vinyl includes three photo prints and riso-printed inlay

emotional highlight!

new 7 inch from two detroit legends - matrix boss sean deason and teknotikas gary martin

ambient / electronic album by andre uhl

heavyweight black and red couloured vinyl

4 electro tracks with heart!

minimal experimental sound

detroits gary martin, the legend behind gigi galaxy and the teknotika label is back.

argentinian dj & producer vannoni created acid-techno/chicago -11 de junio ep- as a tribute to his father.

lovemonk presents the new album from uruguayan musician martin buscaglia.

ltd

dark and emotional electro sound from rotterdam

reissue

2020 reissue! ursprünglich im jahr 1987 veröffentlicht und passt perfekt in die afro / cosmic-bewegung, die zu dieser zeit von djs wie daniele baldelli und beppe loda populär gemacht wurde.

part 3 of >spirits<

hypnotic techno groove on 10 inch vinyl

soulful house from martin solveig with vocals by mr b. and gail powers.

martin solveig’s debut longplayer from 2002.

paris label ddd records with a brilliant 3track vinyl

lee curtiss and steingolds dream adjacent-ep

detroit og gary martin aka gigi galaxy is back

the 3rd solo album from martin rev, originally released in 1991, is finally back on vinyl via bureau b.

oren ambarchi & martin ng are back with a double vinyl release for hospital hill. limited edition of 500 copies, cut at 45rpm, housed in a gatefold sleeve with download code included.

sold out

the 2nd solo album from martin rev, originally released in 1985, is finally back on vinyl via bureau b.

a collection of live experiments and other recordings from martin bartlett, compiled and edited by luke fowler.

b-stock! cover with seam-split. martin buttrich presents northeast / southwest ep

mexican-jamaican producer andy martin kicks off mole audio with “plato & caves”. remix support comes from deadbeat.

a world premiere of ai-generated symphonic music!

martin buttrich presents northeast / southwest ep

new york residing dj/producers john barera & will martin update their longstanding body of collaborative work with their first 2mr release since last years exceptional proceed to the root sophomore album

.... without words , top pick

after his 12- on oye black label martin georgi is back on his own imprint quiet elegance. two sampled based deep house tracks with his unique mpc style. vocal parts combined with dusty beat programming brings the perfect soulful house flavor. 9 to 5 is killing me!

incl justin martin remixes

since this year still hot are proud to welcome martin to their artist rooster. with his new -treat me bad- banger he finally makes his ep debut on still hot and proves his -all in- aspiration yet again. the title track -treat me bad- is an impressive demonstration of how striking electronic music can be when elaborate percussion and sound quality come together. massively powerful and just as smart -treat me bad- promises to have a salient impact on international dancefloors. with gorge we are glad to have another heavyweight on board who gave -treat me bad- a looser and more spherical vibe, however just as danceable as the original.

as always, the return of ruede hagelstein is inevitable and with each return he ups the ante tenfold showcasing his ever growing prowess behind the studio door. it seems as if, with each ruede ep, the amount of elements utilized shrinks while at the same time the sound grows in power and dominance and that could not be better exemplified than here. consisting of two originals and a remix from the one and only martin buttrich, the ep is a gross display of well thought out, mature dance floor jewels. opening the short player is hagelsteins ‘dematerialize feat. justin evans where a sinister yet soothing vocal sets the tone for the entire track, laying the groundwork for a gorgeous bass drum and shimmers of distant percussion carry us into celestial spaces. ‘forward vision is up next and follows suit by relying on a brooding minimal groove to drive the shimmers of glistening atmospherics and sparkling sonics optimal for dizzy and delirious club moments. last but certainly not least we turn to the legend who is martin buttrich to twist the original ‘dematerialize feat. justin evan into a more straightforward composition with his signature stylings opening the doors of accessibility to a wider demographic of disc jockeys resulting in a track that stretches the playability to a wide range of disc jockeys

blown fuse deserves its title and will not only set every single uk dancefloor on fire with its hypnotic pad sound and the space-filling bassline underpinned with beats a la landsky.

enzo siragusa rounds off another incredible summer with a highly anticipated project, a collaborative fuse ep with martin buttrich. striking a perfect balance between enzo’s uk rave roots and martin’s matured finesse, the ‘three squared’ ep nestles neatly within fuse’s distinct sonic palette.

blown fuse deserves its title and will not only set every single uk dancefloor on fire with its hypnotic pad sound and the space-filling bassline underpinned with beats a la landsky.

do you remember the amazing minimal synth song -computer mädchen- which was featured on the private records compilation -computered love- a while ago? the whole 1982 album -nur für mädchen“ get’s re-relased today. produced by el deux s gutze gautschi (founder and ex producer of dj bobo), distributed by private records this exclusive 250 copies limited edition including a bonus sticker and a foldout booklet.

cassette / tape, ltd to 300

shortly before the turn of the year 2017/18, my friend jan müller wrote me an e-mail: »dear martin, i ll send you the new album of my band ›dirty dishes‹ now. the album is titled ›kabinett von papen‹. it is a concept album, which has the third-last government cabinet of the weimar republic as a subject. so, please tell me how you see it – whatever your verdict, i ll use it as an incentive to put my mind and body in the service of global pop culture even more so in the future«.

el deux is the swiss electro-pop trio of gutze gautschi (guitar, vocals), steno onetz (bass), martin kraft (vocals, drum machine). formed circa 1981 in aarau by gutze and steno who played together in punk/new wave band fresh color aka frische farbe featuring a pre-yello dieter meier. gutze?s minimal electronic compositions did not fit the concept of fresh color, so they formed a new project with their live mixer, martin kraft, on vocals.

the two stars, both superb singers who moved on to become award-winning actors, first worked together on a telethon in 1952, while dino was still half of the martin and lewis comedy duo. their friendship developed in the late 50s despite their widely differing personalities - dino developing an ever-increasingly laid-back approach, while sinatra proved to be sharp and frequently tempestuous. the two also bonded over their italian heritage. enjoy this lp including “ghost riders in the sky”, “south of the border” and many more!

since this year still hot are proud to welcome martin to their artist rooster. with his new -treat me bad- banger he finally makes his ep debut on still hot and proves his -all in- aspiration yet again. the title track -treat me bad- is an impressive demonstration of how striking electronic music can be when elaborate percussion and sound quality come together. massively powerful and just as smart -treat me bad- promises to have a salient impact on international dancefloors. with gorge we are glad to have another heavyweight on board who gave -treat me bad- a looser and more spherical vibe, however just as danceable as the original.

when michaela meise performed at westgermany at kottbusser tor in berlin-kreuzberg on march 20, 2015, accompanying herself on the accordion, i was perplexed. i knew her first album from 2010, which was about hymns (»preis dem todesüberwinder«, originally released on clouds hill, available as a download and stream through my label from july 2018 on), but what she was playing weren’t spiritual songs?! i wanted to put this music out on my label: the songs sounded sad, aloof and wistful but also proud, determined and unerring. the album title »i am greek« is a tribute to melina mercouri’s album »je suis grecque!«, which was released in 1971 when mercouri was deprived of citizenship by the greek military junta. mercouri lived – like mikis theodorakis and many other cultural workers – in exile. meise’s album is dedicated to the chanson scene of post-war europe, whose songs were popularly folksy, but also political. some talk about the experience of war, the shoah and labor migration.