limited edition off 300 copies with hand screen printed cardboard inlay.
after travelling through the far flung galaxy for 002 ... forgotten corner aka phil banks & nick mackrory come back to planet earth & keep everything in house for their third label release. side a is kind of a track of two halves written and produced by nick mackrory - consisting of a 2 minute samba driven vocal intro, full of live instrumentation and featuring the live vocals of harry collier, before breaking down in to a deep hypnotic slow motion arpeggiated electronic groove! side b takes things back down in to the dark basements ... amongst the smoke machines, strobes & cans of warm red stripe! where phil adds his touch ... losing the live intro and taking things on a much more deep electronic instrumental bass wobble work out! still keeping the arpeggiated moog but with tougher beats and a much dirtier feel.

jack beats sind die mehrfach ausgezeichneten dj-champions plus one (scratch perverts) und beni g (the mixologists). ihr furioser electro/bass-style aus wobbligen basslines, grandios inszenierten breakdowns und schraegen acapellas ist ein klasse fuer sich. als kuenstler auf skrillex owsla-label gesignt, liefern sie auf fabric live 74 eine hochenergetische mixtur aus bouncendem house, knackigen baessen und eskalierender mainstage-mania.

parts 3 of the amazing celebrate release on 12 inch... part 3 starts with a bang and -in der weltraumdiskothek- by mysterious dresden based producer dc production. if youve ever wondered what music would be played at the night club of the ewoks this tune might be the answer. -nuthin wrong here- is scherbe to the bone with his stumbling beats, dirty synths and heartbreaking samples. we also have a big heart for disco here at the valley and this is proven by sandrow m & k_chico who put a smile on our face with catchy guitar licks, bouncy bass lines and cheesy vocals. -space dancer-, what more could you desire? finally, filburt from leipzig brings things down to a peaceful end with his slightly melancholic -my time-.

wiederveroeffententlichung des albums von 1979 als lp vinyl! words of wisdom ist das populaerste und bestverkaufteste album von dennis brown und wurde von joe gibbs produziert. am mischpult saßen errol thompson, ruddy thomas und oswald palmer. die musiker: bass - lloyd parks, robbie shakespeare, drums - leroy horsemouth wallace, michael boo, neville grant, sly dunbar, guitars - bo-pee bowen, willie lindo, keyboards - frankie waul, winston wright, percussion - frankie waul, ruddy thomas, horns - dean frazer, nambo robinson, willie breakridge.

2cds of the most influential deep house , bass & garage tracks

medical records presents its second contemporary artist release with roladex. imagine kraftwerk playing steven merritt songs. using an arsenal of analog instruments, roladex nostalgically borrows ideas from music of the past to carefully craft a unique brand of futuristic-mechanized pop, with an emphasis on songwriting and layered production. weaving sparse, sequenced arpeggios into fuzzy bass and bubbly melodies to create a bed of sound where they layout a somehow bright melancholia.
pressing on transparent, electric blue colored 180 gram vinyl with lyrics insert.

vinyl only! no digital!the new music label from leipzig zwischenwelten was founded by chris manura. the new label will mainly release own music but also productions from various artists. the remix from douglas greed (freude am tanzen, noir music) is very bassline styled music. zwischenwelten is a sublabel of dirtydrivesounds and open to all kinds of individual music from it defined by modern bass music but with an individual to the music. 200 handmade package copies!

the great long lost album from this 60s us band, re-issued on 180 gram vinyl. musically in the style of iron butterfly or banchee, with great fuzzed-out guitars, booming bass and screaming vocals, including the 14 minutes long spaced-out track *my main woman*.

ruairi kennedy is klose one, a fierce and respected dj with a history of playing some of the finest pirate stations out there (including currently hosting the school records show on rinse) and is renowned for his outstanding sets at major festivals and clubs. now turning his hand to production, his debut comes on loefahs co-run label school records and follows previous eps from dusky and paleman. this to-the-point two tracker offers a brace of raw tracks that straddle the divide between the rawest vibes house, bass and techno have to offer and makes no compromises along the way.

fijuka sind ankathie (voc./synth.) und judith filimónova (bass/voc.). dieses deutsch-österreichische duo (burghausen/wien) hat sich auf der kunstuniversität in wien kennengelernt und schnell, im zuge gemeinsamen herumlungerns in schäbigen spelunken, seine gemeinsame vorliebe für pop mit einem dunklen twist (und einem augenzwinkern) entdeckt. beide waren bereits in mehreren bands und musikprojekten, aber erst mit fijuka verfolgen sie ihre eigene musikalische vision. es ist ein multi-instrumentaler, experimentierfreudiger pop, immer auf der suche nach neuen wegen der klangerzeugung. fijuka gibt es seit dem frühjahr 2011, im april 2013 erschien ihre debut-ep behave (from now on).

then last up to wind down the ep, tuccillo turns in so hot feat. ch brown dropping the tempo slightly and introducing mr. browns hypnotic vocal lines alongside raw rhythms and tweaking acid bass.

d-floor drops a bass heavy ep from ilario liburni (invade records, klimaks) with an acid-infected remix from noir (noir music).

cloaked in black, dimly lit and sparkling with dust, warm communications announces umbra volume 1. much in the spirit of adam xs traversable wormhole series, warm is bringing you a collection of anonymous releases that remind to remember drum and bass at its true heart: cracking snares, kick drums hitting your chest, subtle pads playing in an offcentered unison over 808 tones drowning distant thunder. these are the tunes you hear in a mix and say, who was that? the tunes that have made you wake up the next morning and type *id?* in the comments page. the tunes that do not even need to be named. warm communications umbra is truly about the art.
umbra volume 1 is a two-track ep that evokes omni trio and saw-era aphex twin, rumbling sine-heavy bass under ringing melody, computed chords and clean, crisp drums. this is a collectable, limited-edition series labeled appropriately with secretive sewer-grate artwork. umbra volume 1 is lurking there, underground, looking up through the shadows. it is up to you to find out just who is waiting there.

hot price!!! we are ready to invade ! invade records first release will be by owner ilario liburni (klimaks, snatch!) with the forest ep. including 2 remixes by marcman (drumma, bass culture, paragram).

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

featuring new material and recorded in the bands isolated studio on the edge of the essex marshes, the album ebbs and flows in mood like the nearby blackwater estuary. working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances.

gianclaudio hashem moniri & giuseppe carlini formed the group plaster in rome italy in 2008 and has released eps, albums & been on compilations with their sharp edged sounds, deep beats with some funky syncopations since 2010 on labels such as kvitnu, crazy language, stroboscopic artefacts & touchin bass

after his cosmic gate e.p. (knotweed 004), gonzalo comes back with four new tracks. here he develops further his very unique style of techno, blending deep, dubby and spacey chords together with a fierce sub-bass heavy dark background pounding beat for maximum efficiency.

just when you thought it was safe to get back in the water two of drum & bass longest serving soldiers return with an ep of immense proportions on their own product recordings. with years of experience between them shining through craggz & parallel show their stripes in spades here with four brand new productions designed to put hairs on your chest, some of the most powerful drum & bass you will have heard this year.

the bass provides the base for layers of dreamy synths and deep claps - the chords are so powerful and the vocals spinning round and round in your head. welcome to pysh on einmusika recordings.

first up is dankles *isabigting*. dankle has been steadily making a name for himself over the past couple of years, as part of offmenut records, for his solo production and as one half of phatworld, alongside tich from the squire of gothos. *isabigting* is straight up mutant bassline, with his warped, glass-like bass and hip-hop vocal.

trotz zahlreicher nebenprojekte wie alexis taylors about group, joe goddards the 2 bears und einem vollgepackten tour-kalender, lassen uns hot chip nach ihrem erfolgs-album in our heads vom sommer 2012 auch in diesem jahr nicht im stich: die neue single dark and stormy erscheint am via domino! der typisch leichtfüßige hot chip-sound trifft auf eingängig groovende bass-lines und den soulig-melancholischen gesang alexis taylors. dabei herausgekommen ist ein elektrisierender dance-pop-song, der spätestens mit dem aah-ooh der bridge ganz fest im ohr hängen bleibt.

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

limited to only 250 copies, hand stamped white label. the 6th release and first e.p on need for mirrors own affiliated imprint zoltar.
deity features the vocal talents of nik toots, with a rich british rock voice this track has set its self apart from anything else currently available in drum and bass and has a heavy valve influence.
broken britain is a cinematic stepper, drenched in strings and drones and guitars. one for those who love the late 90s sound of dj krust.

raised in haifa, israel, now located in amsterdam, this duo of sonic explorers have had acclaimed releases on a host of cult labels like psychostasia, underground quality, dekmantel & many more. having already released the incredible *release the golem pt. 1* & *jewsex* on everyones favourite nyc label, the pair make ready with their most claustrophobic and menacing outing yet. the original version on the a side stays in the same tempo territory as their dekmantel classic *african flower* but concocts a much more spacious and heady atmosphere, reminiscent of mark gages vapourspce project. side b takes us directly to the dancefloor, utilising the same bubbling bass sequence but transposing it onto a devastingly propulsive rhythm track, like the angry cousin of their *bleached roots* and *powow* classics. a formidablle force in modern dance music, at the height of their powers!

for the second installment of the stallions saga, bosconi records entrusts the fate of the muscular thoroughbred neged. the stallion is flanked by five stallions at an older age and with four tracks have a responsibility to drive the seductive ride, set synergy between uk, bass and balearic sounds.

bomb the bass return in march 2013 with wandering star, the first glimpse of tim simenon and paul conboys new album >in the sun<.

nach fast zweijaehriger release-pause meldet sich upmyalley mit der debut ep neufant von mieux gewohnt frisch und qualitativ hochwertig zurueck - dont call it a comeback. vier tracks irgendwo zwischen house, footwork und halftime beats, die sowohl auf dem dancefloor als auch zuhause funktionieren. immer einen schritt voraus und mit einer extraportion bass als sicherem gemeinsamen nenner

asc returns to samurai red seal in his first release for the label since 2012s out of sync & lost sync series. debuted on mary anne hobbs xfm show, polemic is yet another genre bending, tempo shuffle that brings a powerful acid line to the table. a favourite with the likes of dbridge, om unit, and sam kdc as well as label head presha, this is a tune that truly goes back to go forward. oracle slides back into a more traditional, but not any less unique asc groove, combining a heavy dubbed out bass line with other world ambience and percussive perfection. 909 rhythm track comes as a vinyl only exclusive, in the techno tradition it does what it name says it does, a dj tool for the adventurous maestro. limited blue coloured / white marbled 12 inch vinyl.

the man behind lick my deck – shaun soomro steps up for lmd012. journey to delirium rolls with an intense and infectious hook, floating synths mesmerize while galloping drums keep the pace exploring the conscious state of delirium.
on the flip theo parrishs right hand man – detroit luminary marcellus pittman takes things down a different route by providing a mind blowing remix. lush analog synths, dirty/raw bass lines and playful keys carries the passenger to a dream like state where the fxhe and 3 chairs man takes you beyond the beyond!
this is a vinyl only release.

twisted records welcomes back label boss crazy j with this deep rollling drum and bass track, get loose. with early from support from the scenes leading dnb artists, amos, ant tc, ashatack and dlr this vinyl only release is sure to make waves this year.

fokuz recordings presents fifty five a release that displays a wide variety of drum and bass styles by various artists around the globe! expect the freshes beats from fokuz residents command strange, dj clart, incident, talented newcomers like soligen, type-2, joakuim and rising stars hybrid minds, paul sg, pennygiles & mr joseph.

100 years is a new label and venue set up by esteemed sheffield promoter, producer and studio engineer liam o shea. the first release features two tracks by him as loshea. both city steel and prang are energy driven, bass-rumbling techno bangers.

phuture shock musik have the special honour to present the latest release by bass music pioneer - colin lindo aka nubian mindz. a certified veteran in the game, with a sizeable back catalog that spans releases for seminal labels such as 2000black, delsin, rush hour, and archive, not to mention some groundbreaking efforts on 4heros trailblazing reinforced label where it all began for the producer under the moniker alpha omega.

futureboogie recordings is proud to present the supremely skilled production force that is bruh jackman. a duo comprised of chameleon producer jabru and bass scene favourite, hackman, this devastatingly fresh debut ep also featuring rising star vocalist joel culpepper is one to mark out the futureboogie imprint as a last word in uk electronic talent. carving out a niche of their own, bruh jackman are set to make a huge impact in 2013 with their beautifully textured electronic music where fluid neo soul melodies and velvety vocals melt into vivid keys and contemporary bass science.

the story of bonobo is one that has become uncommon in contemporary music. there was no sudden, viral internet sensation, no one-off big hit, no abrupt, accidental alignment with the zeitgeist. instead, over the course of four albums, myriad tours, singles, remixes and production work for other artists, he quietly but very definitely became one of the most important artists in electronic music. the hard work paid off, and culminated in 2010s black sands, a masterful album that married greens inimitable melodic genius and musicianship to bleeding edge electronics, bass and infectious drums.
after a year plus of touring the hypnotic, extended live versions of black sands, he finally found time last year to embed himself in his new york studio and write his fifth studio album. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward - both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it is a thrillingly coherent statement piece.
heavyweight double 12 inch vinyl plus code for free mp3 download of the full album.

over 60 speaker blowing basslines inklusive tracks & remixes von prodigy, rusko, noisia, doctor p, shy fx, wilkinson, datsik, ne-yo, wideboys, benga, dj fresh, public enemy, dj zinc u.v.m.!

championsound continue to blaze a trail, showcasing some of the hottest new talent to emerge from irelands vibrant music scene!! following hot on the heels of the premiere release on champion sound in 2013 , next in line comes the work of prolific northern irish producer, t-polar, whose previous releases on acroplane, saigon recordings, morris audio, !kaboogie records and rebirth garnered the support of everyone from mary anne hobbs to 2562 to boddika. in keeping with his previous output and adding to what must surely be irelands deepest discography in electronic music (dating back to 2004), t-polar (aka gary spence) releases feetwork, an ep which hop-scotches genres, roughened up by the searing properties of hoover bass, teamed with tough, rolling kicks, nods to leftfield house and vintage rave, and peppered with skittering two-step grit. the remix in the pack comes from the increasingly ubiquitous unknown whose youtube uploads and remixes have been setting the internet alight with speculation.

luuk graham, the hague native drops his second release with lowriders recordings. after his recent remixes, a beattape and some digi releases finally the ep is ready for the public ear. the sound has grown in depth and strength. inspired by uk bass and uk bass and dirty south hip hop scene, he fits in the hip trap/bass culture with his more uptempo tracks but as easily links to the more head-hop in the likes off shlohmo. his sound is very much 8bit - commodore infected blent of hip hop, skweee, bass and retro-futuristic-synth-science. filosofischestilte takes you into an unknown world shaped out of arpeggios, sparkling.

after four impressive releases from the likes of ossie and behling & simpson, 2020 midnight visions kicks of its attack on 2013 with a new ep from the uks doc daneeka. last year saw doc team up with benjamin damage for a well received full length on 50 weapons, they live!, which stood apart for its pioneering hybridisation of house, bass and techno. here, on his own terms, doc explores a more extroverted, melodically rich variant of bass heavy house across all four tracks.

big riddim recordings was created in 2008 by ak1200, who had previously worked with well known uk drum and bass labels, suburban base and moving shadow. the label started out as a platform for ak to continue with his quest of discovering new talent and promoting the sounds of dnb to anyone within reach.

with releases under a range of pseudonyms (orpheus, sir leon greg, nite vision) and support for his previous explorations of depth coming from the likes of john heckle, dj deep, aroy dee, chicago skyway and steffi to name but a few, once again perseus traxx unashamedly shows his nature on this release. thoughts, feelings and emotions are by far the most important influences on music, and capturing moments then translating into a musical form he once again documents the more personal elements of his life, taking you deep. perseus weaves a rich tapestry of emotions and desires using heavily weighted bass tones and skipping percussion that thread together with expansive strings and pads. these are married with more detailed melodies and modulated tones that shimmer in and out of the psyche as he uses analogue boxes and their warmth like a loom. this collection of music ranges from the deep and dreamy, to total transcendence within steady dance floor rhythms clothed in a warm yet spacious fabric of sound. deep house, sometimes with a real sense of urgency that juxtaposes with it is inherent flights of fancy.

eclectic avenue welcomes the inimitable lil mark, one of the true stalwarts of the uk house scene & regular contributor to some of the finest imprints worldwide. here mark expertly shows his unique knack for genre-straddling. kicking off with pulling strings more familiar lil mark territory, with his trademark tight-as-hell percussion & firing bass sat below a freaked-out twisting riff. seriously, this bad-boy takes no prisoners....other than the ones on the dancefloor.... on the flipside we are treated to memoirs, a beautifully sumptous lo-slung roller, utilising a vox refrain over the top of a glorious rolling bass groove. like being comforted by a welcoming acid-bass-hug, this is truly something special. nestled inbetween marks original cuts is e.a.r. main-man j.cub, who offers up an alternate interpretation of memoirsl. taking the vox refrain & weaving it throughout the track like an instrument, j.cub nudges the tempo up slightly & adds a solid percussive backdrop & a reworked bass groove, creating a cut which is deep enough to warm the crowd but packs a solid punch at the same time

shoot the lobster is a new house and techno label from nyc. the first release is a split 12 inch and features grayson revoir and max mcferren, both djs and producers from nyc. side one is two tracks by grayson, spackle is driving bass cabinet garage, and get stolen is spacey sweaty acid. on side side b max mcferren delivers rusty smokey hard bassline panorama-ready house on one on all times (walk track).

this will be the first non-psytrance release on our label underground sound promotions out 4 february on vinyl

limited to 300 - no barcode! interesting and hot new label from jena. very special organic sound, partly slowpaced partly with a definite eye on the floor but allways with dirt heavy bass and tantalising electronic extrafunk approach , some trks w. strong dark vocals reminding on alton m. ! sick…

superb debut release on piktogram, a label founded by polish artist ra. highly influenced by the naples, berlin, montreal and detroit techno scenes, his vision is to release fresh music with an old school flavour. this first two-tracker of bass-heavy dancefloor ammo of the highest calibre

there are two tracks on nottingham producer spares >slacking ep< that immerse you really well in his taught world of bass pressure. kankle is firing tribal house, though its hard to get the measure of how the thud of the kick drum could ever fit under the bass work, and the weekend is a clipped garage pound with serenely oppressive low end