mo kolours flipped and whisked with some new treats ft. jonwayne, a jeen bassa version of soul s journey, a reginald omas mamode iv version of foundation and a dj sotofett reprise / dub version of golden brown! tip!

limited to 300 copies / only on orange vinyl / hand stickered & numbered

makes a nice overview of these times, incl. download code

sender has finally reached the big milestone with its catalogue number 100. what a ride it has been through the past 16 years! on this occasion we proudly present a special selection of tracks and collaborations produced by label-head benno blome. a series of tracks, or rather a series of night shots. shots taken in the absence of daylight, capturing raw b/w-stills of spirit and drive. the first night shot (send100.1) is coming with a stunning original version of >check check< by benno blome featuring vox by konrad cadet aka baby ford on side a, and two strong remixes by mihai popoviciu and dub taylor on the flipside. mr taylor is also known as tigerskin, not only on sender’s catalogue. a lot more to come soon...

die 13. ausgabe der “about: berlin” erfolgsreihe auf 4-fach vinyl inklusive downloadcode.

hypercolour proudly announce the latest long player from uk stalwart, ed dmx aka dmx krew, the visionary british electronic producer who has been responsible for a slew of excellent releases for labels like rephlex, spectral sound, permanent vacation and his own breakin records and fresh up records since the mid 1990s. you exist is dmx krews debut appearance on hypercolour, and as expected the record features nine tracks of beautifully crafted, melodic electronic sounds.

the debut vinyl release from the dama dama label comes from co-founder pedestrian in the shape of circadian rhythms a 4 track concept ep. each track represents a different time of day throughout the 24 hour cycle, with the 12inch divided into a day side and a night side.

the box contains 7 x 12 inch vinyls, is sealed in plastic and features 28 fresh tunes by 28 artists. a download card for all digital files + 4 mord logo stickers are included in the package.

(180gr vinyl, deluxe version heavy weight ‘old style tip-on card sleeve) psychedelic, vigorous and at times quite experimental, koen de bruynes only real album to have seen the daylight is a rare belgian gem, one that stands the test of time and is waiting to be rediscovered by new generations of listeners

keeping the momentum going seems fairly easy for barac as he unveils the long awaited second ep on his moment imprint. last years have seen barac evolve in a very lucrative way, yet only his best productions seem to be making their way top. it is clearly the case for this second ep which features two of his solo masterpieces. moment of clarity is electronic poetry at its best. barac delivers the proverbial summer sunrise directly into your speakers and ultimately into your heart. this track is meant to never be forgotten. without changing the soundscape too much barac has a slightly different approach on side b. things get a little more serious with sun & following being driven by a catchy bass and a haunting atmosphere. this tune is as bomb in the night as the other one is in the daylight.

daniel.t. has been subtly making waves over the past few years as one half of the la duo cosmic kids with releases on labels including throne of blood, let s play house and dfa. a record collector and selector at heart, 2015 has seen him flesh out his solo productions with world-leaning contributions to chit chat s brazilian tinged 12 and american standard s african summer stunner. young adults brings daniel into the fold for his debut tetrachromat mini-lp spanning a sprawling spectrum of sounds, but unified by a signature west-coast sheen. opener mission hill morning stretches its arms in the early am mist, tetrachromat jogs steadily toward the horizon and planetesimal accelerates the mph in the drop top down pch. on the flip, laced takes a smoke break down a dusty dirt road, akoussah sprinkles some sultry spice and the sun & the sky sits back while the sea sips up the last remaining daylight.

romansoff continues his recent stellar run with a wandering, daylight-dreaming ep for mörk. four tracks channeling light-splintered techno, looping, shuttered-blind house and even some more visceral washed-out 5am sounds on the flip side. dreamy, deep techno at it’s finest.

summer is here and sees us returning with true colours, daylight all night long, and a deliberate breath of fresh air. norwegian-italian producer pelifics makes disco, infused with a strong homage to 80s pop, and a little dash of 90s house. the result is melodic, inspiring, kicking, danceable music that leave the listener oscillating between sounds of youthful nostalgia and the future sound of disco. next to the lush ultracrisp feel of the original track, full of light , warmths, thoughtful ideas it s chmmr and fettburger, aptly caled fett birger here to even pushing this more towards the floor

oniris returns with new ep on astropolis records. this 4-track maxi includes a gregor tresher remix and has been composed with the same ingredients that made his the fame of the producer: a melodic techno and a smooth universe in which groove accents coexist with more obscure sounds.

eddy romero & frink were digging in the rock formations beneath earth s crust and have quarried a track which was forged into the newest schallbox-vinyl straight by the pressure of the continental plates! schallbox018 is an expedition through a scarcely lit tunnel, down into a mysterious and cryptic underworld. the tracks pull fiction and element unfold a maelstrom that takes us ever deeper down into a dark abyss. pull fiction in m.ins remix version is a percussive club monster that gives over to sparsely flickering lights revealing the way onwards, while the mystical voices in steve cole & ronald christophs remix of element take us back into the daylight again.
played & supported by: someone else / david keno / marc depulse / mihai popoviciu / sven dohse / stacey pullen / paco osuna / marco fender / riva starr / jesse rose / forest people / animal trainer / ramon tapia / dj w!ld / hermanez / hanne & lore / deepshape / beatamines / filtertypen / ante perry /kiko martínez / björn wilke / dj hildegard / marc poppcke / helmut dubnitzky

ruede hagelstein and watergate go hand in hand. not only is ruede one of the longest running residents at the club, but hes also the man behind some of the labels most acclaimed music and the curator responsible for lucky number 13 in the illustrious watergate mix series. with this, it seemed obvious to put ruede up to his next task: an album. it is with great anticipation and excitement that we bring you the first lp for both ruede and watergate records, apophenia. the double 12 inch includes a digital downloadcode.

quite limited double vinyl pressing with full artwork gatefold sleeve!
here is jazzy sports feverish 3 piece dance music band cro-magnon, releasing their long awaited 5th album called *v* some dance music pieces ... like soul, jazz, funk, disco, afro, latin, caribbean reggae / dub … roots musics … and hip hop, house, techno … modern dance grooves ... there are valuable sound pices mixed into original sounds with powerful band sound and dope productions. this was album recorded with vintage instruments and analogue multi tape recordings. they approached their roots with fresh ideas and deliver mellow grooves with fender rhodes and daylight style jazz funk, inspired by african, brazilian, cumbia … so many music styles. you will find the new phase of cro-magnon sound. we love them! and you will love them, too.

for his second outing on the lunatic imprint, cvbox presents four stripped back, deep cuts in his own pulsating analog style. riding somewhere on the edge of darkness and daylight this ep is a force to be reckoned with!
limited edition of 300 numbered copies.

after teasing us over the last two years with compilation and split ep releases on labels such as lets play house, horn wax and throne of blood/black catalogue, acclaimed visual artist and filmmaker sean dack drops his first solo ep as pixelife for throne of blood. deftly navigating the grey areas in between house, techno and acid, pixelife delivers two original tracks built to move the dancefloor at strobe-saturated warehouse parties. remixes come from druzzi and pittsburgh track authority.

slope s musical ingredients - dub, disco, house, electronica in a mix of soul - all are deeply rooted on their previous releases for sonar kollektiv / jazzanova and remixes for fat freddys drop, atjazz, 1luv / yoruba rec and 4hero. the producer duo from berlin share a number of classics tunes and are known for moody breaks and solid grooves, sincerely from the heart bringing movement to the floor. for their 4th album soultree slope have been jamming and recording with singer knixx to creating songs over the last 3 years, keeping it simple to be able to play as a trio on stage. what s left is the essence of tracks turned out to songs and songs turned out to jams . songs you can dance to, lyrically inspired by the streets of berlin, reflecting personal moments of a city, with it s very own pace and melting-pot characteristics - colorful and in constant motion. the ignition to the collaboration happened during a live performance by knixx on a birthdayparty for dj-mate m.path.iq. both of the slope guys, daniel paul & honesty where blown away by his interpretation of killer . a bit later together at the studio they formed a soulful and productive unit. right time, right place. capitol a - a soulmate of slope and responsible for various slope hits in the past joined again for writing and recording brown sugar - a song you would not want to miss on an slope album !

eosophobia - a morbid fear of daylight. a title fitting of primary colours latest release by the australian duo, the echo inspectors. conceived on a dark autumn night, eosophobia is a creation of the strange and disturbed. entities materialize, delicate and shy, these beings thrive in the dark. their conviction becomes evident as the night sky turns a darker shade of black, a pulsating and heaving sub sonic landscape emerges for the creatures of the night. life is short lived as dark turns to light, they scampering in to the shadows. resoe, copenhagen s ruler of the deep and dub, takes control of this creation. forming and reconstructing it in to a more powerful, ravenous creature. a fear of light fuels this being to become menacing, unstable and unpredictable. vigour builds swiftly, seething as the cold autumn night goes on. confidence only grows stronger and stronger as the night feeds its hunger only to be destroyed with a sudden shard of light, withering to oblivion.

this is a special ltd release of only 200 – for those situations where no-one wants to see the dawn.

each ep adopts the work of an artist translated to musical form.
when you dream where does the light come from? there is a light that has clarity as great or greater than the daylight vision, and a lucidity of color that s beyond how we see color now ... i m interested in the point where this meets the imaginative vision that comes from seeing what we want to think of physical reality as outside, because it has a lot to do all which how we create reality. - james turell
within the walls, lighting(s), james turrell built spaces of solid material. the aim is not to also penetrate the foundations, passing through space, leading us to consider the immaterial, the mind. divergent ways first four compositions much like the four first light compositions, have sought to externalise the imaginative vision making it apparent.

the first release on amba amba records, *broomsticks & broken glass* brings a stirring, profound and a very personal introduction and sensation, offering a plethora of sound that perturbs the soul. the amalgam of raw sound creates a mystical sphere where noisy, dark depths are explored, awakening the senses bringing another form to life. as the ep continues as does the depth, the synthetic sounds induce adrenaline release as its density escorts us underground.

elons timeless musical style glides between house and techno, from dark and emotive to the more rhythmic and uplifting character of electronic music.

new yorker steve moore crushes summer with this one, hot on the heels of his recent lies record.these are songs for the next day people, music for those still dedicated to after daylight hits.zen spiders heads for the outback with cresting waves and eureka moments set against a blinking synth sculpture. on the flip, lwaxana turns slow motion into no motion at all as the track hovers and forms into a cloud, at sleaze tempo. in a way, this 12inch finds steve expanding in the mode of his volatile memory track off our recent vibe 2 compilation. feel the sun on your face all day. tip!the sound clips are unmastered

nick lapiens debut release as metropolis garnered little attention when it materialized last year. a skeptical yet dedicated network of underground heads built up a subterranean buzz that has yet to spread into the daylight. that initial transmission was thick with the raw analogue flavors that have become ever-present in dance floor fare recently—but his is a sound that is dedicated to the emotive, narrative aspects of electronic music rather than simple fetishization or passing curiosity in the days of yore. this, his second release as metropolis, shows a more focused and patient hand at work. the titular track on the a side is a deep, psychedelic groover. melodies, textures and sequences undulate and intertwine within a lightless atmosphere guided by lapien with optimum restraint. equally pensive and gorgeous, the flood serves as a machine’s beat-less foil on the reverse. made up of little more than feedback and two slow, echo laden arpeggiated sequences, this is reminiscent of jean michel jarre’s more sinister moments: a brilliant paradox of economy and indulgence. expect to hear more from lapien here at sequencias. he has many more dark corners left unexplored.

limited to 500 numbered copies on purple coloured & marbled vinyl.
there is not much information available about this mysterious release, but it looks like a sunken treasure has found its way to daylight: a crazy no-wavey-punk-funky jam by the artist formerly known as a guy from minneapolis. now available for the first time on 12 inch! pressed on purple vinyl with white marbling, this beautiful diamond comes along with three pearls: a re-mastered version of the original track, a cover version and a jackin house re-edit. we suspect that berlin based producer noema droped the crazy cover version and chicagos own jamie 3:26 rides the rhythm on the edità rumours..rumours..rumours

is it balearic side label magic wand returns with another stunning va collection in the celebrated series, and comes jam-packed with four fantastic balearic wonders, respectfully extended and amended. magic? you bet.

originally released in 1996 on harthouse with a villalobos remix >trommelmaschine reconstructed< 2012 hits daylight and turns its attention to the importance of electronic music classics.

remastered reissue on heavyweight 180 gram vinyl plus cd with bonus tracks and remix by mira calix.

after a short summer break spent sunbathing in morecambe, development music return with a rather sun-drenched e.p just in time to catch the end of summer. the ep features a wealth of european electronic music talent, all connected by the innovative production and song-writing skills of dorsets mxm.

the time has come that berlin based techno producer and dj frank muller launch his new label mad musician. these days it requires some kind of madness to devote your live to music. but we are not mad entirely, we are the geeks, the gear nerds, the outcasted studio freaks who just heard about daylight. following a string of eps and remixes as his alter ego beroshima, the launch of his new label as frank muller was long overdue to focus on the new platform. it continues to break the stylistic frame defined by the market and yet manages to surpass the expectations set by these skilfully crafted productions. mad musician defy genre boundaries and incorporate a wide range of sonic colours. merging detroit influenced berlin techno with any kind of genre. exploring the electronic galaxy to invite other true musicians to join the mission and to cooperate, remix and to release the stuff we like. the first invited mad musician is none less than lord kirk degiorgio who recently released some awesome stuff on rush hour and planet e.are u mad enough?

after the highly acclaimed debut album >we cant fly, aeroplane now presents a mixcd including exclusive tracks by promising artists & friends.
this sampler (the first of two) includes a new track by aeroplane! + exclusive tracks by herr styler, riptide & kolombo.

berlin-based music label mutual musik is proud to announce its second release prince of the night. the title track from johannes beck springs from the universal urge to explore the night and to let oneself go. floating between bliss and melancholy, strolling like in a dream, this track goes out to all princes and princesses of the night.
supported by: sevensol & bender, julius steinhoff, &#8232,,,,,,,&#8232,,,,,,,oliver hafenbauer, philip sherburne, oskar offermann & edward&#8232,,,,,,,, thaddeus herrmann & heiko hoffmann and many more.

this is the second album from bell and is a mix of robotic funk electro, funked up twisted disco and classic 808 acid. bell give us analog synthesizers and digital techniques to bring us robotic arcade-system electro. deeply complex electronic material, deep basslines, superb production, ranging from unremittingly catchy to dark, creating truly a formidable electronic album. bell are dan crouch and adrian stephens from london and supporters of bell range from andy weatherall to carl craig.

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

argentinas barem issues a summer storm warning with >blue<, his first ep since 2008s >kolimar< and a preview of what is forthcoming on his debut lp for release on minus, after the storm, which follows in june. with the album running order based around the full sentence >there is nothing better than a clear blue sky after the storm<, the lead track of this new ep >blue< - appearing here as an alternate vocal version - is positioned at around the eye of the storm, conjuring images of rain-soaked, squall-battered beaches with clouds breaking just enough to reveal the daylight thats promised after the storm.

the process of receiving and listening to demos is akin to the proverbial needle in a haystack - poorly labeled cd’s or mp3’s are handed out indiscriminately like flyers for strip clubs in times square (circa 1970). “i really think you are going to like this,” or “all nude girls,” and “dj ‘x’ played this at space,” or “24 hours live sex show…!!” but in the end, just like the harsh reality of a stripper in daylight, the demos fall well short of anything mildly interesting and certainly nothing you would bring home to mom… until madato… from the first group of tracks he sent it was clear that a nice guy from naples had sent us the needle we had been looking for. “naples may not be a place one would consider to be particularly inspiring, from its outside appearance, chaos, and plenty of junk on the streets - it takes a deeper gaze, beyond, and into madato’s dream world. madato is always looking at what’s beyond the waste. inside his dream box you might find laura palmer making out with ian curtis, charles bukowski writing a fairy tale, or perhaps john nash singing along to bauhaus songs…” file under: trippy disco inspired dance music, not defined by a genre but more of an attitude. post-punk undertones mixed with psychedelic sensibility

excellent rmxs from delano smith , kink, chez damier, ethyl... any questions ??

repress! this track was already teasing us on one of theos mix cds and now sees the daylight finally!! a choir of children sings a loose line over a raw rare groove/disco like house beat. kicks are deep and hard. again theres a lot happening throughout the track making this an adventurous listen. on the flip a more obscure outing, edgy keys, a vocal hookup on a very moving rhythm track, another example of a long spun out theo trip. tip!!

white label 12 inch on the hipster club tip. called a career making record by switch ? >somebody get pregnant< is a nasty, throbbing cut aimed straight for the club. it s a tune that s been floating around since 2008, and has everyone from mad decent (who tried to sign it) to three six mafia (who tried to buy the hook) clamouring for a piece. major lazer also featured the tune on their new essential mix for bbc radio 1. acapella and instrumental included as well. on the b-side, ninjasonik gives up a couple of cuts that won t be seeing proper release due to some sampling issues : >shoot the lazer<, a raunchy club tune that jacks the opening to a certain animated movie classic, and >daylight<, a bootie remix of the matt and kim song by the same name. rounding out the 12 inch is >stir<, a minimal dancefloor tune with stuttering, drunken style vocal takes. sweet!

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.

the official nightmare outdoor - tha last daylight anthem. this sure is a damn good anthem by tha playah & neophyte.they made a track with real raw kicks and a stunning melody what will cause some explosive hysteria on the dance floor!on the b-side you will find the very wanted track klaar om te rossen which appeared on the last evil activities album in 2008.

must have!!

villa nah makes pure electronic pop with plenty of emphasis on catchy melodies and meticulously crafted soundscapes reminiscent of the 1980s. stylewise, villa nah is related to 80s bands like heaven 17 or new order, but that is only the tip of the iceberg. once you ve heard their debut single, you ll know that villa nah is about nothing else but their own style and sound. the single opener ways to be is built around a synth bassline, handclaps and the kind of irresistible melody that you cant shake out of your head once you ve heard it. envelope is a tad more dark with an uplifting synth melody serving as a hook. daytime, in contrast to its title, evokes a strong sense of night time. villa nahs vocalist juho paalosmaa is a very charismatic performer, whose great sense of stage drama brings to mind a young glenn gregory or philip oakey. indeed, villa nah is not merely a production duo but an actual band with a live show that is not to be missed.

after their well received debut album on internasjonal, windsurfs here to remind you about their brilliance. one of the standout tracks off their album, bird of paradise now gets a reworking from their scandinvian musical cousins studio who not only manages to bring it to the dancefloor, they even fit in a week long holiday to turkey as well....yamaz!!! to make the package complete, the beat broker(of broker dealer on ghostly)turns out a nice and deep house version of light as daylight. tasty indeed...

minimalistic futurefunk in a broken electroid shape, brought to daylight by justin maxwell in 2006.

now his latest brainchild sees the daylight. spaceshuttle backpack is another pumping, techy and warm tune that will stir up many dance floors around the globe. the original track was given that special new york ish remix treat by no one less than gaby dershin, who as most of you know is half of world renowned producer duo bit crushers. the second remix comes from prinsjan and dennis ruyer, a producer duo with genuine radio roots, being radio dj?s on ducth radio station radio538. these blokes took their spaceshuttle backpack interpretation to the deeper side of house music. all in all this again resulted in a very versatile package that will have quite an impact over the next couple of months for sure. a fresh sound has arrived, and those seeking surprises on the dancefloor are advised to plug in to patch park.