classic tracks revisited including joe t vanellis fantastic play with the voice not to be missed

a1, the sound of kool & the gang >fresh< revisited with the accapella from boris dlugosh >keep on pushing<. a2, the same accapella with the sound of the antoine clamaran >take off< house hit. b1, the accapella from police >voices inside my head< mixed with the sound of z project >i wanna talk<. b2, the same accapella with the big sound of who s who

hot new voices produced by brown sugar. fine mix between hot tribal and funky house, perfect record for djs who are seeking to refresh their dj set. great public reaction

einfach nur cool dieses guido schneider album !! mit seinem musikalischen charme clickt, tript und groovt guido sich in die herzen der minimal liebenden..

three electro tech cuts with dark voices and evil synths for fans and lovers of artists like david carretta, the hacker and terence fixmer

dynamic four track ep from frankfurts holger flinsch (choke,tongut). minimal electro techhouse natures with a definite dancefloor attitude, the basslines roll under the steady flow of the analog rhythms.. hynotic hooks and voices flux throught the mix and all four cuts can worked into the same set. grooving like an alphahouse release..

four oldskool elctro tracks nice voices great sounds fat scratches just enjoy

uplifting big room piano summer house !

what a back to back classic !!! aim to the dancefloor re-edit of two disco/funk stormer� a side is a huge dj baldelli / dj harvey (and anyone with two ears in good working condition) classic� when italodisco meets proper big room appeal� one of these tracks you cant not dance to, hands in the air, and smile on your face� this re-edit, by french master >dylan<, has been around on cd for some time and championned to death with the like of dimitri from paris�b side is a lesser known disco groover, from one of the most famous 70s king of funk and jazz. re-edit, this time by >mel&nico<, cuts out the original voices to get straight to the core of the dub part for total, uncompromising, dancefloor effect� heavy heavy heavy

cv 209 gets the remix treatment by belgium based producers spirit catcher. funky electro house, purely in their own stlyle, the track contents 2 acid breaks which will make all the dancefloors crazy. he bass line sounds pure electro and the voice sample gives the track a very special atmosphere. also on the 12 a remix by yuksek , giving his perverse version of this sweet song. electro acid oriented, the remix starts with a long rise which leads to the entrance of voices. then it becomes groovier, hypnotic and sensual

huge classix in da house a must have(sb)

zoo brazil are back with their 2nd release on cartridge. the a-side wasp not wasp, fonts a relentless nasty bassline that keeps on and on... and on. face the music is a more dubby affair with echoing voices, raw stab synths and a fat bass providing the back bone for a fat track. key dj support: funk dvoid, murray richardson rob mello, to name but a few...

floor shaking superfunky disco track with lots of filtered elements massive horn parts groovy bass guitar and nice male voices mixes by the mighty joey negro

big italian tribal release with nice percussions and grooving bassline some acidic influences and asien female voices

fine house tune with lots of tribals, acidic vibes and cool voices

thomas new 3 tracker monsta aims strictly at the dancefloor. all kick in with surging electro house waves of bass and driving rhythms. sometracks are more emotional & laidback, with bleepy touch and subtle voices. big tune

another funky breaks booty melting police's >voices< with the chemical bros beats..loops of fury

heavy jackin ass-wigglers as us. rhythms cooked down and reduced to their pure funk- essence, nagging sounds frying your brain like acid, crazy vocal-cut ups sounding like those voices that swirl around in your head and those bopping basslines won t allow you to rest. finally lil mark (classic, mff) throws in his bleepy remix magic, so damage done_freak out!

phreakin chicago killer tracks

2 cd set

rare & unreleased tracks, all tracks are re-issued for the very first-time, 12-page cd-booklet with detailed liner notes and unseen photos

2022er album !

2cd / mix cds by armin va buuren, mix 1 = on the beach, mix 2 = in the club

soul jazz presents a brand new selection of the female voices in reggae.

2022er album von sven väth !! any questions ?

experimentals

3 cd set

manta ray is the first release of snowdrops, a french-based keyboard duo composed by mathieu gabry and christine ott (yann tiersen, tindersticks, foudre !)

anjunadeep, das bekannte britische label f�r talente wie cubicolor, yotto, dusky, luttrell, moon boots, ben b�hmer, lane 8 und eli & fur, pr�sentiert die zehnte tranche ihrer j�hrlichen -anjunadeep-ausgabe.

almost 2 years after the success of the album the tony allen experiments and a few months after the release of the 7inch amore, nu guinea return to the scene with a new lp published by their newborn label ng records. after touring the world looking for sounds suitable for their vibrations, nu guinea decided to go back to square one, napoli, where massimo di lena and lucio aquilina were born and raised. they watched their city from a distance reconstructing its energy from their studio in berlin, calibrating the synths on the meridian of vesuvius, the volcano that has always protected and threatened napoli. nuova napoli is the result of a long musical research that has become a historical investigation on the sound that shaped napoli during the 70s and 80s, starting from the contamination of genres (disco, jazz-funk, african rhythms) which ended up in nu guineas dna. in this album the synthesizers fill the spaces between the past and the future, tightening in a single body acoustic instruments, electronics and voices in neapolitan dialect

vol. 8 ! incl. junior jack and tuber & berger, ante perry & maxim lany, martin eyerer & craig walker, gabriel & castellon, rob kali, veerus

as prodigies of the new wave of belgian jazz, mdciii effortlessly marry the virtuosity and free spirit of jazz to influences from the other end of the musical spectrum: from tribal rhythms and roots to far out electronics.

like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia Ð there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock Ð but though it may sound familiar, it never does what your brain thinks it s going to do.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers third album. solchi is a deep search into previous moments in lorenzo nadas lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbcs current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbcs tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

2 cd compilation incl. green cosmos, profound, flexus & strayos, party heroes, maitika and more

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival Ð the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

say what you wanna say, but you have to give strahil velchev this: the manÕs a powerhouse. recording and playing live under the kink alias, he went on to become one of finest purveyorÕs of funk in techno and house. what it is, by definition, ainÕt exactly clear. and that is the beauty of it. kinkÕs music is unifying in the best possible way. channeling the spirit and feeling of a time where it didnÕt really matter who the faces behind the music were, kink plays with the elements of genres and sub-genres as if the future of it all is still wide-open. at the same time it could be accused of retro-fetishism, as much as the pope himself is infallible. the pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started kinkÕs production work. hailing from bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from sofia, and financially it might as well have meant another galaxy. wanting to dj without having access to the tracks that spun the carousel meant that you had to create them yourselves. so, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond. from kinkÕs early productions with neville watson to his smash-hit for ovum, a cerebral album for macro, tons of remixes & tracks and his mind-bending live act, playground seems to take all that into a blender. simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of kink dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions

32 hip hop instrumentals inspiriert von raren vinylen aus china f�r fans von madlib, doom, knxwledge & co.

when it comes to a state of trance, thereÕs no desire stronger. we need it in order to make the most of life, to fill the gap that would otherwise remain unfilled. to make us want to be in that moment, to have the very essence of our existence looking for that emotion. itÕs what we live for. with Ôa state of trance 2017Õ, the titans of trance have gathered round to show us all that we envision. it is a happy place where we can celebrate music and life, chock-full with exclusive records and emotion-driven cuts from flag-bearers such as alexander popov, armin van buuren, marlo, omnia, orjan nilsen, protoculture, super8 & tab. the compilation has captured the essence of all we hold so dear, touching us in ways that makes us shine even brighter. if you are part of the movement, you will share its beliefs and swear by its ideals. yet, few words are needed to explain the feeling. one phrase says it all. i live for that energy.

this unmixed collection of 24 tracks and 4 digital bonus features new, original music from spacetime continuum, move d., fred p. from soul people music, i:cube from paris based versatile records, detroit heroes claude young and patrice scott, a beautiful piano distortion piece in collaboration from terre thaemlitz, deepblak boss aybee, sandwell district founder rrose, dekmantels juju & jordash, anto, future times founder and beautiful swimmersÕ max d, donato dozzy, and a stunning new bookend from gigi masin.