one of figures most prolific artists, a.mochi offers up his first ever ep for figure spc, with 2 especially subterranean and highly charged tracks. mochi, who last year released his outstanding >primordial soup< lp on figure, continues to tread the line between functional club techno, and post-apocalyptic mechanical soundtracks. the well-defined a side burner, >riff< charges along with textured, woody percussion at its heart, and mochis trademark white noise ensemble pushing the high frequencies. a reduced, classically minimalist work, the track relies on just a handful of elements to induce a real fever on the dancefloor. following closely in its footsteps is >sunset<, a deeper cut with hi-tech atmospheres and intricate percussion at its core. metallic synths surge under mochis wall of bass, and the straight-ahead ebb of the sharp hats and claps edge this monster into even darker zones.

returning to this chicago label, he brings a solid release beginning with a spaced out soundscape & flows into dark devotional energies, an eerie cut with killer drums like the china syndrome. place space this galaxy and easing the cosmic streets take on the flip on this essential ep.

welcome aboard amen brother - a new dublin based label providing an outlet for the expertly curated sound of the underground psychedelic soul, funk & disco they champion at their night of the same name. amen brother launches with a debut release from their own amen brother disco band. abdb lines up a selection of lovingly amended tracks for different moments of the night while remaining true to amen brothers signature psychedelic sound. the a side opens with the peak time rumbling and percussive sounds of >afreeka<, an afro-esque track with hypnotic male vocal chants and rising melodies. side b kicks off with the raw phased guitar sounds of >gonna get some< and quickly moves into its sleezy funk groove and sassy female vocals. >rollin & sinkin<, closes the b side with a catchy folk track whose funky guitar based groove and male vocal finish off the debut release perfectly.

12 inch vinyl only. the first entry into the templar sound white label series comes via sydney savant dro carey. careys n.r. beat is the centrepiece of this vinyl-only release. the track is a menacing hybrid of rapid-fire martial 808s and uncompromising sub-low bass, indebted in equal parts to black ops and mobb deep.grime don j-sweet forges his own uncompromising version turning the instrumental into a brutal piece of 8-bar weaponry guaranteed to cause damage in the rave. the a-side of the record is reserved for a vocal of the n.r. beat by south londons merky ace with the mc riding the track with ease, his vicious flow effectively kept in check by carey’s brooding instrumental.

lp includes downloadcode the time has come. the funky nerd and knob-handler erdbeerschnitzel alias tim keiling is releasing his first physical album on mirau. the young producer, who has moved from his hometown of mittelfischbach to bonn, tapped into the lode of versatility early on, and has been extracting one surprise after another ever since.

last years romantic thrills album was testament to niconé & sascha bramers impressive knack for delicate melodies and soothing vocals, seamlessly woven into powerful house music thanks to the warm pulse of the kick drum. here, on their new ep ‘united colors of language, the duo delivers three stunning tracks to rival their previous output in both, romanticism and danceability.

following the great reception of hiverned 01 here is the second installment of hiverns edit series. in the a side, tbs >invitation to love<, a highly anticipated track that is finally released after becoming a fixture in john talabots sets. based on twin peaks osts >laura palmers theme<, the track rephrases angelo badalamentis clas- sic from an acid house perspective. adding analog rhythms and a crispy bassli- ne to the ethereal chords of the original composition, this refix manages to keep the dream-like atmospheres of the song while transforming it into dancefloor- ready groove. the idea is simple, the results are magic. on the flip, marc pinol repeats appearance on the series revamping some lost australian minimal-wave track. in the vein of his previous >wheels< edit, the track conjures gloomy atmospheres and sparse rhythms with gritty synth melodies. on the top of it, the barcelonian producer adds dialogues from spanish cult art-house film >arrebato< (hence the title) multiplying the obscure ambience of the tune. once again, the release comes in a limited edition 10 inch wrapped in a handmade silk-screened sleeve. no digital and no-repress.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records sub – label wax classic. for this first release, we give you the opportunity to grab 5 fantastic trax done by some of the best deep house producers at the moment. a1 is done by the great girogio luceri whose been releasing some very hot tunes through jamal moss mathematics & runaways on the prowl labels. a2 is done by jamie trench one of the new hot producer made in london, his track sound very very garage & we loved it instantly. while on the b side we have again 3 bomb tracks featuring first on b1 jackmaster k who delivers clearly an anthem, it reminds us some of best house music made in uk (circa 91/92), this track could have been played by sasha & digweed or carl cox at shoom ! b2 is marcoradi , an italian producer who teamed up with the great nicholas on one his 4lux release. he also produced many remixes (erykah badu ect ...) & some 12 inches over the years. b3 is rio padice from rawax & housewax fame those tracks are all firmly rooted into the deep house sound (check the detroitian vibes of get back). they never settle into one comfortable, predictable groove. its heady, emotion-rich grooves include warm, melodic two-step and future garage flavas, dubwise slo-mo grooves. its eclectic, no doubt, but thanks to those guys warm production and heavy deep vocals, this release will put your hands up in the air marvellously.

two previously unreleased mixes of >tonite< by aaron fit siegel, with vocals by lrenee. the o.g. mix is a version fit started working on to be a dub version of >tonite - original mix<, but morphed into something a bit more epic, and due to time constraints could not make it on the initial release. the d.d. version, is based on the original demo track fit wrote before any vocals were recorded, then edited and dubbed out by omar-s. if you liked the original release on fxhe, be sure to have this one as well and if you dont have the original release then you better get that one too!

after the tense and dramatic soundscapes of jason letkiewiczs nzambi lp under his soundtrack guise alan hurst, emotional response have put the tracks to the test for three appropriately oddball remixers. fellow l.i.e.s. affiliate terekke turns out a heavily sedated dub of >nzambi< that rides a pacey house beat but buries everything in delay and reverb. timothy j fairplay brings some serious sleazy 80s electro tones to >parallel sensations<, complete with predatory vocal and thick ladles of synthy goodness. finally, jonas reinhardt cools off the intensity with a blissful ambient version of >before the dawn< which plunges headfirst into a warm bed of melodic drones.

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

if you thought pittsburgh track authoritys production prowess stopped with techno and house, you were wrong. here the trio dives into luminous, pulse quickening 2-step on the title track and booty bumping, aquamarine electro.

this record is made of free radicals. whereas maestro felix bernhardts original is a full throttle primetimer, climbing up the ledder of suspense to receive a thousand of italian kisses, the rework of wahrlich & carbon is condensing the tune into a very robust and clear-shaped construct of techno essence.

zulu guru is the first full-length collaboration from singer/songwriter jesse boykins iii and producer/emcee melo-x. both jesse and melo-x have critically acclaimed self-released albums and duets. with zulu guru, they bring together a solid collection of songs that reflect and define a new direction in hip hop and r&b, both lyrically and musically. this new sound is rooted in traditional soul music, adding elements from multiple genres to serve a purely unique and honest look at modern romance. with zulu guru, jesse and melo-x absorb influences from around the world into the production including afro-beat, west indian, and electronic soul - expanding their brand and message wordlwide. zulu guru also features emerging singers chris turner and mara hruby, rapper moruf, style mavens joshua kissi & travis gumbs of street etiquette and wordsmiths kesed, trae harris and joekenneth museau.
comes with code for free mp3 download of the full album.

the second volume in the detroitrocketscience series of cosmic journeys, produced in a low-earth flight plan that vectors between detroit and berlin. >alpha control / workers in orbital habitats< is a suite that takes you from the launch pad at alpha control to the orbital habitats, where vacc-suited, free-fall engineers work in zero gravity. >reentry into martian atmosphere< is the soundtrack to the treacherous reentry into mars unstable atmosphere, a.k.a. the 7 minutes of terror landing window of americas latest martian probe. collectible 10-inch black vinyl format.

edux return from a winter hibernation and summer of partying with some more essential wax. machete savane is their latest signing, aka studio supremo saul richards & andy bainbridge, an integral part on well respected and notoriously raucous party people bad passion andy has perfectly distilled what drives the bad passion dancefloor in the excellent >elysian fields<, and who better to put a unique stamp on the track than their main resident guest felix dickinson. he takes the track into bolder, dubbed out and altogether more acid house territory, while keeping the live elements to the fore. finally mid op amps up the drum machinery, and lays out another corking balearic with balls workout. quality stuff as always.

deep house emporium ornate music cast their worldly gaze to the far east, calling on japanese producer sai, a graduate of agness sthlm audio imprint, for a killer four track ep entitled bedroom eyes. the sultry, suggestive nature of the title is translated into the tunes on offer, with opening cut >2am< offering the most subtle of acid lines alongside piano flourishes and a spoken word vocal snippet. better still is the afterhours bump of >blue lingerie<, while >mr< toughens things up on the flip with a analogue grit and cooing vox. the 12 inch is rounded off with another original cut in >another myself<, which is dripping in classic motor city house vibes with gently oscillating bass tones reaching deep down inside.

>blurry< runs at 133bpm allowing it to sit neatly between dubstep tempo and the increasingly popular 125-130 bpm bass / house scene that has been developing in the uk over the last couple of years. taking things down an ongy-bongy path, this rhythm provides the soundtrack to a hunter chasing his prey through a humid jungle landscape, with fast weaving beats charged heavy by the deadly subs. the heat is on.
>spearhead< sees roska making a rare 140bpm trip, taking this rhythmical excursion neatly into dubstep tempo territory, creating an original cut which sits in its own world of tribal grime. the bassline pounds heavy, eventually rising upward before suddenly plummeting back down to the murky depths from where it came, and back round again. dis-hyeer quality dubstep music produced pon the other side of the looking glass.

having hibernated over the past few months, truesoul is back with a run of releases to close out 2012. the italian duo of frankyeffe and enrico sangiuliano kick things off, combining to deliver two smooth cuts that straddle the divide between house and tech house. >consciousness< works up an atmospheric mood with spacey effects and the spoken vocal sample woven into a rolling, percussive groove. >neaps< retains the percussive feel to create a bumping rhythm of drops and builds that provide the space for the distinctive vocals to do their damage.

having made a name for himself as a heavyweight dub, ambient and techno producer as conforce, versalife and silent harbour, boris bunnik is now branching out into label ownership with julius de wal. the imprint will be called transcendent, will be vinyl only and aims to focus on deep and abstract mental sound excursions.
this is a very limited release of only 150 copies worldwide with no repress at all.

nice price deal !!! prism studied drums under vance gordan specialising in afro cuban rhythms and the moeller technique prior to venturing into music production. after becoming more intrigued by the intricate likeness of all societies, cultures and religions, prism was created with a deeper purpose. not only to showcase these influences but to convey an awareness that all things no matter how different they may appear in physical form, are all the same. having an ear for deep jazzy tunes and being hugely influenced by the early metalheadz era, prism continues this sound in his selection of music playing vinyl and unreleased dubs from all around the world. always in tune with the roots of what started both dubstep and drum and bass, prisms selection rarely strays away from raw, emotional bass music but contains something for everyone which will insure a good time for all who catches one of his sets

alejandro vivanco, chilean producer and dj offers us >energia roja<, an unusual and sensory journey into his minimal, organic techno universe, which takes us far, far away, on a journey to the distant borders of abstract. in the same, insane and twisted vein, >los imaginarios< is an invitation into a land of dreams, a perfect soundtrack to tim burtons alice in wonderland played in slow-motion and a perfect companion to further appreciate this epic journey. two non-conventional tracks which are somewhat reminiscent of productions from berlins perlon records.
last but not least, the remix of >energia roja< by jens bond, one of berlins techno activists that needs no more introduction, this rendition takes us a step closer to the dancefloor with a minimal, deep version of the track that is just perfect for those lush, sexy warm ups.

techno fans in new york and chicago should be pretty aware of jeff derringer by now. since launching oktave in october 2009 with partner kevin gregor, the former indie rocker has turned a passion for deeper electronic music into a respected dj and promoter career. but it is as a producer that jeff has begun to earn rising recognition elsewhere-throughout the us and beyond-with his records infiltrating europe via support from the likes of silent servent, chris leibing and peter van hoesen, along with many others that have graced oktave over the years.

for signal life #03, we teamed up two young vigorous south londoners: mr. louis carnell, known by his moniker visionist, and mr. marco giuliani, who works under the alias last japan. >control this< by visionist combines his background in south london grime with his signature drum machine template and lo-fi vocal excerpts into a coherent mesh. our favourite visionist track to date! when we first heard >storm trooper< by last japan, it was the tension we got caught up in. the song is focused with a clear direction, uncommon in most young talent, armed with a driving snare-fill rhythm reminiscent of south rap and all that exiting stuff in the 160 bpm. i believe murky is the correct term. we predict interesting things for mr. giuliani.

deepblak chief alchemist aybee returns unveiling >worlds< on deepblak. once again we embark on cross dimensional travels into rhythm as aybee dives head first into sonic landscapes. >worlds< is a rhythmic cartography of the many moods of the oakland, ca based producer. fusing elements of the cosmic, and the deep as he mines through a host of emotional transitions of the last few years. true to aybees production aesthetics >worlds< is full of depth, layers, and colors while touching on various tempos. always seeking to expand the boundaries, aybee once again delivers a long play project that transports the listener while evading convention.

to celebrate the rerelease of the three classic to rococo rot records on city slang between 1997 and 2001, we have asked two friends and fans to rework their favourite tracks of these albums.
four tets kieran hebden chose the brooding minimal collage >he loves me< from the bands 1997 archetypal release >veiculo< and, like a prism in singular beam of light, his remix reveals the songs true glistening content.
mute label founder and longtime to rococo rot afficionado daniel miller teamed up with london based producer gareth jones to give >cars<, from the bands impeccable second album >the amateur view< a compassionate modification into a ... well, lets call it a krautrock disco truck.
the 12 inch will be limited and only available for a short time.

having released his critically acclaimed third album �>personality�< earlier this year, scuba has announced news of a brand new single �>talk torque�<. the one-�sider �>talk torque�< will be released through hotflush as a limited edition red marbled vinyl and will coincide with the world premiere of scuba�s live show on november 3rd in london. not one to rest on his laurels, scuba has been busy this summer djing at countless european festivals including off-�sonar, sw4, hideout, primavera, closing bestival on the saturday and making his debut at ibiza. hotflush recordings has blossomed into a veritable juggernaut in underground electronic music, releasing everything from techno (sigha, george fitzgerald) to some of the most experimental and important music of the past few years by artists like joy orbison, untold, mount kimbie and sepalcure. having cemented his place at the cutting edge of electronic music with �>personality�<, scuba now turns his attention to the live scene. scuba�s debut live show promises to be nothing short of spectacular and is not to be missed.

the next musical offering from no.19 comes in the form of robot heart. a record almost destined to be a classic before its creation. this is the same robot heart that burners chase through the desert on bikes deep into the playa to partake in one of the worlds most enigmatic events. it s been praised by the likes of rolling stone magazine as one of the best parties on earth and continues to top the lists of dj s lucky enough to play atop the legendary mobile soundsystem..

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

great dont techno 4 tracker... new moves from cursor, ben pest & jerome hill ... cursor miner has built a solid reputation over the years for being a free thinker in the world of techno, breaks and bass music, and here for dont he delivers the massive >nonon<. with early support from perc, the track has to be heard to understand... it lures you into a trance then thunderous spastikesque drums pummel the listener into submission. in one word, classic. plus you get palinki, a warped techno bouncer. on the flip, another freethinker, ben pest treats us to >yam um sugli<, with deranged synths and drums practically oozing funk, this sounds like nothing else on the planet.. which is what dont is all about! finally, label boss jerome hill steps up to give a reworking to the aptly named >rumbler<, an intense techno bruiser!

support by noir, sascha braemer, tiger stripes, m.in etc. while its getting colder outside, miyagi sends us beautiful melodies for the autumn. you will bet! but such as love the new rennbahn has got a lot more to offer! weird world is a dreamy & floating deep house track, which will levitate you over the dance floor. warm melodies combined with a heavy bass line make sure to catch the mind of the people. the remix of jaxson & david keno let disappear your thoughts in the straight beat and the floating and hypnotizing bass rhythm! this remix is anything but weird. on the b-side, medusa is waiting for you with deep sounds and a beautiful piano chord in order to take you on a journey through her walk of fame. dont you dare to look at her cause her dreadful sight will turn you into stone. with oliver schories remix you will discover an interplay between deep basses and beautiful highs accompanied by his typical piano sounds which finally come together to one gorgeous climax at the end of the track.

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

after their sure-fire succession of great releases dam swindle end up on the excellent freerange imprint. and if you like the words deep along with atmospheric then this will most definitely appeal to you. from the opening title track with its lush, moody nu-groove styled pads and thunderous hand-claps these three productions simply ooze class and intensity in abundance. next is >gotta know< which rewinds back to classic house sounds and injects a sense of melody into the already swinging rhythms and punchy, detroit bass. which is then followed by >brotherman< and yet more in-depth moods, this time accompanied by jazzy, scat styled vocals for added diversity. finally we have wolf music main man krl stepping up to remix brotherman and a rather sterling job he does to. making great use of the vocal krl brings us a slowed down version with his trademark shuffling drums and a dynamic arrangement. piano stabs and a cheeky boogie synth sample all help bring his own sound to the track and round off the package perfectly.

collaboration is at the heart of the brothers concept. 4 artists, 2 tracks, 1 vinyl. brothers music sits under the expansive banner of techno. from ambient / leftfield, dancefloor to industrial / experimental and everything else in between. we want to push artists we love to there limits. getting them to move outside their comfort zones and venture into new territories. swap ideas, techniques and sounds, as long as it feels fresh and unique to the artist, their partner and us that is all we ask.

one records once again stay true to their top quality ethos as they welcome back firm family member and desolat favourite hector, with his stoned raiders ep - a journey into the deep and hypnotic, featuring killer remixes from the recently reunited h foundation, young one to watch samu.

the alfur ep is the second in the trilogy of records written by individual members of the old apparatus collective, which will be released in three month-by-month instalments.
alfur, produced by a. levitas, offers a view of the rusted old apparatus universe from another angle, a suite of songs that weave together deep feeling and influence into a complex and very listenable ep, built for deep listening at loud volumes. alfur is a mystical, deeply atmospheric five track set, recalling the spooked ambience of third eye foundation and earlier tricky material, with gauzy layers filtered through electronica and hip hop’s modern digital mechanics.

as the motech label moves into a new decade, dj 3000 and friends - in this case, dapayk solo, mr o and t. linder - unite to present this varied ep featuring four exclusive and previously unreleased tracks.

interstellar ep by label boss deepbass showcases more of informas modern sci-fi sound. two original tracks of hypnotic, atmospheric techno which capture the feeling of travelling through the depths of space. on the first remix we have psyk (non series, mote-evolver) who takes the track to the next level with an intense feel of uplifting tension. our second remix is by nax_acid (aconitio records) who provides a much deeper beautiful remix which takes you even further into the interstellar.

miguel campbell is a burgeoning young star that shot to notoriety in 2011 after something special, his debut release on hot creations became one of the biggest tracks of the year.

the second single to come from miaoux miaouxs acclaimed >light of the north< album, the limited >autopilot< e.p brings us the original track backed with a heavy-duty line-up remixing select tracks from the album. the original title-track is a glittering synth-fuelled hymn to heartbreak, which incorporates elements of bass and hip-hop, while recalling the stylistic flourishes of boards of canada. reworking >hey sound!<, glasgows very own auntie flo and esa bring their exotic stomp to the table: a percussive journey soaked in dubwise holy water. tom furses remix of >stop the clocks< is almost like a reigned-in, beat driven version of john elliots outer space project, thick cosmic ritual elixir bubbling over the sides. already having made his name on skreams disfigured dubz, echo park takes on >autopilot<, turning the original into a cast-iron lesson in militant rhythm. echo parks real talent however lies with integrating elements of the original seamlessly with his own punishing sound palette.

both tracks warmly inviting you to get into their groove

following the s_w_z_k debut album, which came out on tresor records before the summer, david brown offers here further insights into the most recent developments of his new departure. receiving the help of long-time collaborator and friend richard davis, the duo continues its dive into the concrete and metallic landscapes found on their eponymous lp effort. the variant & empires ep however marks somewhat of a slight departure from the obscure experimental investigations previously undertaken. tc4 variant is a roaring number, aiming specially at the dancefloor and taking the duos energy to its highest point, while second city of the empire intimately unveils the deeper side of their enterprise.

machines state polymers is back with another ferocious mixture of techno-filtered, house power! lucretio, one half of the analogue cops, co-founding member of restoration records and a judicious supporter of the vinyl format, gives us his third release for the label and furthers his explorations into the relationship between machines and sounds.

the second vinyl edition of his own groovear label keeps the groove running into deep wax - with natural and artificial, two original unreleased numbers, on which leonel develops yet again two very different aspects of his production, from jacking to proto house

next up on rompecabeza we delve into the world of techno again, with a powerful and melodic release from producer dave shokh. danceable tracks, full of emotions and superhuman excellence, keep everyone moving.

we all remembered definition:music 001 horatio & katoline - mi nombre. a track remixed by the grand master reboot himself, which shaken the things and brought this label into the spotlight. we awaited the follow up and it came as a warm collaboration between this dynamic duo (h&k) an...

vol.20 with three killer groovin deep house with disco & acid house elements

continuing in a strong and revitalised form that has seen widespread recognition for releases from synkro, troy gunner, szare and stickman, mindset records return with a debut 12 inch for longtime friend of the label, elsewhere. hailing from the same rural locale as sometime production partner stickman, elsewheres infinitely technical productions bear the hallmarks of a studio obsessive, with production values of a higher level helping to deliver three tracks of a unique quality. with productions informed partly by seminal trips to london to stand in front of dmz soundsytems, elsewhere reworks the dystopian dread and power of that sound into something entirely new, with lead track trippin already finding its way into the record bags of akkord, lone, troy gunner and more. bott bott displays intense dynamics with a smartly deployed vocal and a ruthless subbass underpinning a ferocious uk funky influenced drumtrack whilst the espers comes with alternating slices of rude ukg swagger and some subtle atmospheric work.

jolly mayhem, this one is sure to rock the floor & is already getting major support from some serious heads! the flipside is a more mid tempo house affair but is equally as devastating. richard from milwaukee takes on better off, a stomping disco groove which escalates into full-on crowd control.its all about the classics here, with richards trademark chunky percussions & synths galore. did we mention the bassline? kick back to this one. dj kaos jolly jams imprint delivers again!