so this is the first release from myself and kate rathod s new vinyl label which we started so that we could release our more diverse music. this ep ranges from ambient and electronica on one side through to two solid techno tracks on the flip side. future releases will see collaborations with blm, nick lawson, bangla design and more.
- matthew burton

danse club records is a the uk-based house & techno label conceived by the brothers who form brodanse. danse club is dedicated to both releasing solid grooving, big, bad, upfront dance-floor records and re-releasing, remastering, and remixing big floor-filling house tracks from the 90s as part of their gold series.

great hypnotizer with amazing matthew herbert rmx on the flipside

following on from two of our most popular releases yet and having recently cemented their reputation on the scene with output on labels such as visionquest, matthew burton and kate rathod make their 3rd appearance on retrofit for our 10th release.

the return of matthew styles for running back (check his sample & hold ep for his psychic powers) sees the berliner-by-choice immersing in his very own world of h-music, where tony humphries thrones next to ricardo villalobos and with enough room for all the wonderful chums in between!

alberto tolo & matthew skud: ...in this ep we followed up our sound project that continues to evolve in the european underground trip, to complete this project and we finalized to make it took about a month, we have added almost all the material that we collected along our path...

2018 repress toll....musik for love

big with m.a.n.d.y.,tiefschwarz , pan-pot, butch,rodriguez jr, sasse, kiki, deepchild, marco resmann, catz n dogz, coyu, martin eyerer, chloe , cormac & benoit c.. kai & holger return from their stateside adventures with matthew pervert on get physical. ‘matthew pervert’ is a slow buidling groove attack. saucy percussion sets the mood for a deep pumping bass under chords. a sassy vocal adds to the analogue ambience, worked in a coat of reverb and doused with delay. a sexy sound for steamy nights on the neverending dancefloor sessions smash tv are known for. the second track, ‘please’, starts immediately with a deep horn falling under kicks. a touch of techno emerges from the darkness and drives us insane. followed by deep vocal lines and foggy chords to melt us at the core. this is your evening high, the point when you float away and the music takes you to a place beyond the dancefloor. looking forward to hearing this in the next set from the boys.

ready to get weird this summer? matthew dekay and lee burridge certainly are with the launch of their second imprint in 6 months following the success of their first label all day i dream. while adid represents their love of all things emotional and melodic and embraces thier signature sound perfect for their outdoor parties of the same name get weird will see releases geared towards the music they play after dark. a place to showcase more dubby, techy, slinky and sultry rhythms to hypnotize dancefloors when the sun goes down.

all 4 previously unreleased tracks by the mole, jon mcmillion, m.styles & dexter are stand out production

>arrested on charges of unemployment< ist die sechste und letzte albumveröffentlichung des the fiery furnaces-mitglieds matthew friedbergers aus seiner solo-albumserie. friedberger spielt auf jedem album nur ein einzelnes instrument spielen. hier fokussiert sich friedberger auf vocals und kontrabass. die alben erscheinen in streng limitierter auflage und werden nicht als cd oder mp3 erhältlich sein!

2012 - we are milleniumized neo, more than ever before. 1993, when techno was all over the place, german experts tommi eckart (at that time not 2raumwohnung yet) and ralf hertwig (at that time not palais schaumburg anymore) released a track, which found its way out there as a legendary underground-club classic in germany,england, benelux and france: the beat just goes straight on and on. its been sold out for years, but djs still play it in the clubs and it never lost its beat. now in 2012, almost 20 years later, the vinyl reissue being released, including the original cut and a remix by matthew styles & tobi neumann. it just goes on and on, enjoy!

aldo cadiz, one of the most popular producer of south america, meets an italian artist, matthew lima, owner of amazing music. tey started their relationship about 1 year ago, and one of the best score is their next release on carillon records. lluvia de verano is an amazing track, something unusual for carillon and also for this two producer. is a funky and melodic track that make a great atmosphere on the dancefloor. la noise mal is a deep trip, tribal and dark with a great male vocal. de diezmil is the dancefloor killer of the ep, solid and groovy from the first kick. hellow ashley close the release with an hip hop vocal and latin percussions. all the release is massive and you can listen all around the south american influence of this two artists

although it has found emotional music from france, russia and south africa over the years, for this release it returns to the birthplace of deep house, chicago, to focus on up and coming producer matthew wieck. opening the ep with the wiry tones and lush pads of >flying feeling< whichs take you up into the stratosphere with its floaty vibe, its complimented by >hydroacoustics<, which utilises an aquatic arpeggio lead and warm, oozing pad underneath, held together with crips, charged percussive work. on the flipside >worlds beyond< demonstrates wiecks darker side, with an acid bassline riffing against cavernous piano in what sounds like a more introverted take on larry heard. altered moods boss malcolm moore finishes off the ep with >cleared direct<, an 808 jam held together with foggy chords and disembodied radio transmissions - the perfect compliment to wiecks fine material.

matthew burton & kate rathod are the next duo to leave their distinctive mark on the visionquest imprint. delivering a deep and dreamy melodic work out with softly fractured beats and reverberating vocals >the flip side ep< is three wintry cuts of understated house music

two low slung house beauties from low slung to start his aptly titled label. andy ash and matthew kyle join the choir with 2 equally gorgeous remixes. keep it low slung!

big with: dixon, ame, joris voorn, kiki, nuno dos santos, ryan crosson, soul clap, ellen allien, jimpster, satoshi tomiie, karotte, makossa, kiki...

already supported by m.a.n.d.y., audiofly, catz n dogz, franck roger, luna city express and many more!

the brandnew label founded by matthew dekay & lee burridge !! support by: anthony collins, andy baxter, ali (tiefschwarz), marc romboy, marco resmann, terry francis, dave vega, soul clap, ryan crosson, kristian (ame), chaim, osunlade, marcin czuballa,…

for renaissance mans first single off their turbo debut lp, we have assembled a team of remixers whom we felt could live up to the playful intelligence of the original. the result is a pack befitting one of the best electronic albums of the year, a mensa-level dissection of contemporary dance music that builds on the finnish duos previous releases on dubsided, sound pellegrino and made to play.
to begin with, we enlisted a personal hero of the renaissance man boys - legendary producer herbert - who offers up a subtle, atmospheric take, adding his own vocals and introducing an esoteric pop sensibility. scottish producer (and thom yorke name-checkee) sei a checks in with a hypnotic techno groove bomb. uk vet paul woolford strikes a balance between wobble acid and melodic piano hooks.

excellent groovin 2011 disco / cosmic edits / slomo house

excellent deep vocal house / classic us house stuff

englishman matthew styles is a special one. firmly schooled in the history of dance music as a dj, his productions usually carry a uniqueness that cannot be located in time and space - a little bit like what courtney melody tried to put into words with his >modern girl<. styles debut for running back is his first solo release in a long while and ticks all the niceness boxes: straight up house with >dont call me again< that works itself up in a frenzy, the rough and ready >scale< performance without a ruffle, >polee< and its irresistible melody and last but not least the percussive and bass-heavy lunacy of >galaxy 21<. yee-haw! styles for days !!

diner city sounds fifth release, back to the start with matthew kyle who helped kick off the label with dcs001. four of his personal favourite tracks make up the 12, a brilliant release! a1: do it charlie - mk at his best! slow, grooving edit, super sexy vocals and really beautiful percussion. words cant describe the greatness! huge sound cloud hit as well. a2: midnight- hypnotic track, just beautiful! synths are incredible, cool little vocal and light percussion. b1: i want myself for you- fun track, one to make your booty bounce! nice use of a well known sample, brilliant vocals. all round heavy groover! b2: inside - love things slow right down on the final track. a lovely, atmospheric track with a great beat - showing off matthew kyles baby-making music talent! top class

remixes coming from laura jones, inxec and tolfrey & russo.

first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera, frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy... played and supported by marco carola, ralf, soukie & windish, larry peters, franco bianco and more. first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera , frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy..

a1: talk to me - matthew kyle delivers on this one! a huge track, great vocals as always and a brilliant beat, coupled with keys and light percussion. top class!
b1: anger - what a groove! heavy beat, cool percussion ­ this will get you moving! vocals stick in your head and the bass line is subtle but great! so good!
b2: the thrill - mk doing what he does best, the slow grooving track. beautiful. fits so well in the small world disco catalogue.

proving an extraordinary outlet for pure soulful house and unadulterated dance music, foliage records continue their remarkable start to the year with their sophomore release of 2011, we can’,t loose. >we can’,t loose< is the striking culmination of bandy’,s continual progression and evolvement as an artist and producer. in an era of mechanized and synthetic sounds bandy’,s pure and wholesome incorporation of live instrumentation not only provides a much needed breath of fresh air into the world of house, but an authentic, refined and compelling exploration of his intensifying harmonious growth. seamlessly interweaving passion, originality and innovative dedication bandy’,s creative output is unmatched, deceivingly imaginative whilst remaining fundamentally coherent.
support from culoe de song, rocco, claude monnet, yass, jamie thinnes, tedd patterson, atjazz, greg gauthier, distant people, jask, master kev, dj christos ...

just over a year after it launched, jay shepeards retrofit presents its fifth release, with the label boss teaming up once again with matthew burton for a quartet of classy deepness you would expect from the imprint.

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

2010 repress: matthew herbert jumps into the tresor catalog with this exclusive twelve-inch featuring tracks from his globus-mix cd lets all make mistakes.

excellent deep groovin hypnotizer !!!

matthew herbert goes classic, melancholic music, incl hig quality bookler

2nd release for retrofit brings 4 deep collaboration-cuts by matthew burton, kate rathod and jay shepheard.

nice price deal !!!

4 track ep with tracks by laanga, sam walkertone and sam walkertone ft francis matthew

nice price deal !!! music designed for the underground! aaron ross & matthew bandy have landed themselves once again on the seasons recordings imprint and we could not be more excited to have them both back working on this one together! last year bandy got hitched and moved from the quite city of denver to the thriving city of london to mix things up and ending up hooking up with mr. ross and the rest is magic! this is the first project these two have worked on together and lets hope for more in the future. this record was designed for the underground!!

the music from matthew barneys drawing restraint 9!!

quality soulful deep grooving house track!!

second ep for horizontal from matthew styles.. incl lil mark rmx

fünfter einkaufsmarathon bei familie ware. dominik eulberg, m. schaffhäuser, markus günter, the kitbuilders, soda inc, brian aneurysm und viele andere haben den korb schon voll gemacht

matthew bandy, jevne & fourfeet drop the bomb and manuel tur delivers a killer remix! now this is what we call a proper collabo! three giants of the us house scene deliver an anthem and our german electronic wunderkind delivers a killer remix.

new label from jay tripwire. 4 deep & deadly mixes for those who know

finally! after months of struggeling with crappy pressings and lousy vinyl, at a moment it seems sure some vicious demon put a spell on us and we almost have abandoned hope of ever releasing it, we dare to swear: dnp 8 by matthew styles will see the light of day now!

this >sources ep< shows exactly where matthews heads at as a producer and dj, wonderfully deep groove-lead modern house with his own unique twist. being released on dinkys highly-desired horizontal imprint, its the first of a run of releases with another ep soon to be released on diamonds & pearls, a label whose small roster includes luciano, ricardo villalobos and henrik schwarz. >double exposure< on the sources ep can also be heard as the penultimate track on dinkys fantastic new get lost 3 mix for crosstown rebels, its safe to say shes a big fan, but then again its hard to find anyone who knows matthew personally or through his music that isnt a fan. 2008 could be a big year for the unlikely but highly talented star

asad rizvi delivers a deep, minimal stormer. sound republic deliver a wicked rework that has their signature bag of jackin jazzy funk

eine verpeilte, drogenschwangere & kickende ode an judy (fabric/london). mit fuckpony aka jay haze, jamie jones von freak n chic und matthew styles von crosstown rebels, bemüht sich ein lustig bunter haufen um ihre gunst