hot newie from the production duo that set the dancefloors alight with shake it and this sees them back and firing on all fours 4 great mixes to chose from

excellent groovin detroit techno 4 track ep by coccons djinxx!!

another superb remix package from 2020 and silver city. norwegian disco kings lindstrom & prins thomas follow ewan pearson and spirit catcher and provide two wicked remixes in a cosmic, balearic disco house style. they have stepped up and turned the superb p-funk, disco house of the original into a balearic, cosmic, disco epic. the talented multi instrumentalists have added a load of new parts and used the superb guitar solo from the original to create one of their best remixes to date

huge classixx, ltd backstock!! teams up with carl finlow (random factor) on this all-out double-sided dancefloor smasher.. deadly syncopated rythms and a infectious rollin funk-disco groove and freaky dub techniques !!

second sampler from alex attias visions imprint with a big variety of styles from funky electro ish vocal over abstract hip hop to a dirty jazz loop big tune

nice housetune with a rocking guitar and a fantastic breakdown on the a side the flipside comes in electro progressive style produced by benassi bros

'would you?' was is one of the highlights of the superb dubble d album >reachin out< and comes with ace new remixes from max sedgley. would you? is superb deep and jazzy conscious hip hop cut featuring legendary new york mc's qball & curt cazall. incl bonus track feat nightmares on wax !!

top italian electro proggy tribal house ...with gambafreaks rmx !!

slamming uplifting filtered disco house monster plus a stunning electroluv remix !!

big room electro house slammer

brill deep (tech) house groover with detroit flavours

his vision of house music deeply rooted in disco, afro, funk and its other predecessors. so it is a special stamp of approval for ' in the bush ' by japanese producer dj kent that theo parrish fell in love with the after hearing it in a shop in japan and now remixed this heavy funkbomb for steve kotey's bearfunk

random factor teams up with blue-eyed soul favourite georg levin ( sonar kollektiv ) for a exciting mixture of oldschoolish, chicago style house and classic vocal delivery. fred everything comes up with a bumping house re-rub and new mastersounds re-build the tune as an original sounding 70's rare groover.

areal classic here. fred everything comes with a brilliant funked up deephouse four tracker. something you should not miss

fred everything delivers and solid production that really packs a punch behind heathers deep and sexy vocals. deep sensual dub from phil weeks & jossua moog on the flip.

uk elektro rulez. wie immer auf scsi gibts fein gewobenes elektro garn in diversen farben.

spiegel tv theme... original mix

phat uplifting progressive big room house

excellent bassheavy electro / techhouse , incl john tejada rmx

dope uplifting boogie-flavoured deephouse with a subtle afro twist by this jimpster project. beautiful keys, flutes, live bass, chunky beats with warm afro percussion and vocals snippets. the b-side is a pounding, jacking dub somewhere between tom middleton and 20/20 vision.

brill deep funky 4 track house ep!!

huge forward kickin techno clubtracks

masterpiece house, collabo between ben westbeech & kon

tip

masterpiece

comes in full colour digipak.

the eagerly awaited debut album from thom yorke, jonny greenwood and tom skinner as the smile.

b-stock! case is damaged or not original. cds are not affected & brand new. 2 cds full of italo feeling!

2 cds full of italo feeling!

limited edition. 4cds, 69 tracks, 3dj-mixes

noisiaÕs Òouter edgesÓ av show on cd.

the fear ratio aka james ruskin & mark broom

mac-talla nan creag is channeling ancient rites, the mysteries of the scottish landscape and its elements through technologies both old and new for your listening pleasure.

to commemorate our 10 year anniversary celebration, this new release comes in the form of our beloved deepchord presents echospace project. the set was recorded live at ghost in the sound on 05/26/2013 a few miles away from hart plaza. an official movement after party curated by the detroit paranormal society in association with echospace, and now re-mastered by rod modell. from the second the bass dropped, it stole the breath from the room! this duo started off as barely more than a rumor supported mostly by the continous scarcity of their records. the duo comprised of detroits rod modell and steven hitchell have spent nearly two decades producing low-key electronic music both bordering on the verge of myth. theyre considered by many the most noted producers operating in the dub-infused aftermath of the basic channel axis and all its myriad offshoots. once their critically-acclaimed the coldest season emerged on one the uk based modern love imprint, the curtain was unveiled and the sound of echospace was born. they ve often been coined the true heirs to the basic channel legacy but their work finds a home somewhere on the outskirts of the galaxy, where detroit soul ties to jamaican roots played through a tunnel in deep space. this evocative, immersive sound that is echospace was born out of a love and passion for analog circuitry, sound design, field recordings and non-conventional methods of recording. but its also work thats quintessentially building upon the detroit electronic scene where it was born, and that divine marriage of roots and vision make the work at once so highly considered, so pertinent and so timeless. this is the first new album from the echospace duo since the critically-acclaimed silent world (ost) 3lp/cd set dropped 5 years ago, it features live renditions of some of their classics as well as unreleased material. expect gorgeous plumes of sound deeper than the ocean floor, a rich analog tapestry made and performed in the heart of detroit, techno city!

noch immer steht der name nightmares on wax fŸr eine einzigartige mischung aus hip hop und soul, aus dub und club-sounds und auf shape the future klingt diese nun schon Ÿber jahrzehnte hinweg perfektionierte gratwanderung so flŸssig und schlŸssig wie nie zuvor. inspiriert von zahllosen dj-sets und studio-sessions in ganz unterschiedlichen ecken der welt, untermauert nightmares on wax mit diesem neuesten sound-update abermals seine ausnahmestellung in der elektronischen musiklandschaft. auf die bereits veršffentlichte erste auskopplung -back to nature-, die mit schamanistisch klingenden vocals die verbindung zwischen mensch und mutter erde adressierte, folgte die brandneue single citizen kane, fŸr die george evelyn als vokalgŠste mozez und allan kingdom (u.a. kanye west, flume) an seine seite geholt hat, und die belegt, was fŸr eine reise und entwicklung george im verlauf seiner einflussreichen karriere zurŸckgelegt hat. indem er noch mehr als zuvor auf tiefschŸrfenden, in gospel-sounds getrŠnkten hip-hop setzt und seine ganze erfahrung als producer durchschimmern lŠsst, trŠgt der neue track noch immer den unverkennbaren klanglichen stempel von nightmares on wax.

liebe leser, frŸher war alles ... frŸher. bevor der denkmalschutz und die alterszipperlein fŸr uns zu beherrschenden themen werden, haben wir letzten oktober mit allerhand gŠsten und weggefŠhrten fŸr drei abende im hamburger mehr! theater am gro§markt rŸckwŠrts geguckt. mit dj exel. pauly (deine freunde), sven regener (zatopek, element of crime), boy, fatoni, dj rabauke (eins zwo), der tobi & das bo (5 sterne deluxe) blickten wir zurŸck in eine versunkene welt der jahre zwischen 1992 und 2000. damals, als wir lernten auf den bŸhnenbrettern nicht auszurutschen (fragt mal boris!), am mikrophon nicht zu kapseln und unbeschriebene landkarten der hiesigen rap music vollzukritzeln ... klaro, die music ham wir direkt digital gespeichert, ein paar minikameras liefen mit wŠhrend der show und im garderobenkeller, anlŠsslich von gesprŠchen Ÿber frŸher. unser plan: die herumfliegenden einzelteile zu einem schšnen souvenir aus sound & vision zusammenzuklotten - fŸr alle, die mit uns waren und die unerlaubt fehlenden schwŠnzer. gšnnt euch (das)! - fettes brot
- packaging: gatefold-sleeve-pac mit buchrŸcken, cd & dvd in innen-stecktaschen, 20-seitiges booklet

on his sixth album, the arc of tension, the berlin based dj, label owner and producer oliver koletzki yet again presents his remarkable vision of contemporary electronic music, while he assumes the role of a storyteller. the arc of tension speaks to its listener as a singular, self contained work, which communicates by way of its natural flow and arc of suspense. the latter is mirrored not only in the multifarious narrative of the actual album, but can also be understood as evidence for its creatorÕs long musical history. while koletzki focussed on a diverse range of vocal collaborations on his previous long players, he now moves on to a different form of storytelling, rooted in the quiet confidence of a veteran musician, as well as the hectic lifestyle of a globally in demand dj. the arc of tension is the psychonautic journey through the various continents of oliverÕs consciousness. the quiet chirps and warbles, which initially unfold on the opener a tribe called kotori, thus act as a loose associative bridge to der mu?ckenschwarm, olivers big breakthrough hit of 2005. the first minutes of the album leave no room for doubt - we are immediately locked into an autobiographical world of sound that knows how to captivate from the get go. the dreamy, exotic timbres of the downbeat tracks by my side, tankwa town and byron bay penetrate our minds in a subtle yet purposeful manner. but soon the tension tightens and organic sounds one by one evolve towards a sterner, electronic cadence.

dutch electronic music trio, noisia, have revealed the remixers for their forthcoming outer edges remixes album. released on 7 april, the compilation brings together remixes of last summers outer edges studio album from the likes of bassnectar, ivy lab, machinedrum, amon tobin, camo & krooked, mat zo, dyro, the upbeats, mefjus, and more.

time will tell. true words reflecting the artistic and mainly personal metamorphosis klaudia gawlas has gone through in recent years. the result is her second album ÒvisionÓ in which she approaches a place she calls home in a musical context. the energetic but at the same time deeper and more sophisticated sound of ãvisionÒ is proof the she has taken a big step towards reaching the artistic level her true inner self has been striving for. as so often in life a strong vision leads to a very pure form of motivation, which finally turns wishful thinking into action. vision is a straight statement and commitment to the roots of techno. something that matches pretty well what klaudia gawlas is known to stand for. vision. 11 tracks, released on cd

2 cd compilation incl hits by harddrive, soul vision, space echo, sam divine, street kings and more

the first years, from his first album in 1976 to his 7th in the middle of the 80s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyoneÕs advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections. such a success would have burnt most of the othersÕ wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

ein raum, fernab vom allem und doch gleich um die ecke. eine vision zum greifen nahe und doch soweit entfernt. gerahmt von tasten, klappen, poties und kleinteiligen liegen, diskutieren und tanzen marbert rocel durch den winter 2015. in diesem, ihrem leipziger studio fŸhlt die band die lieder zusammen, die im sommer 2014 in einem noch abgelegneren, umwaldeten winkel entstanden. jede entscheidung durch alle kšpfe, jeder akkord von hinten und vorn hunderte male gehšrt, jeder kompromiss ein triumph fŸr die sache. keine streicherarrangements vermitteln hier grš§e, sondern das einvernehmliche nicken, das Ÿber die jahre in marbert rocel entstand. in the beginning ist das vierte marbert rocel album. eine gelebte utopie von freundschaft, ein herber kuss fŸr jeden genreliebenden. hier ist nichts grob gehauen, sondern fein gemei§elt. wie tau perlt das schlagwerk von fŠchernden synths. wie gute freunde empfangen dich die songs. wie tinkerbell leitet spunks stimme durch eine vertraut-fremde welt vorbei an gro§en gefŸhlen und kleinen gesten, um schlie§lich dahin zu fŸhren, wo alles begann in the beginning.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

2xcd cmpilation incl all beach summer hit

grassroots is by no means a political statement. it is true that this project has emerged from and was widely influenced by recent political and social events in ukraine that resulted in many people being wounded and killed. however, its only aim is to provide support and help to families affected by those events, hence music-driven charity project would be the most suitable description for it.

nach drei vielgelobten eps auf 20:20 vision veršffentlicht john clark aka debukas nun auch sein debŸtalbum auf dem label. i am machinery ist ein gelungenes elektronisches clubwerk zwischen house und techno geworden, das weitere lobeshymnen hervorrufen wird.