bitches brew are back with their next wild installment - purple somersault. if the previous release was filed under country dub tronica, this release is psychedelic surf cosmic disco. kind of like link wray wipes out with giorgio moroder. an interesting and rather beautiful concept, in fact the whole wild rumpus story is rather interesting and beautiful. two pioneers of forward thinking music, but from very different backgrounds combine to make the kind of music you simply cant ignore but at the same time cant quite put your finger on.

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

neo filigrantes new record in a slightly different outfit - vinyl in vinyl bags. this bag may also be used for other purposes as intended by many aesthetics aware djs or deejanes, whereby the records will lose their warming covers. not only will the design, but the sound aesthetics will be giving this release its individuality. on this 7 inch, two tracks are pressed with a somewhat spacey theme drive into moon morning and Étoile filante. both songs radiate trickily, a sort of melancholic mood from which will however, unfold its enchanting effect in different situations.

glory opens with a dramatic intro of sampled, filtered horns ? dug from the crates old school style ? then, all of a sudden... the ambush! in comes a simple but rolling half step rhythm, soon charged with pounding subs. juakalis vocals flow over in perfect unison with the beats ? hes really on form here!

4 smashing tracks by fl-x are on this ep. this producer of hardtechno is on the rise, especially after his first vinyl release in 2007 on the spanish label killfactory recordings. furthermore he has a partnership for bookings with the spanish agency trivialmusik, which made him popular the past year, especially in spain

reggie b has been working on music by himself since beginning of his career. but in 2007 he was suddenly gotten attention in the new school beat scene via myspace, had been airplayed from opinion leaders like benji b and gilles peterson, then just put out his solo debut album go. this is first of 2 ep series off from the album. we r here is produced by the instrument genius, motor citys best kept secret saadiq, the 1/2 of platinum pied pipers, who is also going to drop his first solo joint from circulations. reggie b delivers the next level mid west funkiness over the detroit manner head banging of this tight minimal beat. on this intergalactic p funk biz, japanese beat trio super smoky soul twisted with opposite direction of arrangement into dreamy hip hop psychedelia. for all the beat geeks they serve another track of doper spaced out beat cosmos as re edit. including a bonus song of the album title song go, the manifesto of his music with sick bass & beats by lenny d, the producer of innatesounds. from 4lux recordings, reggie b also released another project future music with slum village drummer daru recently

renato cohen twists and bites technasias rocking dancefloor anthem in this special remix edition of the original take. on the a, grooving side to side like a king cobra on heat, this number is not for the faint hearted but rather more for those who want to see themselves lost in the pulsating lights and booming punch billowing from them woofers. on the b, a low end pumper, that will rock your jumper off like there is no tomorrow.

a classic bit of space disco from the french scene of the 70s. four long tracks that are all pretty darn moogy, and pretty darn great! the work here would fit nicely with some of the best keyboard heavy club of the us scene at the time! not exactly like some of the work on p&p, or the grooves of el coco over at avi - but not that dissimilar either, and often put together with a spare, simple approach thats a welcome contrast from overblown disco of the time! most numbers build up from a funky bassline and beats - adding in the keyboards with great relish, and really letting them jam and get crazy over the top. theres certainly a bit of cosmic fusion going on here too

nice price deal !!! mxs by (soul conspiracy/laidback luke) you dont know originally broken beats/jazz/soul was released on her album secret garden but now well polished by dutch talents soul conspiracy & laidback luke!

yam who brings two new productions to super promising new uk label electric minds in his typically polished style. the aside wanna make luv is a pretty message direct from the off. a relentless fusion off synths stabs & vocoder action whilst the 80s electro phunk groove is totally banging & insistent, i think the bottom line is they re saying they want to do it but in a futuristic retro stlyee! the b side buzz reaction is one for all those crazy mid tempo hedonist playboy warehouse parties. perfect to be dropped in your disco ballrooms, full off twisted flute solos, italo vocal chants, afro percussion and one hell of a heavy bottom end. a leftfield balearic bomb is very soon about to drop somewhere in londons eastside!

lingo recordings back in action after a 7 month hiatus, but boy was it worth the wait… slum sciences danny white turns into two wicked cut that are on the deeper side of the house spectrum, yet still have plenty of jack to work any prime-time dancefloor. >she likes it< features a full on underground groove that reminds us of hodges material. >absense< is a touch deeper and features some really cool filtered string samples - hot! remixes come courtesy of jt donaldson (aka mr can-do-no-wrong) who delivers a slammin deep soulful, musical outing that is perfect end of the night stuff, and nu-jack dudes rthm who twist and turn the track into a funky jacker. this ep is no joke folks, a smoking release that has a little something for everyone

argentinean talent dokser back from his release on minisketch / dual musik brings us a hypno tech-house in the line of aqulina & capriati and a darker but authentic anthem for the tech-house dance floors out there!

support comes from d julz, miss joles, paul woolford, rob melo, satoshi tomiie, james flavour, tommy four seven and many more... on the a side, the original’s non-stop drive taps into the hidden house music adrenal glands to deliver a pure, unabashed banger. driving, sexed up, non-stop sweat inducing action. on the flip, gusgus attack the original with their warehouse of analog machines - simulta-neously extracting the essential groove of the track but infusing it with their own icelandic party freak show. minimal, maximal or whatever you want to call it, it’s a gem and one of gusgus’ finest remixes to date.

aria is a striped back but purring with refined detail and melody. lees classic delicate and distinctive groove rich with percussive fills is present and correct. beautiful strings combine with an embellished swirling pad to create a lush palette of melody that will remain firmly lodged in your brain. with the tiger stripes remix, its as if lees original has been injected with growth hormones. the melody is intact and the vibe remains, albeit bigger, tougher and firmly peak time.

markus fix already known from his release on cecile recordings is back with his 2nd strike and we are proud to present thisr elease on below. this young talented artist for sure knows how to combine the deepness of house with today minimal techno styles. two tracks, two different journeys for the latenightmadness in your favourite club. but as always: listen by yourself

excellent trippin techno track !! after mihalis presented himself as the next big thing he now brings his friends in the spotlights also. and not without a reason! these guys created a killer of a trackespecially for syndikaat. perfectly balanced beats with loads of sublayers and nice synths. mihalis himself liked the track so much that he decided to not only remix this once, but to remix this twice!! the result is amazing, simply 3 huge tracks on 1 12inch.

the kazey & bulldog picture disc is followed by the first d2s release from our hero rod lee - a baltimore legend in his own right and in our eyes the no. 1 club producer, bar none. this super aggro dude has serious issues. he just needs to open his mouth and kids cry flames. for his first d2s release, rod commits re-mastered versions of two of our favourite cuts produced by the man. we first heard >understand< when we scored a bunch of scottie bs ebay auctions, and to this day its one of the best baltimore tracks ive ever heard. you can play this sh*t anywhere and the crowd just freaks out. hip hop heads love it, techno heads love it, even your girlfriend loves it. we coupled it with rods simple but ultra effective remix of the eurythmics classic, >sweet dreams<. when the catch an attitude tour dropped in on our club in glasgow, a-trak dropped this beast for all of 30 seconds and people went nuts. bannanas even. you could argue that the eurythmics remix thing is overdone and outdated, but if you did so, wed know for sure you hadnt heard rods version. anyway... we tracked it down and got it on the flip, so really this is more like a double a. both cuts are re-mastered (but still raw like the day they were made) and cut loud on heavy 12inch vinyl

the track >uhlenbusch< shows the minimalistic, but playful side of the duo consisting of the dj ron schatte and producer christian haberer. clapping hands groove along with flabbily vocals. the bassline winds everything to the basics of electronic music put in a new robe. incl. a fabrikat remix by jay la forge (deep in rhythm/schieber) and a flatmate remix by asferico. the fabrikat remix has the power and straightness to be played primetime on the mainfloor of your favorite techno club. in the flatmate remix, asferico strips the original version down to its meer fragments to create a cool and gripping piece of minimal music. an awesome sound experience that makes the record a captivating label debut.

after unleashing the celebrated bare fist edits on us, the mysterious monsieur gateaux is back with a stunning original production. much is being made of the cosmic revival, and sure enough this does tick all the mid tempo, blissed out balearic boxes, but theres much more to love about dune, with its spacious ways and early 80s european electronic, dubbed out psychedelic vibe, shot through with a little eastern promise. its little wonder its been receiving major props from the bearded elders of sit down djing, off the back of a handful of early copies surfacing in the uk. as if that wasnt enough, the (not so) mysterious phoreski taken over the remix duties here!!!

the first in a two-part sampler series from the sound republics highly respected chicago-based spatulacity. the a-side kicks off with a funky-as-hell piano jam by hollands tommy largo with a killer bass groove that is certain to get dancefloors whipped in to a frenzy, and the a2 delivers just as well. >barnyard announcement< by melbourne, australias house prodigies lamanex is a pumping, funny tongue-in-cheek jacker that bounces relentlessly and has been drawing incredible reactions from dancefloors worldwide! flip the record over and check chicago newcomers scrubfish laurences >disco papacy< cut for maximum booty-swhaking satsfaction! this track has it all: interesting drum breaks and super-crisp beats, chopped-up instrumental bits that kick the energy up further, and an unforgettable vocal. last but not least the uks sound diggers turn in a fantastic deep-but-still-jackin tune that really rounds the record out with the funky horn and guitar bits sitting on top of a great groove.

nice price deal !!! berlin-based dj kaos has been producing twisted disco tunes for a number of years and has been an integral part of the berlin underground scene. last year’s single cerebral tremolo was released by nyc’s rong, but was also picked up by parisian tastemakers, kitsuné, and his newest single panopeeps features a killer remix by shit robot. his turn at remixing has proved fruitful as well, including work for rodion, tom vek, chk chk chk, roxy music, and new young pony club. he has also been part of the faith recordings ’collectors series’ mix cds, with danse, gravite zero which he co-produced with sal principiato, of the legendary liquid liquid. his latest project called ’ bingo volume one ’ and features various edits of the good old times . expect nothing short of amazing, with a range from acid techno to true-blue disco.

kicking off 2008 with something fresh and new from a brand new signing to the label. first up this year on re:connect is a full on vocal led breaks monster from the genius pairing of australians karl sav and nikita. the original version is up first, a full-vocal affair with crisp but meaty beats, a tasty buzzing bassline, and searing synth lines. remaining a little more laid back to start with, this one builds and builds throughout and is certainly one to get the ladies moving on the dancefloor. on the flipside comes a stomping 4×4 remix from fellow australian dopamine who strips back the vocal to its main elements, adds a pounding beat and twisting bassline to great effect. this ones for all you crossover breaks/house fans out there!

respected uk remixer and house producer charles webster rips into one of the most played tracks from dennis ferrers hailed album the world as i see it. how do i let go started out as a soulful r&b tune but charles turned it inside out. on his club mix, charles removes the soulfulness and injects a more electric lounge flavor. his deep mix is just that, a profound pumpy, warped & heady affair. both mixes put a whole new twist on the single and are ripe for the early or late set.

as the labels starts rollin, jörg henze delivers the next chapter of energetic, but slowed down techno with his two tracks >devon< and >carbon<. beside loads of samples and fragments, both tracks are driven by powerful basslines and grooves. expect support from all performers not afraid of spinning high quality techno in these >reduced times<

cut the crap, straight to the essence. lizm04 is among us, essential dancing and listening courtesy of ahmet sisman, our own private istanbul/brussels/essen connection. some pure dancefloor pleasure hidden in a-side track hiyan, multilayered, quirky luvly trippiness: one surely aiming for the boxes of djs digging the onur ozer vibe of late. the other side (why call it a b-side anyway ?) goes for a slightly deeper approach, guzzling in the vibe of a few hours later down the line in your favourite afterparty .... but hey why not just use the authors own words to sum it all up : this is surely: >dance for the moment<

new release from one of the major portuguese artist, dj vibe. some call him the danny tenaglia of europe, but he needs no props or associations, only listen. incl peter bailey remix !!

nake sharco is not the name of a mean, dangerous bounty hunter with a big-ass mohawk and bizeps like ox thighs but stands for the unexpected collaboration of premium canadian techno auteur mike shannon ( cynorsure ) and spanish purveyor of elegant deephouse and loudeast label boss nacho marco, who are nevertheless out to nail down some punters and lock them on the floor with this powerful 3 tracker.

claude vonstroke returns with his first original record in over a year. this time he partners with long time friend and upcoming producer, christian martin. this is a melodic hybrid of techno and house with influences as far away as drum n bass. the flip side features a remix by super hot producer gabriel ananda and newcomer alice rose. they playfully twist the main theme throughout, sprinkling in stabs to the constantly building groove. many people have said the original record sounds like a follow-up to >whos afraid of detroit?< but we will let you decide what to think for yourself.

hyperdub kick off 2008 they way they intend to proceed, with new tracks from a new artist. on her debut release, ikonika comes with her own very unique, warped yet soulful bleep sound. with shape shifting beats that switch styles every few bars its hard to pin these two tracks down... cos if it was easy, it just wouldnt be hyperdub. both tunes are one minute minimal, one minute maximal, driven along by ikonikas special combination of wonky synth and deep swingin sub bass melodies that place them somewhere between an early, blocky grime instrumental and the sweeter side of detroit techno ? except with better bass of course! who needs a vocalist when your synth can sing like this? quite how kode9 manages to keep unveiling new producers of such abundant talent is a conun drum, but one to be cracked some other time when we?re not so busy keeping up with his astonishing labels ceaseless march into the future.

nice price deal !!! the beats are kept minimal but strong, with some glitchy madness worked around them!! includes hauswerks remix!!

the bass heavy >mallorca< is featured in remixes by mood music head honcho sasse and composts newcomers marbert rocel, while llorca from paris has turned >incredible< into a club banger. the brothers javi and luis aka wagon cookin are lucky buggers. their recent album >2faces< is getting tons of props from illustrious supporters like osunlade, king britt, laurent garnier, rainer trüby or llorca. then christian prommer picked up their first single >start to play< and conducted a true remix masterpiece reaping even more flatteries from ben watt, jimpster, ashley beadle, markus enochson… in summer time you can find the guys chillin on their favourite mediterranen rock: mallorca. they like this place that much that they even made a song about it which turned out to be the best kept secret from >2faces< - a bass heavy groove monster and deejays fave which finally sees its well deserved release on vinyl to be played out loud in the clubs. and as this wasnt enough reason to celebrate, mood music head honcho sasse lindblad and french connection ludovic llorca (of f-com fame) check in to deliever top notch remixes of >mallorca< and the b-side track >incredible<. last but not least compost newcomers marbert rocel join the gang to make their debut as remixers, and the result is quite impressive - althought their version of >mallorca< is a little bit more dancefloor orientated than their >speed emotions< album material. enjoy!

radiuss 20th release comes with 3 boogie friendly cuts with deep new york disco influences, delivered by italian duo supersonic lovers. if you like to boogie on funky analogue basslines and gently house your body on deep intoxicating grooves, this may be the perfect radius cut for you. the supersonic lovers cooked a tasty dancefloor dish, tastefully blending deep house flavours and disco funk spices. fans of metro area, idjut boyz and mudd will surely like this! nero boogie could be described as an electric funk work out on a house trip and driving on broadway has a smooth ny disco flavour. summer sweat leans a bit more towards italo disco, but the sweet rhodes chords give it a laidback daydream disco feel. delightfully sweet boogie nights disco!!

when i first started making the drum on my mpc it sounded like a battle of drums i then added some stabs from the machines, trying to make it sound like the oldschool chicago tracks. this track is all about editing, drum programming and of course the inimitable tap repeat touch that only the mpc can generate. the end result is ninted house, a pure floor killer for all you real house heads. the clash is not a reference to the band but i felt the track goes well with ninted house it has the same mpc groove. stabs and hip hop sampled voices that remind us of those kind of tracks, where editing and sound mixing are more important than the musical elements. its that breadth in house music that i love. enjoy those two floor killers and dance ur ass off! franck roger

a very special compost release with two very rare tracks! the a-side features a great remix of beanfields >tides< with amazing vocals from bajka - of course its not quite up there with the unbelievable carl craig mix but then that would be an uphill struggle. ripperton from the lazy fat people adds his moody, deep slant to the track, less anthemic than carl craig but a more than welcome alternative. this mix was available for a short time as bootleg with ricardo villaloboss remix of depeche modes >sinner in me< on the flip and sold out quickly despite the poor sound quality. finally, one year later, this great tune sees it official release completely remasterd in chrystal clear sound - get it, play it, love it! in 2006 the duo tom wieland and marc frank - better known as 7 samurai - crafted a fine remix of invisible sessions under their panoptikum moniker. when michael reinboth considered this remix for his new future sounds of jazz compilation the guys decided to contribute even a little bit more: an excusive new version which became a definitely highlight of the whole compilation. the panoptikum 2007 remix surprisingly takes a leaf out of innervisions book for a smooth deep houser with a slighty techy sound and a touch of detroit in the vein of Âme or henrik schwarz. in contrast to the vocal version included on fsoj this 12inch features the trippy instrumental version. ace stuff! two must have tracks - all killer, no filler!

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

taken from the forthcoming album !!knives was produced during the album sessions, but works best as a single for djs as its a massive club track. paul woolford has been the track playing in every set recently. this is the first single to be released from >the truth<, paul woolfords new artist album, and this is the only way vinyl fans can get hold of tracks from paul woolford presents bobby peru >the truth<. knives is purpose built for sound systems the world over. direct floor techno with some quick edits and quirky touches.

as a label you sometimes get demos in that make you listen up right with the first beats. >deep valley< and >to the groove< by silent hill are one of these rare examples. a high production quality and massive, powerful beats leave no doubt, heres an experienced engineer at work. man behind this project is long-term producer thomas kutger getting the assist of evil concussion. two tracks as different as complementary – >deep valley< attends to the deeptechy fields whereas >to the groove< is more of a housy affair, but both with an enormous pressure and bassheaviness to set both dancefloors and sound systems on fire.

sometimes, its still worth not to waste your youth with nonsense but to learn to play an instrument. like in the case of sebastian mullaert, who has learned to play violin, organ and piano, while his partner marcus henriksson rather came from kraftwerk and human league to electronic music. as son kite, the two swedes have already a well-known name in the psy-trance scene, and as minilogue, they now start to conquer the minimal and house world. with their rather unique sound, they manage the tightrope walk between minimal and trance and never allow us to put them into a drawer. especially with their debut on cocoon rec, minilogue present themselves in a different way, compared to their releases on traum or wagon repair. >jamaica< is a calm track at the first hearing and is perfect for building up a set. beginning with bird-like sounds, the track builds up slowly and quickly becomes very interesting and tricky, ramifies as organic as a climbing plant, and when the tribal sound emerges from the underground, this track has exactly what makes minilogue so special: organic matter and groovy sounds, worked into a minimal labyrinth with very much love for the details. all of that can also be found on the b side which seems to be more adequate for the morning hours, with its somehow spacey sound. with >jamaica<, mullaert and henriksson prove that they are floating on the very surface of the endless minimal ocean. and with their album >animals< being already in sight on cocoon recordings, one can be highly anxious of what is coming ahead, by minilogue and techno made in sweden

the aa comes with a similar atmospheric intro to the a side but with more steppy beats which take us to the drop, where metallic sounding beats infuse with mid range filter sweeps and a punchy synth bassline.

its been smashing clubs worldwide since the summer! nightrhymes deliver this addictive infectious club rocker. the standout vocal just sticks in your head and will have all singing along! it was destroyed venues worldwide from pacha funky room right through to hong kong and australia. dj meme gives an essential uplifting hands in the air club remix. alfred azzetto reworks this into a deep techy. steve of soulbasics fame bumps up the energy into a europhic electro dancefloor stopper! nightrhymes give 2 mixes, the club mix is a deep, dubby, bouncy affair whereas their space remix offer something for all the main room cats! the full package really does offer mixes for all tastes and crowds... support has been from all leading angles of the dj world including: dimitri from paris, franckie knuckles, purple music, le roi, panevino, matt caseli, andy ward, dj rocco, yass, christian hornbostel, audiowhores, graham sahara, central avenue, mr mike to name but a few few....

with his now second release on mauritius, marc vision might still be a newbie to the label, but definitely not to the scene. apart from being an experienced dj since ages with a deep bond to germanys superclub >tribehouse<, he can look back on diverse releases as vision & canedy (on scuba, avalanche, plusquam & hadshot rec.), vita (together with trance pioneer taucher on labels such as tracid traxx & on a mission), visiontool (together with marc o tool on andry nalins label superfly rec.) and finally as marc vision himself (on mauritius, poison, underworld & earregular rec.). >obsession< leaves no doubt being a sure floor filler. subtly but effective the track begins with a deep bassline and develops into a kooky rave-house-monster. >the finest< on the flipside tackles things deeper and more atmospheric, but when a bulky bassline suddenly says hello half way of the track, the unmistakable command is hands up!

the original mix is an eclectic, blend of brooding atmospheres and jagged, prickly synths with a techy feel!! david west sticks to the experimental theme and retains the vibe of the original but through a cocktail of groovy bass stabs and beefier drum effects, creates a chunkier, more dynamic sound

a brilliant 3 tracker offering on the a side with >dawn of the stallion< a sureshot. superb shuffling groove, solid synthsignals and a nearly classic pianochord. thats all but thats oh so effective..

the rebirth of finalfrontier has brought some new friends within the production circle. carola pisaturo is a long time friend from naples, she has been djing around since 1997. her sound is warm and funky but still very technoish. >passione extra< is a perfect example of her skills. to celebrate this first collaboration with the neapolitan artist, marco passarani steps in with a re-work of the track under the moniker >bass-a-rani<, adding his characteristic synchopated techno beats to the original version.

with organic keys combined and more tech-influenced detroit elements, this four-tracker is moody but danceable, featuring slick production and tight drum programming. the ep has already found immediate support from such diverse names as olivier desmet, kerri chandler, fish go deep, lawnchair generals, luke mckeehan & more

last but certainly not least we have the bugs remix of harrowdown hill – with downbeat skippy dubstep beats and an eerie ambiance. techno don surgeons version of the clock is a pumping dancefloor masterpiece. and the field strip down cymbal rush into a late night, hypnotic deep techno ambient track.

for fans od richie hawtin !!watch out! this one going to be huge. italian artist rico casazza has a varied musical background of classical, soundtrack and dub, but his core interest is quality, 4/4 techno. his style centers on deep atmospherics, bright as well as stoned melodies and lazy ambiences, with a subtle twist of tension...

incl reboot remix !! wareika is the collaboration of henrik raabe and jakob seidensticker, both specialists in dub techniques (voidcom / ministry of sound, jubilee rec., ostwind rec, lebensfreude rec.), jack-of-all-trades florian schirmacher (philpot, cadenza, perlon, poker flat) and michael hank. >men village< – their first production as a collective - comes up with almost 15 minutes afrorelated drums and percussions, accompanied by warm analog-synth raster scanning and highlights, served on a pushing, strong-force but simple beat, that carries one’s body and on and on. reboot – the below and cadenza artist reduced the original to its more rhythm-based elements and added his typical trippin percussion twist

a two track 12 inch of electrifying, catchy and simply deep underground music. side a, espac ( the shorter name variation of espace), is a funky, moody and cosmic sound sculpture that fits well into the minimal tech category. this track contains a bass-laden brass morphing sound which converts to a more trumpet horn like sound. the loudness and resonance of this lead sound will definitely grab the attention of the audience. strings from outer space, claps with a live funky feeling, shuffled hats and a radioactive background noise >wicked!!! side b, f.e.b., contains more morphing and electrifying hi pass resonance chord sounds. these sounds are combined with a warm stringful waving wall sound, a heartbeat like pulsating bass line and a simple offbeat playing open hi-hats. this track is relaxing but exciting at the same time which is sure to pack the dance floor!!