mute veröffentlichen eine weitere single aus dem aktuellen new order album “music complete” inklusive remix von claptone. die vocals auf “people on the high line” stammen neben bernard sumner von elly jackson, besser bekannt als die grammy-preisträgerin la roux. claptone veröffentlichte 2015 sein erstes studio-album namens “charmer”. letzten sommer war sein remix von gregory porters “liquid spirit” ibizas meist-shazamter track. die 12” version erscheint auf weißem farb-vinyl und enthält neben einem exklusivem 12” remix von claptone noch einen extended mix. außerdem liegt ein downloadcode für das gesamte release inklusive weiterer remixe bei.

soothsayers are back with a double a side featuring two massive tunes from their forthcoming album. originally released on the strut records album collaboration with cornel campbell, soothsayers have reworked their tune nothing can stop us upping the tempo and showcasing the vocal recipe of singers idris rahman , robin hopcraft and julia biel take me high is a heavy, dark and spacious head-nodder. sublime tripped out vocals by soothsayers as cornel campbell floats high in the atmosphere above accompanied by earth-shaking trombone and analogue bleeps in a sumptuous dubbed up mix. warm analogue sound recorded at fishmarket studios, mixed by daniel boyle at rolling lion studios. soothsayers releases are always championed by dj david rodigan (bbc 1xtra), as well as gilles peterson (bbc6) and many others.

the highest heights of 60s nyabinghi music from the drums of ras michael aka king negus fifteen tracks of glorious, devotional rastafarian hymns of praise originally released on rare zion disc singles in extremely limited pressings and never before available outside of jamaica

up next on good company records is the hi vibe ep, a four-track trip into the outback of your mind, with synthetic friends timo l and deni deni, aka long body. setting off early in the piano-led landcruiser on a big trip , the listener is then invited to drop out by the spring of fuzzy logic ... over on the flip, it s (inner-)spacesuits on, until the dreamtime kosmische of stay vacation awakens to endless going and re-entry procedures can begin... -splashdown- !

very tasty output by high water! tip! jazzy, trippy reggae house vibes

british producer reformed society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. a self proclaimed goal that is easily noticeable in his first release for “made of concrete”, wherein he reveals three original tracks and a remix by gathaspar, one of the label’s regulars. kicking things off with “high tension”, a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the ep from scratch. a clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude. gathaspar’s rausch remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub- aquatic feel. on “volgende halte”, the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener’s brain. rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe. movement inducing from the get go, final offering “orbiting jupiter” centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.

i was deep in texas when a call came through... -hey man it s cherry ! ...we got some sick new shit for you, gonna blow your mind- i waited nervously for the package. it arrived two weeks later. i slipped the hot black acetate from its wrapper and placed it on the turntable... wired guitars wail like banshees on heat, primal beats erupt drenched in dark juice from roots of trees slick with crunk. flutes and bells hang like exotic flowers that reek of jungle sex and all night long the pulse goes on and on and on as usual cherry was right...this most surely is one sick motherfucker of a record. don t get me wrong there s warped beauty here aplenty but you gotta take it easy. don t ingest it all at once...make sure you re in comfortable surroundings, trust me i know...six months later and i m still feeling the burn. damn you cherry garcia.

the three tracks travel in many different directions. speaking directly to all the dreamers, the result is a surprising cross-over in which synthesized european music gets injected by imaginary tropical visions. the record is opening with the inner mind percussive ambient « chekema », an animistic incantation that will please all those who see parties as modern ritual gatherings. the jazzy wave of « get enough » cracks open the b-side. it’s a foggy street jam in which the cold cr-68 rhythm balances perfectly with the warm organ chords of the crumar. closing things off is the spectral reggae song “love so high”, a desperate cry from a polar explorer stranded on an iceberg drifting towards the carribean. heartbreaking.

summer, sunshine, feeling good - for their long desired debut album mollono.bass & ava asante take this great essence of life to compose a unique kind of electronic music. by combining the catchiness of their solid grooves with a touching violin and a breathtaking voice they create a magical journey that will make you feel like birds flying high. while some tracks are bursting with euphoria, others swing along with dubby easiness - and all of them will touch your soul deep inside.

raw, rugged & slightly unhinged serpentine delirium from our man in okayama. equally at home in the warehouse or on the forest floor.

high mobility weapons unit continues its exploration, entering an unknown solar system and landing on a desolate mining planet. the counter rockets ep is the second release on the imprint, drawing influences from heavier, lo-fi territories, whilst still maintaining hmwu s characteristic space techno sound. the a-side starts off with the title track, counter rockets , which is a dj tool that combines functional bleeps with machine processed percussion. a2 serves up abandoned interstellar tomb , a fusion of atmospheric deep space bass and jacking drum patterns. on the b-side, deep sea deposit kicks things off with a poly-woven synth line that contorts and shifts throughout the track. finally, excavation site rolls along with its muted melodies and haunting fx, all built above a floor of sub-bass.

slamming 90s analog sounding house ep

following the release of alvin aronsons *city ep* on white material earlier this month, the new york based producer has shared clips of his *high rise ep* scheduled for release mid-december 2015 on nord records. the 4-track vinyl release features sessions with morgan louis and galcher lustwerk of white material as well as a couple of solo tracks.

jean nipon most recently known for his standout productions on parisien label clekclek boom joins the l.i.e.s. stable with a new three track ep. the a-side sees nipon go straight for the throat with a chicago-esce muted-synth beating drum track, not unlike early poindexter or ricky smith productions- it is effective, dj ready, and geared for the club. the two track b-side takes a more mellow and dusty approach- without losing his sense of rhythm engaging drum programming push along tape warbled melodies as the tracks expand and release, balancing out and letting this ep breathe perfectly.

wow, this is a turn up for the dancefloors - this new jolly jams release is by dj kaos of jolly jams records (i guess the introduction about him is not necessary). always highly collectable and rare, youll find eight jams showcasing the labels stunning sound. lay back is the opener of this beautiful ep, a house/acid stormer that is pure dancefloor dynamite. on the flip its psyche-rock class in the form of hurricane wheels. listen for yourself to the other six jams, well keep this review nice and short. dont miss out on these pieces of history!

dany deliver a new ep on his own label, high sense ep with a melodic lead inside and massive drum to burn the dancefloor. also including 2 remixes by marco bailey & sierra sam. play it and have a nice trip!

expertly executed, sub heavily booming, superiorly effective house bombs

nice price deal !!! the brstl label reaches its tenth release with a return to where it started with a 12 inch from october & borai. the label was set up by rhythmic theory, chris farrell and shanti celeste in 2011 from the idle hands record shop as a means to showcase the finest house and techno being produced in their city, bristol. octobers * head 4 phuture* is a nod to the acid pioneers without resorting to revivalism. instead a heady groove is teased out over several minutes, perfect dj gear. october & borai * too high the future* is a heady stoned house groove, from bristols highest producers – with some weighty sub to propel things along.

pressing on grey marbled vinyl.

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

incl moonbootica, dayne s , felix kröcher remix

ltd one sided dubstep / bass / dub monster

repress 2015 ... with dubsteps big push into the mainstream, stirring up all manner of hybrids, variants and mutations, its worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception. paul rose, aka scuba, and his hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. putting out key tunes by the core pioneers of dubstep, but also by true outliers like mount kimbie, joy orbison and sepalcure, hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. joining the uk underground to the deep-rooted techno culture of berlin, where rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. so next time you hear someone talking about >post<- this or >future<- that, consider that maybe the times are just catching up with hotflush. back and 4th features ten brand new tracks from bass musics most innovative producers, as well as a collection of essentials from hotflushs recent catalogue. the compilation is presented in double-cd and as a triple 12 inch vinyl release.

fresh techno tracks on a limited 180g vinyl silkscreen printed cover

fresh techno tracks on a limited 180g vinyl, housed in silkscreen printed cover with download code included.

chris wood and meat, owners of freebase records in frankfurt (germany), have joined forces in the studio again and delivered stripped down atmospheric house tracks. future classic!

old skool / 90s inspired analog underground house

ellen alliens erste ep in 2015 beweist mal wieder, dass die liebe zur musik doch die schönste droge auf erden ist. weil aus der euphorie schnell ein rausch werden kann, gerade wenn diese liebe ausgelassen auf dem dancefloor geteilt wird, ist ihre 11-minütige reise * high* auch der tanzenden crowd gewidmet. und auch auf der b-seite geht es um energieaustausch: * lou* steht exemplarisch für die treibenden parts von ellens sets. listen. feel. space out.

produced by dj premier (think twice) and leaf dog (feels great).

new kids on the family! from malta arrives two masters of deep house. owen jay & melchior sultana. pure groove and elegance is what overflows in all of their tracks. last year they release a lot of top tracks on labels like minuendo recordings, moods & grooves and also work on their own acclaimed label batti batti. with this level of production, could not miss a top remixer. and for this occasion troubled kids has an eminence of deep house. kai alce owner of ndatl muzik. giving the final touch to this ep with a smooth remix perfectly combined with the sensual voice of reine kabban. it will be a must in your suitcase

high:controla records on this third edition, welcomes to yuuki hori, rising star from japan. circles ep, with three cuts of detroit techno, demonstrates the big talent of this japanese artist and his sound quality. circles ep is already supported by many djs and artists such as danny tenaglia and davide squillace.

stephane lefrancois & jameson gilvarry team up for the latest 12inch from the secret music label and find inspiration from a canine icon of space travel. laika is named in honour of the first cosmonaut dog, depicted here on the cover art and lefrancois and gilvarry convey her journey through an uplifting, rolling techno cut that doesn t seem to stop building. complementing the original is a remix from dantiez saunderson who strips down the groove, while giving it a swung, offbeat feel. staying true to the original, this version also introduces another layer of melodic synths, extending the journey, making it deeper and moody. the booming, clean low end and bouncy high end keep the groove propelling forward.

180gr vinyl. little big bees big hit track named high clouds in 2005. now, here is new remix by ron trent. also the new mastered version of original mix.

after absolutely killin it for sound signature, ndatl, wild oats, and apron, jay daniel launches his own label, watusi high. coming in hot from the detroit scene, he expertly combines synths and samples he takes a jump on that special detroit sound concurrently funky and mind melting.

high:controla is a vinyl & digital label which has been founded in 2014. the label sounds fuses elements of underground & techno with more organic styles to bring it special.

red motorbike has been a handsome vehicle for eddies own, ever-essential output, alongside some specially selected collaborators across 9 glorious releases. here, the head honcho rides out again, accompanied by the nearest and dearest from the label family. high road is a one-off double vinyl celebration of all the label stands for brilliantly reworked mid-tempo cuts, sample house jams, psychedelic soul rewires and head-nod heavyweights, all sticky with the funk and sure to work well from beach bar to barn dance. the track curation is second to none, and you can be sure theres no filler here!

rawax proudly welcomes arttu to the artist family! his debut on chiwax could be not bigger - high time wobbles!

this limited cassette is a special bonus / pre-release item for the forthcoming 2xlp high road forthcoming on red motorbike! low road contains unreleased music from eddie c which wont be appearing on the vinyl version, and also features cuts from kkoosh, dane & khotin and cem g. lightly mixed by eddie. 50 copies worldide

a: power clean is like the clean movement but adding some extra power by lifting the barbell high enough to get under it. 2000 and one translated this movement combining a slightly distorted techno beat with stabby chords for dance floor force. b1: fabregas with its eerie sounding synth riff and a 909 beat is destined to be a prolific scorer, just like the one and only top athlete. b2: solid state is not an ordinary tool. it is more than that. to find out, play loud

amazing 3 cult tracks from the master of edits todd terje. a must have

best dj slipmat we have see at the moment! das dj-pro slipmat set besteht aus zwei slipmmates mit jeweils einem gleitfilm. die slipmats basieren auf mischungen von kork mit naturkautschuk und filz. durch die kombination der unterschiedlichen materialeigenschaften erzielen pathewings slipmates eine wesentlich bessere vibrationsdämpfung als herkömmliche slipmates. das vinyl bleibt flisenfrei und eine schneller tellerwechsel wird begünstigt. besonders gleited. der gleitfilm sowie das eigengewicht der slipmate ermöglichen es dem dj mit kleinen impulsen große ergebnisse zu erzielen. auch bei relativ hohem druck auf das vinyl sowie bei moves, die erhöhte reibung verursachen, bremst der plattenspieler nicht im geringsten ab. langlebig: die verwendeten materialien sowie ihre verarbeitung verschaffen dem produkt eine überdurchschnittliche lebensdauer.

part 3 of this special project meant to introduce the new bunch of artists on the label - brique rouge is back with a new creative crew, from paris, to spain, to belgium, to portugal, to uk.

the label sounds fuses elements of underground and techno with more organic styles to bring it special.

whistleblowers 5th release is a two track ep from reset robot. hot off the back of his recent album truesoul reset robot delivers two slabs of techno joy. high notes is a subtle acid builder . the acid and drums are arranged in a way that keep you on the edge of your seat. the adventures of gary curnow is a stripped back techno groover. the persistent techno stab is complimented by drums which drop in and out and add an interesting texture to this cheeky number. upfront dj support: alan fitzpatrick, ida engberg, rhymos, adam beyer and victor calderone

ruis004 by bodj. 450 hand-stamped and hand-numbered copies on solid white & black marbled vinyl.

great minimal house tracks incl. awesome sonja monear remix