccanti and gianluca salvadori taking you to new places.

there are two front-cover artworks on one record: one by stefan marx, one by alex solman info: back in 2012, benjamin brunn played a heartbreaking ambient liveset at the almighty golden pudel club, hamburg. his set was recorded and released as a cd on pudel produkte. as it was the perfect soundtrack for the lazy days at smallville recordstore, we all felt the urge to release this on vinyl- and during a blurry smallville night at pudel, we decided to do it. benjamin cut out two parts of 20 minutes each and here it is as a limited recordstore day 2015 item. there are 2 front covers on this fullcover sleeve- one from stefan marx and one from alex c.i.a solman, the king of pudel-related artworks and mfoc.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

the munich born sound architect has released 13 eps, two long payers and numerous mixes in her distinctive extravagant and charismatic style. her music includes techno productions as well as -music for theater-. we picked up on cio when she moved to cologne several years ago and appreciate her as an exceptional human being and as a tastemaker. this is the second release she has done with us. her hypnotic djs sets enchant clubbers around the world, from berlins berghaim to people in tokyo. her track >off< describes a biotope in which two different poles gently collide. rooms of reverb meet orchestral sounds meet acoustic clicks, in a process of an ongoing motion, where there is no beginning and no end. the flip side highlights >and on< shows white horses amids the waves of sounds. this track could be an electronic soundtrack to a day at an isolated beach in the indian ocean. enjoy.

extended versions vom soundtrack des films *eastern boys - endstation paris*, plus bonustracks.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

we are pleased to announce the release of dr burisch by perseus trax on crimes of the future. after releases on bunker, mos & chiwax (to name a few), the ep is a four track soundtrack to some forgotten alien abduction documentary... maybe. starting off with rainy tuesday and its skipping pitch shift melodies, and followed by lotus protocol and its almost richard d. hook. on the flip we have the title track, slow and building, very much the theme of the piece. the ep finishes with electrical surge, and its static crackle of radio interference and damaged power lines.

vinyl reprint of a highly sought after electronic abstract future jazz release by italian library/soundtrack composer piero umiliano /moggi originally release on omicron. pieros releases are generally hard to find and very expensive on vinyl and this here, released on mental grooves sublabel wrwtww makes no difference. heres a review from a last years cd edition: tra scienza e fantascienza is an album of histrionic piero umiliani recorded under the pseudonym moggi.

entitled narita, the release is inspired by, and dedicated to, japan, and the tracks are a collage of all the experiences and emotions the producer has picked up there whilst on his travels. this release was also due to be the 44th on the label (which has now made it up to number 67) and so has clearly been cooking for a long time. once again it proves the man behind it to be focused on stripped back and hypnotic grooves, shadowy textures and subliminal synths that are abstract and truly heady. up first, sleepless is a spooky and hypnotic techno roller with icy pads and rubber drums that roll on like a haunted midnight train burrowning deep into your brain. ebisu is even more reserved, with just a light, skipping kick and tinkling, glassy keys suspending you in a wide open space of abstract atmospheric soun d. on th e flip side, mountain splitter is more urgent and immediate, with nervy pads this time racing alongside woodpecker precision and supple drums. it s heady stuff that really distracts you from the world before finally trance is a wash of grainy white noise and groaning synths that soundtrack a word deep down in the depths of the ocean. svreca is a master of getting deep inside both body and brain and does so in different but captivating ways with all four of these cuts.

this is for sure the ideal soundtrack for those lusty dancefloors. sexy and funky with a bit of darkness to it, enjoy!

mit seiner band junip veröffentlichte er zwei großartige werke, arbeitete am soundtrack zu the secret life of walter mitty mit und steuerte gerade erst seine version von how we walk on the moon zu master mix: red hot + arthur russell bei. vestiges & claws wurde fast komplett von josé gonzález in eigenregie aufgenommen und produziert. zuhause in göteborg nutze er eigentlich nur computer plug-ins, um die songs aufzunehmen und dadurch einen warmen, analogen sound zu erzeugen. musikalisch führt das album das fort, was die beiden vorgänger schon angefangen haben: gedämpft und feinfühlig wirken die lieder, die die wunderbare stimme gonzález und sein verschachteltes gitarrenspiel in den vordergrund setzen ohne dabei besonders laut oder bombastisch sein zu müssen.

this 10 inch contains 2 unreleased vinyl versions in extended mixes that can make your day. the merits of van bonns releases on telrae, trapez and on van bonn records you can find in his new release -unbound-. the attractiveness of repetition has made its way into this ep... and it was a good choice. we kick off with -king-, a track which is a cross breed of a stubborn beat and a dub techno feeling showcasing a melodic intermezzi that flies in and out with a mind of its own. more minimalistic than most of the tracks you know from him, it includes unexpected half baked sounds you would not expect from van bonn. on the other hand the epic 10 minute monster -distinct- is a real dub techno giant and a soundtrack at the same time... with beats that take you by the hand.

lay-far s critically acclaimed debut album -so many ways- which took him worldwide gets a friendly treatment from the global music family! in the first installment of the remix series we have artistic versions from atjazz, inkswel, jonny miller and thatmanmonkz! martin iveson kicks off the ep with a masterpiece of a remix for one of the highlights of the album - electronic ballad -stand up- featuring pete simpson. when the strings come in you realize - it s atjazz at his best - conscious boogie for the soul! we believe it may easily become future classics! inkswel s version of -when i m seeing you- is soaked in the warm sound of distorted drum machines and tape delays. be warned - this heavy-hitter can actually damage your speakers! the b-side opens with the deep and sophisticated afro house of jonny miller whose remix of -summer vacation- immediately teleports you to the open air party in the adriatic sea coast. last but not the least we have sheffield s own thatmanmonkz revisiting -that dream-. inspired heavily by classic blaxploitation movies, shadeleaf music label boss comes up with a dynamic soundtrack for the imaginary chase scene. badass!

180g ltd ed 300 copies,
peur bleue records is pleased to present the imminent release of gohan s ep, ‘stabbed in konya’. you ll find a private link below for listening and downloading the entire ep on soundcloud.it describes a tragic journey into a fictional depiction of konya - a raucous and hostile anatolian city torn apart by mysticism and conservatism. the ep explores a landscape of detroit electro vibrations and dodgy murmurs whilst offering gracious melodic digressions along the way. after the album peur and the ep hedge fund released in 2012, gohan comes back with a new imaginary soundtrack on the edge of violence and grace, exploiting harmonic and texture flaws, enigmatic collages and a grinding bassline.

vier jahre haben sie sich zeit gelassen für den nachfolger von the king is dead . the decemberists, colin meloy, chris funk (gitarre), jenny conlee (keyboard), nate query (bass) und john moen (schlagzeug), entschlossen sich nach erfolgreichem tourende 2011, eine bandpause einzulegen und sich persönlichen dingen zu widmen. sie hatten mit the king is dead immerhin gerade ein album veröffentlicht, das in den us charts sofort auf platz 1 schoss und ihr song down by the water wurde für den grammy in der kategorie best rock song nominiert. aber ganz von der bildfläche verschwanden sie dann doch nicht. ihre animierten alter egos traten bei den simpsons auf, für den soundtrack von hunger games lieferten sie den song our engine , meloy veröffentlichte die prämierte kinderbuchserie wildwood und das livealbum we all raise our voices to the air , das ihre atemberaubende intensität auf der bühne widergibt, erinnerte uns immer wieder an die wunderbare band aus portland.

ian martin, is a musical & visual artist from rotterdam producing from years. his music, always deep, ranging from dark & dirty to mental & moody sinister soundscapes, is always a disturbing treat, yet highly addictive & druggy. he already released material for prestigious domestic imprints such as strangelife, legowelts now defunct very own label, bunker and panzerkreuz. he also runs the seer show on the infamous intergalactic fm radio. this release is a 4 track mix of experimental soundtrack atmospheres. enter the dark side..

platte 11 des bekochmützten duos liefert nicht nur den soundtrack zum künstlichen knie. remixe von paul birken und totmacher

inspired by a journey of a man, who is not afraid to leave everything behind and travel far beyond the stars, vakula sets off for the exploration on new sound magnitudes. written by david lindsay in 1920, a story of a fearless traveler who is exposed to sublime energies and unknown spheres concurs with vakulas perception of reality and his personal voyage to unknown dimensions. claimed to be a soundtrack to a voyage to arcturus, the album is an attempt to expend beyond conventions of the modern house music and dedication to daring ventures.

polluted system is a track suitable for the main room, the energy of the kick and the bass leave no respite from start to finish as a joint of metal percussion and synths fit gradually to fill the sound spectrum of this track. becomes human machine in a few minutes, using acid and industrial sounds, conveys the idea of the change that is happening around us: people are becoming more and more machines, and this is the soundtrack of the mutation. unlocked human, while remaining in acid and mechanical territories, thanks to a groove of more organic toms and hi hat still let the human element glimpse, not yet deleted by the machines, all accompanied by a relentless kick which makes it a perfect tool from the dancefloor . no system, which give the title to the ep, ends this sequence with dreamy and futuristic atmospheres, the ruling part is still a simple but instantly recognizable acid bass, over breakbeat-oriented rhythmics.

in recent times, phantasy have provided the soundtrack for many adrenaline fuelled nights and hazy mornings with critically acclaimed albums from daniel avery (drone logic) and connan mockasin (forever dolphin love & caramel). their latest discovery ghost culture emerges from the shadows to make the space between those two worlds his own. since announcing his arrival one year ago with a debut single mouth, the london based artist has built up a feverish following with a further pair of ear catching singles. this trio of sell-out releases, each pressed on invisible vinyl, offered a glimpse of a rare talent whose music was just as at home in the club as it was in ones bedroom. now phantasy, are proud to present his self titled debut album, a collection of ten tracks rich in emotion, musicality and sonic artistry.

the original soundtrack from season 1 through six of *star wars: the clone wars* on 180 gram heavyweight vinyl with download code included.

metropolis- is it an actual city or a digital fantasy a construct formed inside a synthetic brain? either way this is the soundtrack to a city that exists somewhere. a place that comes alive at nightfall and breathes artificial light until dawn. where millions of human threads interweave, and a machine conciousness drifts by on the periphery, searching for an intimate connection. limited pressing.

>sleduyushly< or who is next on sol asylum is anton zap. we are pleased to be closing out 2014 with the delightfully well-crafted deep house that resonates within anton. we start with talking a simplistic yet deep and ever-evolving atmosphere with peculiar echoes and noises that speak to us through constantly moving metallic percussion. next rublewood with its trotting wooden clicks and oscillating claps we morph through the track until the euphoric themes expand bringing us to the next level. in my lesson, anton channels a 90s ambience with a definite feel for funk. arpeggiated synths with just a hint of acid mixed with harmonic pads and unconventional horn riffs bring this eccentric soundtrack together. finally her lesson brings us to more experimental territory with a futuristic outer galactic journey through space and time where a metronomic kick, walking bassline and gleaming pads transport us to another dimension.

the fifth release on alan fitzpatricks explore, search and discover label. alan fitzpatrick recruits dutch talent doka, to provide the soundtrack on this techno heavy release. this is a vinyl only release. 300 copies of white vinyl. any represses will be on black vinyl.

hello. this is pastamusik speaking. for more then 10 years the munich based label issues with constant inconstancy special musical tales from the underground. and since not all stories told and not all songs played and yet not all cows have returned home, we are ready to add another chapter within this tradition. pastamusik proudly presents with “collage” by macchina nera it’s first long player. the talented munich based dj and producer macchina nera already draw some attention with his first release in 2005 (under a different alias). followed by several releases on different labels around the world he finally found a solid home base with pastamusik, that resulted in a number of successful releases. so it was a logic consequence in taking the next step and to compile the highlights from his last two years productions in his first album. munich meets munich. or even better – munich meets the world. then all of the sudden tracks of macchina nera became regulars in the sets of various djs around the globe. and this is where he starts with his first album and tells with his unique symbiotic style of house, disco, techno and funk little musical tales from the cities and it’s clubs, from all night dance, glimmering dancefloors and dark corners, from big love and big dramas…..even if it only lasts for one night. and as versatile and diversified like these nights are the consistently energetic tracks, full of unexpected turns and small details that make it worth to listen a little closer enough said for now, let the music speak for itself. the album will be available in vinyl, cd and digital release, available at real record stores as well as in the digital world of internet. here comes the soundtrack for spring, summer, autumn an of course for winter. timeless! beautiful!. thank you!.kisses! your pastamusik.

original motion picture soundtrack from disneys *the little mermaid* on 12 inch picture vinyl.

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

das fabric-sublabel houndstooth präsentiert das debütalbum des us-geschwisterpaares 18+, dessen düster-minimalistischer, stets sexy future-r&b/hiphop-style seit geraumer zeit als geheimtipp im internet kursiert und mittlerweile sogar von der modefirma prada als soundtrack für videoclips angefragt wird. pressung auf 180 gramm vinyl.

after a successful debut release with untitled gear, croatian label continues their journey through fields and forests. still exploring the russian federation, only this time they hired udacha s honcho and main protagonist a5. record kicks off with fantasy. a dreamy kalimba piece which eventually evolves into a deep house track and could be described as a soundtrack from your latest dream while raw abstractionism doesnt disappoint its name. on the flip side we are introduced to the afro banger torri wowo which feels almost like driving through safari on a truck. acoustic cut calms things down and brings us to an end with a clear message.

some low down, dirty cosmic boogie-funk here from 1977 on salsoul records. destroyers were a one off project from nyc whose back catalog includes only these 2 super rare and sublime examples of down-tempo space disco. both cuts are the perfect late night soundtrack to getting down in the darkest corners of the club, perfectly produced, super funky and with solid relentless grooves that go on and on.

from the sun kissed shores of brazil and the wonderful starlit nights of the mareh festival comes a new label, mareh music. mareh festival was started by a small group of friends whos only aim was to escape the big city, take an amazing sound system to a remote and beautiful part of the country, and then party together with friends and great music. it has grown since into a week long annual event featuring international djs playing alongside talented residents, and still has the same commitment to real quality and fun. mareh music is born from the soundtrack to those parties, and is launched to mark the festivals tenth birthday. so you can expect to hear beach bar boogie, disco-tinged dance floor movers and deep electronic groovers.

after a two year gap clio is back on metroline limited after producing two of the most successful releases from the labels extensive catalogue: for sure baby (2010) and do it ep (2012). in the opening track, the beautiful forces, blade runner soundscapes morph into post-rave stabs and combine with heavy subs and sci-fi effects to create the soundtrack to a rave in an abandoned space station.

das amerikanische label tri angle hat sich seine nische innerhalb der neuen elektronischen musik mit erfolg erobert. künstler wie balam acab liefern remixes für pop-stars wie charli xcx, kanye west lässt sich einige seiner neuen beats von evian christ programmieren. dennoch sind die veröffentlichungen von tri angle stets von einer kompromisslosigkeit geprägt, die sich in der klangsprache niederschlägt. die neueste entdeckung namens boothroyd macht da keinerlei ausnahme. metallisch verzerrte sphärenklänge mischen sich mit tonnenschweren beats. die stücke entbehren strukturell gängigen pop-schemen, dafür tragen sie den hörer wie ein soundtrack durch verschiedenste stimmungen. peter boothroyd stammt aus manchester, lebt in london und setzt mit dieser ep ein ausrufezeichen, nachdem seine tracks zuvor im internet für viel furore gesorgt haben.

colors, the east-london party collective has been on a roll as of late, with a spate of successful events that have taken them across europe to berlin, istanbul and barcelona to name a few countries. as the name suggests, each event draws inspiration from the colour spectrum, with guests encouraged to dress up in a different chosen shade each night to get down to a soundtrack influenced by deep house, funk, disco and techno.

the original motion picture soundtrack for marvels blockbuster *guardians of the galaxy*.

gl are melbournes cosmic-funk revivalists and the soundtrack to eternal leisure. cruising on glowing synths, gritty drum-machines, and stratospheric vocals, gls music is a cosmic dream-sequence not unlike a lost reel from the mid-80s.

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

stunningly beautiful double-pack from och for autoreply music s 20th release. following on from output on renowned labels like pal sl, trelik, bass culture he returns to autoreply with seven tracks of playable perfection. by focusing on stripped-back percussive grooves, sparse 909 drum-programming and ultra fine-tuned dynamics he certainly proves with tracks -samarkand sulci- and -snarecrow- that the original jackin house/techno sound will always have plenty of life and soul. -don t fight it- is an 8.5 minute acid builder featuring haunting vocals and crisp synths whilst the bass driven dub of -enceladus- wouldn t be complete without live delays and distorted pianos. check out -morning glory- for a surprise contender for this years balearic soundtrack or -c ring- for ultimate warmth. tracks for every situation and not to be missed!

the original soundtrack from the 1977 disco classic - reissued on 180 gram double vinyl in gatefold sleeve with original artwork.

finally, long awaited: summer - there we go. another magic pure release! so folks - enough words! every summer has a story and: every summer has its soundtrack. if something screams for upcoming sunny open airs and amazing summer nights - its this record.

nx1, spanish duo samot and surit from nexe records step up to the plate for the next release on terence fixmer’s planete rouge label, with their ‘pr’ ep. having also released on the likes of semantica, dynamic reflection, m_rec and modularz, their tracks are the result of many years of experience in the electronic music scene where techno was the main soundtrack. the ep is comprised of three new cuts, opening with the thunderous ‘pr1’ with its pulsating bass setting the tone for the rest of the ep. ‘pr2’ follows with some dappled electronics before ‘pr3’ pounds into play, rounding up this triple techno-header. big with marcel dettmann, luke slater, marcel fengler, joseph capriati, truncate, drumcell and many more