the eccentrics parties started some three years ago by will and mark, have been a monthly staple of the eclectic nightlife scene in peckham since its inception. the party has hosted many great guests over its three years, such as andi hanley, piers softrocks, toby tobias, phil mison, frank tope, bill brewster and many more. this 12inch is the culmination of mark and will saving their hard earned gig money so they can present the sound of eccentrics to a wider audience. these edits were put together along with another local hero sanky (a regular guest) whom has kindly provided the system edit and the artwork for the jacket.

all time great house tune als incl. the fantastic -i wanna know-

limited white vinyl in printed sleeve, remixes from marcel dettmann, shxcxchcxsh & old apparatus

out of the ashes of raceway recordings and racetrax, rises the new label from sterling moss - rebeltek. with well over 100 tracks out on vinyl, sterling decided it was time to start his own 12inch project again, so 2014 sees rise to the rebeltek alliance - an infusion of stomping 303 inspired techno beats, soon to hit the streets.

this ancestral bones - title of the second release of the berlin-based label ownlife. it features two original tracks of leiras and a remix by one of the key-names in the electronic music-scene, the multifaceted peter van hoesen.

for more than ten years soul jazz records have been exploring and documenting the sound of new orleans funk. now we turn their attention to the flipside of this musical coin - new orleans soul. these two musical forms share a lineage that begins with the citys enormous rhythm and blues explosion in the post-war 1940s and 1950s. new orleans soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and the latinized rhythms of the city. this album tells the story of new orleans soul and comes complete with extensive sleevenotes, exclusive photography, supreme sound quality and comes as super-heavy, super-loud limited-edition double vinyl album + download code.

these hidden hands is the collaborative project of uk stalwart, tommy four seven and alain, the berlin-based producer and mastering engineer at one million mangos. it is fair to say that techno is the main ingredient, served as uncompromisingly as possible. their debut lp showcases the duo’s love for cavernous, echoing drones and visceral, foreboding half-time beats - from the gnarly, distorted frame of *trelesire* to the dystopian, mutant dance of *diesel*, this album has it all and comes warmly recommended for fans of vatican shadow and the whole hospital productions camp.
limited pressing on 180 gram vinyl, download code included.

ltd one sided ursula 1000 remix

it would be easy to say that molly nilsson needs no introduction, but these things take time is an introduction.

vinyl only! next on the the crystal issue series is exs a side project from robert witschakowski better known as the exaltics. after the debut for solar one musics sublabel unhoerbar (uhb006) they return to som. authentic soul techno flows on this one sided clear blue vinyl edition. german techno rooted in detroit for those who know.

thermo acoustics is the area of sound that seeks to reconcile the laws of sinuous audio strands with the existence of black hole event horizons. much as the study of the statistical mechanics of body radiation led to the experience of quantum sub dynamics, the effort to understand the statistical mechanics of bass has had a deep impact upon the understanding of holographic principle, leading to the formulation of these tracks.
pressing on transparent, red coloured & smokey marbled vinyl.

vinyl only - limited edition 180 gram pressing! >reforming digital waves by simple & elegant music patterns< - a straightforward mission statement for a new imprint, and one whose understated, direct manner shows the music-centered focus of wavereform as we reveal our first release. the >new sky< ep is the production debut of a mysterious new russian talent known as ivanov, and about whom little is known past his reclusive buddhist existence and his background in guitar, which is clearly evident on the title track. underlain by rising and falling atmospheric washes and understated percussion, >new sky< is propelled by a funky, jazzy and clearly organic keyboard solo that closely approximates his familiar stringed instrument in texture, tone, and musical development. next up is minimal legend soulphiction, who masterfully beefs up the original with a fat, growling bassline and more aggressive, hard hitting drums and claps that take the dreamy mood of ivanovs track and transform it into something more cosmic and psychedelic while retaining its musicality. on the flip, a new tune entitled >deep< gets revisited by lucidflow label heads klartraum, who have recently shifted their digital imprint to vinyl. here they bring things towards the dubbier end of the spectrum with a slow-building track that goes from hazy beginnings to an ominous, dramatic breakdown and then into a harder grooving second half. taken together, these three tracks are an auspicious beginning for a new name and label, and in fulfilling the stated goals offer great promise of things to come.

graze minerals possess a superlative lustre, which is most notably seen in diamond. such frequencies are transparent or translucent in nature, and have a high refractive index. tones with a true adamantine lustre are uncommon, with examples being cerussite and zircon. mweapon minerals display luminous bass bands, which appear to move as the specimen is rotated. such frequencies are composed of parallel fibers, which reflect sound into a direction perpendicular to their orientation, thus forming narrow bands of light. the most famous examples are fm and subtractive, but the effect may also occur in other sound banding - such aquamarine, moonstone and tourmaline. scrap minerals consist of thin transparent co-planar sheets. light reflecting from these layers give them a lustre reminiscent of pearls. such minerals possess perfect cleavage, with examples including muscovite and moss opal.

this is it, the first release from our man from the dirty south! anaxanders talent is obvious, he has been producing different types of music and has been releasing on labels like local talk or dame music.

these tracks magnitude and direction is best understood when the dislocation-bearing crystal structure is first visualized without the dislocation. in this release structure, once the encompassing track is drawn, the dislocation can be introduced. this dislocation will have the effect of deforming, not only the perfect crystal structure, but the track as well. the direction of the vector depends on the plane of dislocation, which is usually on the closest-packed unit of a low-frequency cell.

if you are going to put out a remix ep you might as well go for it...and he has! excellent stuff!

this autumn the most prolific label in the game, greco-roman, keeps on giving as they announce an ep from rising manchester dj/producer tcts aka sam o neill. the respected london collective will release *these heights* including remixes by dam swindle and greco-roman soundsystem.

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

full length album by gb on his own label. we love what this guy is doing anc on his new album he finds more depth within his signature sound. recommended!

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

east coast based record label owned and operated by soul 2 seoul.
basement floor 01 - the prince of dance music himself, mnsr. elbee bad & u.s. based celebrated producer alias, line cook

new these days release by julien sandre. expect a high energy blend of 90s inspired house and techno music and attitude. includes a futuristic new school, new york influenced remix by ibadan records mastermind jerome sydenham. a musical offering that will alarm any kind of floor in any part of the world, as well as satisfy the most demanding ear for sonic detail and perfection. a fool sees not the same tree that the wise man sees.

ltd vinyl, taken from the think & change vinyl sampler

fina records return with a stellar six track ep entitled ‘ these things this .... by leeds-based producer tom taylor, backed with mixes from jack dixon and clive herny & rui da silva.

brilliant dixon and manuel tur mixes, from deep house to tech house. hi quality stuff

support coming from the likes of kerri chandler, dyed soundorom, maya jane coles, maceo plex, solomun, dubfire, reboot, till von sein, anja schneider and many, many more!

jimpsters back with a new single on freerange and its time to expect the unexpected! these times featuring beauty room vocalist jinadu has all the hallmarks of a jimpster deep house classic yet pushes things further still with the addition of a beautiful vocal, live instrumentation and masterful arrangement.

rivulet records ist ein junges vinyl-label, welches sich zwischen leipzig und berlin bewegt. der zusammenschluss mehrerer junger djs und veranstalter hat es sich zur aufgabe gemacht, jungen, talentierten und relativ unbekannten künstlern, fernab von der mp3-flut im internet, eine plattform zu bieten, um ihre musik zu veröffentlichen. momo ist ein 22 jähriger dj und produzent aus berlin. geboren in der stadt, die niemals schläft, wurde er sehr früh ins berliner nachtleben geworfen. fasziniert von den kontrasten dieser welt zwischen euphorie und selbstzerstörung, begann er schnell, seine eigene interpretation von techno und house zu kreieren. wesentlich beeinflusst von nicht elektronischer musik, haben seine sets und tracks immer einen sehr emotionalen einschlag und gehen nicht darin auf, tools für den dancefloor zu sein, sondern erschaffen einen sound, der einen bis in die morgenstunden verfolgt.seit 2012 gehört momo fest zum label rivulet, und stellt mit >one of these mornings< sein erstes offizielles release.

these days records presents the latest argy dance-floor compositions. after a thrilling array of high profile remixes in 2012 ranging from osunlades envision for defected to material for shlomi abers be as one imprint, its time for the artists return to his own imprint with 3 original tracks characterized by the cross-over house music soundscapes that argy is well known for. the ep includes a special collaboration with the parisian dj/producer amnaye.

rmxs from robin guthrie, leader of the defunct cocteau twins, and idol for all the shoegaze electronic scene (apparat, m83, walls..), telefon tel aviv (bpitch), douglas greed (freude am tanzen) and post-dubstep duo from barcelona downliners sekt.

new kanada enters the summer season with a hot three-tracker from torontos xi (orca, hotflush). fusing techno, house and what-ever that sound is coming out of london these days, christian anderson (aka xi) brings the futuristic party to the shaking subs of the nation.

on this next vinyl edition from flapjack records, we take a minute to recognize a time in u.s. history when alcohol was made illegal. this time was called prohibition and was a very sad time for casual drinkers, but an amazingly profitable time for bootleggers and underground party goers. this theme fits right in with this straight out of the toilet distilled dance record from house music recluse francis jilla. >these boots are made for jackin ep< is the brand that underground house goers trust most to get fired up, while other moonshiners bring in the least.

these days is proud to announce the signing of the mysterious venezuela-born, 20 year-old artist moony me, currently living in munich. his disco-influenced pop-house track filled the label’s office with so much love that we couldnt resist giving it a proper release and at the best possible moment for the spring-time.on the remix duties, label owner and house music protagonist argy crafted a much heavier and u.k.rave inspired dance-floor destroyer that is applicable to almost every moment of the night and anywhere in the world.for those who are into more new-school balearic atmospheres combined with old school new york style bass-lines, quell delivered a remix which once played at the right time, may change peoples lives.it changed ours.

great 12 inch featuring two superb rarities from renowned disco label sound of new york. run by legendary producer peter brown, this small harlem-based imprint garnered a massive reputation in the late 70s and early 80s turning out some of the best disco tracks ever made. first up here is ny disco funk favourite >dance freak< from chain reaction. produced by peter brown himself, this is pure dancefloor dynamite, as raw and funky as it gets with pumping horns, grinding bass, wild percussion and crazy synths building steadily to a high-octane blistering dancefloor freakout! on the flip is the equally fantastic >shout at the disco< from little scotty, another relentless rough grooving jam, also produced by the prolific mr b. with both these tracks super-expensive and extremely hard to find in the original, don t miss this chance to get your copy!

super peak time excellence from the italian duo – >i decide…< is a bassline led groove and a half with flecks of melody adding impetus to the track. flip sides >hyperdub< is a 9 minute journey of pure breakbeat excellence

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

for their sophomore release catapult records presents the debut solo release from the organ grinder aka chico from didz and chico fame, one half of the duo that brought us the outstanding >something new< on doc daneekas ten thousand yen label. >obsession< and >new age people< are back on the old school renaissance tip sharing the same soulful classic tones that underpinned >something new< which got plays from the likes of larent garnier and sinden.
these are two classy modern garage hits that have a back in the day vintage feel, think tuff jams garage classic >experience<, think us garage at its peak, think iceberg chinos and mochino shirts, think everyone having a good time in clubs. both tracks are swingers aimed directly at the dance floor full of soulful vocal snippets, catchy melodies, shuffling rhythm patterns, warm vintage keys and plenty of deep bass.

james johnston is on a roll! after his very well received release on 4lux he now dives in even deeper territory with these four excellent us-inspired deephouse cuts. we have the dark sexy groover >a new day begins<, the sunny rhodes-driven >drive around the city<, the smoked-out >haze< and the hypnotizing late-night workout >why do they wanna go<. a masterclass in deep yet up lifting housemusic.

after only just recently raising our glasses to our 50th upon you release, heres number 51 just waiting in the bleachers…so basically we are on our way to number 100. our italian friends re-up have rustled up this very promising release called >the new mood ep<. why the name ? i hear you ask. well these two tech-house experts have dug deep to give us a1 with its ecstatic drum rolls in >darkness< , a2 gives us the title track with its dubby-chordy kind of sound, like magically pulling the reins on an indian horse. >what else< they ask themselves on b1 while they gallop over the uy parcour to end this little journey with >so good< on b2.

saved regular ross evana returns to the label with the monstrous >these sounds<, a vocal infused future classic that cannot be ignored. combining an infectious groove with devastatingly catchy vocals the lead single will slip with ease into any djs box and remain there for years to come.
continuing with the quality expected of a saved release, gregor tresher makes his debut on the label, presenting his take on the lead single and adding a flavour to the original that only he knows how.

it is not about knowledge only, academic or otherwise, it is and has always been more about understanding each thing for what it is, what it stands for and its origins. this is definitely the case with quell, who has been a friend of the these days records since the very beginning. after the artists collaboration with argy under the these days in-house project moniker >club lonely<, this is his first personal ep for the label. drawing influences from a few distant chronologically, yet classic styles of dance music, starting from disco-flavored house all the way to friendly nods at kerri chandler, ron trent, chez damier and the earlier period of new york citys ibadan records, >perception ep< blends all of them together in a most elegant and mature way. amidst the plethora of the house music sound recent revival, quell presents a very complete and solid proposal, which shows that he adores as much as he comprehends the connections between the past, present and future of this music

mule music happy to announce the joe claussell remix of kuniyuki >all these things<. we have been waiting almost 4 years…. we have asked him when we were going to make the remix package kuniyuki-remixed. now finally his remix is arrived! joe claussell invited his favorite instrument player and let them re-performance the original version of kuniyuki. the remix is 22min which is composed of 7 parts.the first half is quiet and beautiful,then after the speech of martin luther king during the break,then emotional second half come. we think this great remix is one of the best work of joe claussell. on b side,kuniyuki made self ambient version. the painting of record sleeve is by kuniyuki father! so dont miss this beautiful record.

paul hughes and aruba teaming up for this latest offering from siesta music. >these days< is a lush late night groover, combining a rich bassline with a drifting vocal stab, tight beats, and dubby chords for some quality deep house. aruba adds a little old skool flavor to his >those drumz mix< via new analog synth lines and a new bassline, while the beats, now more of a tribal rhythm, still keep the floor crowds moving. the >those nights mix< will throw you all off, with the track slowed to a crawling skank with a deep bassline and recliner beats pitting wits with a slowed down take of the vocal.

records like this dont come very often. thankfully it seems there are still people out there who care enough to create beautiful projects and timeless music. after the ingenious june white label came out last summer, these days records office fell in love with it and without wasting any time rushed to contact the mysterious artist and propose an album. although well-hidden in a secret back-alley of west london where june lives and dreams music, his unique approach on acid house, synth wave, chicago house and 80s nostalgia was too good to be left unnoticed and has been favored by people such as panorama bars steffi, mathematicss owner hieroglyphic being, terre thaemlitz and the clone record store to name but a few. almost half a year after his >alleviation< ep, junes debut album >cytheria< has been realized and features a 12inch sampler with two brand new tracks and two remixes by critically acclaimed dj sprinkles on one of junes older tracks >lost area<. terre thaemlitz aka dj sprinkles, who has been well renowned for his contributions in music and arts in general for the past two decades, delivers an epic remix that takes one to a forgotten musical territory somewhere between early warp records, hacienda, 80s new york club sound and older balearic music. the albums cd version includes 10 new songs and 4 from the artists back catalogue and retains a great balance between dance floor orientated tracks and synth-pop.

the most favourite of italian producers, bottin, returns with an old project. tinpong is a collaboration between bottin and swiss singer joy freypong. these tasty masters were just gathering dust on an old hard disc in venice but when we heard them we just had to get these gems out there.
the first of the tinpong material is a cover version of a duran duran classic. set dials to 1982, >new religion< is of course one of the standout tracks from the classic >rio< album.

ultraphat raw and dirty detroit / chicago / acidhouse cuts

ultraphat raw and dirty detroit / chicago / acidhouse cuts