herbie hancock is one of the most prolific jazz pianists of the 20th century. a child prodigy, he played with the greats such as donald byrd and miles davis. he was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound.
music on vinyl is re-issuing this hancock gem for the first time since 1973!
pressing on 180 grams audiophile vinyl.

arjun vagale has played alongside such heavyweights as fergie, sasha, dave seaman, paolo mojo, cari lekebusch and kasey taylor, while his live act, jalebee cartel, has shared headlining spots with the likes of the prodigy, modeselektor and carl cox. his knowledge and use of technology in the booth is second to none, often adding drum machines and samplers to create uniquely raw, funk-laden techno sets.

the german based label kitty corner records turns back the wheel and starts a new series of fresh experimental techno music. the opening track hachzem from bristols kanji kinetic comes with storming mutant basslines and rave stabs collide over a thumping techno beat. for battle creek brawl rrritalin and cynthia stern take it back to 92 with pitched up rap vocals over a prodigy style breakbeat hardcore track.spacefaces hands of a lunatik is frenetic and crazy wonky techno, while lukes anger rounds off the ep with the robotic 909 warehouse beats of throwing switches.

this 4-track ep is the first official release from new jerseys mikeq, one of the unquestioned leaders of the current vogue-house scene, and follows in the wake of a slew of self-released tunes he has dropped over the past few years. let it all out is also the second record on kingdoms fade to mind imprint, which has already received mountains of praise despite its short discography. largely built upon raw, upfront drum sounds, recycled snippets of hip-hop and r&b, and, most importantly, the ever-present >ha< (itself a repurposed masters at work sample), vogue house seemingly offered the sort of sound that tastemaking and blog-reading djs would snap up with aplomb. hell, even diplo championed the ballroom scene. yet, for whatever reason, the expected vogue-house explosion hasnt really happened. while a handful of non-ballroom producers and djs (most coming from the world of bass music) have experimented with the genre, the music essentially continues to hum along in the underground.

next up on nang, we have the long awaited full-length from nu-disco hero and synth aficionado, andy meecham. the release sees meecham step away from his revered emperor machine monkier to create something conceptual and truly visceral, yet still retaining those signature grooves and rich tones we all know and love. the aptly titled monophonic volume 1 is a synth purists dream. each track has been crafted on a single classic synthesizer (and named after it!), giving each piece its own identity and sense of time and place, referencing landmark moments in the history of music technology from the east and west

sophomore ep by brooklyns new house prodigy willie burns, who has been honing his craft under various guises for the better part of a decade. expanding on the foundation laid on his l.i.e.s. ep earlier this year, here we see willy take a more aggressive approach towards more commercial territory... errrm as if... in any case, classic house tunes with a ny twist.

two brand new tracks from bristols emergent house prodigy. >batty knee dance< brings ultra syncopated 808s, neurotic synths and a mournful vocal refrain together in a tightly packaged low drag configuration. >ribble to amazon< maintains the levels of 808 astro physics but heads for the great outdoors with subtly staggered pads and an impossibly delicate lepidopteran melody basking in a 16:9 sunset.

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

2010 repress !! side a features adam beyer, with a remix and a phenomenal reputation, both exemplifying how swedish techno continues to be at the forefront of dance music production. side b features frankfurt?s prodigy chris liebing who tackles the solid percussion of ferreira?s homage to tresor club on tresor west.

the final chapter of vonstrokes limited vinyl album remixes features some seriously low end.
remix #1 is one the favorites of the entire project. claude met brazils dj marky on an artist bus at a uk festival last summer and gave him the track >aundy<. he asked him to do a mix and marky and his friend s.p.y. turned in this amazing drum n bass version. numerous artists have been dropping it even in the middle of house sets! it really captures the drum n bass feeling of the original track taking it back to the genre which inspired it.
remix #2 is from our up and coming bristol based bass prodigy, julio bashmore. he takes on >california< the co-production by cvs and j phlip to another level, adding smooth low end bukem style bass drops and shimmery vox/pad programming to the already insane track. bashmore is one of the few new breed of uk producers who cross over all the way from house to dubstep.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

harthouse begins 2010 with londons techno prodigy steve lawler whose enormously creative output brought him signings at labels r&s, drumcode, ovum, sci+tec, skint and others. as a&r he manages his own label viva music where he releases tracks by artists like john selway, tiefschwarz, bushwacka, reboot or audiofly. his new work almerina comes with remixes by joey beltram and alex flatner on the glorious vinyl. so watch out for these exciting tracks!

massive prodigy remix!

after the very well received >hunter / grazer< ep by jeroen liebregts, audio assault returns with their first post-summer release. prepare for another contribution by japanese prodigy go hiyama, delivering dirty and industrial beats in the classic hiyama tradition.
besides the orginal version of >residual set<, this release features three quality remixes by the likes of oscar mulero, radial and bas mooy, who each give their own unique interpretation on the original. the result is a varied release, which already did some serious damage on several dance floors worldwide.

uk house music and disco superhero rob mello has been instrumental in shaping the evolution of the uk sound since way back when. through labels like classic, luxury service and the way ahead of its time disco elements series on azuli in the 90s, not to mention countless innovative remixes and collaborations, his production output has shone out like a supernova for well over a decade. this is a return to songwriting, to tracks with longevity and a timelessness which transcends forgettable vogues. butterfly is the debut release from this dynamic quattro known as beulah heights - three producers/writers and one singer. a dream team collaboration between royal college of music and child prodigy lyn goddard, dj/producer and film scorer rob mello, producer/dj nathan boddy aka the illustrious office gossip and the amazing vocal talent of singer katie beadle. so here we have it, the majestic first release on beulah heights. a slowly pulsating monster of a cut, shot through with a futuristically executed homage to early 80s productions and more than enough girth to guarantee a powerful response from the floor. already road tested to rapturous response, this is an absolute beauty.

nice price deal !!! viennese producer tenchu is no greenhorn, no newcomer prodigy. instead the 27 year old is one of austrias finest having earned his stripes many times over in the countrys prolific drum n bass scene. one half of producer duo dubfiction, tenchu graces the third release of nascent label dub:iouz records with two of his latest tunes. a side motivational poster is nothing short of a killer dance floor stomper defining the labels identity. aa side used to be, especially under the skilful treatment of non other than hotflush recordings owner scuba, listeners bear witness to another genre central dubtastic idm tune.

drumcode and perc trax regular kyle geiger is the next techno prodigy to be welcomed into the roots family by label boss ortin cam. >no release< is built around a massive breakdown - major dancefloor damage!

big with: mahan, noir, compuphonic, trickski, oliver klein, butch, dynamodyse, thomas schumacher, llorca, laurent garnier, ante perry, ... lany recordings is ready for its second release this new belgian label is all about releasing club music in all its glory. veteran belgian dj s maxim lany and red d (of we play house recordings fame) are at the helm and aim to bring tracks that they love and play. after the first dancefloor bomb by matomic it is now time to take things a little deeper. label a&r maxim lany has teamed up with both ramon tapia of great stuff fame and belgian prodigy kolombo to bring you his vision of what house music is all about.

l-vis 1990 is quickly solidifying himself as a bass-prodigy. you re forgiven if you re unfamiliar with the name but pay attention - this 25 year old from brighton has stormed on the scene and is making some of the most singular dance music we ve heard of late - this stuff is truly standout. with the ever-building epic come together and the floating then undeniably face smashing united groove , we re hearing a heavy sound with a new and refreshing take on structure and style. he has upcoming releases on kitsune & dim mak as well, plus a busy club schedule with his night slugs monthly in london, and one offs at the biggest european clubs (fabric london, social club paris, scala berlin, etc). oh and did we mention that with all that he still finds the time to make videos for the likes of dance area and riton!? definitely one to keep your eye on. in the meantime, these two tracks form a serious weapon. amazing new mad decent record that s making big waves worldwide. touches of grime, house, uk funky and your classic mad decent styles. big.

peaktime club techno 2 tracker in the style of p series sampling the prodigy anthem thunder - featuring a main room mix plus killer dub on the flip - unmissable.

fetter minimaler floorgroover, virtue ist eine straighte mischung aus französischen minimal beats und verspielten 90er synthies, doch keine angst, aufregende nummer allemal, die synthies bringen auch wirklich spass auf den floor zurück, superstrope rmx setzt dem ganzen noch eins drauf und grooved schon für leute ab 18, sehr italy in 4:15 min, kompliment! vice ist etwas ruhiger, mehr geeignet für die morgenstunden bzw. lange autofahrten, blood & tears rmx ist dagegen sehr, sehr percussion lastig, so stelle ich mir blinde kuh mit prodigy vor, aber prime time.

prodigy and limp bizkit get the treatment this time round from the cut & run crew! top quality party breaks as per usual from this seminal tribute label!

smack my arsch could roughly be translated as smack my bottom what pervert might this be.., you think? well, all true hardtechno players surely know this crooked mastermind behing these two boots. this major player grabs the prodigy clan by the neck and has a nice long talk about the political incorrectness of smacking a so-called bitch up. when he s finished the uk ravers are told to drop their baggies for a solid bum spanking the ll not easily foget!

prodigy electro-house cover version, mixes by dimitri vegas, gene pole and like mike!!

riz mc ist ziemlich angesagt auf der insel und liefert uns zwei verwegene tracks mit frische-garantie. irgendwo zwischen mos def & prodigy sind die beissenden lyrics gepaart mit fetten beats anzusiedeln. umseitig gibt es einen remix von loco dice, der bereits support von tiefschwarz, sasha, luciano, radioslave, groove armada, cassy und vielen anderen bekommt.

the first of the series is the work of young parisian prodigy mondkopf (known for his acclaimed remixes for grand national, the teenagers, johnny cash). his ep (declaration of) principles mixes futuristic techno in christmas, sainte (playlisted by pedro winter) and the amoral poem ave maria, accompanied by an odyssey remix by i :cube.

with frankly amazing singles on his own glimpse recordings and matt tolfreys leftroom earlier this year, 2007 is shaping up to be one hell of a year fro christopher spero aka house/techno prodigy glimpse. here, he delivers his debut for the uk-based bastion of quality that is four:twenty with a superb collaboration with critically acclaimed taka boom (sister of chaka khan) in the form of we existed. another great uk talent, tom demac is first to remix we existed and does so in fine style. its plain to see why so many labels of note are requesting releases from tom on first listen to his skilful, deep and dubby excursion into detroit inspired house. jay shepheard, not to be outdone, turns in two remixes for the package. his alternative remix is up first and is a driving affair with a percussive punch and nagging fm chords providing the perfect base for takas vocals and some well placed keys. the main rmx from compost man shepheard carries on the mantle of quality with a decidedly more electronic and epic feel: a shrinking violet this is not

supported by loco dice, simon baker, fabrice lig, florian meindl, angel molina, josh wink and many more.. here at immigrant we are thrilled to present an outstanding ep from our youngest prodigy. hailing from the uk’s murky midlands, 20 year old subb-an is rapidly proving himself a producer to watch in 2008 through his residency and explosive live sets at birmingham’s renowned below party, and a successful release on leftroom earlier this year..

the 2nd release from this fresh eskimo prodigy, right from the beautiful area of tuscany. choosing vintage analog synthesizers next to real instruments such as guitars and an electric bass, simone manages to perfectly sculpt his deep and original sound, mixing funk, italian disco, house and synth pop.

the rereshingly prodigy esque ripper will ravers old & new quaking in their boots. a short intro gives way to a heavyweight knarly b line & beats combination to knock your head off. not one for the faint hearted. on the flip sees the return of the mighty dopamine for remix duties. warping meaty synth lines & chunky techy beats are the order of the day.

cool 4 track classic techno ep !!

omar s presents another newcomer with this just 15 year old prodigy kyle hall who produced this debut offering solely on analogue tapes. ruff bizzniss!

cool breaks tune with prodigy sample and entity remix

excellent 2007 prodigy remake !! dj playlists: voodoo & serano, jonathan ulysses, flash brothers, plastic funk, chrissi d , roman salzger , andrew spencer, patrick la funk

excellent 2007 prodigy remake !! dj playlists: voodoo & serano, jonathan ulysses, flash brothers, plastic funk, chrissi d , roman salzger , andrew spencer, patrick la funk

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

here comes the storm ram by head honcho marco remus. as a follow up to the huge yet mysterious n34 release which adds a little nerven spice to some classic prodigy material, remus presents the butan ep. the ep is one of his most progressing works to date from the hands remus. the ep starts with a stripped down and mental jackhammer which has already shown its power during marcos world tour. the ep even comes with something more melodic and slightly more spaced out than you ve perhaps come to expect. a true masterpiece that will not only please the die hard followers of marco remus

cool christian hoff breaks re-edit of the prodigy classic...

buzzin fly celebrates its 25th 12inch release since its launch in april 2003 with this jam packed mini anniversary ep featuring classic tunes in modern revivals featuring label artists and fly friends. side a features ben watts top selling debut cut lone cat in a superb 2007 re work by dennis ferrer and the new york prodigy steve martinez. to close the side, ben delivers the original mix of his tendertough beatless spoken word piece, old soul. finally justin martins pivotal 2003 debut cut for the label, the sad piano gets a jimpster modern remix treatment here

prodigy classic get a schranz appeal

hyper is back with more twisted electronic mayhem trashy vox (courtesy of ex prodigy singer leeroy thornhill)

ac/ot electro mix & tocadisco mix.electro house prodigy remake!!

the prodigy gets the schranzz treatment !!

krumme nummern, so krank & poppig zugleich , daß einen angst & bange wird. prodigy vs. seal vs. pixies

4 artists - 4 tracks. very cool **limited 500** tune with 4 phat tracks. differnet styles, acidic driven piano monster, prodigy - styled breakbeat house, deep minimal groovy guitar - riff thing, worm analog chord track with emotional content ! a1 el locco - latin cocktail a2 surphase - observe yourself b1 two_em - light on my piano b2 r-em - error

noisiaÕs Òouter edgesÓ av show on cd.

3 cd compilation feat. sufocus, fat boy slim, prodigy

sean price verstarb leider im august 2015. nun erscheint sein viertes studioalbum -imperius rex- mit produktionen von the alchemist, harry fraud, nottz und anderen. gastauftritte stammen von doom, prodigy, styles p, smif n wessun, rock, method man, raekwon, inspectah deck, junior reid, buckshot, ruste juxx, bernadette price und anderen. die cd ist in einem 84-seitigen buch verpackt, das rare fotos, exklusive fan-designs und ein faltposter des album-artworks enthŠlt.