without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerriÕs dj sets take him all over the world and often find him playing live keys next to his informed selections. heÕs meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration

finest disco tunes, incl. tracks by aretha franklin, barry white, james brown, vicki sue robinson and more

after only 3 short years, my second album o u r w a l l s is out. it comes clad in vinyl, polycarbonate, bits and bytes and iÕm very happy and relieved to finally let go of this one. the cores of its 10/11 (cd/2lp) tracks were developed on a loop pedal at home. lyrics spun here and there. almost all of them are trying to extract levels of meaning from an everchanging knot of emotions. they take their time - ranging between t h r e e m i n u t e s f o u r t y to t h i r t e e n m i n u t e s f i f t y s e v e n - to clinically isolate, examine and name the elementary building blocks constituting the knot. o u r w a l l s is about the ups and downs of your everyday-mercilessly-hopeless love relationship, about staying mild when things get rough, fabulous metaphors, childish selfdefence mechanisms, the burning space in b e t w e e n words and o u r very personal w a l l s that have so far always kept us safe

recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the 9702. album contains a set of varied tracks recorded within five years after warsaw labels launch and its first release. extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) warp or rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks n cuts movement of the second half of the 1990s. usage of human voice samples is an outstanding feature of many of these archive materials. entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish jacek sienkiewiczs creations and his label recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. this collection of music from recognitionÕs first five years, surprising for its freshness and sheer impetus, is a must for all fans of jacek sienkiewicz and polish electronic music of the turn of the 20th and 21st centuries. in connection with publication of yet-unheard tracks, jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. recognition xx audio-video performance comes out in summer as a result of this retrospective look.

this is a clear perspective on comelades musical universe and can be considered as an ultimate best of and a radical introduction tothis chaotic and uncompromising instrumental music. rocanrolorama abrege (abbreviated rockandrolorama, in english) is the short version of the complete works and reworks of pascal comelade published at the end of 2016 as a 6-cd box set in a sold-out limited edition of 1000 numbered and signed copies. pascal comelade made this album as if it was a new and separate album, with tracks that he considers best represent his work, from 1993 to 2016, according to the principle applied with the rocanrolorama box set: songs in their original form, alternative versions, reworks, additionsÉ this short version was conceived especially for a double vinyl lp format: four sides with six tracks each, which you can listen to in the right order, from start to finish, according to a logical, thought-out progression for each side (slow tempo, medium tempo, orchestrations, electricity, etc.)

based on the eponymous play by brothers and author/performer team tobi and mike mŸller at schauspielhaus zŸrich, swiss experimental documentary film a1 traverses through time and space along switzerlandÕs first and most elongated highway structure. rich in archival sources, it sheds light on the costs and benefits of rapid movement: social, migratory and ecological patterns, economic and military designs that are mostly not immediately obvious to the casual motorist. stefan goldmannÕs soundtrack engages the filmÕs multi-layered aesthetics full on, providing a dazzling array of short compositions. profoundly synthetic in production, this free-wheeling phantasmagoria of peculiar, yet intensely likeable miniatures branches off into all directions Ð from minimalistic to overflowing, calm to banging, nightmarish to soothing. the visual patina of historic documents is playfully mirrored in intense distortion and noise artifacts, bound into rhythmic units and melodies formed of ghost notes. finding ever new ways of mining his techno background to yield surprising new forms and ideas, stefan goldmann has proven his abilities in a dazzling range of projects over the past years. works for dance, ensembles, an opera and various object-based creations made him a natural choice for the job of finding a refreshing way of linking sound and image. on its own, the music holds up by putting the listener on a high-velocity road trip of the curious mind.

exclusive track by marcel dettmann and levon vincent
includes 6 unreleased edits and remixes
full tour schedule to support release
cover art short by infamous berghain doorman sven marquardt

les sans pattes is the rock band of robert combas (world renowned contemporary painter and creator of the free figuration movement) and lucas mancione. both are all-rounder, multi-instrumentalists, rigorous and nutty at the same time. they handle plastic arts, are musicians, video makers, actors, performers in short, complete artists. theyve got a rich and eclectic repertoire of more than 100 songs, and no limit: youÕll hear them moving from rock to techno, from a love song to punk, with the same dexterity in each and every register. if you have the chance to be in paris around june 24th, theyll deliver a live performance during michel houellebecqÕs exhibition, at the palais de tokyo, to inaugurate the release of their album. tracklist dvd: 1.ta peau (feat gael manangou) 2.animal, cuir noir 3.une fin de quelque chose 4.la danse de lamour 5.ta peau (live)

on limited edition compact disc. no., founded by atomtm & material object in 2014, celebrate their second birthday in style with no. ii, a collage, a readymade, an assemblage, a synthesis, in short: a spectrum of elements refracted through the prism of the labels output between the 1st of may 2015 to the 1st of may 2016. you might call such a spectrum a mix, and thats up to you. over the 79 minutes the mix traverses a wild landscape of material. a dose here from the lysergic adventures in the concrete jungle of g@ng5ta, a stroll there over the bubbly terrain of material object+ishqs invisble light, the air punctuated by the haunted soundscapes of former severed head: garry bradburys yakovlevian torque. slather on top of that a caustic beat from anamorph specimens and then undergrid it all with the morbidly obese frequencies of atomtms texturen series and you have yourself some kind of interdimensional feast. so, welcome to our second birthday party.

nice price !! howlings album -sacred ground- und seine entstehung stehen fŸr viele dinge gleichzeitig: zusammenarbeit, improvisation, einfachheit und zufŠlle. obwohl er gerade das demo-level Ÿberschritten hatte, ging der ursprungstrack -howling- anfang 2012 (via dixons boiler room set) viral und erregte in der gesamten elektronischen musikszene aufmerksamkeit, erklomm charts und gewann awards. keiner der beiden beteiligten - singer/songwriter ry x und åme-produzent/innervisions-chef frank wiedemann - hatte das erwartet

der frŸhling kommt und mit ihm die neue club charts 2016.1! club charts 2016.1 liefert euch auf drei cds wieder die geballte ladung aktueller club und house sounds. zusammengestellt aus den playlists der momentan erfolgreichsten deutschen house djs, hŠlt club charts 2016.1 wieder knallhart, was sie verspricht: Ÿber 3 stunden clubtunes

two and a half minutes of drums rolling under a whirlwind of cranky guitars and vocals arguing from the bottom of a 1990s boom box, thats 51 black super. 11 tracks and 30 minutes to cross the usa, from california with pavement and weezer to ohio with guided by voices and the raspberriesÉ 51 black super isnÕt a band to get lost on its way, or in futilities. written, composed, recorded in an emergency, with short and intense sessions, the debut album by 51 black super is made in the image of its creators: spontaneous and eager to get things out there. sounds like the strokes with less cocaine and more facial hair, said a californian rock critic after listening the two first few tracks

over the last sixteen years moods & grooves has amassed a staggeringly impressive label family that includes names like theo parrish, mr g, kyle hall, rick wade, andres & kenny dixon jr. aka moodymann. this may the legendary detroit label returns with a seminal double vinyl album from veteran dj & producer joe le bon entitled ‘house music love music.

gerade rechtzeitig zum saisonauftakt auf der beliebtesten partyinsel europas bringen wir ibiza clubhits/summer 2015. in einem fetten dj-mix auf 2cds werden die besten und topaktuellsten house-hits gefeatured, zu denen auf den dancefloors der insel abgefeiert wird. robin schulz, laidback luke & tujamo, mike candys, hardwell und milk & sugar, sie alle sind auf dieser compilation vertreten!

der mitrei§ende neue langspieler von terranova, mit einer lŠssigen mische von instrumental- und vocal- housetracks fŸr tanzflure, wohnzimmer und weltraumkapseln ¥ mit gastauftritten von stereo mcs, mandel turner, cath coffey, bon homme & lydmor

feadz is releasing his debut album instant alpha fifteen years into his career. his music is a careful balance of urban and electronic that finds its roots in rap, freestyle, electro, techno and house, but also in more ghetto influences such as footwork, trap, baile, etc. in short, feadzs music is a quintessential edbangerian alloy.

jim coles has spent the past three years refining a unique sound as om unit via collaborations with machinedrum on planet mu, releases on goldies metalheadz, dbridges exit records and civil music, his own cosmic bridge label and the short-lived phillip d. kick alias that fleshed out the links between chicagos footwork, jungle and slow/fast. the confluence of all this work takes full flight on threads.

curated and mixed by label owner alex tsotsos aka gummihz, the labels first compilation marks the first milestone to the labels short lifespan. spreading the message of claap!

digitalism has lovingly created a mix for !k7s legendary dj-kicks series. for these two young germans, jens moelle and ismail tŸfekci, joining the ranks of contributors to the series was nothing short of a dream come true. twelve years ago, the duo met as two record store workers in hamburg, admiringly selling the dj-kicks series to their customers, and appreciating the dexterity of the mixes and range of artists who assembled each mix. their favourite contributions include tigas mix (his mix was the essence of edgy and cold electro-techno.), the playgroup mix (more really playful stuff.) and erlend oyes mix (cause he sung over a lot of stuff and had some favorites like jŸrgen paape and the collaboration with morgan geist.

hardcore is not a trend but a lifestyle. the genre that once has grown in the netherlands, has also proven to survive in the underground when the hype in the late 90s seemed to be over. the ultimate hardcore collection proves that in this music genre there is still enough development and that the majority of dutch artists are still leading. the ultimate hardcore collection volume 2 compiles the freshest and most important records at the moment on two cd mixes. to make a long story short: for those who find hard not hard enough, this is the cd that you really must have!

for a short period in 1981 and with brand-new equipment such as roland 808, sh 101, gr 500, we made some 8-track just for fun jam tapes. mainly just to experiment for our own pleasure. from those sessions, only white horse made it to a final treatment. the rest of the material was left behind, as our record company at the time found it too different. after white horse being a track indeed defining our sound, we thought it would be interesting to dig out left-overs to fulfill a documentation of that period - crucial for us at the time. we were still innocent newcomers, without actually knowing to be creating a new sound! recently, that left-over material was transferred from analogue to digital and, to stay as true as possible to original intentions, we only added vocals, bass and drumbeats ahead of a final mix. we hope that you will enjoy listening to it. good vibes from laid back copenhagen 2012.

do you love elegant, sophisticated music with a feeling, as much as raw, gutsy, hard-hitting music? guessing that you do penniman records takes great pride in introducing you to the excitements, because their music fits into both categories. they are an all natural free-of-additives-and-preservatives r&b / soul band. a band with both feet solidly planted on memphis and detroit, and with a heartbeat which is pure chicago. to put it simply, the excitements are what the doctor ordered: six dynamite musicians intent on bringing out the very best from koko jean davis extraordinary voice, a voice which will either break your heart or astonish your ears, whatever koko fancies the most. the excitements career is truly awesome. their first gig took place in july 2010, and a month after that the band embarked on the first of their three recording sessions, their first spanish tour and a series of concerts all across europe. very few groups can boast of enjoying such a critical success, selling so many 45s and capturing such a loyal following in so short a time. their splendid first album, -the excitements- available on vinyl and cd - has been produced by the great mike mariconda - the only living man with a direct connection between his ears and his crotch. hearing is believing, and koko and her partners are bound to mesmerize with numbers such as nathaniel mayer s -from now on-, barbara stephens s -wait a minute- and little richard s -never let you go-, a track which will go straight to your heart. you may call them old-fashioned. a classic sound, if you wish. one thing is clear: the good stuff is here to stay. stop reading, listen to the excitements and hear for yourself.

fun, folky and charming oddball music from the short-lived, but often re-broadcast fingerbobs series for the bbc in the early 70s Ð starring hand puppets fingermouse, gulliver the seagull, scampi (who lives on a hand by the sand and the sea), flash the tortoise and canadian folk singer and narrator rick jones Ð whose songs and narration are the heart of this great soundtrack put together by the obscure sound library and soundtrack champion johnny trunk! the music is really sweet, with acoustic guitar, flute and bits of percussion Ð cheery and fun without being cut or cloying, with oddball, post hippie childrens show charm to spare! includes -fingerbobs theme-, -fingermouse theme-, -fingermouse incidental-, -scampis theme-, -seeds-, -enochs wheel 2-, -plasticine-, -shapes-, -little link-, -shiny thing-, -story of the wooden tower-, -fingermouse plays the organ- and more.

five classic artist albums in wallets housed in a new slipcase. nice and simple, no frills just great music! includes circle of love (1975), together (1977), we are family (1979), love somebody today (1980) and all american girls (1981).

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

short description: well balanced mixture of idm-ish ambient & clubby techno, comes in smart card board sleeve

ten is the magic number with berlin imprint fumakilla! 2010 marks its tenth anniversary, and to celebrate, label owner woody has compiled ten new, exclusive tracks from the roster, including felipe venegas, livio & roby, valenzuela & casarano, leix & ronro, larsson, alejandro vivanco, danny fiddo, autotune and of course woody himself. over the past ten years, the fumakilla team has been weaving 1s and 0s into intricate patterns, establishing itself as a source for sexy and pumpin club tracks with a sophisticated, artful blend.

many reggae aficionados see the concentrated phase of rock steady between 1967 - 1969 as the carribeans most productive era of all time. never before had such sweet melodies, inspiring rhythms and beautiful love lyrics come together. numerous soul hits by the likes of curtis mayfield, the impressions, the supremes all got the bass-driven, jamaican style treatment.

house music is about big names and big personalities, and none come much bigger than kenny dope gonzalez. you dont last 25 years in the industry without being short of a bit of talent, and time and time again kenny has proved that he is the man to beat. whether its his pioneering work as one half of masters at work and nuyorican soul, or his more recent endeavours with mass destruction, kennys beats take some serious beating.

14 brand new songs! 200 millions thousand poster with lyrics! brilliant songs!

trailing, distant voices, folk-leaning, yet wholly otherwise melodies, and a grounding in both electro-acoustic origins and a decidedly rooted sense of place characterize acre loss, a collaborative project which brings together musician mark templeton and filmmaker aaron munson to create 10 musical compositions accompanied by 10 short films. working together on all pieces of this project, the resulting blend of sonic orientation and cinematic warmth gives acre loss an unusual, yet familiar perspective into the impact of a fleeting sense of home

the new album of kitsune superstars >the cazals<.featuring the singles >somebody,somewhere< and >life is boring<