official mr bongo reissue of the 1976 album from asha puthli. limited pink vinyl pressing.

official mr bongo reissue of the 1976 album from asha puthli. regular black vinyl pressing.

black vinyl, incl. download code

limited blue coloured vinyl

barcelona arts collective hex readies the final 2020 release from its hex recordings stable with under black helmets >lose something to gain everything< ep landing mid-january >lose something to gain everything< sees lithuanian producer under black helmet turn in four tracks ranging from the haunting, beatless >running barefoot< to the more familiar territory of acerbic industrialism on the title track. regardless of the bpms utilised across the ep, each piece on >running barefoot< is joined by an ethereal melodic motif employed variously to either colour the whole track or subtly employed to create tense contrasts. hex founders paolo ferrara & lorenzo raganzini deliver a remix of >running barefoot< that, during its six and a half minutes, flies through a dense, ever-evolving patchwork of brutalist techno that steadfastly refuses to stay in one place.

strog limited splatter version. barcelona arts collective hex readies the final 2020 release from its hex recordings stable with under black helmets >lose something to gain everything< ep landing mid-january >lose something to gain everything< sees lithuanian producer under black helmet turn in four tracks ranging from the haunting, beatless >running barefoot< to the more familiar territory of acerbic industrialism on the title track. regardless of the bpms utilised across the ep, each piece on >running barefoot< is joined by an ethereal melodic motif employed variously to either colour the whole track or subtly employed to create tense contrasts. hex founders paolo ferrara & lorenzo raganzini deliver a remix of >running barefoot< that, during its six and a half minutes, flies through a dense, ever-evolving patchwork of brutalist techno that steadfastly refuses to stay in one place.

incl. frankie knuckles remix. tip!

double vinyl reissue of the 2009 debut from bombay bicycle club. vinyl 1 is the live version, vinyl 2 the studio album - both with identical track order.

white coloured vinyl repress

2020 coloured reissue, gatefold

disco edits

limited to 50 copies.

no filler , only killer

real club material!

disco sureshot by whiskey disco

the talented artist do or die from madrid delivers us various shades of styles from techno to acid and italo-disco influenced tracks.

history dance music 1970-79

reissue! 180 g vinyl incl. download code

15 exclusive tracks from chinese man on translucent orange & black splattered double vinyl, download code included.

reissue of the 1990 happy mondays classic. pressing on black 180 gram vinyl, housed in a gatefold sleeve with download code included.

this lp was originally released in digital form for rephlex and is now available on a 3x vinyl. thanks to weme records.

re-press, remastered, 180g vinyl, expanded to double lp, gatefold sleeve - a little bit of somethin’ is a quietly majestic gem. brimming with guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an lp that is aptly titled. an enchanting start-to-finish listen, it was instantly regarded as essential upon release via mo wax in 2000. it has aged remarkably well.
this fresh limited edition has been remastered, cut on to heavyweight double vinyl and is presented in a deluxe gatefold jacket.

the legendary record that sparked the afro-beat renaissance of the 90s is back. the black vinyl release includes a download code.

cologne based producers and dj s stikdorn and mk braun team up for the second installment of their henk label. they created 4 tracks full of analogue hardware vibes ready for the dancefloor. the a1 (platform) is a breakbeat tribute with a haunting melody and some twisted turns. a2 (reval) is a straight looping techno stomper that could go on forever. b1 (atm) takes the floor apart with sharp and crispy noise and acid sounds on a heavy bass drum. b2 (loose it) slows things down bpm-wise but is surely also one to open or close a night in style.

limited edition transparent red double lp containing 4 bonus tracks, housed in an embossed gatefold sleeve.

paying tribut to jazz-funk pioneer doug lucas. the vinyl lp is housed in a gatefold sleeve with download code included.

vinyl only - 180gr pressing

red laser records is back !

vier detroit tracks von zwei unterschŠtzten soldaten!

2019 repress - south londons henry wu makes his hotep debut with the negotiate ep, his most comprehensive release to date. spanning five cuts the ep journeys through loose soulful grooves, dusty fingered beats and bumpy analog house. bringing that redlight, basementality throughout, title track just negotiate featuring simeon jones on vocals moves above street level, adding bitter sweet dancefloor/radio vibes to proceedings. on the whole.... some abstract jazz type sh*t!

4 tracker incl. amy jackson, jillian mendez, in-dex and dionne

representation of one of the most extraordinary periods in new york citys epic musical history. incl. tracks by edwin birdsong, george kranz, james white & the blacks, john robie, loose joints, material, peech boys, quando quango

a collection of classic northern soul rarities from the 60s to early 70s.

a matter of concepts is a very personal selection of songs by recent, active underground bands and artists that we love at dwr. coming from the uk, us, the netherlands, canada, france, russia, australia and ranging from post-punk to coldwave to synth-pop to indie. fast paced and dancey or romantic and moody, there’s something for every soul here. we regard all of these songs as ‘modern instant classics’ and we bet that you’ll love them, too!! a matter of concepts is presented in a limited, hand numbered edition of 205 black vinyl copies housed in a matt sleeve with printed inner sleeve (credits / band pics) and including a download code. all songs have been mastered (or re-mastered) specifically for this vinyl release and its accompanying download.

the northern soul’s classiest rarities series has showcased high quality soul dance records from the 60s to the early 70s, beloved of collectors and dancers who have had their fill of the “top 500”.

arthur russells seminal disco cut now available on 7 inch format.

the fourth release on manchester-focused label ad hoc brings together a range of outernational grooves from some fast-rising talents. cervo is aligned with the banana hill parties, and also previously released on black acre and lumberjacks in hell. his -hesse groove- takes a mellow, spaced out approach to dusty machine-powered house, while taurtollo gets into a bongo-heavy jam for the eclectic warm up session. chambers -the gentleman- is a loose and smooth jazzy number that revolves around a few key samples to create its seductive vibe, and then yadava finishes the ep off with the free-roaming double bass exploration of -kadampa 125.-

next up on the ever-eclectic xvi records, a shadowy figure steps into the spotlight: enter the mysterious captain over, whose dark yet soulful bruk-infused tracks soundtrack the next stage of their voyage towards the sun. for his debut outing, captain over calls on the abstract vocal stylings of the legendary trim (roll deep, 1800 dinosaur) on opening track sick. showcasing why hes one of the most iconic and forward-thinking mcs to grace the mic, trims dulcet tones twist through a jungle of shuffled beats and subterranean sub-bass, an eerie child-like melody drifting overhead. clack clack and no one ever really flies inhabit a more dancefloor friendly space, their unique syncopation, fierce instrumentation and relentless energy open up the dancefloor for some real get loose moments. on the remix, they hand the controls over to xvi homestay books (following on from the success of his previous feel it in my bones and high praise edits vol 1 releases which won praise from the likes of the black madonna, moodymann, gilles peterson and seven davis jr) books expertly crafts a cosmic footwork jam, full of his trademark soulful chords and eerie midnight saxophone licks. as he prepares to launch his forthcoming ep no-one every really flies into the cosmos captain over is beginning to cement his place as one to watch in the uk underground a sequel ep featuring grime upstart nico lindsay is scheduled for release later in the year, with several more collaborative works in progress.

chicago s finest dj rahaan has teamed up with the now legendary liverpool disco festival for an ultra-dope double 12inch offering of legit, fully licensed and fully flipped remixes and re-edits from the west end vaults. sounds like disco heaven, right? in order to be let loose in the vaults you really need to know your stuff and we all agree that rahaan ra knows his stuff! this dream collabo sees him (respectfully) touching some of the jams that made west end the dance music powerhouse that is today. that s right, we re talking rarities, foundation tracks, the cornerstones of modern club music. these are wonderfully executed and brand spanking new versions of classics, who says you can t have your cake and eat it too ? well, brenda taylor actually, and that is only one of the joints on this special release alongside mahogany s boogie anthem ride on the rhythm , chuck davis spirit of sunshine and billy nichols give your body up to the music . spread across 2 hefty slabs of beautifully mastered wax we get to enjoy rahaan s reworks in all their uninterrupted glory, just as the disco gods intended. truly a match made in heaven, you will not want to miss out on this essential, extra-fresh west end / rahaan / liverpool disco festival release!

the new album from ben drew aka plan b as double vinyl in gatefold sleeve.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

early 2018 brings the second release of one of the labels co-founders. the record is considered to be a sample of a future longplayer. between slow house and future jazz, the two tracks contain a blend of stimulating rhythm and meditative vibes, conjoining dancefloor and living room atmospheres.

hailing from newcastle upon tyne, uk, steve bird aka mr. bird is the latest artist to land at matasuna records nest, hatching an exotic and fiery ep. starting on a mid flight ambience, before charging to catch its funky prey, dance away, the opening track, is a scorching collaboration with chief commander yaaba, one of the lead singers of london based combo yaaba funk. undeniably catchy bass line, afro horns blended with a string of unexpected beat variations, dance away is a call to the dancefloor, a celebratory ground to let loose, where mothers and sisters alike are beckoned to shine to the positive tune.

after the success of his i speak synth ep which gained massive support globally from the likes of barac, cap & east end dubs, lorenzo chiabotti is back on fake, this time with vatos locos’s david gtronic, 3 deep hypnotic grooving house tracks that have been getting support from the fuse london crew amongst others.
300 limited press - vinyl only

4th veniceberg instalment comes from the italian duo minimono. two minimal unreleased cuts from 2008 paired by very special remixes from heavyweights titonton duvante and mike shannon. a must have.

patrick weblin gives us this very special ep. 2 original tracks named after his 2 sons, so a lot of time and heart has gone into making this ep with a superb remix from iuly.b. “tadhg’s groove” give us solid house drums, percs and hats but its the pads and bassline that gives it the movement throughout the track, taking you to another level of space and conscious. iuly.b’s remix is down right tasty. it takes you on a little trip and makes you loose track of time all while grooving to this great remix. “ollie’s groove” is something a bit special, big 909 kick combined with 808 tops but this time some melodic synths add a very soulful and elegant sound.

following excellent releases from skatebard, les crocodiles and lunar concept amongst many others, pleasure unit turn to cut the rug crew member mike misiu for their latest instalment of cool-headed modern disco. do what you need sports a metro area demeanour, with a classic vocal hook sprinkled in at opportune moments for maximum impact. the dub mix is no less satisfying, even with the famous sample rubbed out, but in fact the real pleasant surprise of this release is b2 jam love talk. with its funky midtempo 90s breakbeat and heavy-hitting piano, it s an addictive party starter that harks back to the acid jazz days while still fitting right into the here and now.