jamie jones presents his new bionic boy ep

2022 rsd release, 1st time on vinyl (2009 was only released on cd)

classy collaboration ep from rotterdam based producer jürgen bouman.

ltd edition

decks tipp

incl remixes from silverlining and hiroko yamamura & matt tolfrey

get your hands of my man..., chunky floorfriendly house music

incl jonas saalbach & khen remixes

remastered reissue of jamie xx’ solo debut from 2015. special pressing in multiple colours, distributed at random.

incl. darius syrossian , alan dixon love attack remix

next floor banger on hot creations

outstanding electro banger

** idontknow ** from jamie xx finally sees a proper vinyl release. max 1 per customer

slamming floorshaking prime time action

killer joint venture !!

very catchy romanian minimal techno! tip!

incl lauer & jamie paton mixes

supported by trevor jackson, michael mayer, red axes, tornado wallace, axel boman

jamie 3:26 basement edits vol 2 featuring acid whump and bostitch time. standard black vinyl pressing.

incl jamie jones remix

australia based brit jamie blanco serves up kilsha’s superb second ep and capitalises once more on a fine recent run of form.

here it is finally tone dropout vol 7. this is a anglo/french,italian/oz extravaganza, a tdo meets lht banger.

we are proud to present a reissue of a selection of jaimes music from his 1997 album >the end of the beginning<

and so especial comes to its 30th release. as with the ees010 and ees020 the 12inch is given over as a sampler ep of alternate versions, dubs and unreleased cuts that deserve their time in the spotlight. again featuring a labels whos who, with fairplay, paton and baha appearing, but also new crews in vogue with roy of the ravers back, joined by the esteemed freeform five plus a debut from bal5000.

jamie jones joins forces with new york’s david berrie for an electrifying two track release on hot creations. doctor zouk is the result of a friendship spanning many years, and is set to be unleashed this autumn. title track doctor zouk is a bumpy, chuggy roller with a prominent percussive break and heady tribal undertone. future society uses thumping drum pads over a growling bassline with unmistakable high hats weaved together over futuristic synths. jamie jones is one of the industry’s most in demand and recognised djs. he heads up one of ibiza’s most treasured parties, paradise at dc10, and now takes it to all corners of the globe. his revered hot creations imprint has put out more than one hundred releases as well as playing a major part in launching the careers of patrick topping, richy ahmed and detlef. spending his formative years in new york, sneaking into the city’s diverse and flamboyant nightclubs and heavily influenced by a broad spectrum of genres, it wasn’t long before david berrie took to the turntables. he released on jones’ hottrax label last year and has had a number of releases on nervous and monique sp é ciale. he commands regular slots at bpm festival as well as at the paradise nights.

seb zitos seven dials imprint serves up its third offering with jamie trench & khalil anthony continuing to champion the early garage flavours that the label is fast becoming known for. what was missing transports you back to the 90s with that ukg groove, bumping sub bass goodness and kahlil s gritty vocals. the dub mix leaves only a small portion of the vocals in the mix, chopping them todd the god style and giving the shuffling garage rhythm more room to breathe. on the b side label head, seb zito, switches things into peak-time roller territory, dampening the kick whilst putting more emphasis on the hats, dubbing out vocal snippets, adding acid flurries and throwing in an epic echoed breakdown. all three mixes make a clear nod to the past, whilst firmly setting themselves in the present gold again from seven dials.

as well as manning his own label duro, theus mago can be found slinging out heat on turbo, kill the dj and more recently ombra. the mexican producer returns to home turf for his latest transmission, serving up one original track with two killer remixes. -inertials- is a rowdy beast in its original form, tapping up a breakbeat roll, dirty wave synth stabs and plenty more sonic debris for a cut that spans a whole lot of styles and makes them gel together seamlessly. inigo vontier takes the original and makes it into a bone-rattling drum track to batter the crowd into submission very late on in the dance. jamie paton takes a different approach on the b-side, weaving a little tenderness into the mix with some elegant synth lines that offset the raw bite of the drums beautifully.

producer and vocalist kevin knapp delivers his killer new single blah blah blah, returning to the hot creations fold after last years vocal feature on jamie jones positive pressure. here, jamie returns the favour, partnering with another label favourite, detlef, to supply a monster of a remix. finding time in his hectic schedule of touring the world, running various record labels and his paradise parties, jamie jones teams up with one of his paradise residents detlef to deliver an audacious remix, perfect for the twilight hours. hardy percussion, acid blips and pulses meld together to form a bolshy, no-frills remix. greek artist detlef shot into the limelight in recent years with releases and remixes on labels like hot creations, relief, knee deep in sound, moon harbour, and defected. kevin knapp gained attention with a string collaborations with audiojack (gruuv, 2012), matt tolfrey (leftroom, 2012) and his debut hot creations cut with richy ahmed (2013). a prolific producer and featured vocalist since 2011, kevin has released on the likes of hottrax, crosstown rebels, dirtybird, mother recordings and more.

damian lazarus magical live project the ancient moons returns today with their new single five moons. the band led by lazarus, is comprised of ben chetwood on drums, rob gentry on keyboards, and new vocalist j appiah. on five moons they are also joined by the australian punk sensation chela for a dubbed out, soulful excursion into the darker recesses of the dancefloor. the ancient moons first debuted in 2014 with lovers eyes, and followed that with the acclaimed album message from the other side, dubbed a a journey into technos dreamiest recesses by the fader and a psychedelic masterpiece by vice. since then the ancient moons have travelled the world with their highly immersive live show, supported roisin murphy on tour and played at glastonbury festival and melt! amongst others. last year the band resurfaced, after locking themselves away to record in the italian countryside, with i found you, which nabbed a bbc essential new tune and stunning remixes from black coffee and patrice baumel. today five moons offers another glimpse into this summers forthcoming album.

reissue of jamie.t’s 2009 album “kings & queens”. housed in a gatefold sleeve with download code included.

with the theme of quality house music never betray , the label eureka! is proudly announcing their 2nd release by jamie 3:26, known as one of chicago s true house music soldiers, with the style very closely linked to the sound of ron hardy, and the newcomer from amsterdam, masalo. a strong bassline that is very reminiscent of the chicago classic, high-speed hi-hat, the vocal with strong message that inspired by red light district from masalo s hometown, amsterdam and with melody of organ that is gradually expanding throughout the track. side b, is dub mix with peak-time track, definitely for the dance floor. artwork by kouhei asakura

b.k.r is the techno project of simon baker, presenting four dancefloor fillers on duskys 17 steps. the ep starts with bubble & squeak, a collaboration with jamie jones which is a groovy number flecked with gentle synths. fly is a techno track, where dark and broody tones push through a continuum of crashing percussions. dis is punchy, energetic and bold, and das rounds off the release, with b.k.r skillfully playing with layers of percussion and a serene melody.

the industry of dance music can be as soul-crushing as any other. those thrills and spills of late, loud nights come with a best-before expiry date, after which even the most seasoned selector-producer-scenemaker begins to wrinkle their nose. to have experienced it all over 15+ years and seek to see it unfold again through fresh eyes, what sort of lunatic would willingly put themselves through that? v would. so its a new character, but who was the mysterious v in a past life? make your own conclusions. a little digging will lead you toward the origin story, but sometimes the pleasure comes from the unknowing. opt to enjoy the silence. silence, however, is not the focal point for v. in fact, this new form is a way to discard baggage and revitalise the process of music making.

yet another solid gold modern reimagining of the mighty loleatta holloway, this time her infamous 1977 smash hit & run goes under the knife and is tweaked to devastating effect by 2 of chicago s finest modern day editors - jamie 326 & cratebug. anyone with even a passing interest in disco or house will be more than familiar with these 2 guys names. having edited and remixed numerous cuts in their own original ways, they take this all-time salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. this edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the windy city and naturally it was one of the cuts that stood out, finding favour with a wide variety of dj s across the board from motor city drum ensemble, todd terry, jeremy underground paris, theo parrish and more. drawing comparisons with paperclip people s anthemic throw from 1994 in the way it snatches a killer loop from hit & run s bassline, hit it & quit it is a monster, a record you ll literally play over and over and over again, a relentless disco juggernaut that oozes power. it made perfect sense for this legit single-sided reissue 12- to come out on salsoul records, the home of loleatta holloway s finest material and all of her classics. this limited reissue has been made in conjunction with jamie 3:26 & cratebug and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

mint condition - a reissue label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in....
hot on the heels of his relief sevensixty ep we are pleased to announce the latest instalment of jaime read cuts from the vaults. the target this mf ep is another collection of golden-era jams from read’s envious archive. steeped in history, these infamous tracks are now seeing the light of day again. you only have to have a quick online search to read the fascinating story of the journey of this music and then maybe this ep title will make sense!

jamie paton has been a regular fixture on emotional especial since the label first came to light, conjuring up a seductive blend of leftfield dance music with a broad range of influences. this time around he s turning out some of his remixes, leading in with the sweaty, dense throb of sexy merlins see you in the dark. guy schlaloms habibi by way of contrast becomes a lighter confection peppered with bubbly synth lines and an almost poppy persuasion. blancmanges feel me has a more cosmic lilt in its voluminous tones, and overdrive by gatos negros drifts out on an off-kilter kind of boogie for all manner of deviant dancers to get head-nodding to.

having helped launch the sugarhouse label with his paradise forum brethren, jamie paul gets a chance to show off his talents on his debut 12inch, adding to the labels already impressive catalogue with another swathe of classy house jams with a modern twist. double g definitely sports the chops for the peak of the night, but it s also shot through with a welcome weirdness and a fuzzy warmth that should find favour with a wide range of djs. even so is a more laid back, bumping affair that matches the smooth finish of the a-side, but says something different altogether. label mate maurice jnr meanwhile serves up a remix of even so that nudges the delicate tones in a techier direction

ralphi rosario is a pioneer of house music, kicking off an influential dj career in chicago when he was still in high school. the remixes and productions that followed have garnered him #1 billboard dance chart hits as well as more than 20 well-respected years spinning records. he’s an artist who represents the ethos of glitterbox recordings, with decades of quality house music history woven into every beat. also in line with the spirit of the label, ‘wanna give it up’ is a classic track given some very tasteful modern updates, from dr packer and jamie 3:26. the familiar ‘légo’s dub’ from the original release is present and correct, alongside a suitably funked-up version from disco edits maestro dr packer. finally, fellow chicagoan jamie 3:26 amps the party up a further notch with some irresistible clinking percussion and a lazy-cool groove.

new teachers join the bass academy: uk droids gods of technology (phil klein & simon brown) featuring egyptian lover, and legendary us producer jamie jupitor. must have freak seeker (l.a. freax) feat. the unknown lover (you ll probably know who s behind) and future computer sign two authentic electro funk pieces in the great tradition of the west coast sound. phat bass, vocoderized lyrics, sharp 808 drums, and irresistible synth melodies characterize these instant classics guarantee to put you in a circle. come and take a lesson of music directly from the masters! ltd blue transparent vinyl.

supreme chicago dj and world traveller jamie 3.26 comes on board with the gamm fam with a diverse two track ep. the opening track is a 11.24 min long philly gospel workout that is just as uplifting as its a real treat to tweak in the club (= isolater adapted). it s definitely one for the hard working djs. but to show that jamie s range is wide he delivers an even longer jam on the flip that clocks in at 14.08 mins...ouch! this time jamie goes italo (but not that cheesy shit) with a fantastic edit of barsotti s music box classic -whole lotta love- - chicago style!

jamie paton, one half of the duo cage and aviary has in interviews expressed his thoughts about if slouchy techno can be viewed as an own genre. the answer lies in this 7” - “telefuture / blind summit” - released on hoga nord rekords, on which the label above is highly appropriate to sum up the sound. the tracks contain elements from your techno favorites dating three decades back, but the tempo and the production creates a slouchy (in the words most positive sense) feeling clearly influenced by the slow motion house of cage and aviary.

bootleg remix of a live version of * come back around* jamie lidell performed on kexp radio show in la finally gets an official, remix with a bit of techno on the b side. accidental jnr is the new imprint from herberts accidental records to focus on electronic / club / dance output which has thus far seen releases from the u.k’s bambooman and berlin’s dave aju.

repress / standard cover ...
on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

the uk tech-house guru jamie anderson presents tesseract ep with three originals full of groove and with the serious presentation of techno, deep sounds

- deleted - jamie 3:26 basement edits vol 2 featuring acid whump and bostitch time. limited edition red vinyl pressing!

on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

sydney based dreems & jamie blanco pool together creative minds and production proficiency on the studio glucose single, delivering three diverse original tracks and a guest remix from moscoman, as well as keeping futureboogie on a great roll of red hot releases.

jamie t vereint vollkommen scheuklappenfrei so unterschiedliche elemente wie rock, punk, reggae, rap und astreinen pop zu einem sound, der inzwischen als trademark des briten gelten darf.