alexia coley ist eine lady, die ihr ganzes leben auf das ausgerichtet hat, was sie jetzt im herbst 2014 prŠsentiert: drei single-veršffentlichungen einer limitierten 7- vinyl- edition brachte ihrer musik die aufmerksamkeit von medien wie bbc6 music, radio 2 und bbc london. nun ist ihr debŸtalbum aufgenommen, abgemischt und bereit zur veršffentlichung. ihre musik hat einen klassischen soul- und jazz-vibe, gleichzeitig retro und modern, aber mit den kanten und ecken einer lady, die im zeichen des modernen london in ladbroke grove aufwuchs. ihre songs sind zeitlos, aber immer verbunden mit leuten die erwachsen geworden sind und ihr leben im hier und jetzt leben. alexia findet man sowohl mit rapper und dj, als auch in einem line-up von jazz-spielern im ronnie scotts.

remastered double cd edition of intrusions now-classic, the seduction of silence, named and nominated one of the best albums of 2009 in numerous magazines and honorable mentions in the wire, mixmag, dj, xlr8r, textura, urb, go, de-bug, groove, and plenty more. this double cd edition includes never-before-heard songs, outtakes and b-sides to sweeten the deal, none of which were found on the first physical release.

from pop-infused songwriter house to highly emotive prime time anthems, youll find lots to love.

das soul-trio the hues corporation wurde 1969 in santa monica, ca. von st. clair lee, fleming williams und hubert ann kelley gegrŸndet. dank eines auftritts im beruehmten blaxploitation-film blacula und drei songs auf dem dazugehoerigen soundtrack, feierten sie 1972 ihren durchbruch. kurz darauf wurden sie von rca unter vertrag genommen und veroeffentlichten ihr albumdebuet freedom for the stallion. das album erscheint nun als exklusive wiederveroeffentlichung via bbr und ist erstmalig auf cd erhaeltlich. zwei bonus tracks plus booklet mit umfangreichen liner notes. ein muss fŸr alle r&b-, disco-, funk- und soul-fans!

the unknown hei§t nicht nur der erste song, den sie fŸr ihr gleichnamiges zweites album geschrieben hat, dillon thematisiert hier die instanz im leben, fŸr die es keinen namen, keine beschreibung, keine grenzen gibt. das unbekannte kann alles sein: die sehnsucht, die liebe, der verlust, die vergŠnglichkeit, die angst oder das verlangen. passend zum cover-artwork von the unknown prŠsentieren sich die zwšlf neuen stŸcke direkter, natŸrlicher und freimŸtiger: die texte sind viel abstrakter und offener, obwohl sie genauso persšnlich und introvertiert sind , sagt dillon Ÿber die im mai bis november 2013 entstandenen songs. stŸcke wie in silence oder 4ever sind bisweilen schwermŸtig, sie verstršmen diese versunkenheit, die keineswegs immer als melancholisch diffamiert werden muss. wir alle leiden , sagt dillon, es ist jedoch wichtig, wie wir das leid verarbeiten .

fourth album, is an album labeled, engineered, mixed and mastered by steve albini. and its pretty obvious: fourteen tight songs, full-on (faithful to the motto hammered by albini: feature it, or fuck it), carved in eight days, by five people (drums, guitars, keyboards, bass), without ever leaving the studio.

circlesquare aka jeremy shaw is back with his long-awaited second album >songs about dancing and drugs<.

theres rarely music coming out so intimate and life-affirming at the same time. all the more its recommended to enter the world of fetsum and to draw hope from his beautiful songs. this voice will find its audience. theres no hope for that - but certainty.

mit neneh cherry hŠtte wohl kaum noch jemand gerechnet. erst recht nicht damit, dass die stimme von 7 seconds an der seite eines free-jazz-trios suicide covert. zwischen neneh cherry und the thing hat es offenbar gefunkt. vor zwei jahren trafen die prominente sŠngerin und das radikale free-jazz-trio erstmals zusammen, nun haben sie gemeinsam ein album eingespielt. angesichts der hits von neneh cherry, die sich zwischen hiphop, soul und ethno bewegten, mutet ihr comeback-projekt abwegig an. betrachtet man jedoch die familiŠren hintergrŸnde, liegt die kollaboration eigentlich auf der hand: neneh cherry ist die tochter des jazzmusikers don cherry, der the thing mit einem seiner stŸcke zu ihrem namen inspiriert hat. der renommierte schwedische saxophonist mats gustafsson und das norwegische rhythmus-duo ingebrigt hŒker flaten und paal nilssen-love transzendieren das spektrum herkšmmlicher jazz-trios. neben einem cover von don cherry finden sich darauf songs von the stooges, mf doom, martina topley-bird und ornette coleman. wenn nicht alles tŠuscht, steht mit diesem album die †berraschung des jahres ins haus.(78sfm)

mannequin and sacred bones are honoured to join their forces to offer you one of the best uk new wave reissue from the 80s. uv p¯p were an early 80s post-punk group from the south yorkshire region of england.

in stylistic regards their compositions are never predictable. a touch of organic jazz here, a subtle hip-hop allusion there, accompanied by a moving club rhythm structure and delhias captivating voice, which sings, then talks, and whispers in the next moment. this is being reflected in their life shows, acknowledged with much applause on festivals like ?sonne, mond und sterne?, the ?fusion festival? or ?ars electronica?. when they sample themselves during their concerts, modify their sound in real time and vividly interpret their songs, delhia dances audaciously in extravagant, selfdesigned costumes in haughty reserve and effuses eccentric pop magic. twisted-pop which gets straight under your skin, without ever grooving streamlined. you can dance to it, lose yourself in it or step into new worlds. there is only one thing difficult to deal with after you enjoyed ?the devil?s hand? and that?s to release yourself from its overwhelming emotional impact.

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bj¿rk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bj¿rk, mum, sigur r—s etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

the latest cd release from the soul junction team sees the much acclaimed falcons cd release followed by the first ever solo album release from duane williams.all tracks are composed and produced by duanne and will hatcher and the listing now follows, plus all members can listen to an exclusive all in preview mix of all the tracks via the link further on.

hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta.with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people.now set to unleash his highly anticipated debut lp on climate recordings, rregula presents:the barramundi experiment. an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep.

the fruit tree foundation is an independent project that grew from the scottish mental health arts and film festival. ed by emma pollock (formerly of the delgados) and rod jones (idlewild), the fruit tree foundation also features james graham (twilight sad), scott hutchison (frightened rabbit), jill o sullivan (sparrow and the workshop), alasdair roberts, james yorkston, karine polwart and jenny reeve. the artists wrote and rehearsed the album over a long weekend in a remote perthshire farmhouse and recorded the final album in chem19 studios. the songs were written with a view to focussing on issues of mental health and wellbeing. artwork design by aidan moffat.

seit ihrem debuet lungs, das 2009 rund um den globus die charts stuermte und millionenfach verkauft wurde, zaehlt die charismatische florence + the machine zu den begehrtesten newcomern. eine nominierung fuer einen grammy award, der darauf folgende, hoch gelobte auftritt bei der verleihung des wichtigsten internationalen musikpreises gemeinsam mit christina aguilera und jennifer hudson: ihr auftritt bei den oscars 2011: ein mehrseitiges feature in der vogue deutschland - interviewt wurde florence hierfuer von elton john, fotos machte karl lagerfeld. florence welch fasziniert die ganze welt und gilt bereits als neue britische ikone. ihre pop-elektro-mischung gepaart mit smarten texten und viel atmosphaere ueberzeugt, ihr glamouroeser stil fasziniert die groe§ten designhaeuser, wie u.a. yves saint laurent oder gucci, die die letzte tournee mit eigens fuer florence kreierten buehnenkostuemen ausgestattet haben. florence ist in aller munde. deluxe edition erscheint als doppel cd. die 2. cd beinhaltet zusaetzlich acht bonus songs darunter brandneue aufnahmen, unveroeffentlichte demos und akustik-versionen von -heartlines-, -shake it out- und -breaking down-.

the sound of the late great fitzcarraldos is like sand between your toes. bittersweet love songs paying homage to otis redding, brian eno, john cale and luther vandross. this is sophisticated melodic luxury music for a generation that has the history of music up their sleeve, but really just want to meditate.

australian pressing of this 2011 collection of rarities and non-album tracks from the queen of modern soul. sharon jones & the dap-kings have developed an international reputation as the #1 group on todays soul scene. soul time is an exploration of the full range of their dynamic sound through 12 songs handpicked by the daptone records gang, each one a precious exclusive. the needle drops on genuine pts. 1 & 2, a supercharged funk arrangement that evokes the late godfather not only with the spirited syncopation of the dap-kings rhythms, but also with the raw power of jones voice. it is performances such as these that have earned her the moniker the female james brown. though it has long been one of their best-selling singles, it makes its album debut here. longer and stronger, written for her 50th birthday, is a deep mid-tempo soul celebration of the strength and determination with which sharon jones has earned her long overdue success. whether youre a lifetime fan, or just getting turned on, sharon jones & the dap-kings have yet again made a record that will blow your mind.

500 limited edition cd that comes with 32 page comic novel. and illustrated by ulrich troyer. songs for william is the first in a trilogy of experimental dub projects from ulrich troyer and deep medi musik. ulrich troyer was born in innsbruck and raised in tyrol austria, he studied architechure and music at university and now resides in vienna where he lives and works as a freelance artist and musician. ulrich has been producing music and experimenting with electronics for over 10 years on various projects that include soundtracks for movies, dance productions, exhibitions and sound installations. since 2005 ulrich has also been performing live as a member of the vegetable orchestra. songs for william sees ulrich explore his love for dub music and the experimentations of pioneers such as king tubby, sound dimension and rhythm and sound alongside the influences of mulatu, tony allen and the psychedelic sounds of selda. to accompany this release is the first part chapter of a comic novel featuring the main character william (a guitar effect pedal!) and his journey! all analogue synthesizers, effects, stompboxes, samplers, guitars, percussion and melodica played, programmed, recorded and dubbed by ulrich troyer at the 4bit studio vienna.

on his 2011 album field songs, iowa troubadour william elliott whitmore documents a vanishing american landscape with all the heartfelt soul and quiet fury one could hope for. -heartland firebrand blows fuse, fights for truth- heralded spin magazine when describing whitmore, who utilizes a powerful singing voice beyond his years and a stark dramatic sound rooted in bluegrass, blues and folk protest music. these songs vividly evoke a life of struggle, humble resilience and family bond inspired by life on his familys farm along the mississippi river. whitmore has made a name for himself both within the punk movement, where his populism and sincerity resonate with alienated urban kids, and the roots community, where writers like andy downing in the chicago tribune have placed him within the -new pastoralism- of bon iver and the fleet foxes.

digitally remastered edition of this 1975 album. gil scott heron is justifiably recognized as one of the most unique black music artists of all time. his music transgresses all musical barriers in the same way that stevie wonder, bob marley and marvin gaye did. first minute of a new day was the first album that gil and collaborator brian jackson recorded with the fantastic midnight band, and is a revelation throughout. the album reflects all the aspects of gil and brians music, a mixture of soul, jazz and other influences sometimes powerful, mellow at others, but always compelling. but it is the lyrics and messages of the songs that really made gil scott heron stand out from his contemporaries, always telling a story and informing us of situations that needed attention.

nachdem kris needs mit den beiden -dirty water- compilations die geschichte und einfluesse auf die punk musik aufzeigte, widmet er sich mit dieser neuen reihe der fluechtigen magie new yorks und dokumentiert dabei bedeutende musikalische entwicklungen und wendepunkte. der erste teil ist auf die 40er und 50er jahre fokussiert und enthaelt jazz, blues, latin, rock n roll und doo wop songs von kuenstlern wie miles davis, duke ellington, dizzy gillespie, harry belafonte, john cage, cab calloway, nina simone oder billie holiday. die 2cd enthaelt 32 songs und beinhaltet wie -dirty waters- ein 72 seitigiges booklet.

musikalisch ist drums between the bells die abwechslungsreichste arbeit enos seit jahren. perkussive tracks, basierend auf industrial/noise, rock oder ethno-elementen wechseln sich ab mit elektronischen oder klassischen listening-passagen von erhabener schšnheit. doch das album ist mehr. sŠmtliche tracks sind mit gedichten des lyrikers rick holland versehen, vorgetragen von eno persšnlich oder personen seines umfeldes (fitnessstudio, ladenangestellte, buchhalter, grafikdesigner, ...). jeder trŠgt seinen part inviduell unterschiedlich vor: narrativ, per vocoder verfremdet, als mantra, mit echo verhallen, stakkato, hypnagogisch, als gebet, abstrakt. eno nennt sie speech-songs. seine arbeit ist eine innovative kombination aus musik & text, eine neuartige form von sprechgesang und sicherlich sein interessantestes werk seit langem!

carlos nino & jesse peterson (who also collaborated on the high with a little help from lp) deliver an outstanding folk album of gorgeous songs and instrumentals. mainly acoustic, barefoot and bearded - a repeat after repeat listening masterpiece that massages you softly where it matters. *japanese import* a beautiful tip

hercules and love affair Ð the name itself combines images of strength and vulnerability, masculinity and femininity, as well as a classic disco troupe. their music on their self-titled album debut followed suit. strident beats but sweetness at the core. music with a plan of attack but an identity as fluid as that of its creators. a gloriously burnished fusion of three decades of dance, from disco to house, acid to synth-pop, derrick may to giorgio moroder (and lets not forget yazoo), but sounding like no other dance record before Ð or since. and now theyve gone and done it again. the troupes second album blue songs represents the best that dance music can get Ð still bursting with freshness while in touch with its roots. as mainman andy butler says, >its a softer record in some ways, and at other moments a more aggressive record too.< the album also reveals more about his world and his songwriting, resulting in a more honest, and yet more universal, record

two disc deluxe edition! incl. all the hits:>dog days are over< and <rabbit heart< plus special second disc incl. >you got the dirtee love< with dizzee rascal plus brand new songs >heavy in your arms< and >strangeness & charm<.

the needle-drop fuzz that cues sam amidon s fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians.

dieses neue doppel-album ist kein neues studio-album, sondern - wie der titel schon vermuten lŠsst - eine werkschau Ÿber trentem¿llers eindrucksvolles schaffen in den jahren 2003 - 2007. die -trentem¿ller chronicles- beinhalten anders persšnliche auswahl seiner besten songs und remixe, die bislang nur auf vinyl oder compilations erhŠltlich waren, aber auch einige neue und exklusive stŸcke. der fantastische trentem¿ller mix auf cd1 und die gelungene auswahl der remixe auf cd2 machen diese ver-šffentlichung zu einem eigenstŠndigen doppel-album fŸr aussergewšhnlichen hšrgenu§. angefŸllt mit einer vielzahl erstaunlicher songs, bietet dieses doppelalbum einen faszinierenden einblick in den musikalischen werdegang einer der besten elektronik-produzenten unserer zeit.

limitierte 180g schwarze 2lp mit 18 songs im gatefold sleeve und sticker inkl. gäste

a new collection of four songs from singer-songwriter liraz, fusing modern israeli music with the ethnic flavor of her persian roots.

a compilation of 12 classic songs from bollywood movies between 1958 - 1984.

das beste aus 30 jahren broilers - 180g limitierte und nummerierte doppelvinyl im klappcover ! mit 12 original aufnahmen & 10 rerecorded songs ! farbiges vinyl rottransparent / curacao transparent. ltd 5k

songs und skizzen aus trishs umfangreichem archiv an 4-spur-kassetten und minidiscs

two new songs from khotin ideal for soundtracking slow dewy mornings.

repress! nach mehr als 20 jahren ihrer ursprünglichen veröffentlichung, sind diese songs immer noch sehr aktuell und stehen für viele dinge die wir an house musik lieben!

third album

all 40 songs from eurovision song contest turin 2022 on double cd.

trockendock-edition sind zudem 11(!) bonussongs (b-seiten, outtakes, single-only songs) verewigt. dazu gibts presseclippings und linernotes der band und ihrer gäste wie bela b, etc., sowie ein umfangreiches artwork-update

cd im digipac mit 18 songs inklusive 28-seitigem booklet, handgeschriebener brief von götz alsmann als einleger und sticker inkl. der gäste

double cd 38 tracks includes many bonus songs as well as 2 previously unreleased tracks again, i wait for the world and wish

dances with wolves is the original soundtrack of the 1990 academy award and golden globe winning film dances with wolves, produced, directed, and starring kevin costner. the original score and songs were composed and conducted by john barry. barry won the 1991 academy award for best original score and the 1992 grammy award for -best instrumental composition written for a motion picture or for television.- john barrys fifth oscar-winning score is a profoundly moving body of music.

high roller records, 180g black vinyl, ltd 500, insert, poster, original mix with all interludes between the songs! original 1986 sound. specially mastered for vinyl by patrick w. engel at temple of disharmony

the berlin-based techno and house producer and dj oliver koletzki has fully committed himself to his roots for this album. they can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today’s electronic music productions. großstadtmärchen is a perfect example for a producers album: oliver koletzki has created a musically compact long player while working together with many different singers. both established artists like mieze katz from the german electro-pop outfit mia., the hot german pop-rock-singer axel bosse, critically acclaimed indie band kate mosh as well as newcomers such as fran, pyur and juli holz have contributed to the album. the result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own koletzkieske sound dynamic. großstadtmärchen, which translates as the tale of the big city starts off with this is leisure. famous pop singer mieze katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. after hearing this, the listener is directly fully drawn into this world when hearing juli holzs softly whispering voice singing about the dilemmas of love in the big city on zuckerwatte (single release date: 7.9.09). this is a very fine electro-pop tune. coming up next oliver koletzki and axel bosse board an underground train that takes them around the berlin u-bahn system and back.

a.s.o. (aka tornado wallace and alias error) present a stunning debut album consisting of eleven emotionally complex, trip-hop torch songs for club freaks.