shrouded in mystery! no one knows where its coming from, no one knows where its going. special extended disco versions carefully tuned, remixed, over-dubbed, cut and sliced. this is what dj sneak should sound like today. limited shizzle. you know the deal. here today, gone tomorrow

wandering the mojuba sublabel welcomes a new project named tyche for its 2nd journey. like the first jc freaks record these two tracks on two paths sound fresh but classic once again! overall both tunes have a very hypnotic feel, which is capable of making your body move, although the approach of the tracks are diametral … but you better take a listen on your own

there is no doubt that leipzig is a pulsating place in terms of electronic music. however, the potential of the city seems to be experiencing a new surge - not least due to up-and-coming producers like sven tasnadi and stefan schultz aka juno6. both belong to the generation of musicians who initially released their tracks for free on net-labels but have since have made the leap to vinyl. while sven tasnadi has already released great eps on liebe*detail, smallville records and of course on cargo edition, juno6 just recently made his debut with >salamis< in spring 2008 on broque. now they have joined forces with their first collaboration for cargo edition. both tracks on the ep are characterised by elaborate rhythms, a special deepness and intricately arranged sounds. >aramis< tells apparently different stories which merge seamlessly during its 14 minutes. the track also explores the hypnotic moments on the dancefloor in a very subtle and complex manner - reduced but full of vibrancy at the same time. >genau so< on the b-side takes a similar line, but adds a spark of funk, which combines to form its distinctive rhythm. sven tasnadi & juno6 have created two modern house tracks which are full of character.

nice price deal !!! hammered by the like of bob sinclar, and now released on his label... one for the dancefloor for sure.

incl agnes rmx !! for our new release on perspectiv, we are really proud to introduce you the berlin based artist dana ruh which already released her wonderful music on prestigious labels like einmaleins or mina records. on the a side >history of the sun< is 11 minutes journey full of warmness, on an edge, minimal house & on the other, totallymental grooves. this is a real jewel for all the electronic connoisseurs . on the flip our favorite ladyboy agnes (sthlmaudio) give us a fantastic rework. deep samples and magic edit for a great moment of nu house.

rezkars fascination with music began with his parents record collection. listening to local radio stations as a child, he heard 80s tracks. as an adult he discovered the magic of 60s and 70s jazz and funk. one day, his cousin played a track that he immediately fell in love with. he later learned that this was house music. he discovered the fruity loops sequencer software and thought, why not try to make my own tracks, after all, it cant really be that hard? deep house can sound deceptively simple. its a bit like japanese anime, rezkar says. it looks so cute and easy to draw, but try to actually draw it, and you will discover its even harder than realistic drawings. the thing about house is that if you try too hard it can come across as being very cheesy, but then again, if you dont do enough it can sound incomplete. finding the balance is not easy, rezkar admits. after hearing his music, one finds that he is learning this lesson quite well.

big with: loco dice, luciano, sis, reboot... on this seventh release, 1 more collaboration with great greek producers: kreon & lemos. a side hands up is the result of this collaboration, a raw funky track with darkishn and heavy vocal & with big synth rise... 1 beat, 1 groove ... as simple as this!on b1 , ny is an atmospheric odyssey, that make you feel like flying over city @ night. b2 is a deep techno ballad, a musical bedtime story for those who dont want to go to sleep

big with nick curly, jimpster, pablo bolivar, alexi delano, demon days, davide squillace, agnès, audiofly,. andi numan, another newcomer of new zealand origin, presents his ingenious take on house, fusing traditional acid and contemporary styles with ease. we are excited. this one goes out to everybody feeling tired with deep house, abandoned or stuck with techno, but still looking for the one beat, that rules them all. andi numan studied various instruments like piano from a young age of three years. in the early ninties he got sucked into the young electronic music scene, fell in love with analogue gear and started dj-ing at open air events and abandoned warehouses.

featured on mr tejadas fabric mix cd ! >fractals< explores the inner musical geometry of john tejada’s electronic productions in 3 varieties. the opening track >fractals< builds driving, rhythmic layers, evolving modular blips and atmospheres which then reduce to reveal the elements that lie beneath. >the open< is a featured track on tejadas fabric 44 mix. just like a warm cup of morning coffee in your hand, it gives the feeling of a fresh new day and the possibilities that lie ahead. an ethereal piece that may remind some of tejadas classic melodic moments. continuing the nostalgic theme is the aptly titled >better days< a piano chord driven track which brings to mind classics from long ago, but with a tejada twist.

lets remixer speak! >it was great to be asked to do this. originally, i wanted to do something really quirky and funky with the strange vocal in human bond, one of my favorite old tracks. i tried a few times but i couldnt really get a vibe going in the funk realm. so i listened to the original over and over again and then the lightbulb turned on. i realized that the original was a monster rave track, like what you would hear in a warehouse in detroit in the 90s. so i threw out my original idea and went crazy with a huge techno builder, something to hype a big rave just like the original. maybe this doesnt sound exactly like what i usually do but that was the fun of making it< claude vonstroke. aa: >bounce your body to the box was one of the first kms records that i owned and it was all about the mike >hitman< wilson mix and force field on the b side. the production on the original was huge. the 909 groove just pounded everything... when that came out there was nothing that came close to it. so it was an honor and a challenge to mix it myself. first came the futurist bounce mix... not released on vinyl, anmerkung, ... which is more of a cover version than a remix. i had a lot of fun with this one but it definitely has a signature that steps away from the original. so i had to take a run at it one more time to pay a proper homage to the original with the flashback mix< mike shannon...

the highgrade-collective welcomes a new member in its rows, marcus sur, who until now has released one ep on highgrade digital and contributed one track to the >our thing< label-compilation. as-well new on board is the berlin based simon beeston, coming to us from new zealand. it was high time to dedicate a various artists to the newbies, alongside with the old hands tom clark and daniel dreier. marcus surs >gold< heralds the ep hypnotically, simultaneously delivering the proof how perfect his tracks fit into the highgrade label-sound. welcome on vinyl, mr. sur! in the following simon beeston drags us with >idle housewives< into dark echo chambers, teasing with weird sounds, which finally melt together into to a unique groove. label-boss tom clark in alliance with daniel dreier use their >13 cookies< to explore, what happens if you lock two versatile producers like them into one studio. the result is nothing to sneeze at, a massive groove, which keeps three feet on the floor while having the head up in the clouds. adding another facet to this varied ep!

complot records is proud to present hanssens debut ep! with complot09 we finally get to taste delicious music from hanssen aka bob hansen (half of jacob london). we also have an exciting remix from complot co-founder dafluke. >velvet deer decals< possesses a groove that will keep you going on and on and on... hanssens skillful use of deep filtered harmonies will take you back to that good old late 90s house vibe. the beats and stabs are visceral, dense and powerful with filtered vocal cuts that sprinkle the track with sweetness. on the b side, >wtfstep< brings the funk to your doorstep! we are talking very bouncy and punchy dancefloor goodness with a contagiously dark bassline ... ..real party music! finally, theres no question dafluke expanded on his bag of tricks for his remix of >velvet deer decals<. this dissonant loopy groove is laced with other-worldly sound fx to shock and excite your ears... with a beat like a taser jolt to your feet!ken ishii : wow, interesting and fresh music here! b1 and b2 rock. / pheek : charted the dafluke remix, huge support! / mannel : i cant find the words, its perfect! the wftstep is my favorit! thanks! all the best! / tom baker : yeah loving the dafluke remix and party vibe in wftstep! nice one ! mika kalio (opossum / komplex audio)deep, dark, dubby, delcious..will be played in the next opossum radio show - and in the discotheque ass well ...

as the lead front room representatives daniel steinberg has been one of the main flavours on the label with this being his third release in 2008. his releases are frequently played by the likes of ricardo villalobos, luciano, claude vonstroke and richie hawtin to name a few and his talents continue to blossom with every stroke. as well as having great success on front room recordings daniel also regularly airs is talents on labels such as style rockets, leftroom and grandpetrol. with the sounds of tracks like “cobra limbos”, >uptown< and >pay for me< still resonating around the dance floors of the world daniel now steps forward with three killer tracks showcasing his own unique take on house with a twist.

special 2x 12inch edition , coolest price with hot hypnotic techno , techhouse with acid flavours !! tracks coming from peter grummich , tommy vicari jnr , brooks mosher (mosher tracks are for fans of producers like redshape, omar s and steve rachmad) !! dirrty !

traum is proud to welcome the new wunderkind from the uk, max cooper. max is a great uk dj who is also involved in mathematical modelling research on the evolution of networks of genes at university college london, a sci-art project combining evolutionary and music production algorithms. max cooper has many lives and he is a true wizard in his category. born originally in belfast he has been resident at the rumour as well as playing his 9th year at clubnight >firefly<. max can be heard regularly djing in the key - london, stealth - nottingham and the cross - london. he was quickly recognised by the media, receiving the label of mixmag future hero . max has joined traum with a 3 tracker involving top english producer kanio for a remix of the a-side track >harmonisch serie<. max coopers innovative programming positions him music-wise alongside artists such as dominik eulberg, minilogue and extrawelt. his epic structure has a unique narrative character to it which distinguishes him from others and sometimes dares to become almost soundtrack like, full of ambience. maybe this is best expressed by his b2 track >i< . his debut on traum is a unique sound sensation of incredible details and big sound layouts, as if made for traum. melodic and gentle but at the same time energetic and full of colours with a sci fi edge to it! max has also remixed extrawelts >im garten von eben<

after his huge >pepper exchange vol. 1<, anton zap is back with more spicey house music. moscows finest offers 4 warehouse esque deep house groovers and proves that without a shadow of a doubt hes one who you need to keep close tabs on. on quintessentials 05, anton keeps his >pepper exchange< style: stripped back, & raw! its pure, back to its roots simple groove quality which works so well with anton zaps new 12inch. but like a lot of antons music, deep atmospherics play a big part and this is why his music has that standout from the rest feel. its not often that you come across a ep where all the tracks are playable, but even less often where all the tracks make you step back and appreciate them much more than you normally would. essential house music for those looking for the simple soul filled stripped back house feel

new release on down the bush records, karl dread, a mysterious jamaican kubo dread based producer (as far as we know he actually lives on the hills of the famous blue mountain with the fierce desire of never coming down), delivers an up-lifting ep with the ever eclectic spirit of down the bush records. with this release, a true mastermind blend of dub, broken beats, house and afrobeat, electronic music goes global like never before. anbuley originated from ghana, and vienna based singer (works also with makossa and megablast) adds her vocals and afro vibes on the main track. when jamaica meets africa, a heat wave hits the dance floors!!!

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

ashley brown, dominic palermo and adrian shortman aka jazz cartel send us 2 uplifting and laidback tunes, fresh like a sunny morning in spring. we gotta expand!

ceephaxs drive time k7 was released as a bonus cassette with his first album, and is a cult classic. half an hour of music per side, ranging from banging vocal acid to the deepest and darkest side of ambient, with everything in between. the 27 tracks are a perfect description of andy jenkinson s original music universe, his roots. it took about quite a while to transfer it onto acetate, it was one of the most challenging vinyl cut that anyone can imagine. the making of this record is kind of similar to homer s iliad. the stamper was then stored for several years, safe from the dangers of heat and daylight. just like for the nicest bottles of wine. firtcask records just took this jewel out of the cellar...

just when we think hes exhausted his stockpile of secret weapons!! heres another duo of killer edits from mr mang!! ray mang better known to his buddies as raj gupta is the behind the scenes guy who has had a hand in some of the uks finest discoid moments ever released! a plethora of releases on labels like noid, fiasco, u star, nuphonic etc etc have cemented his reputation as an amazing producer in his own right and engineer extraordinaire for the likes of the idjut boys & many more. the newly revitalized mangled label has given us an excuse to unleash these classic re edited and totally remastered cuts into the community.

deadmau5 is back with huge smash hit >ghosts n stuff< and the minimal >peddler of misery<. ghosts n stuff was written especially for deadmau5s essential selection live from the warehouse project manchester. a new musical direction for the mau5, ghosts n stuff is a gigantic slab of french house. big organs and synths collide alongside a killer bassline and tight percussion. ghosts n stuff looks like being one of mau5s biggest hits to date. peddler of misery is the complete opposite to ghosts n stuff with its minimal arrangement and trippy double beat. the percussion is delayed and crazy, helping to create real messed up dancefloor moments!

big with: davide squillace, josh wink, dustin zahn, tiger stripes, marco bailey, funk d void, monika kruse, luciano, laurent garnier, dubfire, stephan bodzin.. adam beyers now legendary imprint has reached its landmark 50th release. to commemorate this adam has pulled in a spectacular 2 track releases from one of the pioneers of he genre - joey beltram. joey should need absolutely no introduction and here for the a side has produced a rave hammer in the form of scorpion with its twisting metallic riff and immense intenstity. the flipside track - striking distance is a perfect compliment with its subtle, building undertones easily at home at somewhere like cocoon at amnesia in ibiza. this is an absolute bomb. do not miss out.

men in slippers aka kenneth james gibson and mikael stavostandt, both from la. present their fantastic debut on resopal, but it s also their next step to the world wide electronic music scene. this outstanding e.p. contains three tracks with reduced and minimal atmospheres and a lot of electronic funk of the latest techno sound. it s swinging and bouncing and quirling along the sound, which was founded by resopal among others years ago. it s a sweet and nice becoming of forces, it s a sound that transfixes the audience. the ep is completed by vocals from greek dj ane k.atou which sounds like she has given them her inspiration through a morph field!! stunning re-release

the second outing on frittomorto is by subway who have previous releases on nuphonic, sunday best and souljazz....they also have a forthcoming album on souljazz. the a side cs-87 is exactly the sort of tackle that you would expect mathew jonson to come up with if he was born twenty years earlier and had met vince lawrence and ron hardy in an all night gentlemens sauna. the flip side second sign sounds a bit like black dog before they went crap

the first legato sampler in 2009, contains more peak time hit material from labels like defected , loaded...

robert m did right with his new single. if you ask yourself >who is robert m?< we have some information for you. his debut >porno house e.p.< smashed the dancefloors on lickin records (sublabel of lektrik). also he is busy remixing worldwide known artists like the german producer oliver koletzki. robert m a part of the upcoming east european generation of young producers and his releases are supported from artists dj preach, carl cox, umek, marco remus, eddie halliwell and many more.

scaring us all the way from sofia, bulgeria spatula city is proud to present to you the technologically advanced technique of the one like the kink. snapping off his first spatula city release with three dancefloor scorchers, this record is not to be missed. jigga is just a straight up bassline balancing act that just drives. on dat funk and check he collaborates with eclectic vocal stylings of austin, txs j.a.m.o.n. both tunes are jump up flex on the floor devastators. kinks techy vibe and robotlike control over j.a.m.o.n.s vocals creates a sound unlike any other artist in the scene. his tech savvy jack infused style cannot be compared to. just when you think one of these tunes is going off the deep end, it turns around and jacks you right in the face! and...just for funks we had kink add two accapella tools which are super easy to mix and sound great over any jackin beats.

massive release with tracks from the plastic city radio show cd.with artists like: terry lee brown junior, the timewriter, gorge, forteba, andrew grant, roberto rodriguez, nicole moudaber

as intergal member of britains funky hoyuse scene for over a decade, paul gardner, one part of the soul avengerz, releases his new imprint worldwide on milk & sugar recordings. alongside his soul avengerz partner wayne o connell he put out a big number of productions and remixes in the past for famous record labels like cr2, positiva, hed kandi, island records and many more. some of them, like asbos >let the beat hit em< or james domans >everything s gonna be alright< became worldwide clubhits and created a huge request for paul gardners and wayne o connells dj and production skills. together with his vocalist peyton, paul gardner put his hands on one of the biggest house tunes of all times, dj sneaks 1997 slammer >u cant hide<

played by: nick curly, cassy, prins thomas, raresh, robag wruhme, 2000 and one, agnès and many others !! swedish brandy productions brings you two killer-remixes by atjazz (mantis rec.) of andre zimmas (aka slope) broken beat afro-inspired track m.u.s.i.c. the original track was first released on their turbulence ep (sb010) with featuring acts like clara hill, colin corves and alex barck. atjazz, with his touch and magic, turns this track into strictly nyc pressure, that will do some serious damage across the globe. already played and charted by people like gilles peterson, onsulade (which directly requested the track for his compilation passage on bbe), karizma and opolopo to name a few. on the flipside atjazz delivers his stunning dub-mix, that carries a stripped smoking package of deep bass and dubby chords. so just drop the needle for a second, and you find that both cuts are essential dancefloor material with the purpose of making the crowd groove and move!.

rooted deep in a high-rising part of buenos aires, retiro, and in his temporary home of choice, berlin, two of the craziest and most vibrant music cities, dilo is known for his eclectic and exquisite taste in audio. his productions that sound like crystalline experimental upbeat hophop techno drones with a loopy undertone of clicky random shuffle murkiness are, quite simply put, some of the most marvelous releases around

incl. smith & selway remix ... dedication to the music, passion for the precise sound to suit the moment, and an unstoppable drive towards perfection – tomy de clerque and f. sonik got it all. clearing their way towards the musical stardom, this two members of the new generation of slovenian deejays and producers newer miss a chance to take their music even further. armed with the clear-cut vision of how electronic dance music should sound like, these guys are just amazing at working together, taking the best out of each others talents and abilities. lately this dynamic duo has been the busiest part of the jesus loved you artist team and has produced some of the most exciting pieces in this part of the world....

classic cut from the two old hands ! a level non zero release with the catalogue number 23 – who woudnt expect a conspirational track? and indeed: after legendary release >futher & further< (lnz05) the secret house society leaders pascal feos & heiko mso (klang elektronik / playhouse) once again met for a conspirational studio session to dominate the clubbing world with an extraordinary production. the result is named luv and sounds like the essence of the essence of minimal house music neatly stretched out to 11 minutes running time. cladestinely theyve implemented classical chicago jack elements in a modern lunar probe to irridate mother earth with an eternal stream of love. adequate gravitation-free the sound comes across as a gauze of warm bassy clouds, funky finger clicks, sustain violin strings and paradisiac luv female vocals. after a long ethereal break the track speeds up again smoothly and reveals a subtile glowing sound of the tb-303. luv is the perfect example of rarely produced tracks that give you the feeling of oustanding full-embracement

6 more funky club gems from the baltimore club classics camp!!

2001, the year that sunshine from dance nation ruled the dance floors around theworld and ever since then has stayed in the record boxes of most djs under the category classics. as it is widely known in the dance community shaun is not really a big fan of cover versions, so just like with laid back (bakerman) shaun hooked up with the original producers and writers and secured the original vocal samples, making this version a real official update instead of just another cover version. incorporating the typical and unique baker sound makes sunshine again internationally interesting.

kenneth james gibson is a man of many different personas. the list of his releases over the past years is way too much for this infosheet, so lets skip this part for now. under the moniker of apendics.shuffle hes visiting mos ferry prod. for the third time. >you got my harmony< is not only a title for this e.p. you can take this phrase literally. his sound fits the label like few others. along with his two extremely grooving tracks >finding harmony< and >you got my< the package also contains two remixes by tim xavier and olene kadar. they definitely share our faible for >frickelsound<. tim turnes the original track in a dry, more driven techno version. olene - with young ambition and restlessness - starts quiet relaxed, but carries his arrangement of the given samples to the extreme, again

>theres a rat in the kitchen what am i gonna do? theres a rat in the kitchen what am i gonna do?…im gonna teach that rat thats what im gonna do, im gonna teach that rat, thats what im gonna do<… sang ub40 back in the day but these days the best way to teach a rat to dance is to hit it with the latest made to play release from jan driver. the shadowy figure that is jan driver lurks in the depths of the berlin dance scene and only exposes himself to strangers in the park and via the medium of unleashing massive sonically charged dance floor bombs like >rat alert<. for more than twelve years he has been producing on labels as diverse as polydor, am:pm, virgin, southern fried and klang elecronik as well as his own imprint, grandpetrol. this release is causing a massive stir with the heads that matter including roland rat, ratty out of wind in the willows, stuart little, splinter and most importantly dean gaffney aka rat robby out of eastenders who uses it to ease the pain of being an unemployed actor. whether youre a cat, rat or straight up t*at you need to buy this, love it, play it and scare the sh*t out of the local vermin in a club near you.

since their first releases on circus company and milnormodern the 3 mousketeers achieve to impose themsleves on the scene with their unik touch. the band is clement zemtsov on beat programing, damien vandesande on keyboards and horns at last but not least, jonathan illel is warmly laying the lyrics. after having produced hip-hop instrumental for a few years they got into house music after meeting nicolas from nôze. one year and a half later they come up with between the blues ep, a brilliant first ep on circus company. then the guys several eps on other labels like orac or eklo. they also start touring a lot across europe and eastern countries. this new record is called blanche neige (snow white) as the lead track of the ep. all the lyrics from it are taken from the original text written by jacob & whilelm grimm back in 1812. .blanche neige is declined in two different versions. on the a side comes the original mix is the dancefoor cut. slower house beat, solid groove, surround by a marvelous chior. while the break show upreading the first lines of snow white in french. let me just tell you that when the break is over you should fasten your seat belt before a nice take off… the first track on b side is romeo. this track was produced by dop and nôze. once again all the lyrics are taken from a book. here its from .romeo and juliet written by william shackespeare. this track perfectly represent the alliance of both bands. the unik saxophone skills from damien vandesande the one man horn section, a wonderfull piano ride by nôze and the sexy voice of jonathan illel. an acoustic house blaster ! the ep is finaly closing down on b2 with the pop version of blanche neige called >kinder cut. there comes the deepness

squeezing one last one in before the christmas frenzy, these hed kandi samplers have topped the shopping lists over last few month thanks to the quality of the tracks allied to the bargain four for the price of one deal. ending the year in style, hed kandi hit the back of the net with this tasty 4 tracks of unreleased action

we are proud to start the version 2.1 of our label with a massive release! no doubt that the australian based, christian vance, will be one of the most interesting new comers in 2009. his >tiger snake< is already a future classic in our books. this track is like an incredible groove machine full of detroit spirit. huge damages on the dance floor. on the remix duties weve got quarion (drumpoet) which makes a great deephouse twist with his unique touch! finally our favorite amsterdams homeboy, minz, gives us a rolling remix, subtitle basslines and a real groove! our analog mastering is done by the legendary oliver lieb at lhaudio. huge with : sebo k, deetron, josh wink, joris voorn, agoria, sian, château flight more !!

after a wait of 15 years and numerous 12es, e s, random compilation tracks and remixes rude 66 has finally finished a full length album and dare we say it s his most cohesive work to date? sadistic tendencies begins where 2005 s three faces of fear ep ended, with 18 tracks that slide like snails on the edge of straight razors, exploring the dark side of the human condition. thematically connected, deep, dark and mind bendingly analogue, sadistic tendencies is both tense and full of release, sometimes brooding and encroaching at other times exploding into throbbing synth laden dance floor bombs. superlatives aside, sadistic tendencies works exceptionally well as an album and is one of those rare 70 minute journey s that can be enjoyed from beginning to end – like a good horror movie that scares the hell out of you, but keeps drawing you in.

nice price deal !!! nasty hairdrier is the new amazing concept produced by lethal mg on kaktus records. this massive tracks already rock all dancefloors of the best harder clubs in belgium and france.

this release does not need any intro else than big room stripped techno!!! played by: richie hawtin, sven vath, dubfire, adam beyer, 2000 and one, karotte, bart skils….studio wizzard anton pieete, secret behind barts skils district one, hits a solo release on shinedoes intacto imprint.anton pieete has had massive preview succeses with tunes like handsome, the shining and time for grace. played by all the big dj names in the scene such as sven vath, richie hawtin, dubfire, adam beyer, karotte, 2000 and one, loco dice

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

prodigy electro-house cover version, mixes by dimitri vegas, gene pole and like mike!!

for our third release apple pips is proud to present a relative newcomer from san francisco ? jus wan. out of the countless demos and mp3s we get sent, jus wan instantly stood out with his blend of 2 step rhythms, techno soul and deep subs?appleblim cut both tracks and got a great reception to them, so much that he included action potential on his dubstep allstars vol.6 mix cd for scene-leaders tempa? action potential ? deep as you like?relentless rolling riddim, berlin techno style delayed stabs and a solid foundation of bass make this a fresh take on the sound? affletic ? switching the tempo to 140bpm and twisting the same sounds into ever more entrancing shapes t++ shows his love of drumfunk producers such as paradox in a new exciting context

its been a while since the last release by mark august on connaisseur, but now hes back with an extraordinary one. two tracks, both like a fairytale of a country far, far away. a fable, with mystic and mysterious animals and creatures, might best describe what mark had in mind while working on the tracks. the wasps from tunisia and the silver piggy – the main track on this release is an uncommon piece of music. it starts moody and with a stoic pumping beat, yet also a somehow laidback feeling. it then unexpectedly and surprisingly builds up to a monster of a track, working manically towards its climax. then however, over the length of the track, it completely transforms again, coming back to its beginning, as though nothing had ever happened. scorpions groove is a deep and dubby affaire.

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd