stomping 90s techno, sven väth playlist
special 2017 backstock

‘this is my chance’ lay dormant until the 90s, when it was included on the ace cd “the heart of southern soul vol 3”. that series was aimed at ballad fans but art gentry’s mid-tempo gem proved ideal for the modern soul dance scene. a 12-inch promo issued at the time is now an in-demand piece of vinyl. mystery surrounds who wrote shirley brown’s ‘even if the signs are wrong’ but this splendid, lilting soul song deserves a vinyl release.

with the 3-track ep mantra joix opens a new dimension in his electronic music. for the first time he uses his own voice on a larger scale, giving it a machine-like sound that transforms and heightens the meaning of his german words.

the lead track -mantra- refers to the techno movement in germany in the 90s, which joix lived and breathed as a teenager. those mystical experiences staying awake all night in rooms full of light and sound ÔÇ came close to the trance states attained by chanting mantras. this is the main idea and the emotional inspiration behind this pulsating a-side track.

a touch of nostalgia also comes through -w?ñchter der nacht-. this tune channels the mysterious night, the search for ecstasy and self-dissolution in music clubs protected by the guards of night. finally, klimax is a dancefloor banger that distinguishes itself by whipping up immense energy, and its space-filling melody and enormous hall cascades.

hessle audio s pangaea reworks two 90s tracks in his own style for 2017 dancefloors. early dj support from ben ufo, pearson sound, joy orbison, gerd janson, daphni, call super, shanti celeste, kowton, b traits on bbc radio 1. vinyl only / no digital.

after releasing on bass drop networks, atmosfear , loop, sub / version in the early 90s, and more recently on mego, staalplaat, crónica and praxis, pure is returning in to the techno scene with a 5 tracks ep. the tracks were recorded in 1995 no joke at all… pure analog, acid, authentic, live recorded underground devil hardcore/techno.

restless mashaits hailing from geneva are based around the core of jil and stuf. they released a sizeable amount of new roots classics throughout the 90s and 00’s. recently becoming active again, they are best remembered for the sessions they recorded at kingston, jamaica in the mid/late 90s with legendary musicians such as vin gordon, deadly headly and dizzy moore. the original releases have been since long deleted, but some are now unearthed thanks to partial records. * lion’ from 1996, features the legendary jamaican percussionist scully simms (who recently passed away) and was in every box of all serious roots selectors back then. now long deleted, this will fill in the gap for the many collectors who have this on their wants lists. dub lion’ is a different dub version to the one previously released in 1996.

nice price deal !!! feat a cool 2007 chris cargo remix of the 90s underworld classic cowgirl.

belgian producer krewcial is one of those producers who flits in and out of activity, and has done so since the mid 90s. lumberjacks in hell have called upon this slippery character to lay down some righteous grooves for their latest missive, and the results are sublime. -2u- is funky house how it should be done, all stomping drums, dreamy pads and soulful licks for the party people in the place. -heal- takes a more edited approach, holding back the bass for the ultimate dancefloor payoff. -hit me off- ramps up the jazzy keys for a detroit flavoured looped up throwdown, and then -the session- fires off one last sumptuous rip through peak time perfection

* download code available with proof of purchase * * voyage, a new and now exclusive signing debuts with a full length album release * like a ghost from the golden era of 90s tech step amen fuelled drum and bass this album has been very well received especially by the older generation * fat, analogue, powerful, real drum & bass * press / promotion: club and radio play from

paul hester created his cult moon music label in 1997 as a portal for his own productions and sounds. the label was short-lived, with only 3 releases in it s catalogue, all produced by hester himself. those few releases on moon are now highly sought after among house and techno aficionados who are forever seeking that deeper groove. the interesting part of this story, beyond the amazing music that was released, is that there are many other tracks that never saw the light of the day, thus leaving the full moon story untold. roll on to the year 2000, hester unleashes the never enough ep, a 4 track collection of tracks that ooze his own unique sound. deep, rolling, crisp drum programming, breakbeats and swelling synth pads all form the classic moon music vibe. this fully remastered reissues tracks are all lovingly transferred from paul hester s private, personal dat stash. classic, deep uk techno sounds from the pre-millenium era, re-presented for the first time for 2017s dancefloors. across this ep we are treated to a sound that is timeless and will undoubtedly gain paul hester new fans while reminding those of us who were there in the late 90s / early noughties about his subtle and uniquely fresh production style.

vinyl only! new house label founded in 2017 coming up with a diverse selection of various artists. inahle exhale hails from the ruhrarea and the first ep shows kicksparkling, thick cut and remarkably original deep house focussing on mid 90s chicago/new york standards. made new and simply super gut

coming from the sound system scene in geneva, androo began to produce 80-90s infused digital dub as a teenager. his interest in jazz, new wave, dub and house gently collide in his studio a place he sees as a laboratory of experimentation here everything is mixed, dubbed and recorded live at the console. with this first ep release on second circle androo s music reveals a desire to avoid categorisation whilst displaying a clear love for percussive rhythms and emotive melodies. big tip! second circles first release of the summer features an ep of tracks by young producer androo from switzerland. having released on the sparring partner label which he co-runs with bony fly, androo has another release imminent on his second imprint poly dance .

for the fifth instance in their reissue series, echovolt records brings us four lush house gems by one of the most influential italian producers. carlo troja aka don carlos. don carlos started as a dj in the late 70s and debuted as a producer towards the end of the 80s with the cult single alone , which pretty soon became one of the anthems of the international deep house scene. inspiration ep focuses on some of his finest productions from the mid 90s that were only available on his rare aqua vinyl promo ep. this releases makes an effort to capture don carlos unique approach on classic house with lot of afro-american jazz sounds and ambient influences, that created a timeless deep jazzy house with a strong mediterranean twist on it!

2017 repress -- amazing release from legowelt , three tracks full of house and techno vibes, you will not want to miss this one. big, big!riverettes first release sees legowelt delivering one of his best releases blending everything we have come to love from him, 90s vibes check!, house, check! techno, check! arpeggios, dreamy leads, chilling chords, no nonsense sequences check!expect big things from this new spanish label as can only be assume by their mind-blasting first release

john shima has been quietly plying his trade in techno soul since 2010, shoring up on labels such as boe recordings, contrast-wax and firescope. now he inaugurates distant worlds with another fine clutch of introspective beats delivered with a classic early 90s feel. it s hard to ignore the influence of b12 on -renegade-, while -machine works- takes on a moodier tone without losing that inherent warmth that makes his music such a pleasure to listen to. -veloc- reaches for a heavy-lidded euphoria, and then -troglodytic- makes for the consummate b2 track by heading out into ambient pastures, showing off shima s synth skills in fine style.

elliot adamson knows how good he is, which is equally as daunting as it is impressive. i’ve known him since he was the eager beaver barman at a place i’d play regularly in my hometown, who used to try and stick his demos under my nose, and now he seems poised for world domination with a who s who of the worlds biggest djs singing his praises. i’m so pleased i listened to those demos when i did. elliot has a startling breadth and depth of taste for someone of such tender years (although to be honest, people only mention other peoples youth when they feel like they’re getting old themselves). the ep elliot has provided for me me me covers a range of vibes which can be traced through mid 90s house, millennial techno and that current and contemporary feel that we’re all still struggling to name adequately. elliot is a real talent and i couldn’t be happier to provide a platform for what i feel is his most esoteric work to date, and a worthy showcase of his real capabilities.

early 90s warehouse find featuring classic ny garage, disco & boogie + a dj tool. this amazing ep starts off with aftershocks slave to the vibe followed by keep on movin remix by deodato. on the flip we have the sound of music by dayton and to end we have set it out by midway (accap) house edits

latest in the run of downright deviant activities from the contort yourself camp is this new collection of old and new industrial tinged bangers, leading in with the excellent noirish heat of eindkrak s slow-stepping -shawarma-. andromeda complex s mid-90s rhythm-fest sits in stark, functional contrast before gdl s own contemporary rhythm science sends the record spinning in a reverie of surprisingly light-footed percussion. circling vultures are too enjoying the mean tempered intensity of focused drum machine programming before klankman rounds the record off with a slightly squelchy remix of andromeda complex s -the servant-.

ltd 1 per customer - as one of chicago s most mysterious and revered characters, the story of gemini, aka spencer kincy has become something of a myth in recent years – blazing a trail throughout the 90s, prolifically releasing over 200 tracks from 1994 to 1999, spencer s music had shades innovation and soul few of his peers could match. then, suddenly, at the peak of his career, he disappeared from view. gemini s unique combination of chicago groove, detroit strings and spacey effects have rightly ensured on the north star as a sought after classic of the era. the ep was the second of gemini s two 12- for peacefrog which was closely followed by his peacefrog long-player in and out of fog and lights (re-press coming soon). lush transcending deep house for the conersiour.

myor massiv proudly welcome fx and worldwide epidemic to the family. on the a-side the lord of darkness himself, demonic possession head honcho fx, does what he does best: dropping darkstyle bombs. gritty amens and howling horror pads, juxtaposed with a rather cheeky 80s pop sample. mum s the word. on the flip, worldwide epidemic perfectly threads the thin, imaginary line between jungle techno and hardcore proper on anthropomorphic, a 7 minute 4x4 epos that keeps on building and building, leading up to a synth laden climax of mid 90s squat rave proportions

vinyl only. first release from lisbon’s leading dance music record shop, carpet & snares records. andré leiria completes his journey from wide-eyed customer to fully-fledged producer, with three reflective originals and an outer-space dub from mosaic boss steve o’sullivan. ‘raining sun’ and ‘not the way home’ evoke wet spring days in the city, sustained chords and delayed accents swelling like morning river mist over the diligent bass and percussive clatter of urban life below. o’sullivan’s drifting dub of ‘raining sun’ steps boldly into a galaxy-scale soundspace, echoing the best of his dub excursions from the late 90s, while on ‘fear of death’ there are hints of another steve (reich), its cacophony of arpeggios propelling the groove into ever higher registers.

dope plates is back with more old skool influenced breakbeat joy. the a side sees soul intent go head to head with acid lab with their mash up track clash of headz. on the b side we have a vinyl exclusive track from soul intent called move which is jammed packed full of 90s house influences while mystery alias pepsi slammer brings some serious classic slammin vinyl flavours with his track mike alert.

medical records continues it s fascination with all things mark van hoen this time presenting the sole album release by autocreation entitled mettle . autocreation was formed in 1992 when mark van hoen was roomates in west london with the other members kevin hector and tara patterson. kevin and tara as dj s at the university of london, tara had recorded with the hafler trio prior to this the 3 lived in an apartment block that was full of acid house devotees, djs, and house producers. the 3 friends spent a lot of time in cutting-edge london clubs which inspired and influenced their music. a remix they worked on - seefeel s -plainsong- became the blueprint the autocreation sound, as well as feeding back into seefeel s sound on their own subsequent material. autocreation were heavily influcenced by contemporary dub techno such as basic channel, mika vanio as well as more pure techno such as kirk degiorgio and jeff mills. they recorded the album in late 1993, sandwiched between the recording of van hoen s locust album weathered well and his collaboration with seefeel s darren seymour aurobindo:involution . the album notably features heavy use of modular synthesizers (aries 300, digisound 80 and others), quite unique for a techno record of the time. the album was released on the orb s label inter-modo on cd only - directly following the orb s collaboration with robert fripp (ffwd). artwork was designed by the designers republic - responsible for the vast majority of warp records catalog and various releases by the orb. the album is a dark, brooding ambient techno masterpiece. similar in vein to locust s weathered well but more techno/idm genre compliant that made it at times dance floor compatible. for this special edition (first time on vinyl), the album is expanded to a double lp featuring bonus tracks. the jacket is a gatefold featuring a montage of photos in the gatefold. specially remastered by mark van hoen. presented on limited edition high quality double 160-gram classic black vinyl. for fans of early locust, dark ambient techno, and early 90s dance floor friendly idm.

memoryman aka uovo gives us some deep-disco vibes with rolling rhythmic beds and hip shaking grooves. wound music delivers it in 12inch, with three original tracks (b1 originally released on defected records) with heady 90s remix by voodoo effect. the shark will bite you with his sound!

london star alexis raphael returns to hot creations with the dance floor killer it’s kinda jazzy, with fine french exports dan ghenacia and chris carrier teaming up to deliver the remix with electrifying results. title track it’s kinda jazzy is an ultimate peak time weapon. alexis explains how its a real melting pot of different musical influences that have inspired me over the years. there s everything from hip-hop to 90 s uk house and garage, jungle/drum and bass, upfront house and techno and, of course, jazz. on the flip dan ghenacia and chris carrier deliver a solid remix that keeps the pace, changing gear through trippy turns. last up, second original track strip off lays down the swing with sultry vocal slices. an influential player on the london scene, alexis raphael earned his stripes across the pirate radio stations of north and east london during the late 90s and early 00s and went on to hold residencies at legendary london clubs the cross and bagley’s. his first release spaceship was picked up by hot creations sub-label hot waves in 2011. since then, he’s had numerous releases and remixes on labels including jackathon jams, of unsound mind, avotre and get physical and not forgetting his anthem, i know. dan ghenacia is the undisputed kingpin of the paris underground scene, having founded and ran freak n’chic for seven years and now one of the three creative minds behind new label and b2b2b dj outfit apollonia. chris carrier is another heavy-weight from the french underground scene. together they have delivered some recent killer ep’s on appolonia, music for freaks and adult only.

todh teri announces the launch of its debut release,with a limited vinyl only edition. todh teri is the revival of the golden era in indian cinema. its the resurgence of indian disco, funk & cabaret from the 70s , 80s & 90s. deep in india vol.1 goes back to its homegrown roots and gives us three classic gems. each edit retaining its original flavor & a little something more to take to the dance floor.todh teri polishes off each track with a signature groove if its own. ten seconds into an edit and you are deep in india! in the past, todh teri has brought this style of music to berlin’s clubs like rummelsbucht & wilde renate. the act is scheduled to showcase in july at sispyhos, berlin & set for a very special live debut at wilde renate, this august. in an interview with todh teri, red bull said - indian artists have been loath to touch anything bollywood and understandably so… step in todh teri who wants to connect the lost world of indian disco with western club sounds. teri understands that most indian artists are (or were) not sure about edits, because without proper execution, they can be easily clubbed as mainstream bollywood remixes.

synthetic is a track from iib debutant kimopots. sythetic is a deep grooving house cut. eastern elements and soft arps melting with subtle technoy acid vibes. dreamy. ilija rudman brings out the analogue hardware and adds a boogieesque bassline keeping the deepness. finally robot 84 pumps it up a touch with a nod towards italian house sounds of the early 90s. 3 great versions

timothy heretic’clerkin has a new record out. this new record is called serenade. it is out on ransom note records. it is three tracks from timothy and one remix from marlon hoffstadt. all four tracks are winners. they sound like the 90s remade by people too young to remember the shit bits. there are breakbeats. there are acid lines. there are weird samples about drugs. there are things that sound like orbital. there is no time wasted.

london’s ghost writerz are back with a banger! following a slew of releases on tru thoughts and a recent mixtape -welcome to ghost town- heating up the streets, jimmy screech and sleepy time ghost return with a big splash on nice up! records. based around a familiar reggae riddim, the track tells the tale of jimmy’s foundation in soundsystem culture, starting in the 80s and name-checking legends such as shabba ranks, yellowman, smiley culture along the way. as the riddim flips we shift forward a generation, 90s dancehall and rap dominate, giving props to hip hop royalty such as busta rhymes and 2pac, then finally firing off a huge jungle climax, dripping in enough amen breaks to set the dancefloor alight whilst giving a little history of the musical heritage behind ghost writerz.

looky looky is the new project from jeffrey sfire and ian clark, both residing in detroit, michigan. the pair met in the late 90s when ian was performing as one half of le car with adam miller of adult. ian also recorded under the moniker perspects, and released on clone, ersatz audio and interdimensional transmissions. jeffrey has released a series of singles and remix eps with samuel long as sfire on cocktail d amore music and ultramajic.

ltd 50% summer deal ... betterlatethanever is the 029th instalment of the lessismore label for eindhoven. this release took the long road in getting there, with in the meanwhile already the first lessismore baby born. finally we can only say it is better late than. this edition without label heads gideon & mbc, lessismore presents three spanish artists. pelacha is one of the best known female djs in spain. pelacha already released her first work on lessismore 015 with her well received super glue. the two new artists are vasco ispirian, who is known by everyone who visited the room in madrid where he has his residency. and hd substance, this production machine with already a long discography going back to the begin of the 90s, is now finally on lessismore. this edition is all about showing a different perspective of something that is essentially the same. so chordish love for spain.

the belgian duo „chassé- heats up the flux compensator and takes us on a hilarious time travel straight back to the mid 1990 s with their new ep „word up kids-. pumping chicago grooves meet dope down funk & soul loops – just the right mix to make you freak out on the mid-summer-dancefloor. these 12- is the dj-essential you need for surfin the incoming 90s revival wave. pretty much remarkable: „word up kids- is chassés vinyl debut – whats gonna be next? bigbait026 is the third installment of our random color special edition series. each record is a unique piece, because the color is constantly shifted during the production process. .... safe your copy!

six face-melting tracks that range from woozy dark soundscapes to experimental acid and eerie drum sequences on the first release of brand new label x/oz. a label as an extension of the artist exos in his role as both a producer and curator. the six track ep includes tracks from some of his closest collaborators through the years, among others a song by his father, octal, who has been collaborating in music with exos since late 90s. octal industries ,aka ruxpin, a lifetime collaborator, family friend and an original member of thule records also contribute to the release. last but not least, the mystikal soschla, a russian upcoming artist who made some waves already and will be a part of some upcoming releases on x/oz. the unique, rugged environment of iceland is a fundamental element and platform for exos in his creation and selection and sets the atmosphere for the sound of his new x/oz imprint. limited supplies!

seafoam is back and will stay with us for a little while. after the revelation of his latest productions, -lost tape 98 project- presents some special tracks produced in the late 90s / early 2000s. when we got this original dat of -hybrid- release in order to re-edit it, what a big surprise to discover other original tracks that were never released. so we decided to sign our 3 favorite tracks on rue de plaisance s sub-label : « rue de plaisance re-issue ».

another cornerstone record from the mighty strictly rhythm catalogue, waterfalls / feel it is an essential example of the deeper, more melodic style of house that emanated from nyc / nj in the early to mid 90s. originally released in 1991 the ep features the production style of andrew rags richardson with some co-production assistance from one roger sanchez. it perfectly encapsulates the style of music that would be played at clubs like the loft, shelter, zanzibar and beyond, a more emotive and soulful strain of house that gives a respectful nod to it s disco roots. waterfalls / feel it has long been the toast of house aficionados and is most definitely a record that will still have people rushing the booth asking what s this? an evergreen slab of wax indeed. essential sounds for the heads.

suction records is thrilled and honoured to announce the reissue of d arcangelo s self-titled debut ep for rephlex, the legendary uk label run by aphex twin and grant wilson-claridge from 1991-2013. d arcangelo are the italian duo of brothers fabrizio and marco d arcangelo, active in the underground electronic scene under various aliases since the early 90s, and still going strong today. released in 1996, their rephlex debut -d arcangelo- was one of the first releases to make a firm connection between contemporary idm/electronix and the sound of 80s synth pop. the 3 tracks on side a are ripping, industrial-strength electronix, as fierce, crunchy and menacing anything aphex twin himself had released at the time. in sharp contrast, side b s 3 tracks are playful, clean and melodic instrumental synthpop, with clear synthetic references to bands like depeche mode and omd. it was a sound that was certainly not in fashion at the time, and helped the ep stand out in 1996, for that very reason.

andrew numb makes his debut on modelhart with the calling ep. he drops 3 tracks with a remix by reggie dokes. the title track calling is a deep techno track inspired by 90s classical detroit techno. reggie dokes drops the tempo and make a slower house tweek of the same title track. on the flipside andrew drops 2 tracks for the dancefloor in the from of seashores and the filters are back!.

after debuting on uttu back in 2013 lake haze returns to the fold with 2 epic 90s goa-inspired-house-jams for the freaks! backed with an incredible bleep n bass remix from dj boring.

italian house bastion vibraphone records has more than proven itself in the realms of classic deep house, but this new release from knlb certainly speaks to the new age of the label. the unknown producer makes a stunning entry with -second wind-, an effervescent breakbeat number that harks back to classic 90s mo wax sounds with its resonating piano licks and gritty drum samples. -apollo- meanwhile creates an interesting variation on the dub techno template with a wealth of instrumentation cavorting around a tripped out chord stab, and then -initialize- drifts off into blissful deep house meditation atop a purposeful beat. minimono swoop in to inject some direct funk into their remix of -intialize-, and a very fine job they do of it too.

make love in public spaces is a new but not so mysterious offshoot of a label which will be familiar to anyone who has been to a certain erotically charged discotheque with a big heart in east london over the last 4 years. they launch with a three track release from adesse versions that recasts underground 90s classics of some vintage in his own inimitable style - the lead track is destined to get club play for months to come thanks to its deft vocal hook. adesse versions is the anonymous alias of a techno producer with previous work for ostgut ton and curle, showing his house side and who you will no doubt recognise from his most recent work for trus mes prime numbers label as adesse... ltd stock

kid drama’s debut metalheadz release is one that is set to shake up this 4-year-old alias as he heads in a direction that’s slightly more focussed on the dancefloor, whilst managing to subtly retain some of the elements that have seen him become so loved in the deeper and more experimental side of drum and bass. the ‘trife ep’ proves how much of a talent kid drama is, from the savage bassline in ‘brutal d’ to the late 90s techstep vibes of ‘articulation’ all the way to ‘payback’, which is a track that could have easily come out under his and boddika’s instra:mental moniker. this is an extremely well-rounded project and one we’re delighted to be releasing on metalheadz.

we welcome in the team new austrian talent demuja with 4 awesome housy tracks that remind 90s!

glyn -bigga- bush began his production career with rockers hi fi in the early 90s, co-writing several studio albums, a host of remixes and the infamous dj kicks - the black album. in 2000 he went solo as both biggabush and lightning head, making albums for sonar kollektiv and stereo deluxe as well as many more remixes. his sound reflects his love of dub reggae, analogue synthesisers and intricate rhythms, with influences of samba, afrobeat, the deep dubscapes of rhythm & sound and most recently the more interesting end of 140bpm bass music. this ep is his first vinyl release since the late 00s and takes in a number of bass-heavy rumblers with classic biggabush twists and turns, starting with the steppas delight of mangrove monkey, relentless subs and skanks of sounds & blues, post-dubstep breaks on dash way com and finishing with a minimal 4/4 fx soundscape on footsie index.

following their eponymously titled 2016 arrival on midlands graded imprint, as well as a recent followup on dark entries, solitary dancer return to the label on which they made their debut. once again, this three-track 12inch blends electro, ambient, and acid to superb, undeniably modern effect. with a running time of nearly 12-minutes, the title track transmitting to heaven is an ambitiously sweeping cut that subtly moves through its various shades, from electro and acid, to strobe-lit 90s rave. the b-side kicks off with birth of saturn, built around an arpeggiating synth that shifts and morphs throughout the track as the intensity ascends. the 12inch closes off with ‘at the end of the corridor of love, a loss’, a slow burning ambient piece that is as sombre as it is cinematic.

incl 90s piano trance club anthem children !limited edition double vinyl and cd in gatefold sleeve.

2x12 inch lp, 180g vinyl, cut at 45rpm, with printed deluxe sleeve by designers republic.
on millions, olsson effortlessly spans genres including dance, indie, pop and more in-between. opener hold on - a collaboration with the sharp tongue of sweden’s mapei - leads with a classic hip-hop beat before breaking into a danceable indie swagger, and has already seen olsson achieve high profile acclaim from the likes of zane lowe, noisey and more. elsewhere on tracks such as this heat and satellite (only analog talks), olsson channels a 90s rave influence while also delivering a gnarled brit indie rock bite, which plays like the tripped-out love child of kasabian and jungle.

dred records is the new imprint from john osborn. after co-running tanstaafl with october for 5 years john is now focusing his solo a&r efforts with dred records. dred takes the fundamental principles of dance music that was laid down in the late 80s & early 90s, fusing them together with modern producers of today. a record label concentrating on sonic sci-fi visions of the future without loosing the roots of dance. the first release features two heavy hitting club tracks by s:vt aka sven von thuelen with a killer remix by john osborn. made with love in berlin & mastered at man made mastering, 2017.

chicago house dj & disco edit machine chrissy launches a new series of white label 12inches on cool ranch. the first catchy disco house workout is we aint goin nowhere on the a side, which also gets a ponchartrain remix on the flip, where aaaahhh! also brings the 90s breakbeat action.

passafire s longshot, the full-length follow up to vines (2013) and the interval ep (2015), finds the band continuing to stretch in new musical directions, while still maintaining a strong core of reggae elements. some songs tread into 90s grunge, hip hop and even current pop, but for hardcore passafire fans, this genre-bending style will come as no surprise for a band that has always pushed itself through experimentation, with a foundation of hummable hooks and vicious musicianship. a guest spot by rapper mr. lif also contributes a new angle on the song -blow. vines debuted at 1 on billboard record chart.