the winter is cold but the sun warms the days. keymono-music has built a new release for the spring. with the start of the season felix bernhardt serves us a technoid temperatured cocktail against tiredness of spring. ice-cold and minimal is side a going on to the point. stylistically essentialised reduced, even with stomping and rolling bass, >the driving machine< and >ratter chatter< are shaking the last icicle out of us. because of the houseline rekardo rivalos remix on side b you can feel the change of the temperature and you can see eventually the rise of this years summer already on the horizon... supported and played by: richie hawtin, slam, claude vonstroke, paco osuna, rene bourgeois, kiko martinez, boenig & ochs and many more..

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

maelstrom could be mistaken for the newest kid on the scene, coming out of nowhere and dropping releases on prestigious labels like dirtybird and bnr trax in less than one year, but in reality he is far from being a kid, as a matter of fact he is more of a daddy. and i mean this more in a having a child way than in a >i m house musics daddy and i m gonna make her my bitch< way, except the latter is exactly what he is about to do with his new ussr ep on sound pellegrino.

title track -dust- launches the ep into an immediately throbbing groove, rung through with the dissonant clangs of the genre s cold, machine-obsessed heritage. this hydraulic homage is succeeded by -overshadow- —a closer inspection of techno s cogs and wheels that sees volkov tinkering with its parts over 9 minutes of cumulative atmospherics. endless—the new collaboration between alistair wells aka perc and giorgio gili, based on speedy j s electric deluxe label—offers a hypnotic remix from their pooled influences of brian eno, byetone, robert henke, irdial and ifach. here volkov s dark and growling slow-burner is stepped up into an octane workout, dressed with gili s minimalistic traits and seasoned with a spot of perc-style abrasiveness. -corner- is dust ep s provocative closer. driven by anxious, incessant hats and syncopated hisses it uses suspended melodic morsels to work itself into a beguiling anti-climax that leaves you begging for more.

a one sided special acid techno release from chris liberator and sterling moss, a big fingers up to the bankers politions getting fat of our backs! all profits go to the occupy anti-capitalist campaigners.

strictly limited release on transparent vinyl.

a cool work from xpansul and alessio mereu coming back together in the same ep, after the previous project from somewhere to nowhere released on 2009 on t-bet records. but this time theres a striclty featuring enclosed in the emphasis of two tracks, including a remix by sasha carassi already known for his great works on various labels such drumcode and mores.moldy oscillatoris a powerful mix of synth attacks and transporting bassline, the kick is very deep but strong too. an ancestral background takes everything so dark and aggressive, a great techno dark mix.second step for moldy oscillatorremixed by sasha carassi, the bassline is very fat and hard, the synth runs in background very hypnotic and insidious. heavy techno dark gear of course.acid cream whiphas a pumping groove and is framed by a an electronic bassline, an acid synth carrying the track very high, rolling chords and majestic cuts. acid pumping techno tune. a flawless job, where youth and experience are a winner pair for an epic release of course. analytic trail, your trusted music dealer.

in 1986 steve earles new brand of country-rock music was taking nashville by storm. his debut album >guitar town< topped the billboard country album charts, as did the single with the same title.
influenced by bruce springsteen (who was earles eureka!) and townes van zandt (after whom he named his firstborn), this was one of the strongest & most confident debut albums released in the 80s.
he showed an angry literacy, a dark sense of humour & a street-smart snarl that was uncommon amongst his country counterparts and made him stand out amongst the crowd. but he was also ostracised because of his anti-vietnam stance & long hair.
this is the first vinyl re-issue of this double grammy nominated album since its original release! comes on audiophile 180 grams vinyl, including bonus track and insert.

classic bob dylan stuff…

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

long time no see but the waiting time is over.yo! announced details about their secondrecord. after the first incredible release by live thugs (from space) with their slomonster exploration ep the new one will be by montana falcons. a newcomer-gang straight from the hoodof nowhere. we met them in our holidays where they guided our pony trekking tour in the mountainsof madison county. a great inspiring day cruising around and seeing nice birds and pretty clouds.at night we sat around the campfire, drank hard alcohol, smoked original montana tobakko, cleanedour weapons and heard these tracks for the first time on their pony-soundsystem. make your own opinion, but they hit us like a bullet. yo!

items & things ist das label von magda, troy pierce and marc houle, die mit the door eine grandiose 4-track-ep des französischen produzenten tomas more veröffentlichen. das spektrum dieser platte reicht von bouncedem maschinenfunk über sparsam arrangierte, gespenstisch wirkende electronica-soundscapes bis hin zu ätherischem roboter-acid.

top compilation with tracks and remixes from maya jane coles, huxleys, huxleys, milton jackson…

limited backstock action !!!

witness the second coming of this mysterious italian producer with shocks ii, totally abandoning the conventions of dance music with three more astonishing tracks comprised of heavily layered sounds, tape loops, loose percussion and meandering guitars. in his post-modern approach, shocks orchestrates a melding of sounds musical and non, beautiful in their a-tonal harmony, obliterating any linkage to original context and leading us on a road to nowhere.

bonaparte, der rock n roll-zirkus mit dem wahnwitzigen pferd und den geschichten aus tausend und einer clubnacht.
nach fast sechs jahren dauertournee von neuseeland bis seeneuland genehmigt sich die partydiktatur bonaparte gerade eine auszeit, um nach den diamantenen erfolgsalben *too much* und *my horse likes you* in den neuen kaiserlichen goldgräberstudios das dritte album zu erfinden. man munkelt, der kaiser soll im studio höchstpersönlich seine peitsche swingen!
damit bonaparte-fans über den winter kein trübsal blasen müssen, gibt es nun *0110111 - quantum physics & a horseshoe* - den größte bonaparte-livemitschnitt aller zeiten! erleben sie also alle bonaparte smash-hits in live, von *anti anti* bis *gigolo vagabundo*, von *computer in love* bis *rave rave rave*, und lassen sie sich entführen in die magische welt der fan-tasie!

welcome to monkeytown. berlin duo modeselektor returns full force with a new album whose immense energy and club-boiling beats will inject the global dance community.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various / different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the >antiparallelity< is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking, anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you

joe seven returns for another single on dbridges excellent exit records. this one arriving as if from nowhere, whoever clicks the soundclip link first is likely one of the first outside the secretive exit camp to hear the audio.

the only ones wurden ursprünglich im südlondon des jahres 1976 von peter perrett gegründet und vermischten punk, power pop und hardrock mit einem hörbaren einfluss aus der psychedelia. ihre erste single wurde sofort zur platte des monats von drei der vier wichtigen musikmagazine in england gekürt. ihre nächste single another girl, another planet sollte der bekannteste song der band werden

today piemont bring us their latest work, purist. matching delightfully delicate and intricate sounds and efx, with a bottom -heavy kick drum and grinding bassline, the duo create a unique soundscape that is impossible to box or categorise. all of which, makes their choice remixers even more perfect. andhim, the super-talented duo who bring a sense of fun to their productions and dancefloors, get to grips with purist. a perfect track for a duo that are almost anti-purist. support by joris voorn, riva starr, kaiserdisco, karotte, format b, wally lopez, lauhaus, kiki, dj madskillz, monika kruse, super flu, felix (hot ship), rocky (x-press 2)

vinyl doublepack containing the best material from two albums that were recorded back in 2004, all revised and remastered in 2010. very experimental, based in (dark) ambience with rhythmic patterns oriented among idm, electro and triphop. one album was inspired by asian horror movies, and the other was highly inspired by david lynch films >lost highway< and >mulholland drive<. spooky great release... and again bonus cds included!

schwarze 12 transporttasche für vier control vinyls aus hochwertigem polyester mit leicht zugänglichen innen-schutzhüllen aus transparentem vinyl mit anti-static-effekt sowie maschenfach. inside dimensions: 32.5 x 31.5 x 2.5cm)

originally released in 2008, glider is available for the first time on vinyl & includes exclusive remixes from biosphere & pantha du prince.

slamming deephouse remixes !! check !!

how many people would have believed such a thing could work? would diva-like vocal grace and cool, calculated club sound efficiency not react like matter and anti-matter upon contact with one another? yet perhaps this is where the secret of her distant charm lies, the glamorously crafted cool, the vague elusiveness of aérea negrot. last year the venezuelan vocal wonder silenced any doubters with her first single >all i wanna do<, creating a new platform for her boundless range of musical expression alongside her career singing with hercules & love affair. now her second 12 inch is coming out on bpitch - just in time to set the tone for her coming solo album. the berlin sound wizard tobias freund is on hand once more to produce and mix ìright body, wrong timeî. he has commanded the mixing desk for a whole host of artists and labels from minus to warner over the last twenty years or so and made himself a regular fixture in the bpitch sound cosmos with his production work for ellen allien, dance disorder, heartthrob and indeed aérea negrot

ltd 2011 repress, rare stuff

etherical indie album with acoustic rock as wel as fat electronics on this coloured vinyl lp from eat concrete.

the ever on point citrus recordings is stepping up for its 5th artist lp. after having released the debut albums of mindscape & jade wich all went on for critical acclaim its time for citrus to get ready for its 3rd artist album. this time its time for the debut album of fourward!hailing straight from lower austria the four men collective fourward started out producing music in early 2007. the boys knew each other for quite a while and shared the love and passion for drumandbass music. for them it wasalways a main issue not to stick to any particular tiny subgenre only, but to develop a sound of their own. all members have different musical backgrounds which fit together perfectly and provide a great studio vibe. days went by and the boys finished a couple of tunes properly and it wasnt long until austrian drumandbass producer duo body&soul showed interest in their works.also international artists like bbcs very own crissy criss began to support their music giving them airplay on his radio show. as a result of their effort fourward has released quality tunes on labels like subsonik sound, planet funk and fokuz. the year 2010 they experienced the so called breakthrough with releases on nasca recordings and fokuz followed by an epic 12inch for the legendary label virus recordings! the guys definitely didnt stop there and being on the road now broadened their horizon even further. resulting in a series of tunes perfectly fitting together in this 4pack 12inch. diversity and musicallity are keywords for this album. listen from low blow to you and me, quality drum n bass!

macro greets rhythmic expressionism: stefan goldmann’s “the grand hemiola” is the first real innovation in the vinyl format in years! 144 locked grooves build a toolkit that breaks out of the limitation of one 4/4 cycle and brings unique possiblities to create complex polyrhythms just with two decks and a mixer. stefan goldmann’s first ever double vinyl album is a take on the infinite possibilities of rhythmic layering. percussion-heavy, focussed on clashing metres, deeply exploring the sound set – from the orchestral “grand hemiola”, to the triplet-feel of “megi’s waltz”, from the 11/8 pattern of “double hendecagon” to the anti-loops of “away from the flock”: a unique, non-conformist album of haunted acoustics, haptic percussion and deep rhythmic expression. a true, first time invention comes on two sides of the vinyl set: “the grand hemiola” loop toolkit overcomes the time restriction of locked grooves: one record contains loops in 4/4, the other in 3/4 (employing the time differences of the rotation rates 33 and 45 rpm). in the mix, they sum up to an extended cycle of 3x 4/4 or 4x 3/4 and enable building complex “3 over 4” polyrhythms (“hemiolas”). you can mix loop into loop for hours without ever getting trapped. more than an album, this is a note: pitch down side d to approx. -1.5 to match the loops’ bpm rate on sides b & d

limited run of 300 copies with din-a3 artwork included clear your throat. understand. sometimes. only sometimes. there is this feeling that there are people out there, illuminated people with a plan. where the music, the approach, the images, the design, the artwork, everything is flowing together and leading into a common transcendent theme. meet ctf 2 by bruno gauthier. a (can we say this, bruno?) veteran updating the epic gospel which was started by the mysterious one with a boom - the boom which broke the nothingness. the spark of inspiration has arrived in this universe. >existing reality< is a teslaesque algorithm for the universal prescription of all antidotes. it is basic and complex. it offers a minimal lushness, a universe within a universe. flip this galaxy. >music takes control< is a maelstrom that sucks all gravity away into the anti matter zone. its razor sharp vortex cutting away the peels of space and time, a radical march of nouveau deepness. or is it steepness? ctf is on base 2, the next beachhead for world domination.

limited 5 track ep pressed on white vinyl.
karlmarx are brothers isaac aesili (aka karl) and mark mcneill (aka marx) from new zeeland. the >mists< ep is the first taster from their forthcoming fulllenght >the karlmarx project<. it is music from the drk side of the mon, fusing electronica, techno, synthpop, industrial, future soul and instrumental hip hop into something new and exciting.
karlmarx have enjoyed early support by benji b (bbc 1xtra) and lefto (brownswood). the song >mists< will also be featured on the forthcoming brownswood comp >lefto & simbad present worldwide family vol.1<

double vinyl with 2 bonus tracks.

limited edition re-press on super heavy weight vinyl with brand new sleeve notes

und wieder einmal macht rajko müller seinem namen als visionärer ausnahmeproduzent alle ehre. auf >well spent youth< setzt isolée erneut maßstäbe und liefert uns ein atemberaubendes album zwischen house, techno und pop ab. niemand klingt wie isolée. nicht mal entfernt. der name ist programm. in den letzten 15 jahren hat isolée es geschafft seinen eigenen trademark mit seinem atemberaubenden klangdesign zu kreieren. jeder ton scheint liebevoll aus den untiefen seines anlogen geräteparks gemeißelt und abgeschliffen worden zu sein, bevor er ihn in ein außerirdisches abstraktes, stetig morphendes und dennoch verbindliches und bouncendes klanggemälde savantischen ausmaßes einwebt. 1998 gelang isolée mit beau mot plage (playhouse) ein zeitloser geniestreich, der weltweit und genreübergreifende verzauberte und die grenzen der elektronischen tanzmusik neu auslotete. es folgten 2 hochdekorierte alben >rest< & >we are monster< auf dem frankfurter label playhouse und zahlreiche remixe für z.b recloose, blaze, franz ferdinand, roy davis jr , tiga, alter ego oder international pony. isolée erinnert auf einzigartige weise wieder einmal, wozu elektronische musik fähig sein kann und ist bereits jetzt schon ein heisser anwärter auf eines der alben in 2011!

long awaited madga album, a great journey from minimal techno to disco and electro ...

58 minutes of proto house, denizen loops, far flung folk, post punk, cosmic rock and other junk. after forging new ground with his previous sonic hotchpots >miscellaneous mutant mishaps< and >the exploding disco inevitable<, dom thomas returns with another brain melting audio escapade into the ether. the third album in his dynamic anti-mixtape series on brutal music is salubriously entitled >synthetic soul & other junk<, giving thomas free license to curate a mood that takes the unsuspecting listener on a cascading journey of edits and loops, blurring the lines of traditional dj mixes and original compostion. >synthetic soul< is composed of a variety of genres from >international disco frankenstien< thomas musical heritage, warping together vastly disparate records into a rich sonic tapestry. repeated listening recommended with or without substances...

public lover (ninca leece & bruno pronsato) return with another single aimed at bringing you into their humid world of dance music. naked figures is a bassline-driven story drunk on percussion and beauty. a track built on abstraction and elegance. a track quiet literally naked from its humble beginning to its anti-climactic ending. it’s an unassuming journey of class. it’s ninca & bruno uttering scenes of nakedness and dim lights… but is it a love song? we think not. it’s not about a one night stand either. it’s simple. it’s funk. it’s house. it’s techno. more importantly, it’s about making you dance. on the b-side, one half of the duo, bruno pronsato, steps up for remix duties.

may this record be understood as a diabolic statement coming along with the winter season or even as an affront?
hometrainers affinity of doomed dispositions (possibly seen as humor) might be known to a few by tracks from the early 2k. now he turns the table and shouts out: >get up to nowhere.< sounds like an offense he made. acid pauli did like this right in time to produce another track that points it metaphorically out.

ctf is like a ufo which landed in the middle of disney land, annihilating all the phony shit around it with lasers switched on kill. a totally unprecedented surprise of a vinyl date rape without a date or a warning. these two tracks are genre defining and genre defying. this is the real future perpetual funk - out of nowhere. just a big smelly chubby chunk of energy made right on your plate before your nose.

including mp3 download code.
>good things< marks a shift in methodology from personal to political for aloe blacc, who refers to the project as his report on present conditions - the misappropriation of wealth, pillaging of resources, a universal lack of compassion, and the struggle to survive. ethereal production from truth & souls leon michels and jeff silverman mask a foreboding undercurrent in which aloe blacc crafts thought provoking lyrics. nowhere is this more evident than on lead single >i need a dollar< - theme for hbos >how to make it in america<.

metalheadz are proud to back subwaves most deadly and innovative tracks to date which will push the russian to the forefront of most talked about artists. watch out for his forthcoming debut album to follow soon on metalheadz. with d+b bigger than ever before on a global scale, there is nowhere more up-and-coming than russia, and subwave is right at the heart of the moscow scene. gleb started to make music with production partner alexander rotov over ten years ago, grabbing early attention from the late john peel with there debut release on tech itch recordings in 2001. more tunes followed with a remix of tiesto (with paul b) getting which gained huge attention stateside, with a 12inch on goldies metalheadz label following gleb going solo. not only a talented producer, gleb is also held in high regard as both a dj and promoter. he successfully marries ice cold minimalism with wide open dancefloor sonics, and with huge support from the likes london elektricity, hype, fabio, and of course goldie, expect more subwave in your system shortly

killer doublepack of west coast house here from yoshi toshi, atwater syndicate aka tood resnick, jesse brookes, sen-sei, and david coleman, all getting their heads together on 4 tracks of funky house as you would expect from these guys.

coloured vinyl! i met dwight in the desert of nowhere. we somehow knew we would be there at the moment where it took place. no surprise, i mean the crash. 3 times for them to finally got out of nowhere back into nowhere. while i was playing the flute dwight held a ritual, spreading energy through his voice. after the reboot, they took off immediately (i can swear something happened to the power plant controlà). for us it was like a b-movie, like all never happenedàbut the communication, talking to the spirits from language to language planet to planetàand the wind dont forget the wind. after we came home we wrote this oneà. rjc philpot presents this debut 12inch of the reboot joy confession - our brothers from nowhere! the title track is a mindbending spiritual journey hosting the fabulous dwight trible on some next level beatdown xtravaganca while the flip features the massive disconodisco 1999 and the equally heavy <funkin facets<. àmore than a proper statement and the beginning of the rjc aera!! >thanks for listening and purchasing a real copy!<

z records deliver a very different sounding record to what you would expect from them. instead of the more soulful/disco sound they ve opted for a more filtered spacey affaire. it has dare i say it a fairly similar sound to >call on me<. its nowhere near as commercial sounding as >call on me< so don t let that put you off though.ltd backstock

becoming real is a young producer based in the suburbs of nowhere, channeling his very own post-apocalyptic vision of london. a haunted and haunting spectre, his self-termed ghost-step soundscapes are as much influenced by a conceptual future dystopia as they are by luminaries zomby & mount eerie.

suspect - unfinished business ... lock your windows ... close your doors ... contact interpol - connecting to the internet is not recommended ... >> your systems have been infiltrated << ... both the airborne and online viruses will spread any information you thought was safe is now compromised ... responsible is an enigma who has been accused of occult activities, a man whose house has been raided by the anti-terrorist squad. having been arrested for action art events in warehouses involving dubious objects, he is a producer whose art and music runs the fine line between creativity and illegality. returning from the depths of his underground research facility in berlin where he had been quarantined, suspect has >unfinished business<.

every so often a new talent pops up out of nowhere and delivers something special which grabs everyones attention. so, for its 12th offering redux is very proud to present an exciting new artist with his first ever release and what a debut it is. christophe, known to his mum and dad as christopher rees is not only a dab hand in the studio but a talented graphic designer in the day and dj with the futureboogie crew at night. after playing a demo of >make a mark< to tristan one hazy morning in his hometown of bristol, the track was quickly snapped up by redux without haste. drenched in classic house sensibilities and showing astounding amounts of skill and taste for his first foray into the world of production, the future looks bright from this point on for christophe.

frigio presents >2084 the mixes< by ard2. featuring mixes by heinrich mueller (aka dopplereffekt, arpanet, etc) and labels founder juanpablo. this vinyl contains 3 songs from the original album >2084 the mixes< (also to be released on frigio) plus two remixes from the artists mentioned above. in terms of sound, you ll find an experimental project that touches the electro and idm rhythms including sampled voices that refer to selected paragraphs of the book.