robert m did right with his new single. if you ask yourself >who is robert m?< we have some information for you. his debut >porno house e.p.< smashed the dancefloors on lickin records (sublabel of lektrik). also he is busy remixing worldwide known artists like the german producer oliver koletzki. robert m a part of the upcoming east european generation of young producers and his releases are supported from artists dj preach, carl cox, umek, marco remus, eddie halliwell and many more.

scaring us all the way from sofia, bulgeria spatula city is proud to present to you the technologically advanced technique of the one like the kink. snapping off his first spatula city release with three dancefloor scorchers, this record is not to be missed. jigga is just a straight up bassline balancing act that just drives. on dat funk and check he collaborates with eclectic vocal stylings of austin, txs j.a.m.o.n. both tunes are jump up flex on the floor devastators. kinks techy vibe and robotlike control over j.a.m.o.n.s vocals creates a sound unlike any other artist in the scene. his tech savvy jack infused style cannot be compared to. just when you think one of these tunes is going off the deep end, it turns around and jacks you right in the face! and...just for funks we had kink add two accapella tools which are super easy to mix and sound great over any jackin beats.

massive release with tracks from the plastic city radio show cd.with artists like: terry lee brown junior, the timewriter, gorge, forteba, andrew grant, roberto rodriguez, nicole moudaber

as intergal member of britains funky hoyuse scene for over a decade, paul gardner, one part of the soul avengerz, releases his new imprint worldwide on milk & sugar recordings. alongside his soul avengerz partner wayne o connell he put out a big number of productions and remixes in the past for famous record labels like cr2, positiva, hed kandi, island records and many more. some of them, like asbos >let the beat hit em< or james domans >everything s gonna be alright< became worldwide clubhits and created a huge request for paul gardners and wayne o connells dj and production skills. together with his vocalist peyton, paul gardner put his hands on one of the biggest house tunes of all times, dj sneaks 1997 slammer >u cant hide<

played by: nick curly, cassy, prins thomas, raresh, robag wruhme, 2000 and one, agnès and many others !! swedish brandy productions brings you two killer-remixes by atjazz (mantis rec.) of andre zimmas (aka slope) broken beat afro-inspired track m.u.s.i.c. the original track was first released on their turbulence ep (sb010) with featuring acts like clara hill, colin corves and alex barck. atjazz, with his touch and magic, turns this track into strictly nyc pressure, that will do some serious damage across the globe. already played and charted by people like gilles peterson, onsulade (which directly requested the track for his compilation passage on bbe), karizma and opolopo to name a few. on the flipside atjazz delivers his stunning dub-mix, that carries a stripped smoking package of deep bass and dubby chords. so just drop the needle for a second, and you find that both cuts are essential dancefloor material with the purpose of making the crowd groove and move!.

rooted deep in a high-rising part of buenos aires, retiro, and in his temporary home of choice, berlin, two of the craziest and most vibrant music cities, dilo is known for his eclectic and exquisite taste in audio. his productions that sound like crystalline experimental upbeat hophop techno drones with a loopy undertone of clicky random shuffle murkiness are, quite simply put, some of the most marvelous releases around

incl. smith & selway remix ... dedication to the music, passion for the precise sound to suit the moment, and an unstoppable drive towards perfection – tomy de clerque and f. sonik got it all. clearing their way towards the musical stardom, this two members of the new generation of slovenian deejays and producers newer miss a chance to take their music even further. armed with the clear-cut vision of how electronic dance music should sound like, these guys are just amazing at working together, taking the best out of each others talents and abilities. lately this dynamic duo has been the busiest part of the jesus loved you artist team and has produced some of the most exciting pieces in this part of the world....

classic cut from the two old hands ! a level non zero release with the catalogue number 23 – who woudnt expect a conspirational track? and indeed: after legendary release >futher & further< (lnz05) the secret house society leaders pascal feos & heiko mso (klang elektronik / playhouse) once again met for a conspirational studio session to dominate the clubbing world with an extraordinary production. the result is named luv and sounds like the essence of the essence of minimal house music neatly stretched out to 11 minutes running time. cladestinely theyve implemented classical chicago jack elements in a modern lunar probe to irridate mother earth with an eternal stream of love. adequate gravitation-free the sound comes across as a gauze of warm bassy clouds, funky finger clicks, sustain violin strings and paradisiac luv female vocals. after a long ethereal break the track speeds up again smoothly and reveals a subtile glowing sound of the tb-303. luv is the perfect example of rarely produced tracks that give you the feeling of oustanding full-embracement

6 more funky club gems from the baltimore club classics camp!!

2001, the year that sunshine from dance nation ruled the dance floors around theworld and ever since then has stayed in the record boxes of most djs under the category classics. as it is widely known in the dance community shaun is not really a big fan of cover versions, so just like with laid back (bakerman) shaun hooked up with the original producers and writers and secured the original vocal samples, making this version a real official update instead of just another cover version. incorporating the typical and unique baker sound makes sunshine again internationally interesting.

kenneth james gibson is a man of many different personas. the list of his releases over the past years is way too much for this infosheet, so lets skip this part for now. under the moniker of apendics.shuffle hes visiting mos ferry prod. for the third time. >you got my harmony< is not only a title for this e.p. you can take this phrase literally. his sound fits the label like few others. along with his two extremely grooving tracks >finding harmony< and >you got my< the package also contains two remixes by tim xavier and olene kadar. they definitely share our faible for >frickelsound<. tim turnes the original track in a dry, more driven techno version. olene - with young ambition and restlessness - starts quiet relaxed, but carries his arrangement of the given samples to the extreme, again

>theres a rat in the kitchen what am i gonna do? theres a rat in the kitchen what am i gonna do?…im gonna teach that rat thats what im gonna do, im gonna teach that rat, thats what im gonna do<… sang ub40 back in the day but these days the best way to teach a rat to dance is to hit it with the latest made to play release from jan driver. the shadowy figure that is jan driver lurks in the depths of the berlin dance scene and only exposes himself to strangers in the park and via the medium of unleashing massive sonically charged dance floor bombs like >rat alert<. for more than twelve years he has been producing on labels as diverse as polydor, am:pm, virgin, southern fried and klang elecronik as well as his own imprint, grandpetrol. this release is causing a massive stir with the heads that matter including roland rat, ratty out of wind in the willows, stuart little, splinter and most importantly dean gaffney aka rat robby out of eastenders who uses it to ease the pain of being an unemployed actor. whether youre a cat, rat or straight up t*at you need to buy this, love it, play it and scare the sh*t out of the local vermin in a club near you.

since their first releases on circus company and milnormodern the 3 mousketeers achieve to impose themsleves on the scene with their unik touch. the band is clement zemtsov on beat programing, damien vandesande on keyboards and horns at last but not least, jonathan illel is warmly laying the lyrics. after having produced hip-hop instrumental for a few years they got into house music after meeting nicolas from nôze. one year and a half later they come up with between the blues ep, a brilliant first ep on circus company. then the guys several eps on other labels like orac or eklo. they also start touring a lot across europe and eastern countries. this new record is called blanche neige (snow white) as the lead track of the ep. all the lyrics from it are taken from the original text written by jacob & whilelm grimm back in 1812. .blanche neige is declined in two different versions. on the a side comes the original mix is the dancefoor cut. slower house beat, solid groove, surround by a marvelous chior. while the break show upreading the first lines of snow white in french. let me just tell you that when the break is over you should fasten your seat belt before a nice take off… the first track on b side is romeo. this track was produced by dop and nôze. once again all the lyrics are taken from a book. here its from .romeo and juliet written by william shackespeare. this track perfectly represent the alliance of both bands. the unik saxophone skills from damien vandesande the one man horn section, a wonderfull piano ride by nôze and the sexy voice of jonathan illel. an acoustic house blaster ! the ep is finaly closing down on b2 with the pop version of blanche neige called >kinder cut. there comes the deepness

squeezing one last one in before the christmas frenzy, these hed kandi samplers have topped the shopping lists over last few month thanks to the quality of the tracks allied to the bargain four for the price of one deal. ending the year in style, hed kandi hit the back of the net with this tasty 4 tracks of unreleased action

we are proud to start the version 2.1 of our label with a massive release! no doubt that the australian based, christian vance, will be one of the most interesting new comers in 2009. his >tiger snake< is already a future classic in our books. this track is like an incredible groove machine full of detroit spirit. huge damages on the dance floor. on the remix duties weve got quarion (drumpoet) which makes a great deephouse twist with his unique touch! finally our favorite amsterdams homeboy, minz, gives us a rolling remix, subtitle basslines and a real groove! our analog mastering is done by the legendary oliver lieb at lhaudio. huge with : sebo k, deetron, josh wink, joris voorn, agoria, sian, château flight more !!

after a wait of 15 years and numerous 12es, e s, random compilation tracks and remixes rude 66 has finally finished a full length album and dare we say it s his most cohesive work to date? sadistic tendencies begins where 2005 s three faces of fear ep ended, with 18 tracks that slide like snails on the edge of straight razors, exploring the dark side of the human condition. thematically connected, deep, dark and mind bendingly analogue, sadistic tendencies is both tense and full of release, sometimes brooding and encroaching at other times exploding into throbbing synth laden dance floor bombs. superlatives aside, sadistic tendencies works exceptionally well as an album and is one of those rare 70 minute journey s that can be enjoyed from beginning to end – like a good horror movie that scares the hell out of you, but keeps drawing you in.

nice price deal !!! nasty hairdrier is the new amazing concept produced by lethal mg on kaktus records. this massive tracks already rock all dancefloors of the best harder clubs in belgium and france.

this release does not need any intro else than big room stripped techno!!! played by: richie hawtin, sven vath, dubfire, adam beyer, 2000 and one, karotte, bart skils….studio wizzard anton pieete, secret behind barts skils district one, hits a solo release on shinedoes intacto imprint.anton pieete has had massive preview succeses with tunes like handsome, the shining and time for grace. played by all the big dj names in the scene such as sven vath, richie hawtin, dubfire, adam beyer, karotte, 2000 and one, loco dice

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

prodigy electro-house cover version, mixes by dimitri vegas, gene pole and like mike!!

for our third release apple pips is proud to present a relative newcomer from san francisco ? jus wan. out of the countless demos and mp3s we get sent, jus wan instantly stood out with his blend of 2 step rhythms, techno soul and deep subs?appleblim cut both tracks and got a great reception to them, so much that he included action potential on his dubstep allstars vol.6 mix cd for scene-leaders tempa? action potential ? deep as you like?relentless rolling riddim, berlin techno style delayed stabs and a solid foundation of bass make this a fresh take on the sound? affletic ? switching the tempo to 140bpm and twisting the same sounds into ever more entrancing shapes t++ shows his love of drumfunk producers such as paradox in a new exciting context

its been a while since the last release by mark august on connaisseur, but now hes back with an extraordinary one. two tracks, both like a fairytale of a country far, far away. a fable, with mystic and mysterious animals and creatures, might best describe what mark had in mind while working on the tracks. the wasps from tunisia and the silver piggy – the main track on this release is an uncommon piece of music. it starts moody and with a stoic pumping beat, yet also a somehow laidback feeling. it then unexpectedly and surprisingly builds up to a monster of a track, working manically towards its climax. then however, over the length of the track, it completely transforms again, coming back to its beginning, as though nothing had ever happened. scorpions groove is a deep and dubby affaire.

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

4 driving hardcore tracks

includes: der dritte raum remix and einmusik remix! roland van den toorn and maurizio schmitz are already quite famous in the electronic music scene, especially for their party series mauromusica & kabuki club, where they frequently host worldwide renowned acts like monika kruse, john acquaviva, heartthrob, karotte or tobi neumann. they re continously keeping the vibe alive by deejaying, organizing clubnights and of course producing their own tracks.

nice shirt ... if you like vinyl .. 100% cotton

smoke city music are quick to follow on from the success of the still buzzin’ smoke city allstars with this new set of mixes from cubase dan & the hoodfellas. an understated and restrained grower with the most potent tool, a salsoul influenced filtered groover tucked away on the b side, this sussed sister label to hudd traxx keep it flowing for those who like diggin that bit deeper

the third installment in the catz n dogz vinyl series is a showcase for two standout songs off their album stars of zoo. >sf< is a throwback to classic house tracks, with a modern twist - a playground full of joyous children have invaded its sly, bongo-laden grooves. yet these precocious youngsters are only part of the story – the beats insistent and ever-changing swing never lets up for more than a couple of moments. >2< is more ominous but no less effective. its primary percussion enters like springs filling up an echo chamber, gradually morphing into several competing themes that weave together throughout the track. 2s bass is a serious force, creating a physical presence that must be heard on a large system to be believed!

omanko is the only word that is unmentionable in japanese media and public speech. its also the next single from catz n dogz - a strange hybird of cinematic swells, quirky natural drums and popping guitar plucks. its unorthodox groove builds relentlessly, anchored by a shouting chorus and warm bass bubbles that swell from the depths like some massive ancient sea creature. they take their time building to the climax, finishing the track with late-entering keyboard theme that quickly swirls into a frenzy. perfect for tipping that peaktime crowd over the edge! the italoboyz remix completely remolds the groove to fit their distinctive vision, seamlessly integrating shards from the original into their tension-fuelled agenda. breakdowns of varying sizes dominate the sonic landscape, as their annihilating kick plays hide and seek with the strings throughout the track. finally, all the elements are reunited by the echo-drenched vocal line and percussive baritone sax stabs – a satisfying finale to this latenight masterpiece.

if you secretly believe that all of the best dance music has an undercurrent of melancholy then you are in for a treat. 0.5, the debut ep from the fascination movement, doesn?t skimp on either the dancefloor rhythms or the windswept yes-we-remember-new pop romanticism. the fascination movement is looking forwards, not backwards: just because this is music that adapts the same vocabulary created by bands like new order or early orchestral manoeuvres in the dark doesn?t change the fact that from the first arpeggios of ?just pretend? you feel the shock of the new. of course, you may be too busy humming along to the choruses to notice how slyly the band makes a classic sound fresh again...

limited edition vinyl sampler to the forthcoming album movido dubs on our new label straight outta san francisco loveslap! recordings. movido dubs is a warm and dubby deep house odyssey that resulted from the collaboration between san francisco dance music pioneers charles spencer and mauricio aviles. a head nodding, hip swaying vibe experience drenched with minor chords, intricate percussion and lush atmospherics, movido dubs will resonate with deep house, tech house and minimal house/techno audiences. fans of artists and deejays like mark farina, tiefschwarz, jimpster, chez n trent, restless soul and labels like prescription, freerange, paper, nrk, fresh fruit, naked should give this one a listen.

permanent vacation present you the first 12inch release from their shiny new joint venture with the great swedish label service (who brought you studio, whitest boy alive, jens lekman, kool dj dust). together they bring us the embassy, a duo from gothenburg that makes the most beautiful songs. their sound is warm and light, but underneath the surface theres always some kind of tension, they sound like an ecstasy fuelled, jewel stealing balearic indie band on a permanent vacation at the riviera. or as they say themselves: underclass disco. the original of lurking (with a distances) sounds like a forgotten manchester rave anthem, while wunderkind tensnake made a little jam session with boney m in his parents basement to provide a heavy remix sporting a great sax and a killer panpipe!

phutura is a name you don t hear too much about, a unique name much like the artist who owns it but i think its adagio duty to exploit one of the most exciting artists today! phutura has been making quality underground minimal electronic house on adagio itself, minisketch, globox and registrazioni italiane

the second release introduces a new project on the raw fuel imprint: state of emergency. the a-side features shock from the pain, a mainstream partytrack with a catchy melody, cool vocals and stunning kicks, guaranteed to get those hands in the air and feet of the ground! this track already received great dj support from artists like: angerfist, paul elstak, the viper, t-junction and rudeboy & tomcat. on the b-side we find the rough banger game time. play this track and youll have serious dancefloor madness for sure! once again a great hardcore slammer that cant be missed!! grab it while its still hot!

jamaican born and miami based producer stryke mashes up the electronic dance music scene for a long time with numerous releases on labels like ovum, hooj choons , monoid, circle, guidance, platform or twisted. he collaborated with artists like murk, christian smith, john beltran, santos and alex flatner just to name a few. he started playing classical piano at the age of four and explored synthesizer, techno and djing in his youth at the age of 12 and 14.

pport by paco osuna, danton eeprom, xpansul, joseph capriati, christian smith, someone else, technasia, luke solomon, rocha & lewinger……. luetzenkirchens label quickly became one of the hottest new imprints for cool underground clubtracks, mainly with artists from munich like his best mate gilbert martini, who also already had two tracks on #02 and #05. but on this ep its the first appearance of an artist from berlin: luetzenkirchens friend pierre deutschmann, well known for his releases on ostfunk, clubcity, audiobahn, farbenfroh and his classics on low spirit and electric kingdom and of course main man tobias luetzenkirchen with two hot new and very divers clubstompers >suck me empty< and >rolling on the six<

not too late is norah jones highly anticipated third album. made up of 13 songs - all of which were written or co written by norah - the album was produced by lee alexander, norahs long time song writing partner/bass player. the album features distinct traces of dusty in memphis style southern soul, as well as the kind of sleepy, sultry vocals that have been ubiquitous in coffee houses all over the world since the release of her 20+ million selling 2002 debut album, come away with me.

a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainlly give you some dancefloor killers along the way to. from japanese techno to california kraut. just the way we like it...for int005 we bring you a slow house chugger in the form of break the barriers, done by malaysian born and berlin based frankie flowerz. i have to say, its not by choice i decided to put this track out but a calling... upon hearing this track in frankies myspace player i knew i had to put this out over 12 inches in full scope... i spent some time trying to come up with the perfect match for remix duties and i think weve succeeded with the choice of man of the moment(and soon to be legendary)john daly of galway who turns in a slightly faster, darker and a bit dubbier affair.

including remixes by dimitri vegas & like mike and tim berg

next musica diaz toro is by marc otool, who is a part of the international dance-scene for decades! the musics got me is a wonderful deep but pushing club track with beautiful vocals! next to the original versions, theres a pumping prime-time-monster remix by dabruck & klein, who just launched their own label and remixed guys like axwell & bob sinclar, sebastian ingrosso or tommy trash in the last few months! including dabruck & klein remix

this is not an exit records is proud to present the debut album by brain machine. a six track broadcast from the electronic vanguard, brain machine is one of the most haunting, sensuous and distinctive releases you ll hear all year. brain machine is guido zen and juan t trippe. they recorded this album in their spiritual home, the islands of the federate states of micronesia. double vinyl release all packaged in a beautiful gatefold sleeve, with awesome artwork...

on the a-side we find the original version which sounds like a classic italo disco tune in the 2008 tuned version. a tribute to the melodic italo dance songs of the 80ies. passarani s mix goes where the italo tradition meets the chicago house school such as the hotmix 5 crew and he spiced that up with sharp production and powerfull jacking beats to make this a anthem for the summer of 2008! this track created a big, big stir at the panoramabar when it got played there recently... check!

you love her coz shes dead are a super electro trash duo / like digitalism meets crystal castles

played by matthias tanzmann, loco dice, ricardo villalobos, matt john, matthias tanzmann,. the iranian nima gorji presents a deep and driving nine minute house track, called >i got something<. with its special dynamics, intelligent arrangement and its special atmosphere its a hypnotizing dj tool. on the flip side einzelkind aka miguel ayala and arno völker are deconstructing the atmosphere of their track >el piannuccho< and create a sound pattern, that with every running minute creates more tension by slowly building up until the peak. modern house, as we like it

ed banger like electro two tracker

deep and fresh innovative minimal house/ techno 3 tracker. from the first beat on the bass drives through the stamping groove, tears away vocal snatches and sound fragments like acoustical driftwood and heads straight for the peak. the flip side comes along a bit calmer without being less powerful and surprises with a deep vocal theme. the package is rounded by laufmasche s forensic remix which again reflects his unique style.

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears! for our 11th release , we decided to bring you guys a brand new track from the italo master of all time: the fantastic beppe loda under the name italowerk. honestly, we were not expecting anything, as he did so much for electronic music already for the past 20 years, resident at the legendary typhoon club in italy (brescia), playing a huge amount of electronic underground tracks that are praised today by clubbers & vinyl fetishists, he created also what we called today afro cosmic. we could sum up his new project just by its name italowerk = kraftwerk meets underground italo. the first track is called sognando that we could translate by dreaming. indeed, this is a very powerfull track, that sounds almost like an italo lost gem (circa 1982) but with an incredible modern feeling, full of crazy electro synths, arpeggios and a terrible kick: an athem!

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

if you like electronic music and youve lived in paris for the last 15 years, theres no way you dont know that man. djulz start playing the very firstparis raves back in 1992. since that time he never stoped running to make things happen in his hometown. hes also the oldest resident of rex club with his party bass culture. today djulz is releasing more and more great music after having produced eps and remixes for label such as music for freaks, paper recordings, 20:20 vision, poker flat, ovum, real tone or intacto, djulz is releasing, fleurette, his new 12inch on circus company. fleurette is a sweet, naïve and housy track. the track is build up over a piano loop which leeds us to some children vocals. all that is surrounded by a strong and precussive rythmic stuffed with a beautifull ride. its defeinitively the kind of track which gives you the power to stick a smile on everybodies face. on b side comes the fleurette tobias. remix. for sure you know the man behind mythical releases on logistic records and more recently wagon repair. hes also behind the electronic jazz combo called nsi. which just give name to his own label. an emblematic character of the scene who collaborates with artist like atom heart, dandy jack or max loderbauer in the past 20 years. supported by dixon, jay haze, Âme, luciano, laurent garnier, 2000 & one, josh wink and dj deep.