rico casazza is an electronic producer, dj & teacher, based in london. having produced music for over 11 years, he has established a solid musical identity with releases on labels such as soma, archipel, plastic city & wiggle. following his killer “they move fast” ep on beef last summer, we now welcome him back for his first 12” with us. the productions are unique but you can tell they are from the same magical casazza signature ... raw acidity, enslaving basslines and subtle percussion. the ep kicks off at a measured pace with “yurican”, whose self-assured acid line sits wonderfully alongside the track’s reflective atmospheres. “argue” then evolves this acidic energy, still praying to the sky but pumping its fist higher than before ... laying the patchwork for the final original on the 12”, the euphoric dance floor obliterator, “macabre”. to finish, bringing your heart rate down with caution, dirscen has provided a drugged out remix of “end 2016”.

meditative and off-kilter, dubkasm’s new 12” is, unsurprisingly, completely unlike any other tune out there, and pays tribute to a too-frequently overlooked part of reggae tradition: dub poetry. originating in a collaboration between dubkasm and their long-time friend, norway-dwelling heavyweight bass guitarist, bajan steppa, enter the gates is a discomix built on a tuff bassline, skittering drums and retro synths, and features reflective, courageous lyrics about the enduring power of black liberation movements and consciousness, from gloucester vocalist rider shafique. the b-side contains an upfront instrumental cut, followed, in true dubkasm style, by a collaboration with a musical titan. mad professor’s incredible dub flips the original into a propulsive soundsystem killer, retaining the tune’s heart and spirit, but driving and percussive where the original is deep and soulful. mastered on to 1/2” tape at stardelta studios, and pressed on 180g vinyl.

remastered from original tapes. classic rare early house jam from 1992 on trax offshoot saber records. re issued in original artwork and with killer b sides.

a total of four killer dancefloor curveballs from kampala, uganda, performed and composed by the traditional mataali drum and vocal troupe mubashira mataali group (pron: moo-ba-shee-ra). esoteric and unusual although fantastically joyous to listen and dance to, the unbelievably tight multitude of percussionists provide the perfect backdrop for musician-come-filmstar sulaiman sulait to deliver his entrancing vocal performance with a strong islamic message at the heart.

following hammer s stand out release on loft records last year, canna gets the remix treatment by four killer producers. first up, lauer adds his trademark flavour to the already outstanding title track canna , bending the mind with an acidic top line and classic korg m1 bells.the a2 sees supreems take the techno edge off man ray replacing the drums with a more electro tinged style of rhythm, whilst echoing the synths into the back of the mix to let the drums take the foreground. flip it over and you get two reworkings of manaka . firstly, domenic cappello switches the breaksy flow of the original for a more club ready kick to compliment those stabs, in turn elevating the breakdown to greater effect. in contrast, lord of the isles dives deeper into the breaks feel of hammer s original, adding glitchy samples and oddball synth lines to take this one an even more interplanetary tip.

nostromo is the new collaborative project of berlin-based producers sarin & unhuman, known for some ebm and industrial killer releases under their solo aliases on aufnahme + wiedergabe, instruments of discipline or amok tapes. on that first ep, they cooked some heavy minimal analog basslines fused with intricately woven samples, to create mutating and hypnotic dancefloor killers !

opulence founder s jonny cruz & cali lanauze are back together for the labels third release and their first joint ep since 2012. this four track ep sees the pair give us each their own personal take on the groovy, dark and trippy sound that is opulence. on the a side we see cali lanauzes come around three. simplicity is the key here, all the elements combining beautifully for a deadly hypnotic and trippy head nodder. visionquests head boss ryan crosson steps in on remix duties delivering two killer versions of the original. the first being the galactic mix (vinyl only) and the second his more simple step mix.

dax j returns in epic fashion with his 2nd album on monnom black taking you on a journey through techno, acid, ebm, idm and jungle. 14 killer cuts! legendary and absolutely essential! 2 x vinyl lp + free digital download codes + a5 art insert + sticker and plastic wrapped

mike dunn digs deeper into the vaults to deliver the fourth instalment of his * we r tuesday nights* edits, like the previous 12 inches, four killer disco tracks edited to perfection by the chicago legend....ltd 2018 repress

a glorious live disco workout harking back to the spirit of new yorks heyday when love and inclusivity ruled the dancefloor. featuring additional remix by rahaan. you need this in your life! you know that feeling when you hear a killer melody and it just sticks in your head and makes you wanna dance? call it disco, call it what you want, this song is packed with soul, emotion and a righteous hook, boasting a stunning vocal performance from us singer angela gooden and comes armed with heavy percussion, funky bass, and some serious rhodes. as part of a three track vinyl package on madrid label lovemonk, new york/madrid dj, producer and vinyl vendor oli stewart, better known as casbah 73, goes back-to-boogie-basics on the lead track, along with a b side re-fix by chicago s don of the disco edit, dj rahaan, and a full-on percussion jam instrumental cut. love saves the day is a joyous tribute to open-minded and inclusive clubs past and present with a sly nod to the seminal new york institutions like the loft and the paradise garage. but this record isn t some banal exercise in faithful reproduction, rather a exhuberant slice of soul-disco that reignites the spirit of these underground nightclubs, lofts and warehouses. casbah 73 has handpicked key musicians from around the globe and threaded all these together for a smack-you-on-the-lips belter, reverberating with positivity love really is the message. rahaan s on-the-spot offer to remix love saves the day came about after a chance meeting with casbah 73 in madrid. a couple of days were spent checking out records and drinking wine oli is one of europe s leading disco, soul and jazz vinyl dealers when he played rahaan an early demo. the rest, as they say, is history

delicate wash, a new label for edits, is run by anonymous vinyl enthusiasts craving to deliver the gems for all the discerning djs and collectors out there. these gems are cut and polished following very high quality standards! this debut release is a synth-heavy selection, with a definite cosmic vibe throughout. in short: ultimate killer edits, four diverse and at the same time perfectly matching tracks that are sure to be ace cards in your arsenal.

baptiste letertre is ringard and comes from rennes, britanny s biggest city with a strong electronic music culture. ringard has a label called dance around 88 because he was born in 1988. ringard released 8 vinyl records. -lacrima rossa- is his first 12- outside his own label so it s a great pleasure for us to have him on board. ringard music is deep but raw, woolly, melancholic yet emotional. think soulful techno, steamroom slo-mo, warehouse heat and euphoric minimal. morphine electronics at its best with amazing strings and killer frequencies like lobster theremin meeting boards of canada in a fantasy balearic island. in french, ringard means tacky or outdated. it has never sound so cool being ringard!

chubby has already earned its stripes as a podcast and party in australia dealing in connoisseurs deep house, and their leap to the world of vinyl is no less classy. the first release splits a 12- between four esteemed practitioners of true skool beats for switched on heads, leading in with antipodean maestro ewan jansen. after delivering the plush tones of his -plants,- moods & grooves label boss mike grant pops up to remix jansen with stunning, understated results. trinidadian deep takes over on the b side with the typically shimmering melodics and dextrous drums he s much loved for. mr yt then serves up a final remix, nudging -move me- just a little up the energy scale with the help of a killer organ line placed at the front of the mix.

in this oversharing era, uncommon is for an artist to choose to remain in total anonymity. even for the easytiiger teamwork, the real persona behind the model nice act is still a complete mistery – actually not a problem when the sound speaks for itself. the debut ep -nice to meet you- arrives with four raw dance burner gems, including a futuristic arp killer remix from the lemon-fanta guy, pépe, for the song -cravo amargo-. besides the rough-shaped aspect of the sound, this ep reveals a very sharp and sophisticated production, with complex element layer works that could perfectly fit as the soundtrack for a blade runner microcosm built inside of a night club. -nice to meet you- invites you to this journey through a particular soothing world, surrounded by a complex & confessional mood without saying... well, a single word.

joefarr and his label user experience are pleased to welcome a very talented to the roster, insolate. the artist formerly known as miss sunshine is a dj, producer, label owner and promoter who has been in the business for 20 years and considered as one of the best techno artist’s from croatia. the two original tracks ride a perfect balance between groove, power and emotion. joefarr does what he does best and turns out a killer remix.

2018 repress - the follow up to one/three. tip! james t cotton / tadd mullinx teams up with a wide range of mc s (wildchild, mf doom, kadence, vast aire, ag, beans, invincible. ta raach, big tone, phat kat..) and producers (waajeed, jay dee) to support his hi-tech productions. the result in this killer album with a wide variety of productions, from deep headnoddin cuts to crazy offbeat work and deep kraftwerk inspired instrumentals. where hiphop meets techno.

a fully legit 2018 repress of a jazz-funk & boogie classic! nard is bernard wright s bonafide funk masterclass, boasting some truly amazing and heavily sampled cuts including - spinning (used by skee-lo on i wish ) haboglabotribin (used by snoop dogg on g s & hustlers ) as well as some heavy-duty boogie workouts like just chilling out , the master rocker and many more. a truly solid record and one that features boundless flashes of genius writing and playing from bernard and his killer outfit including luminaries such as dave grusin, marcus miller, weldon irvine, patti austin, luther vandross and many more! this one s a keeper and will have you locked in from start to finish, a total groove-fest. originally released on the mighty arista sub-label grp label in 1981 nard has it all, the beats, the wigged out oberheim solos and most importantly - the funk! remastered and repressed with the full involvement of arista / sony bmg by above board distribution for all you boogie freaks. a truly essential album!

decks full cover edition! 2 killer tunes by malta native dean demanuele

heres a real gem from the vaults of don 1 and randys studio 17. the roots voicing an herb anthem on the killer rhythm used on the immortals babylon. unreleased for over 40 years and out now, the roots are one-hit wonders no longer!

hotmood’s second release on his own imprint with partner tug boatmen solidifying the chicago/mexico partnership that gave us the first 6 hotmoods. volume 6 sold out quick but luckily volume 7 picks up right where the guadalajaran god of groove left off. 4 cuts of deep loungey disco/funk.

laconic phrases are all about less words and more sense. we use the same principles in our stripped down grooves which are released on fresh imprint - laconica. its all about minimalistic dance-floor tools which were tested in different clubs around the world, from kyiv s closer to concrete in paris.
for a debut ep, label founder alex pervukhin presents 3 different grooves. on the a-side you can find hommie groove, which is an excellent example of a broken-beat house music with good-old airy juno pads. on b side there are two 4/4 tools: bb, which could be heard in varhat’s mix for concrete which was so hyped last year. aa is a peak-time killer with analogue chords and jackin bassline. strong minimalistic grooves - exactly what laconica is all about.

the third of march’s trio of py 45s, is a revisit to the always enjoyable dark electro world of berlin’s mighty detox twins.
the new record offers up a pair of killer synthpop gems which, in the words of the bands’ mark vorderhaus “drift into the arena of the unwell with their latest outing “in the hospital garden”, and pose the curious questions: is it so unfortunate to surrender your mind to a permanent altered state? can losing oneself irreversibly to a manipulated insanity, actually prove to become a rare and wonderful freedom? attraction battles control as the transformation completes itself. the b-side, “transformation” depicts the liberated insanity without challenge, now thriving and pulsating beyond the point of any return.”
two more ace tunes which precede a full length later in the year for polytechnic youth. killer hooks from synth maestro mark, aligned with glorious effect to devi’s icy nico-esque vocals. another winner for both artist and label!
a pressing of 250 copies. hand numbered with sticker insert and destined to fly out super quick.

the second of march’s trio of killer polytechnic youth 45s is a mighty extended piece of slow building berlin school-esque electronica extended over 2 sides of a 33rpm disk, recorded by adam leonard, initially from a batch of 18 tracks recorded at varying times over the last six years.
“entkommen” is his first release for the label here, and both artist and label rather liked the idea of one extended track across two sides of a 45, whereby the listener must flip the disc at a half way point to continue the piece. it struck us as increasingly unusual and works a treat here...
adam has amassed a number of acclaimed releases in varying styles, and across a number of esteemed labels over the years. last year’s full band release “invaderband” being shortlisted for a northern ireland music prize 2017 and was 6music recommended. not to mention previous releases in collaboration with the owl service and p.g six.
his electronic home recordings are all well worth investigating and polytechnic youth proudly releases the first fruits of those sessions right here. a numbered, limited edition vinyl only 7” hand numbered to 250 copies.

it is undeniable that bjarki and his bbbbbb imprint are at the forefront of iceland’s dance music scene, playing a vital role in asserting the country as a hub for genre bending electronic music. although the label has proved to be a solid platform for bjarkis own experimental material, bbbbbb continues to host some of icelands best talents (notably last year’s lauded release from volruptus who followed up with another killer outing on &#1090,,&#1088,,&#1080,,&#1087,,). for bbbbbb’s 10th release bjarki continues to substantiate his a&r abilities, introducing the world to lord pusswhip. having enjoyed a meteoric rise as a key player in icelands hip-hop scene, the young producers sound has continued to evolve since befriending bjarki and the bbbbbb crew, and the hand of glory ep now sees him at arguably his most adventurous and experimental yet. murky atmospherics introduce xmas jam creep before a cacophony of percussion ups the energy, setting the tone for a dynamic release. crazy shit mane follows with its crunchy drums, scintillating synths and sultry bass until hop out the car blends hip-hop vocals with mesmerising chord sequences reminiscent of richard d.james early work. an undulating bassline then works alongside a chorus of angelic voices in ‘the hand of glory, making way for the syncopated and dreamlike shroomm0(u)rning. moving into ambient territories, green house living layers pads and samples together to generate an otherworldly aesthetic until choppa hard combines ominous drones with a steady beat to conclude the release.

lee scott teams up with jazz t on the production dropping two killer jazz laced boombap bangers ceiling and urn money. lee shows why he is one of the best lyricists out there killing the beats with intricate flows and raw hooks! on remix duty we have sleepwalker, aka king kashmere from strange u, flipping ceiling and pitch 92, the legendary mouse outfit producer, with his take on -urn money- the 12inch also come with instrumentals of all the versions. artwork is by stilts who completes this dope package.

the mysterious, internet-bother 70s network finally sees the light of wax. five killer raw af house cuts mixed to the nines and scorched to eleven. crunchy, swung vibes for the youtube channel rippers and underground misfits. instagram fashion & tumblr social movements all rolled into one. u kno the way.

after a quiet year, the obscure duo g&d has found the right way together for the new g&d 02. the new vinyl ep is a juice of disco, boogie and cosmic sounds. four killer tracks of different shades of genres. supported by red greg, sadar bahar, lee collins, ge-ology, volcov, twice, daniele baldelli, joe davis, mark grusanne, ltj xperience, the grasso brothers.

se62 is back, originally from my love is underground fame hes now back with 4 killer cuts on the rhythm n vibe label

official limited edition reissue of asso s italo masterpiece from 1983. featuring -do it again-, a killer balearic disco-style cover of the steely dan classic. on the flip side you get the wonderful boogie jazz-funker -don t stop-, a track which is pure blissed-out dancefloor heaven and deservedly became a loft and garage classic as well as receiving heavy rotation on both the cosmic and balearic scenes. with the coolest of laid-back jazzy piano grooves underpinned with driving funky squelching bass and superb syncopated drums.

200 copies - vinyl only - giant records sees in the new year with a killer ep from a bright new producer from poland, by the name of, mariuz kryska, mariuz offers up two peak time grooves here with remix duties falling on, sascha dive and giant head honcho grant dell. the first track up is low jam, which sees the original mix dive into a deep drum lead swing reminiscent of old todd terry beats, that have gone before, all topped off with a spoken word and tight hats and rides. next up is sascha dive - giving low jam a slowed down dubby feel with some sweet dubbed-out stabs that evolves into that deep house sound that sascha has mastered over the years. next cut is no perspective mariuzs original mix is a relentless bass heavy work out which weaves around some slick west coast gangsta rhymes and detroit style strings and pads. grant dells take on no perspective leans on the detroit style pad, from the original and adds some off kilter 808 beats that sit nicely along some smart 303 stabs and the gangsta rhyme which then merges into a slick techno jam with added breakbeats.

the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.

after dominating our piccadilly player with his recent lp -it s alright between us as it is-, norwegian disco hero hans-peter lindstrøm drops a dj friendly maxi 12- of brand new track -didn t know better-. harking back to his collaborative lp with christabelle, this party starter is packed with infectious boogie licks, propulsive grooves, soulful strings and killer vocals from ronika. a masterpiece of retro-futurist pop perfection, -didn t know better- traces a line between mirrorball masterpieces from nyc 83, ibiza 99 and ross 128b in the year 2030. alongside the sequined shimmer of the original version, we get an acapella, and a lindstrom remix which piles on the feel good with jingo style pianos, mellifluous keys and some club trop style riffage - utterly infectious and exactly what a dull february morning requires.

shrunken heads” is something we were just kicking around at the time the label was starting to take shape, we felt it to be a good narrative of our influences and visions of how we see acrylic taking shape in the future. kid drama has kindly put together a killer remix for us to celebrate the labels beginning. he has been a massive inspiration for us all musically over the years and we are very humbled to have him on board with the first output. thanks hugely damon for taking time out of your schedule to do that. “motion design” came together fairly quickly, it was made with intent to homage the sound of the old guard we admire to o er our own contribution to that sound. all vinyl are strictly limited edition, and limited to 300 pieces per run. there will never be a repressing of any series. once each release is gone, they are gone forever. mastered and cut by beau at teneightseven. artwork and design by dave knapton at multiplex

few authentic electro producers from the uk can wear the badge legend with the same level of justification as phil klein aka bass junkie. active since the late 80s, phil has been peddling his own take on electro almost constantly, either as a solo artist or as part of numerous collabs with the likes of dynamix ii, keith tenniswood (radioactiveman) and si brown (dexorcist). dj, remixer, live act, and the man behind the killer battle trax label, there is nothing this junkie hasn’t done.
with essential releases on labels such dmx krew’s breakin records, andrea parker’s touchin bass, and billy nasty’s elektrix, the bass junkie sound spans the old school beats and vibes of the electro genre’s origins, to the borderline industrial. from funky to ferocious, bass junkie’s discography is a must have for anyone claiming passion for the genre - influential, individual, and infectious with every beat.
his low frequency fugitive ep is a welcome return for his bass junkie project, after several years working primarily on collabs. the ep brings four new tracks that maintain the bass junkie sound that brought him such success and notoriety in the first place, with a healthy dose of evolution too.
this is one fugitive everyone should try and track down...

killer compilation of difficult to find boogie / disco tracks where leston paul was involved. incl the heavy tunes all nite tonight and everyday life

lost in time has laid down some killer 12-s to date from the likes of ralph lawson and tuccillo, and now they welcome london-based scene staple alex arnout to the label with an on-point ep of explorative house music variations. -no borders- features long time us house veteran jovonn, and the pair whip up a tracky tech house roller with serious percussive pressure and a subtle lick of dub in the mix. -downtown 500- is a rough and tough, bashy house jam with a fresh drum palette, and by contrast -riddim- brings a straight up deep house vibe with classic organ licks aplenty, that almost sound like they should be the handiwork of jovonn as well. -jam the dance- finishes the ep off with a twitchy house cut peppered with vocal slices.

this is the first vinyl release for genau recordings, a brand new independent techno label born in torino (italy) from the unfamous genau party series. four pure techno tracks signed under the collective artist name genau that put together the experiences of two local artists as gandalf and kessa and the already well known (production wise) duo noizyknobs (also active with their new project exilles). this ep is the result of one year of intense work from these four artists and it s the perfect synthesis of their ways to see techno music.the ep opens with pac-man, a dancefloor killer featuring a strong acid bassline and a paranoid modular synth on it. -genesi is the deepest of all tracks, and it s one of the first productions ever recorded by the genau team. side b features pressing plant, another dancefloor oriented techno track with a solid drums section and a driving bassline, while dont speak is a minimalistic bass orented dark tunnel.

studio barnhus top sound killer matt karmil returns to label in perfect form, bringing an eps worth of those very best matt karmil dance tracks in world-famous reduced but-raucous style. four club-toppling, festivalcapsizing, dj-humbling supertools - cut by professionals and released by enthusiasts. tell me why is karmils first studio barnhus release since 2015s dans-maxi fran nacksving. apart from recent solo appearances on idle hands and smalltown supersound, he has lent his studio magic to some of dance musics finest current and future releases, on our label and elsewhere. this is the first record ever with his face on it a studio barnhus exclusive

it’s been over ten years... subhead xtras is back! after a wild berlin weekend the four musqeteers ended up in studio b and recorded this killer ep. all tracks are written and produced by subhead, dave tarrida and facket strejkar (bodykarin & cynthia stern). enjoy the madness!

desolat label boss loco dice kicks off 2018 in fine style with a huge new single which sees the him reflecting on his musical roots and his connection to dusseldorf, detroit and beyond, whilst giving a taster for a brand new long player to come later in the year. dices recent past has seen the master of robust house and techno funk serve up killer remixes of mobys classic ‘go and release his underground sound suicide album, whilst continuing to headline the biggest clubs and festivals around the world. at the same time, he has directed his endless passion and musical sensibilities to bare upon his desolat label, with a stream of records released from some of the most exciting artists around and supported by djs across the globe. now though the stage is set for the first new loco dice original recording in some time and it is sure to see him once more at heart of the global scene. the bristling ‘roots is a typically forceful track that blurs the lines between house end techno. it has twitchy synths bringing the energy to hurried drums as smooth chords add real soul. the claps are coarse & edgy, whilst dices own dark vocals bring a brooding atmosphere and the whole thing is a synapse firing rave-up that cannot fail to detonate any dance floor. an instrumental is also included for even more visceral thrills. this timely new single is the lead track from dices latest album project, entitled love letters and to be released later in 2018.

formerly remixed by move d and a former remixer of cassius, young german talent kolja gerstenberg has been building up some serious pedigree. his ep for monologues showcases his wonderfully wonky sound, full of chunky, bugged-out grooves, killer samples and a generally off-kilter vibe, with a chunky acid / breaks infused remix courtesy of monologues mainstay, g. markus

yes! new levon 12 inch hits our store... killer release

noah gibson from sweden delivers some fresh killer techno on his own imprint krasch!

r&s welcomes acid mondays for a 12inch of lysergic house music that reaches far into the outer cosmos. formed -somewhere in the 5th dimension acid mondays is the cosmic coalition of fellow psychonauts negghead (dan ward) and lex wolf (alex wolfenden). repeated transformative visits to ibiza culminated in landing regular slots at circoloco where they have been testing this tune in the dance all summer long.universal rhythm, their latest interstellar dispatch and debut on r&s is their finest work to date. an anthemic paean to the cosmos that features an impassioned spoken word missive from shamanistic mc shovell, impressively recorded in a single take, making the case for the universality of experience and oneness of all beings. latin rhythms fuse with a driving fender rhodes lick (provided by jd73) and percolating cow bells to hypnotic effect. this calls to mind a combination of classic carl craig and villalobos at his most playful. r&s new signing the maghreban supplies a killer dubbed out take on the original that strips away the heavy kicks and pumps up the percussion, hurtling the synth pads to the fore that comes on like john carpenter peaking on mdma

2018 repress incoming!
in a pretty typical sabre fashion he has sent us a tune called >halo danger<, expectedly what we heard instantly was pure danger and another killer in the works … now here it is coming your way on the 4th of june 2012. insane production as ever, huge riff, huge snappy drums, huge low end. it is an instant dispatch fave for us! we say no more… on the flip we have sabres often studio production partner in crime halogenix bringing us something solo, completely creative, fresh and inspiring. his productions are quickly building a reputation and >laika< holds no exception!
dj support is very widespread on this release already coming from the likes of: dj marky, alex perez, ant tc1, jubei, spectrasoul, octane & dlr, klute, zero t, rockwell (ministry of sound radio), lenzman, icicle (as featured on rinse19 cd), ulterior motive, skeptical, hybris, kasra, nymfo & safire.

detroit legend thomas barnett with killer detroit stuff

orgone takes on 13 funk and soul classics! otis redding, funkadelic, the meters, aretha franklin, betty wright, and booker t are just a few of the artists orgone cover on this mixtape collection with some help from friends as well! expertly recorded and performed, you could make an argument for some of these being better than the originals, but we’ll suffice it to say that its a simply killer set from beginning to end

killer ron trent deep house

next up on ruff stuff music ltd are 4 killer, heavily stomping tracks on the boundaries between house and techno. untitled05 is a new and fresh evolution of the label, bringing to life a solid sound with warm and intense atmospheres, including a magic remix by dj honesty. inside the storm opens side a with an imposing groove and hypnotic stabs, definitely flashing for the dancefloor. dj honesty s remix with its unique groove and the samples manipulation, goes in a deeper direction but still strong and energetic. the b side is full of surprises with mistake a track with a raw sound featuring incessant 909 toms, piano stabs and vocals that definitely recall the vibrations of the 90 s. a home with no air represents the true soul of ruff stuff, a warm house track with female voices, stabs and a fabulous organ that will transport listeners to another dimension. just put the needle on, push play and dance! vinyl only, limited copies.