last time round for finale, it was label boss michael zucker offering some rare insight into his prowess behind the buttons. here zucker adopts the more familiar curatorial role, easing the finale focus towards the new generation of parisian artists prospering in the french capital. ka one & st sene oversee the prospering flyance records and arrive on finale with the french connection 12inch after a recent turn out on london s ornate music. the four tracks suggest ka one & st sene are developing into a truly diverse production unit, with the crisp motor city utopia of smokin joint a particular highlight.

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s.

the second release from the hlanganani label lives up to its mo to provide a platform for talented producers from south africa to shine, focusing here on deep sixty, aka young and fast-rising producer johannesburg producer thabiso mamogwa. back in 2010, the producer made it to london to take part in the red bull music academy, which is when the hlang team first heard the tracks that make up the mme hayo ep whilst some studio time on the same trip with todd soundmurderer osborn resulted in the thursday nights track which mamogwa previously self-released. in addition to deep sixty s own deep terror mix of mme hayo, the label have coaxed some fine remixes out of esa and william kouam djoko.

spectral sound has assembled four distinctive but complementary producers to flesh out fort romeaus remix, frankfurt versions. remixes coming from roman fluegel,orson wells, massimiliano pagliara and tuff city kids.

big with dixon, the drifter, alex niggemann, fur coat, thugfucker, frankey and sandrino. -sketches of pain- is a meet-up of two cultures which have been at war with each other for thousands of years. music unites where the world of men divides! here the magical voice of egyptian singer ahmad elsawy can weave its spell. intelligent electronica, ethnic and acoustic instruments, all join together once more to blend two worlds into one universal language. 3 remixes. luca bacchetti continues his series of endless remixes preferring a mostly dub feel with a version that retains some of the original elements, creating that tension culminating in what is the “suspended” sonic idyll that lately has characterized his breakdowns, by now a trademark of his. jon charnis, who we already know for his work on innervisions and all day i dream, has taken it in another direction to put together a true masterpiece, the tone here becoming more -trippy- with a pure afterhours atmosphere. the ever present and increasingly detailed groove add to that magic touch that has made charnis one of the most interesting techno artists on the american scene. last but not least one of our favourite techno artists, eduardo de la calle, surprises us with an interpretation that distances itself completely from the original, moving it into that enigmatic, mysterious and unregulated territory that is definitely his very own unmistakable way of living and feeling techno music. an ep that we expect will come-out from indoor clubs to find its best expression in exotic locations, deserts, beaches, dimensions that are part of that imaginary world that we call: endless.

hot on the heels of killer releases by label heads ryan crosson and shaun reeves, the latest visionquest release sees the label turn its head to deadbeat aka scott monteith. the berlin based montrealeler has been putting his own spin on house and techno for some time now, putting his stamp on esteemed labels such as cynosure, echocord and wagon repair. the jacks ep continues his fine tradition of putting out discerning fare, as he conjures up a new ep package that remixes his classic track, mecca drum track (originally released on wagon repair), from 2008. striking in its many intricate and delicate production wares, its a polished effort from the outset

having checked our records, its been a few years since the shelves at juno were graced with some music from the studio of italian dub techno exponent fabio scalabroni, so the arrival of a new 12inch brandishing his work is cause for celebration. the rohs! records label operated by belgium-dwelling compatriot andrea porcu is who we can thank for coaxing some new cuts out of scalabroni with the roots ep suggesting he s lost none of his production verve. root a will appeal to fans of the punchier tracks from the giegling discography whilst the b side track has a real slinky vibe to the groove that really gets in your head and stays there

elusive records keeps growing, thanks to our beloved artists, supporters, and the universe. putting quality first and bringing you the finest of the world’s underground, since 2008. information ghetto (3rd wave, get physical, multi vitamins, pro-tez,) makes his second appearance on elusive, once again proudly exhibiting his rich, distinctive, layered sound, with what is probably the most melodic track on this record. joining him, are two no less exciting finds. andrey burtaev (aka electrosoul system, kos.mos.music, highway records) is shining light at his space-dub project with mega secret weapon dub over moscow, and berliner sebastian albrecht (park recordings) is taking it towards his highly-infectious, precision hi-tech sound. watch out for these guys eps in the nearest future!

dear wanderer, ramona is happy to present the video dead, chinaski s debut-­ep for live at robert johnson. originally hailing from the high north of germany, rostock near the rough and stormy sea, the young man with interests in 80s video-­aesthetics and vintage synthesizers is now calling offenbach his home­turf. chinaskis ep starts out with time to kill, a straight forward hypnotizing jacker directly heading to the synthesized happiness. midnight workout features a different side to the young talent sensitive placed synth harmonies packed in a vintage-­pop interlude. after a journey through more harmonious domains, night school turns the page again and picks up on those synth-waves and put ramona away from her calm drive through the midnight heat, right on the dancefloor mesmerizing analogue deep housevibes all over the place.hide society steps out of context and mixes chinaskis affection for the warmth of these marvelous synth-­sounds with trippy post-­breaking or even proto-­hiphop sounds topped off with a weird vocal sample. the title­track the video dead summons all emotional power ramona could implant into a synthesizer, the heartbeat like reduced kick-­drum and hihats floating around the track are mostly incidental or not even there for the ears. purely visual.

berlin-based roundqubemusik welcomes cristopher ledger (the code studio, berlin) with seventh orphism ep which includes three original tracks plus a remix from gabriele carasco & francesco passantino. judging by the vastly different set of sounds used here, from the elegance of the piano to the hypnotism and abstractism of the synths mostly due to experiments with modular synthesis. seventh orphism is an ep which marks out ledger as a very good artist to watch out for.

debut ep for this young cos/mes relative. every night before sleep she spends time hammering tracks alone in the dark. far out and far eastern electronics!

nicolas villebrun, half of society of silence and acid square dance, is putting out his first solo album on fragil musique, accurately titled « snare roll lp ». villebrun only needed a couple of recording sessions during a short period of time, to put the whole thing out from a unique set up. although an accomplished musician, tite seems to leave his technical skills aside when crafting his music, embracing all the spontaneity one would expect from a techno producer. listening to the lp, the title starts to make sense. when the snares are not rolling, the smooth basslines take over, strongly dragging bodies towards the dance floor. hungry man, move into hell, a white track, and the amazing the bell glides are among those. basslines curved as a horse s behind, subtly swifting through the air, are playing around with smartly spread out rhythms and textures. tite comes up with nine commonly grounded tracks, but with the necessary talent and sharpness to produce a resolutely fine, homogeneous, and yet diversified techno lp.

trippy adventurous melodies over solid heavy grooving percussion. only the 2nd release and the label already shows something of a sound signature. on the a-side, label-head gianmaria coccoluto drops his softmore release in the form of spacing, a heads-down techno joint dripping with acidic sonics and grizzly, driving low-ends. over on the flipside, 909 delirium dishes out the percussive punishments and is handsomely morphed, revamped and militarised by the workings of simoncino (l.i.e.s. records and mathematics recordings affiliate) who floats effortlessly between the shadows of chicago and detroits aesthetics via berlin and perugia. strong release on the new tete records

the third release on interzona13 s sister label outerzona13... black s debut was one of our best-selling 12 s of last year, so this highly anticipated follow up couldn t come soon enough ! edits ? yes, but out of the ordinary, and out of this world - a ron hardy staple teleports into the 21st century, elsewhere devastatingly good afro-soul is sure to work those thighs, and wrapping things up we get an impossible to resist, sultry, cosmic jazz-funk workout like no other. another keeper on this fine label !

ilija rudmans classic *see* remixed by martin brodin and drop out orchestra.

18 incredible tracks from the man who invented disco - selected by rare disco connoisseurs euan fryer & ian wright.
pressed on double vinyl lp - repress

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

the fourth release from palms & charms sees the return of label co-owner barnaby bruce, ruminating on the perils of fine fabric care. we ve all been there – a lengthy session on the dancefloor playing havoc with the pile of your velvet coat. faced with this dilemma, barnaby reaches for the battered volume, passed down through untold generations of his family, detailing archaic yet uncannily effective methods for extending the life of even the most exquisite textiles. as he does so, the percussive jazz-tinged boogie of sweat on velvet takes over his mind, unleashing a wave of dancefloor euphoria. not to be outdone, pete herbert (reverso 68), unveils his own masterful fabric care techniques, providing a remix that will starch your collar and shake out the creases. not the same clothes, but something brand new. freshly attired, barnaby begins to notice curious and somewhat unsettling noises coming from the next room. he gingerly opens the door, and is confronted with a seance in full swing. strangers sitting around his dining table wait with baited breath for word from the other side. but the unearthly howling of tortured spirits is quickly silenced by the devilish groove of seance fiction. as the arp makes its entrance, every soul is up and dancing. finally, barnaby bruce also provides the eminently useful go go percussion dub of sweat on velvet – rounding out a sartorially elegant ep with something for everyone, from sceptics to lost souls.

first pressing in red black splatter! for the true and experienced lovers of authentic techno sound architecture, this record does not need much presentation. cari lekebusch has since the beginning of the 1990s been releasing a steady stream of vinyl records as well as all types of digital formats. since 1986 the personal label project of cari has been going through many phases of change. one of them being the ending of the hyb catalog numbered vinyl releases, and the beginning of the hp and hpx catalogs. to mark a reset and a >return to base<, cari is morphing the grid once again and will now continue the hyb catalog that shifted into the hp and hpx catalogs around 1997. the retro sounding audio-pictures of >return to base 1 & 2< are intentionally created with the various h-productions releases in mind, that came out around 1993-1997. both tracks are created with a cool, stripped down approach and recorded live with only what 2 hands can muster at once. live and direct from the hybrid productions headquarters! and not a cheeseburger break in sight! - with warm regards from stockholm

from newcastle to london via the midlands comes tough luck records, a label ran by four friends - chris cue, rebel, twon and anna wall. pressing vinyl as well as releasing digitally, their debut release was named single of the month by mixmag (uk) in august 2013 and like a fine wine the label has been getting better with age. with the follow up releases also selling out, the label has featured music from ed davenport and the jaydes (bloody mary & attan). the last release which featured rising star elliot adamson, picked up dj support from people including ten walls, breach, dan curtain and adam shelton to name but a few. this new release features two original tracks from jack wickham who has fast been carving out a name for himself with releases on one records, drumma and get physical music, with forthcoming releases already signed to visionquest and air london. remixes coming from nikola gala and jonny lawrence. pressing on blue vinyl.

on their launch last september, australian label analogue attic promised to showcase the gentle side of electronic music down under. theyre as good as their word on this second release, which comes from rory mcpike under his rings around saturn alias. operating on a similar plane to the tactile, picturesque soundscapes of lord of the isles more spacey work, both erosion and portion 22 offer dreamy chords, becalmed melodies and sparse, spaced-out rhythms. there are a few sly winks towards vintage ambient house throughout, particularly on gypsy village, a luscious combination of liquid melodies and eyes-closed hypnotism. label bosses sean la brooy and alex albrecht go further towards vintage ambient territory on their sublime bathtime arrangement of portion 22.

ltd to 300 stamped white labels - wolf müller aka jan schulte one of düsseldorf s sons flew to ibiza to work with jose padilla on the album -so many colours- this summer. we asked him to go in the studio and dub out his tracks. here they are.

four fine edits of super rare cosmic disco tunes from french playboy and producer maximilian blanc. maxi wouldnt reveal the details of the originals but needless to say these tracks will do the business on the dance floor. the tracks range from wigged out funk to space cruising strutters, all with that classic cosmic vibe. enjoy the ride!

deep disco warrior the revenge turns in an epic hypnotic mix of slow burning house nailed down by analogue bass and acid. using a filtered vocal it builds slowly as the bottom end is tweeked towards a mesmeric journey through minimal wigged out disco. sleazy mcqueen and romano arcaini turn in a disco inflected house mix with congas, spaces out synths and enough dynamics to keep any dancefloor bubbling. it builds with added percussion and a filtered pad before the lead hits the break and the track comes back in with even more wallop. drug empire is an original off the album and has had support from the likes of rune lindbaek, crazy p’s hot toddy and horse meat disco. said to be inspired by theo parrish’s productions it’s a delicious slice of bass driven deep disco with a nod to the looser end of detroit and chicago. it’s all about the fully locked in three note analogue moog bass which holds down the grooved out drums before breaking to jazzy rhodes at the end. one for the heads.

the first installment of 12 ep from exhibitionist 2 dvd+cd due out in september 2015. all the tracks are created by jeff mills specifically and used in the studio mix in the dvd.

1st pressing on white vinyl! melodic, floating and based on traditions but without sounding like something you already heard too often, that s about how we would describe the italian duo s second curle ep.

limited edition 180 gram vinyl in full cover! nachtbraker is back on heist after his 2013 gute laune ep with another set of his dreamy laid back sound filled with lovely textures, rolling synths and always interesting and evolving arrangements

we first introduced these strapping young house aficionados from sligo, ireland, with their debut ep as a pair, street urchin, a little over a year ago. since then the guys have been busy with a massive release on dam swindle’s label heist, not to mention their unbridled musical passion lead them to launch their own label splendor & squalor beginning of this year, kicking things off with a sell out vinyl only pressing of another four track ep of their own imaginings featuring a hot remix from session victim. were pleased to share with you their latest creation, the stunning lamajs secret ep

the first release from the new malka tuti record label introduces us to xen, a multi talented multi cultural singer, artist and designer from tel aviv. for her debut ep she went into the studio with the red axes lads to produce 2 original tracks for the a side as well as 2 different versions on the b side. after already collaborating with them on their track -this is it- for a correspondant records compliation on 2014, this time she takes a step forward and really brings out her post-cold-wave-some-wave attitude and delivers 2 psychedelic poppy tracks, highly influenced by german krautrock as well as british and french post-punk and israeli late 80s new-wave. on the b-side you can find a massive dancefloor remix from the red axes themselves as well as a secret psychedelic voodoo b-side.

for the latest release, dissonant presents the talented romanian producer lumieux, from the vibrant thriving bucharest scene. its apparent as soon as you listen the two tracks that make up en kribe ob ep, why his music stands out with originality and imagination. en kribe ob is a richly detailed epic that provides a skillful rising energy to the listener.

roras 10th release is here! a musical journey on a high-speed train, finely immersed in melodies intuitive universe. with its 10th release, rora remains of a consistent meaningfulness, yet stays out of techno routine. >influences<, the two-tracks ep shapes a non-easily definable soundscape, out of a linear -could-be-called cosmic bass line, edged by rare gems of analogue tones. authentic and engaging, both tracks tell blurred and mesmerizing stories of a remarkable musical vision. rora, true to its tradition, is grateful to introduce melodies influences ep and labels 10th release and invites you to board on this enchanting musical journey. ada

welcome back, okain! after his praised collaboration with onno resulting in their conjunctional triple o ep samuel thalmann a.k.a. okain is about to unleash four brand new tunes on his forthcoming upon.you-single coma. with the title track coma our french friend masterly crafts an enthrallingly bouncy mother of a tune walking the fine line between house and techhouse, serving swirling hi-nrg synth modulations and super ecstatic vocal bits for those who like to get into the groove. this track is prime time heaven for all clubbers out there

number three in the four part schleiben series from emotional response arrives with dont dj and tropical hi-fi at the controls. the former is the current creative endeavour of florian meyer, founder of the diskant label and one of the more experimental and academic producers to surface from dusseldorf in recent times. he also forms one third of the durian brothers. meyers kosmose is a 20 minute piece which explores the link between polyrhythmic percussion and brooding electronics understandably, its ripe with introspective qualities. offering some contrast, northern australian producer tropical hi-fi turns in oceanic mythology, a meandering journey through found sounds, psychedelia, folk music and more which sounds like listening to sued b-sides whilst tripped out on acid.

dj spider, dj qu and joey anderson collaborator dakini9 is back on new york’s plan b recordings with a hot solo ep, and the girl means business. four tracks of raw, gritty house music from the street: “find myself” features danny watts on the vocals and a wavey, dubbed-out collection of sounds, “wali” is similarly contorted and grey-scaled albeit for the lonesome piano keys travelling across the arrangement. over on the b-side there’s the head-nodder that is “potentiation”, a punchy and direct dub-house chugger, and the stumbling groove of “strawman”, the oddest and most daring of the four cuts.

lukas simmer is a prestigious name on the underground house/techno scene, making his debut here on wrong state recordings with a strong four track ep that marks him out as one to watch. with a background as a sound technician and musician, he has a solid grounding in the world of composing and producing music - which is clear to hear in this debut.

summer is here and we got just the right beat to go along - andré butano & miguel lobo are back & funky as ever! for their first joint release on 8bit, the two deliver a perfectly balanced mix of uplifting & latin influenced tech house grooves to get almost any party going. sizzurp overdose ep is a journey through deep bass & driving rhythms: we are excited to have butano & lobo back for this quality release!

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

support by: tony humphries, tensnake, dimitri from paris, miguel miggs, glenn underground, ashley beedle, sean mccabe, danny krivit, paul trouble anderson, cj mac, faze action, ted patterson, robert owens, ross allen, richard earnshaw, david harness, hot toddy, ridney

swedish underground powerhouses mr tophat & art alfie return to bass culture with their second ep for the label after the phenomenal success of their first outing, which picked up strong support from across the scene, particularly from ricardo villalobos. this time around, they drop two hefty slabs of disco-tinged house imbued with their own distinct flavour throughout. ‘dub the rub’ pumps along with an infectious groove, tough percussion powers along with a rolling bassline. watch out for the vocal-led breakdown midway through, killer! on the flip, ‘fnatt’ works around a more traditional melodic house motif, tender and bright with a lush b-line and captivating vocals made to move your body and soul.

official re-issue of larry heards the housefactors project!another one of his classics!raw and relentless tracks that went so far from any electronic dance music from that period that to date this is still recognized as larry heards signature sound. with his mr fingers and fingers inc. projects going towards club use, this and his gherkin jerks showed another side of him maybe a darker side,but for sure a more raw and different side with music that sounds as if it came from another planet.jacking tracks that to date only larry heard have made like this. many producers have been inspired or tried imitate his sound with all good intentions, but still, gherkin jerks and the housefactors are some of the most unique projects in house music history. play it loud originally came out in 1988 (!) on black market records. and how cool is it to see an official re-issue on the original label by the original guys who did this almost 25 years ago!eternal respect to larry heard and a big thanks to black market records for making this important record available again.

kojiki groove is magnesiis second release on chronocircle. compared to his previous circle002, this is more of a club orientated 12inch rather than its hypnotic psych-techno predecessor. magnesii makes hypnotic music, preferably in a space out of time and reality. embracing the absence of computers and screens, the absence of any digital window into the world. some magnesii tracks form a conceptual whole, circle002 is an example of this: its a piece of music made to epitomize a psycho-dramatic hallucinate trip from the past. sounds to emulate saturated and hypnotic imagery

david pher.. material.. proper fonky tunes!what morewe invite one of the most talented producer of the techouse scene out there

more info flying in. the next instalment in the wargames series. a variety of recordings by the unknown collective for the daring djs out there.

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

the peer pressure ep from the under-rated mark forshaw finds scenery records once again highlighting the rich strain of local production talent in the liverpool area. involved in the merseyside scene since the 90s, forshaw has released on labels like mathematics, tabernacle and apartment and is also a member of phantom planet outlaws with john heckle and binny. if you ve checked forshaw s prior output you will be happy with peer pressure as soon as the grubby, jacked up house of the title track hits its groove, with his four other cuts heading down a similarly unpredictable path. kudos to scenery for seeking out swedish producer daniel andreasson to remix the title track too! this is another no nonsense ep from scenery that is lovably rugged and unpredictably creative

ltd to 300 copies... for its eagerly awaited 11th release, unclear records present giulio etiope feat. giak & hester. the riverside ep sees the klang club residents deliver 3 super stylish tracks backed by a manic remix by gerry read, a mind blowing musical experience that stands out once more as a true masterpiece on the labels catalogue. title track * riversides* classy piano chords and kaleidoscopic mood bring up colourful visions, while the gerry read remixs staccato groove and improvisational stop & go swings are purely jazz inspired, surrounded by free flowing sounds and a pounding speedy beat. * summertime* is built around a steady tom-and-shaker groove, with atmospheric vocals and dreamy pad melodies, while * e15 2rg* is introspective and dark, its aqueous percussions slinking off with time stretch effects.

standard edition auf doppel-vinyl inklusive album-cd.

deluxe edition auf 180 gramm vinyl im 3fach klappcover, inklusive cd mit bonus-tracks, poster und sticker.

ben christensen is a multi dimensional figure in detroit’s musical landscape. for years christensen has played with a number of acts and has collaborated with many different artists in the city from a variety of different musical backgrounds. “inouno” is christensen’s debut 12&#8243,, on his newly found imprint sector 7g. “inouno” is 7 minute house groover that nods to the classic house sound of the 90s, while keeping it modern, soulful and funky!! definitely a new producer to watch out for!