he cd included in this vinyl edition features the 14 tracks in the same order short info: cerrone is one of the main architects of disco music. his influence is well known around the world and a new release will soon be added to the monument that his discography represents. during 3 years, he travelled back and forth to london, paris and new-york to record �red lips�, working with some the most promising young artists (kiesza, yasmin, brendan reilly), collaborating with well-established stars (aloe blacc, alexis taylor from �hot chip�) and also worldwide famous legends nile rodgers and tony allen. get ready to dance, the king of the night is ready to claim back his throne.

33 offers the most fine and rare form of sensitivity. nery blends electronic and acoustic patterns as if they grew up together, proving that having differentiated influences can result in something particular.

god, reviews can be lol. so we ll presume you know your own mind and taste. let us scrub all metaphor. we ll resist comparison. today s musical tenor overlooked, we ll refuse to dissect. moments preferred are muted. we won t highlight respite or forgiveness. there s no considering of geographical fact. we ll shut our ears to technology.

par005 - paris a special double 12inch to celebrate our next release. this time we have on board our very own sonodab, zendid and baraso together with the new talents saverio celestri , tc80 and the masters seuil and alex picone. beautiful gatefold cover. vinyl only.

after a run of releases including music from rex club residents d julz and phil weeks, and a beautiful atlantic breakaway with fred p, rex club music brings in the boss of poker flat recordings, the maestro himself, steve bug. a gentleman and a scholar who has been a key figure of the techno scene since its very early days, steve bug is also the mastermind behind a prolific and in demand label. he is a man who is always on point, looking to the future, maintaining the present and drawing on the past to operate in that magical intersection between the different eras of time.indulge in this short course of rexology for proof of his mastery, which is expertly applied with this polished new ep.first up we have �what�s happened�, a track that occupies the space between tech house, acid and dub. get ready for some hard stepping on the dance floor when this track is unleashed. then rod goes in hard with two remixes of �what�s happened�, upping the ante, increasing the tempo and urgency to create an air of emergency. with �remix one� rod has us on high alert, while �remix two� focuses a little more on the groove and catchy analogue flashes. on the flip we have a night of �berlinian rexing�, with its time-lapse atmosphere allowing us to teleport between berlin and paris in a cacophony of whirring synths and uplifting stabs. the track plays on timelessness, creating classic tropes and creating the kind of atmosphere that underpins all of the most unforgettable nights.

we were waiting for this for a long time. finaly, the first it s a fine line album (ivan smagghe & tim paris project) will be released end of august 2016 on kill the dj records.

les sans pattes is the rock band of robert combas (world renowned contemporary painter and creator of the free figuration movement) and lucas mancione. both are all-rounder, multi-instrumentalists, rigorous and nutty at the same time. they handle plastic arts, are musicians, video makers, actors, performers in short, complete artists. theyve got a rich and eclectic repertoire of more than 100 songs, and no limit: youÕll hear them moving from rock to techno, from a love song to punk, with the same dexterity in each and every register. if you have the chance to be in paris around june 24th, theyll deliver a live performance during michel houellebecqÕs exhibition, at the palais de tokyo, to inaugurate the release of their album. tracklist dvd: 1.ta peau (feat gael manangou) 2.animal, cuir noir 3.une fin de quelque chose 4.la danse de lamour 5.ta peau (live)

we were waiting for this for a long time. finaly, the first it s a fine line album (ivan smagghe & tim paris project) will be released end of august 2016 on kill the dj records

nice price deal !!! jack of all trades musician jay shah b from normandy started his career as bassist in rock bands during the 90s. his rock culture was spiced up by hip hop and breakbeat at the beginning of the new millennium. as a fine producer he started to record bands and spent his time torturing sound, sampling stuff and scratching vinyl records. after a lot of time in the studio, in 2006 he released a abstract hip hop album recorded with his mate goliath, and then made a deal with kif records (birdy nam nam, jazz liberatorz, pepe bradock) under the name buzz burglarz. after two years in brussels, he is now back in paris with a pure electro ep >discopunk is dead<. meanwhile he is setting dance floors on fire all around the world with ecstatic solo dj sets, that could well make juan mclean, sebastian and others go green�

rediscovered 80�s british acid house gem �cortina kidz� recently made a serious impact on andy butler�s mr. intl with remixes from factory floor and juan maclean & tim sweeney. hot on the heels, moscow�s lipelis� steps in to remix with striking results. pitchfork enthused of the recent reissue being �a chilly acid-house track operating the influence of both soft cell and the specials,� xlr8r as �drenched in dark and sleazy overtones, the track encapsulates a downtrodden time in london�, while ransom note noted �cortina kidz is more than just an old skool oddity- it s a banger that s stood the test of time�. originally recorded on london�s stoke newington road in 1987, produced by a young tim brinkhurst ahead of his imminent record deal with virgin records with his band soho, and long before his current role as manager of mercury prize winners, young fathers, �cortina kidz� remained undiscovered and the eccentric spoken word overlay and weird lead vocal made it very unlike the prevailing dance music sound of the time. leonid lipelis explains that �since it�s a reissue of a relatively unknown record it gave me a certain freedom of expression (when it�s something well known and classic you re likely to produce something more serious). i came up with more of a pop song, structured with a vocoder for the main version and had fun playing with vocal samples for the dub mix, paying homage to the 80s sound in both.- lipelis� recent release on lies records has gained him support from four tet to dimitri from paris. he also runs a side project for hardware jams called tmo and co-runs low budget family records.

laate is the new project of clayton guifford (unrelated / fragil). for this second release, we are very glad to welcome - the black tone - (rawthencity / appian).- circadian attraction e<p - is just as ethereal as abyssal tone records, where nagging mpc s swing and reverberation s effects are placing great emphasis on minimalist compositions, strictly dedicated to the dancefloor.on a side: - circadian attraction ep - is backed by a dynamic rhythm with analog tones. a meticulous architecture temple where time stop. a techno recital of limpid beauty gliding on a groovy bassline that will make every soundsystem whirr.on b1: - aquatic redox - is a plunging us into deep submarine daydreams. a digital bath with salty taste and hypnotic dampness. everything is a quiet, question & answers between the different elements are bouncing over and over in the atmosphere, constantly captivating the attention. a perfect balance between strength and subtlety. finally on b2, - aquatic redox - s remix is released by the famous producer: janeret (rutilance /aku). after an -haute-couture- intro, slightly breaked, we find in this remix the galactic synths typical of the talented young parisian�s repertoire. clear, precise and extremely mastered, this rework put everyone in agreement on the dancefloor.

rheintime releases 001 (white vinyl), 002 (grey marbled vinyl) & 003 (translucent red vinyl) plus impulse music 001 all bundled up for a special price!

been to long - the well remebered chorus of a successfull parisian duos single hit comes easily to mind while thinking of the latest internasjonal release. after a long hiatus - which feels like surely way long - we restart with one half of the formerly well known milanese pair - boogie drama - and it s very own lele sacchi. deejaying since 1995 sacchi has been and is still one of italys and especially milans musical icons - at least for electronic and alternative worlds, presents himself in his signature style. high on the heals of the success with rebirths smash lele sacchi vs blonde redhead - youre only kosmiquest is dark and cryptic, with a mean but very neat and elegant bassline plus an unmatched groove and feel for the floor. this time well balanced with a tad into psycheledic strinig heaven, wich combined with electronic effects is his ultimate kosmische quest. the whole thing is contered by an airy and superbright no less danceable lauer version and a fantatsic relaxed italo take on kraut which can propably be non done much better than byprins thomas walking on that lunga strada!

french duo from montreuil (east paris suburbs), prince waly & fiasko proximo are big budha cheez. after several eps and mixtapes, the duo will release is first lp, lheure des loups on april 22nd, 2016. at 23 years old, the duo is recording on analog tapes their daily prose and pose on film rolls their unique néo-rétro style on the french hip-hop landscape. working closely with video maker clifto cream (nekfeu, myth syzer, jazzy bazz, kohndo) with whom they systematically reconsider the current rap game codes with their music, pictures and videos. listenning lheure des loups is a time travel which perfectly illustrate an authentic and original creative process.
the vinyl lp includes a download code.

god, reviews can be lol. so we ll presume you know your own mind and taste. let us scrub all metaphor. we ll resist comparison. today s musical tenor overlooked, we ll refuse to dissect. moments preferred are muted. we wont highlight respite or forgiveness. theres no considering of geographical fact. we ll shut our ears to technology.

drivetrain (detroit, usa) � �my world��it�s all about orchestral melodies, tribal drumming and an erogenous female temptress. derrick thompson architects a moody, late night narcotic. motomitsu (paris, france) � �where you go��toxic bass underlines a barrage of timely stabs and a soulful refrain to deliver an uplifting groove essential. melodymann (brussels, belgium) � �to make you feel what i feel��high-powered house intensity. from the quaking bass line and percussive automation to the vocal proposition this is pure dynamic energy. dawan (tunis, tunisia) � �strangers��a dark and spellbinding debut, rich with dreamy pads, heavy subs, bewitching chants and a dash of acid. -deep, darkened, rhythmic seduction is onyx adore-

inoue shirabe is no newcomer for those who have been following antinotes releases last year. with function spring / gravitation of acidtree, his third release on the parisian imprint, the okayamas producer delivers what may be his two most sophisticated tracks so far. with function spring, inoue shirabe continues to investigate the subtle equilibrium between opposite feelings of sadness and joy that he successfully reached on down into the black church, on his previous 12inch. this time, the japanese producer uses celestial elements (bells, an organ in the distance that we can hear punctually) to counterbalance the roughness of the rhythmical section, in order to plunge the listener into a profound state of meditation.

after releasing a beautiful debut 12inch last year on antinote, the man behind the visual identity of the parisian imprint makes an impressive come-back on the labels catalogue with life goes on if you are lucky. while listening to it for the first time, we can already imagine the long nightly conversations held between nico motte and his machines that gave birth to this album � the man trying to learn from the machines their most secret sounds. tip!

this record won the 1964 french prize grand prix du disque. this is an absolutely amazing recording, done in one non stop only time in simone signorets own parisian flat. simone signoret, cult french actor, reads la voix humaine by jean cocteau. according to jacques canetti himself, this performance was one of the very best and most intense he ever recorded. even if you dont understand french, you will feel simone signorets incredible poignancy.

6th release of the parisian label d.ko records. this record is a tribute to the club « le malibv » which recently closed and where d.ko held countless parties. « le malibv » offered the opportunity to a lot of young djs and promoters from the new generation to present themselves in the french capital. as a duty and for the memorable parties they held there, the label wanted to thank the club for all the good vibes shared. each artist in this record has played at le malibv on a d.ko party and present his vision of a night there.

young pulse is going from strength to strength and is now ready to drop vol. 3 of his best-selling paris edits series. together with fellow producers the reflex and reverend p its become clear that the french are now leading the way on the edit scene with their high quality reworks. on this ep from young pulse you get a high energy version of ewf (can t let go), an 80s disco/funk edit of kasso (dig it) and an absolute killer boogie work of lamont dosier (shout about it). gamm on point as usual.

for the past 6 years art feast share in their parties their passion for house music in lyon, paris and berlin. art feast records is the result of these few years, to highlight their beloved local scene of lyon, and friends met on the road.this is the fourth vinyl release, where afr keeps exploring the wide universe of house music, this time with a deep and groovy touch. 4 tracks by 5 artists from sister cities lyon and leipzig. for this release they team up with the famous leipzig based label kann records.

you knew this would happen! as purveyors of early rave sounds with a serious dose of talent and nostalgia, minimum syndicat would logically team up with head honcho um-welt to deliver an outstanding split ep that will go down in rod history!
on a side, paris based combo drops an authentic anthem of their trademark: *antiworlds* mixes a fat compressed techno kick to ravey strings while a sample taken from mobys classic *thousand* cut will lead you to ecstasy. beastly!
on the flipside, umwelt strikes back with a monster of a track. brainwashing *otsha4trcs2xox* brings some old school rave vibes over a powerful, rolling and infectious rhythm a la plastikman. tune!
this is not the first time both artists appear together on a same release: they have been featured twice on ms02 and polybius trax 02! so you might know the score now. succeeding to the collectible *parc expo (live version)* limited split 10 inch, rave or die 04 offers two live original cuts for smoking warehouses.

its that time again at ccb headquarter for reaping the harvest of another good year for the label. the paris club music, volume 3 is here and the journey is better than ever. once again the full crew worked hard to deliver this time a more contemplative yet still percussive set of tracks exploring the dance music of tomorrow. first in the field bambounou and french fries teams up for mizu ni idou suru an intimate slow mo thing playing with intricate rhythm textures and dusty key stabs fading away in the back.

already featuring on two earlier prrukblk samplers and on the digital imprint, it was just a matter of time for his 12 inch solo-debut to come, von grall presents his *no contact ep* on the planet rhythm black imprint. the paris-based producer has been pushing forward his characteristic deep & atmospheric sound over the past two years and has proven to be one of the strong upcoming forces of the label. next to the great claudio prc remix on the a-side, the release features three original tracks ranging from the dancefloor-driven *quadratic* to the trippy *no contact* and even deeper into dark atmospheric sounds on *molecular collison* - making this ep another strong addition to the prrukblk catalog!

following the release of dba015.5 in 2014 (which included mgun�s anthemic risque cut) dba present another vinyl-only various artists excursion, once again mixing up new arrivals to the label like detroit�s radio brovold, new yorker max mcferren and paris� ben cohen, with established label favourites like halvtrak of tampere, finland.

the excellent meant label now offers up two new original cuts from maxime & remain complete with a stellar remix package from kasper bjorke and jackethat & lipelis.
already support by sid lerock, acid washed, maceo plex, sean johnston, acid washed scratch massive, rework, pulp disco and the outcast, click box, gabriel ferreira, matt walsh, chloé, ivan smagghe, tim paris, timo maas, my favorite robot, markus gibb, club bizarre, botin, demian, bufi, alvaro cabana, monoblok&pslktr, tronik youth, gameboyz, james friedman ...

shipping earliest monday , march 2nd. home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released upfront on vinyl-only terms and produced exclusively on analogue equipment. franck roger is back this time in solo with 3 fresh tracks made in is home invasion laboratory, this time going back to some proper raw stuff on the a side, going back to his new jersay roots on vib�ray shun that will remind us some of the old bno traxx made back in the days from the deep, what we used to call the french touch but in the underground scene for those who reminds that era� immersion is a deep kind of aquatic hypnotic track with a little �clin d�oeil� for the old prescription records wich has been one of francks all time influencing label�on the b side we keep exploring a more abstract side of franck wich will remind us his work on earthrumental records ..sub division of real tone rds.. a modern approach of his dubby influences.

2015 repress ! passionate advocates of vinyl, apollonia re-press point gs rare classic underwater, the first in a number of their personal out-of-stock favourites. the archetypal track of the paris afterhours that encapsulates the sound of the batofar kwality parties, a memory which is at the very core and stimulus of apollonia... underwater was a favourite of the trio back in 1998 and continues to be a record bag must-have in 2013. moody, bassy, a freaky lose-yourself-moment in the spaced-out melody, this deep house classic is being re-pressed for the first time exclusively on apollonia. a production project of dj gregory, the point g imprint created in the mid 90s offered a dark, raw interpretation of us deep house, given his alternative french twist. making a strong impact on the underground scene at the time, point g gained much respect amongst his peers with timeless releases like the raw and on the raw again eps, hence original copies of many of his early tracks are extremely scarce

european techno gem w/new remixes from berlin based illario alicante, natch label boss and tresor resident synthek, mike storm from the netherlands and percyl from paris. also features a mysterious debut from grienkho. vinyl-only package!early support from chris liebing, rodhad, marcel dettmann, ben klock, len faki, blawan, audio injection/truncate, gary beck, josh wink, dustin zahn and jonas kopp amongst others.after the detroit remixes, this time mattia shows the force of european techno in this big vinyl release

2015 repress !!! home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released on upfront vinyl-only terms and produced exclusively on analogue equipment.this time franck is giving us 4 tracks that will surely please a bunch of different djs worldwide� rebound is another dubby and crushy experience, using his tempest drum machine and jamming with some external effects, keeping it going on & on, focusing more on an abstract ambient vibe. nebula keep the already marked sound of home invasion.. a mix between deep-afro and very cosmical vibe. deep theory is a classic tribute to the new york sound from the 90�s, it reminds us some of the blackwiz k.o.t work in his abstract approach and simple groove.²balance is definitly the one that has a drive for the dancefloor, hypnotic stabs, rushed drums, this one is a sure shot clubby track.
already supported by brawther, jimpster , dj deep , okain, djulz, pirupa, chateau flight, ame kristian, dj sneak , sebo k, josh wink, ian pooley, ben sims, osunlade, daniel stefanik, sasha, clive henry, hector moralez, raresh, tiefschwarz , louie vega, cesar merveille, shinedoe, damian lazarus, anja schneider, norm talley, francois k, dj t, agoria, fred p, laurent garnier, jennifer cardini.

audiojacks gruuv label returns this october with a four-track package from french producer okain, featuring a remix from tuccillo. parisian artist samuel thalman aka okain has quite the standing in contemporary electronic music having been a prominent name as a dj and producer for the past fifteen years. playing at some of the leading nightclubs across the globe such as fabric, watergate, space ibiza, rex club and electric pickle to name but a few. thalman has also built quite the respectable back-catalogue in his time, releasing material via the likes of tsuba, bpitch, memento and cadenza, and here we see him add gruuv to his affiliations.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

chevels air of freedom remixes comes from happa, leeds-based producer on the rise, and parisian dance-floor prodigy french fries.

the mlh crew brings house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris.this time the label is back with five jams that will smash any dancefloor. it includes the weapon *what is* by 4trak (aka jay shaw) and 4 new tracks from dennis collado (luv dancin), daniele temperilli (slapfunk), philou louzolo (lazare hoche) and metta (124recordings).

the second release from canal auditif confronts an original track made by english artist robot needs oil to its alternative versions remixed by patrice baumel, resident dj for the trouw in amsterdam, the italian duet discodromo, in charge of the cocktail d�amore parties in berlin, the parisian dj and producer timid boy, founder of the french label time has changed records, the wankers from nîmes, aka seb genre & freaky justin, synthetic jacques, our resident dj already known for his collaboration with kollektive turmstrasse, and canal auditif founder dj yohm.

a blistering collection of ska tunes from clement sir coxsone dodds legendary studio one records, jamaicas foundation label of reggae music. featuring classic cuts from the originators of ska - the skatalites, the wailers, lee perry - alongside a heavy dose of superb rarities from the might vaults of 13 brentford road - pure ska fever!

warm sounding downtempo, electro & house tracks.

the relentless work ethic of dj w!ld shows no sign of slowing down with another amazing ep, this time through his own imprint the w label, that unleashes four new tracks plus a dubbed out remix. in contrast to his recent output on other labels the four tracks sit firmly in the dj tools category with stripped back arrangements, raw-to-the-bone underground house grooves and drums showcasing all that is good about the parisians highly in-demand dj sets. head-nodding tribal infused percussion is the main theme with tracks blind and miami bitch setting the scene with a brass breakdown in the latter that is sure to send shivers down spines. narco switches things up with its core element focused around a shoulder shaking bass organ straight out of the 90s. on board gets and original and re-worked dub outing with hypnotic congas and a vocal that loops inside the mind.

ontology is the beginning of reality. pulsing rhythms as categories of being are acting like entities in a dusty void. sparkles of light underlines the times of creation, where nothing existed before. since nothing really existed for the human being, silence was full of noises.pulsation as the archaic form of life.
the ontology remix is made by bruno sacco, perfectly in line with coals original. a vision in a techno rough structure, with more bpm. the remix doesnt alter the original but approach it from another point of view. a vision in perfect parisian techno style.

paris based dj and producer reverend p have been on the gamm radar for quite some time. but its not until now that we managed to get his wonderful edits released through gamm. spread out over two eps reverend p delivers soul, funk and boogie reworks that sets himself up there with all the big players on the edit scene. on part 2 you will find two killer edits of diana ross and merry clayton that together will please all the soul and boogie fans.

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds � or more aptly, seeks � beauty and grace in ambience and shadows. n1 starts as pure atmosphere � it feels at first like a sort of lovely sonic nothingness slowly taking form � before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night � imagine kneading the dark itself � it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here � a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french � a pop finishing touch on a song that already feels like an earworm � the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

paris based dj and producer reverend p have been on the gamm radar for quite some time. but its not until now that we managed to get his wonderful edits released through gamm.
spread out over two eps reverend p delivers soul, funk and boogie reworks that sets himself up there with all the big players on the edit scene. on part 1 we find a hot selection of marvin tunes and a soulful chi-lites track.

parisian acid crew minimum syndicat drop their trademark techno on pareto park, with an ep of industrial beats, evil acid and brooding analog synths. spanish techno mainstays exium remix the title track, fracturing the beat into an intricate broken rhythm underpinning evolving bleeps and dark synths. four tracks of warehouse techno for peak time play.

debütalbum des kalifornischen duos poolside, bestehend aus filip nikolic und jeffrey paradise, letzterer ist zusammen mit zwei mitgliedern von the rapture auch bei den calculators aktiv. poolside mischen auf erfrischende art und weise disco, indie und pop. ihre erste single >do you believe< befand sich in den playlists von todd terje, dimitri from paris und the magician. die zweite single >take me home< war der opener des letzten aeroplane-mixsamplers.
pressung auf coloriertem doppel-vinyl.

paul müller introduces himself with a record that sports class and mass alike. its mass is easily explained: it sports three superb remixer. what tells better than some good old namedropping ... jori hulkkonen, lauer and matt walsh. these guys and paul müller are the ones responsible for the releases class by delivering great tracks ranging from tech-house to disco - and whatever you may call joris sound.
early love by: chlo e, the hacker, justin robertson, brodinski, luciano, mandy, maceo plex, laurent garnier, tim sweeney, daniel avery, chaim, crowdpleaser, troy pierce, robert owens, x-press 2, james teej, headman, phonogenic, xenia beliayeva, remain, jeremy p. caulfield, bonar bradberry, wally lopez, alex niggemann, funk d void, mugwump, tim paris, clive henry, shir khan, bubba, bozzwell, tornado wallace, kid who, hannah holland, maxime iko, doomwork, disco bloodbath, silicon soul, slok, richy ahmed, luca c, dj three, justin sloe, the saint and many more ...

there s only one thing that matches a new my love is underground 12 - a remastered pressing of one of the label s certified hits! paris underground trax volume 1 was one of the records that catapulted the french label into the spotlight - at the time produced anonymously, it later emerged that mr brawther was the man behind the four retro house cuts. it s a wonderful homage to the deeper strains of 90s new jersey, nyc underground and sexy thing remix still smack of kerri chandler at his most bumping, with fat pads, sultry vocals and gritty basslines. the b-side features uptempo gem hardcore deep house , while gtfo! glides along with warm, embracing chords. if you missed out first time round, don t make the same mistake again.

for this middle summer welcome back to the underground three with unknown artist from wbttu1 with three obscure tracks. the mysterious producer from paris gives clue about his identity this time. from chicago, joey kay completes wbttu3 with some deep house thing.

a long time coming, the first ep from the mysterious duo bernadott finally reaches us. the golem first heard those tracks last summer and noticed his body was moving beyond his control! he therefore decided he should immediately enroll these beat-smiths before the competition took notice. introducing bernadott, the roof of love ep showcases the talent of two underground producers hailing from paris and stockholm, two diggers of the highest order, immersed in musique concrete, italo, free jazz, punk, chicago house and such, two djs devoted to tension, hips & shoulders. with upcoming releases on high profile labels, the golem proudly takes them to the forefront first, unleashing their highly original and leftfield take on the dancefloor. on side a, bernadott turns a white funk forgotten gem, expands it before turning it into a gherkin-esque acid burner with unexpected nods to juke, subtly returning to its post punk roots before you even notice. the golem also wanted to have a nice tune to share with his girlfriend, and he got his wish with side b, another post punk affair autistically turned into a dubby madchester piano choon, a quasi absurd but groovy breezy love song