this is the catalogue number one of the freshly launched falkplatz xtracts series. here you will find some of the pearls of falkplatzs digital sublabel for the first time on coloured or transparent vinyl. all the tracks are remastered vinyl versions and essential. have fun!

the next record from the abstract acid catalogue will be the first in a series of various artist works. downtown dirt 1 features 4 cuts of chicago house and acid workouts by jackee, interface88, mmmc (man made mechanical culture), and steve summers. pure and simple raw grooves made for those who still like to jack.

special extended vinyl edition plus cd release ltd to 1000 copies! the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings!! please note: the full-length versions of all tracks are only available in the 6-vinyl edition !!!

10 releases strong, poker flat digital has become an important wing of steve bugs acclaimed, cutting-edge label. determined to keep quality levels as high as ever and offer yet more choice to the labels fans, a heavyweight cast starred in this latest chapter of the poker flat story. this special 12 inch release gathers 4 of the highlights from the labels catalogue so far.

played by magda, sis, masomenos, robert dietz, dj sneak, brothers vibe, steve lawler, someone else, paco osuna, anthony collins... after the last two amazing releases from timos & paris liamis and matt star, catalogue number 13 is ready for take off. its the first labelsampler from the sonido-crew on vinyl – kommune 1 - with tracks from samuri, timos, jamy wing and paris liamis. get in the groove!

dials sublabel laid comes up again with a double feature for true house music lovers. catalogue number 11 features tracks by uks juergen junker and our wellknown buddy lowtec. after playing together at the legendary sud electronic/ uzuri parties in london efdemin, lawrence and carsten jost fell deeply in love with with juergen junkers amazing dj & live sets and his wonderful productions. his own label neurythmics was like a secret treasure to be explored. followed by a lovely release on efdemins naif imprint he now enteres the laid zone with two deeply rooted house pieces. lowtec has always been a main influence of the dial/laid family and after his huge underground hit of last years workshop ep (laid07 with kassem mosse) he presents a dirty rhodes stomper to hit the house floors again. freaky alert!

>its a family thing< will be a little serie which contains some nice, soulfull und lovely remixes of our present catalogue. supported by luciano, ricardo villalobos, solomun, karotte, super flu, dop, laurent garnier, youandme …

another killer truth is light! in the label s catalogue... tow pretty out there but marvelous tracks - once again poleis on mastering duties. only 300 copies worldwide!

truth is light are back with number 10 in the labels catalogue the tunes are top quality as usual, and theyve their re mastering game by employing sound legend, pole, to man the desk.. only 300 copies worldwide!

the fifth release contains more rare tracks from the trax catalogue. the a-side features two mixes of the little known gwendolyn track, which originally came out on precision records (named after larry shermans pressing plant) in 1984. this early vocal (house) gem was produced by vince lawrence and jessie saunders. it comes in two versions. a more straight forward original and a more dubbed out version by farley jackmaster funk. a real treat. side b features another early 80s chicago track, again by vince lawrence and jessie saunders aka z-factor featuring screaming rachel. classic chicago house tracks

>underground goodies< is a collection of some of the rare nuggets, forgotten classics, heavy dubs and criminally ignored tracks to be found in nrk musics envious back catalogue. the label, now in its 14th year, digs deep……

warp20 (1989-2009) the complete catalogue ! edles 192-seitiges buch im 10 inch format mit über 400 cover-artworks (u.a. von designers republic) und einem vorwort von steve beckett. boxset-exklusiv!

following on the storming success of hed kandi classics vol 1 and with the cd of the same name about to land, this is a timely entry for volume 2. star studded 4 tracker, featuring the cream of hks catalogue, a truly essential purchase

exclusive mixes on 4 lp from warp s back catalogue.. remixes and source material from artists including mogwai, aphex twin, surgeon, stereolab, boards of canada, nightmares on wax and many more..

ed rec first volume came as digital only, gathering ed banger s back catalogue only. ed rec ii gets physical now being released both on cd and double vinyl. and 12 track compilation only contains exclusive tracks (except mr flash disco dynamite & justice phantom) and once again, and as always, expect the dopest design around from so:me. ed banger has been voted 2006 label of the year in both urbs & xlr8r, and justice vs simian >never be alone< won 2006 mtv music video awards. the family is getting bigger, its high time you join it !

4 classic tunes from the still music catalogue. mr. burkat with autosuggestion from his 1st longplayer he did for fine audio. mr. rio aka bando with a tribal techno monster tune named la ultima, released on northwest dynamics years ago. mr. klein with his pounding track dependance from the legendary first bound release mr. hades with belgian kind of techno called willow

the third compilation (of four instalments) in the various artists catalogue of pi electronics.

variable is the first compilation on pi electronics, which also kicks off the new catalogue peva. this various artists release includes the works of several artists involved in the label till now, along with some very familiar faces to pi that have been supporting the parties in the past years. the aim was to bring the main label roster - artists with original music on pi, such as jk flesh, ontal and damcase - under the same roof as artists that have been with the pi electronics project since its early days: the label s party residents, 3.14, nemmett and das along with other fellow athenians, unhuman, bmsk and the project Òi am legion, for we are manyÓ. the outcome will be available in cd, vinyl and digital format, while the vinyl sampler will feature jk flesh, ontal, nemmett and bmsk.
regardless of the different variables, equation drops back to the same constant result.
divide and rule. sticks over carrots. repent or collapse.

welcome to toolroom 15. celebrating 15 years of one of dance music s most recognisable and truly international independent labels. avoiding a retrospective reflection of the label s classic tracks, achievements and catalogue, toolroom are proud to present an album of all new exclusive material written by some of house music s freshest talent alongside established genre favourites, including mark knight, booka shade, tube & berger, format:b, danny howard, eelke kleijn, dosem, rafa barrios, dj s.k.t, gotsome, weiss, raumakustik, david keno, rebuke, mendo, the golden boy, harry romero, adrian hour and many more. three discs mix, edit and reconstruct these productions, offering a seamless journey through the genres toolroom have become world famous for, house, tech house & techno 15 years. 15 parties. 1 essential album.

whether itÕs releasing #1 singles such as Ôu donÕt know meÕ (feat. duane harden) and ÔbonkersÕ with dizzee rascal, or underground anthems like Ôthe funk phenomenaÕ and ÔflowerzÕ, armand van helden is the true definition of a legend. with a career spanning over 26 years, his back catalogue includes 7 studio albums, 100s of remixes and countless singles under various aliases Ð defected records welcome armand as their 27th house master, alongside frankie knuckles, mk, masters at work and the latest, his good friend todd terry.

after hyperdubs first compilation of 10th anniversary dancefloor heaters, -hyperdub 10.2- features some of the labels best songs of the last five years or so. hyperdub is often associated with dark and brooding instrumental music, however, this mid-summer collection sheds some sunlight over that dread filled reputation, showcasing an underrated cast of talented songwriters, vocalists and producers. the album is laced with brand new cuts from kode9, cooly g, morgan zarate feauring. eska and ghostface killah, jessy lanza, dean blunt & inga copeland, and dva featuring zaki ibrahim. ranging from melancholy r&b, garage, funk, footwork and icy pop, -10.2- covers this overlooked side of the labels back catalogue. the album opens with dean blunt & inga copeland-s grime lullaby signal 2012, one of their final collaborations, moving into burials dubbed-out r&b on shell of light from his seminal album untrue, and jessy lanzas stand-out cut 5785021, before sliding into the digi dub meets r & b slow jam of south londons cooly g with obsessed. king britt features next, with his fhloston paradigm project, on the deeply emotive never defeated- featuring rachel claudio. after their collaboration on his pretty ugly album, dva is joined again by south african singer zaki ibrahim with their brand new summery mutant garage track solid. dam funk jumps on ikonikas funk bomb -mr. cake-, adding a fun, party vocal. continuing the -80s funk vibe is morgan zarate and roses gabors ice cold prince-influenced pusher taker, the lead track from his 2013 ep. jessy lanza contributes some more sparkling r&b with the brand new you and me, followed by another track from morgan zarate, a lost dub featuring the soulful eska and wu tang clans ghostface killah. the tempo raises in the final stretch of the album with dvas and fatimas collaboration just vybe, terror danjah & melekas shimmering r&g cut you make me feel and the 160 bpm soul of the late dj rashads only one from his acclaimed double cup album. the cd closes with the lo-fi, bashy mutation of kode9 & copelands lies lies. 10.2 calls on hyperdubs sirens to balance the moody energy of 10.1 with fourteen slices of hyper soul. let them lead you astray

its time to celebrate! at catalogue number 20 uncanny valley extends its compilation-concept to 12 tracks spread over three records (or as a bundle if you prefer digital). the tracks will also be released as a cd compilation. with new music by label-regulars like jacob korn, cuthead and credit 00, friends like rvds & kalexi or filburt and fresh talents like goetterkreis & steve kasper it is an exciting ride along the winding roads through the uncanny valley. the three records are visually linked with distinctive artwork by the ever-reliable paul waak.

toolroom goes deep returns for its third outing, showcasing the deeper side of toolroom records. cd1 takes you on a garage-inspired ride with tracks from cloud 9 and zeitgeist whilst cd2 is a techy, rolling mix. the compilation also showcases favourites from the toolroom catalogue, including vanilla aces hypnotic and tapeshs dope music, alongside exclusives from label favourites deep city groove and brett gould. crammed full of the best tracks from established and up-and-coming labels & producers, toolroom records is proud to present its latest deep offering with toolroom goes deep 3.

the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings

the first in a new series from roots records, bringing in guest compilers to pick the choice sounds from the hit sound and midnight rock catalogue. first up is the legendary barry ashworth from the dub pistols, picking artists like anthony johnson, king tubby, barry brown and jah thomas. for fans of soul jazz, blood & fire and greensleeves records.

after the success of the compilation french do it... better (vol.1, vol.2 and vol.3) mixed by mathieu bouthier, serial records starts a new series: serial mix, gathering tracks from the french electro label serial records. concept is simple: twice a year, an artist from the label serial records selects his favourite tracks from the labels catalogue, and mixes them into a more-than-an-hour continuous track... for the biggest pleasure of house music fans! here we go with the first edition.

ltd repress! by now, chicago s home of the ghetto house movement, dance mania, should need no introduction! if you didn t already know, they are the original purveyors of that hard-ass, stripped back, tough, hitting electronic funk, they ve never held back with their output. operating since the late 80 s the label has gained legions of fans over 2 decades as well as a certain notoriety and one of their most well-known artists has got to be the legendary dj deeon and his various production pseudonyms! this, the second in a series of samplers focusses on some of his unreleased cuts, rarities and classics from the dm catalogue. kicking things off with the demented over-sexed jacking off of da dik suk this ep shows you what s up from the jump. lifted off 1996 s freak like me ep this is vintage deeon to the core! this is followed up with the minimal, acidic runnings of 1112 , from deeon s 1996 chop shop release, a wigged out, simplistic groove that just won t stop. classic chicago weirdness that simply just slams. the frenetic phenomenon opens up side b, produced under his mute pseudonym and originally released in 1997 this is a sure-fire rarity from the dm vaults. a tough one to track down and a real essential under the radar cut. also featured is the wild acid of playground productionz the box , here in unreleased (!) rare remixed form by another chi-town legend - paul johnson. top shelf business. last but certainly not least is another playground jammer in the form of the killer vertigo lifted off the same ep from 1994 which is surely enough to whet even the toughest of appetites. file under jackin . every track on here has been remastered and repressed with the full consent and involvement of dj deeon and parris mitchell, selected and programmed from deeon s private archives and dat tapes for above board, london. 100% hater free.

coming next from adult only: the repress of one of the most sought-after 12s from the label back catalogue. ao19: “formula express – main course” was originally released in 2002 and featured guillaume la tortue, jef k and chris carrier.
this is actually some of the last records ever produced by the mysterious guillaume la tortue, one of the pioneer of electronic music in france, who’s quoted by laurent garnier in his infamous “electrochoc” book as one of his main influence back in the days.

the record opens on the “main course”: a classic tech-house number with a beautiful 909 beat and a tasteful use of various samples and fx all through the track. the funky vocals still sound fresh today but the secret here (as often with chris carrier’s related work) is the groove – the kind of groove that reminds you summer days in the park while the strong bass-line announces already the next track.
on the flip, “starter” stands out as the perfect dancefloor killer with an infernal groove and a real fat analog bass-line that will keep you moving whether you want it or not. add just a few crispy tribal percussions on a classic raw 909 beat and you got the simplest and dubbiest song of the record but also the most efficient dancefloorwise.
the last cut, “apple pie”, might be the deepest of them all. spacy melodies and trippy vocals in the background make you first feel like you’re chillin on some extraterrestrial beach far away from earth. it starts as a nice breakbeat building the atmosphere before slowly evolving into a more 4-4esque tech-house with the bass coming in only after a couple of minutes. even if the sound was resolutely analogic, the whole ep is extremely well produced with a special care for details. at many levels this three-track ep is a landmark in the label history.
time for repress.

july sees radio slave’s rekids invite britain’s renowned swayzak to the roster with a cold war themed release entitled ‘odessa calling’ ep. a name associated with quality, swayzak’s ability to retain their signature sound whilst producing across various sub-genres has cemented them a solid reputation since their humble beginnings in the 90s. their impressive back catalogue includes six studio albums and appearances on labels like k7, m_nus, curle, ellum and swayzak’s own label 240 volts, which was relaunched in 2017. originally a duo comprised of david brown and james taylor, brown has been helming the project solo since 2012. he now joins respected berlin-based imprint rekids with two inspired productions. ‘odessa calling’ is a mysterious track with hypnotic synths, mesmerising pads and enigmatic vocals that combine together to create a celestial aesthetic. on the flipside, ‘numbers station’ continues with the otherworldly feel employing shimmering percussion that wanders alongside a brooding bassline for a well refined finish to the package.

evod music is glad to welcome binny and dj surgeles on its limited catalogue. the english dancefloor killer and the dutch sci-fi master fused perfectly together on this split ep. organic by binny is a perfect tool, thanks to its mesmerizing acid sequence, masterfully fused with powerful drum patterns and hypnotic drone raids. missing link is another killer tool, perfect for a dance floor full of people. its old school sound and the various changes make this track a must have. the b side is managed by dj surgeles, with three outstanding sci-fi tracks. science fiction contains a randomic, spaced out sequence blended with heavy drums and various drum patterns variations. commander pete is the most millsesque track: in this piece there is a real space ambience, thanks to a its far pads, the electronic ringings and bleep sounds incursions that create a constant suspense, broken by the interruption from an astronaut radio message. the ep is closed by message to earth, an ambient outro that fits perfectly with all the other tracks.

its a pleasure to get behind your friends from around world, in fact that’s the motive behind the breadth of the esp institute catalogue, but its truly a special feeling to represent your friends and your neighborhood at the same time. producers sonns (alexandre mouracade) and the mysterious venice beach native tavish graham are both long time friends of the esp institute family, we break bread, we take care of each other, and we cherish our collaborations more than anything, but we’re also neighbors. that said, esp is proud to announce a homegrown endeavor, the debut of sonns & tavish. the two have long been stewards of the los angeles underground, but after loads of early morning banter and the camaraderie that comes with this smoke’n’strobe life, they’ve now committed their singular vision to print—two epic cuts that make us proud. side a’s title track trycksaker is a thumper, a mid-tempo big-drum-laden beast that chugs the whole way through carrying an array of eerie bleeps and fleeting sighs. side b’s roguish days pulls together influences from various corners of the pair’s dj repertoire, gelling a wicked breakbeat with a wormy acid bassline and even more exotic sighs, something that might possibly grow into a signature of sorts. this release is ready just in time for the spring/summer exploits, and we couldn’t be more proud to finally enjoy hearing these heavy-hitters in the club. tip!

new to the stay underground it pays gang, the 11h release on the label comes from one of the most elegant japanese producer we ve heard in ages: motomitsu! we get the chance to get 5 cuts on one ep which is almost a mini album introducing you guys to his astonishing sound. born in 1977 hamamatsu, japan motomitsu is a japanese artist, dj, children s book author, musician, poet, event organizer living in paris. he crosses freely the border of music and arts, literature. he is publishing his children s books and releasing his music. he plays dj as a member of dj team-cracki- in paris, also play the keyboards and accordion for some bands. his art work is influenced by music and poem. he has released tracks on various labels such as cracki, soirée records (detroit) & cherry juice. all in all, another wonderful release that feels straight at home in the stay underground it pays catalogue. skylax always.

just like his secrets ep of last year, this latest instalment in detbois catalogue, entitled ‘ice cold, merges elements of drum and bass, jungle, bass music, techno and more in exquisite fashion, quite simply like nobody else has done before. the 3 track ep consists of pure breakbeat pleasure, with ‘blood drops leading the charge, a classy piece that elegantly rolls and seamlessly interchanges through various phases. its without doubt some of detbois most distinguished work yet, and were delighted that its opening the metalheadz account for 2018.

prelude ep is the inceptive release of oxmose, which marks the first entry in an ongoing catalogue, and the beginning of a journey with various artists. at its heart, the prelude ep is a dialogue between two composers a conversation that traces the line between abstract, electronic experimentalism and glitering interpretive jazz. parisian producer shcaa takes control of side a with core a near 20 minutes exploration into sound, which skirts the fringes of avant-garde minimalism and experimental rhythms. the songs acute cadence lays a dense and atmospheric foundation for the ep. side b sees romanian artist traian chereches offer-up an absorbing counterpoint to shcaas opener on cage. the energy of chereches rebuttal fuses organic and interpretive sounds into a deft jazz reinterpretation, revealing a wide and surprising cinematic ambience. mastered by rashad becker from dubplates & mastering berlin prelude will be released on limited edition 12inch, 180g heavyweight vinyl with an outer sleeve featuring handmade artwork created by graphic designer alice voinea.the organic materials used in her work, emphasizing the interchange of the record adding a further layer of continuity one that stretches between the artist, the music and the listener.

futureboogie recordings&#8203,, purveyors of fine dance music since 2011, reaches its &#8203,landmark 50t&#8203, h&#8203, release&#8203, this april. an integral part of the futureboogie dna, &#8203,christophe&#8203, has been the visual force and visionary since the label’s inception. having designed the sleeves and artwork over the years, christophe’s musical direction has also been a cornerstone of the imprints sonic persuasions, contributing three key releases to the catalogue to date as well as various remixes and edits.

melodies international proudly expand their catalogue of rare soul gems with another carefully crafted reissue, complete with full 16 page melozine. this time it s the spellbinding tomorrow s people album: open soul. deep in south chicago, a band of four brothers raised on doo-wop and flea-market instruments made a record during the mid 70s that did not only mark a seminal point in their youthful careers, but would go on to become a true collector s favourite. open soul is quite simply one of the best examples of raw, stripped down soul in its purest form, and for this reason has become a highly sought after rarity. the album has been carefully reproduced and will be officially available for the first time in 40 years, this time accompanied by an interview with one of the original brothers, various tomorrow s people memorabilia and a number of other contributions from melodies friends around the world.

leap is back! #006 of the catalogue offers two deep journeys by label operator a:lex on the a-side: “soul shower” cuts to the chase with dubby toms, shuffling hats, sharp-ass claps and an infectious warm synth progression that manifests that “body thang” referred to sample-wise. “long way to detroit” is a groover of a mpc-styled workout that stitches together various voices that comment on the city of cities all the while shuffling hard snares around a bubbling baseline - laid-back reminiscence guaranteed. the flip side features one hell of a funky jam entitled “places (live take)” ripped straight from a modular acid session conducted by the mysterious outfit richmond wagner. sparkling hats sprinkled over relentlessly warping bleeps and a thumper of a kickdrum will make crowds go off their heads during upcoming festival season as in any place alike.

ltd 50% deal , rote liebe releases tim keilings new album under his erdbeerschnitzel moniker. in contrast to his recent dancefloor-oriented eps on delsin records, the attendants is hovering over more subtle grounds, featuring a mixture of contemporary electronic composition and hazy experimental pieces just outside the dancefloor proper. rote liebe is a cologne-based collective, founded in 2006 with a focus on events in various off-locations and clubs around the city. 2013 marked the launch of the rote liebe label with the aim to build a catalogue which features a broad musical spectrum, featuring house, techno, broken beat and experimental electronics just as the regular rote liebe nights.

hand-stamped whitelabel, repress of the 2014. on the third release by rote liebe, marquese combines ambient soundscapes, a sun-drenched breakbeat workout and groove-centered house to form a versatile release. rote liebe is a cologne-based collective, founded in 2006 with a focus on events in various off-locations and clubs around the city. 2013 marked the launch of the rote liebe label with the aim to build a catalogue which features a broad musical spectrum, featuring house, techno, broken beat and experimental electronics just as the regular rote liebe nights.

if there is one thing jonas kopp has proven over the last decade is that he can turn his hand to just about anything. since debuting on pfirters revered mindtrip music back in 2006, the buenos aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic musics various forms. it is high time then, that jonas kopp should present his ?rst full-length effort. *beyond the hypnosis* weaves kopps discursive repertoire into a single and concise narrative, covering both familiar ground and exploring new and spellbinding territories, along with just a hint of cosmic neo-retroism that makes this a welcomed edition to the tresor catalogue.

concrete music is once again supporting an emerging techno talent of the parisian scene. the record label behind the pioneering boat parties of the same name is welcoming prolific french producer ben vedren for the 7th reference of its high-end catalogue. equally dabbling into ableton teaching or sound art installations (for renowned institutions in paris and rome, among others), ben is also building up a definite career in production that first took off with an ep on minibar and a remix of carl craigs classic bug in the bassbin. immersed in contemporary classical music, techno and various house subgenres, he claims a diversity thats been showcased in all its subsequent interventions on labels such as eklo or balance...

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

luke williams has released an extensive catalogue of electronic music under his quinoline yellow and tatamax pseudonyms which are predominantly found on skam as well as his own imprint uchelfa. in the present and now seemingly back from his self- induced hiatus, we find luke composing again and instigating a spell of remix projects for various producers.
williams plot returns from his extended period in the wilderness to realign his priorities and interject some overdue music back into the public domain. he delivers his eighth release, palisade mount under his quinoline yellow moniker for touchin bass. expect twenty-five minutes of archetypal hill jogging beats and cawl-fuelled melodic sustenance. open wide!

israel has proved a hotbed for electronic music of late, with talent such as guy gerber, shlomi aber, guy j, and more all making quite an impression on the global scene. an israeli producing for lithunian label might seem like an unlikely combination then, but omer grinker s esteemed debut for parallel is a release that as its tittle suggest under water .the young tel aviv native boasts all the hallmarks of his fellow countrymen then, with the tittle track a brillantly clever anthem that flirts openly with various genres while maintaining a shrewd deep house edge. fans of trippy, multi layered house music are sure to embrace this one.sonic intricacies hold the key to seen or not seen , another record that s been scrupulously produced with even more off-kilter motifs playing their part. pitched back andever so detailed, it chops and changes with the sort of deviousness typically associated with warp s back catalogue.the last of the three originals, under water, emphasises the producer s credentials with more lackadaisical piano inter-changes an underbelly of simmmmmmmmering percussion and portentous chimes all playing key roles.label owners monkey brothers then beef up the latter with a remix that s basking in steday groove and even more suggestive vibes.a thriling and seductive package that indicative of the protagonist s musical nous, makes sense is a record that serves up a fascinating journey throghout. omer grinker is a producer you shoud keep in your radar.

big with: dj koze, ellen alien, timo maas, delete, nathan coles, alexkid, davide squillace, xpress2, ivan smagghe, shlomi aber, kabale und liebe, tania vulcano, sascha funke, nick curly,… safari regular de angelis last appearance again alongside arnaud on breath of night as part of the various artist ep that was safari 041. one of the key dj s on the london scene, antonio can be found spinning at many of the capital s finest nights. on the production front, he has released and remixed for labels including material, trapez, leftroom and of course safari. arnaud le texier s 2010 got off to the best of starts with a highly successful australian trip and the release of his perfumes of our dead times ep on safari and the hugely supported ivory machine ep on d julz s bass culture imprint. now arnaud is working hard on new music and the future safari catalogue

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

big with brothers vibe, osunlade, masomenas, namito, kiki. with catalogue number 114 the bcbtec label cements the italian connection and welcomes fausto messina & vicente with a nice three tracker called >tomatina ep<. fausto messina is already well known for his stunning releases like >compulsive disorder< which got love from sven väth and was licenced for his mighty mix compilation series >the sound of the eight season<. the critically acclaimed >sib*ney< on wir was supported by various top djs like luciano, loco dice, argy, gregor tresher

incl. mat playford & tim deluxe rmx ... social problem is the record label of producer and dj mat playford. already an established and accomplished producer, he has recorded under various guises showing himself to be a musical chameleon. generating a substantial back catalogue of music from deep house to nu disco to techno to pop, social problem is the vehicle for mat to release his huge range of styles...

dj andy smith Ð one of the worlds premier funk djs and the man who supplied portishead with their samples Ð joins forces with keith lawrence - renowned reggae collector and reggae dj from www.colourfulradio.com - to present the heaviest selection of funky reggae in the uk smiths comps have sold over 35.000 units inc. the acclaimed -document- series which included albums for greensleeves & trojanp>killer cover versions of stevie wonders you havent done nothing (sly dunbar), marlena shaws woman of the ghetto (hortense ellis) & william de vaughns be thankful for what you got (donovan carless) super rare cuts from bumps jackson, barry waite & sly dunbar tracks from impact, randys, demon, dynamic, hot shot, tent & various pama records offshoots various tracks from the pama catalogue which back-in-the-day was a contemporary of trojan inc tony scotts what am i to do now, pussy by kid longo, lloyd terrells i did it, ricos tribute to don drummond, d tony lees peyton place, lester sterling & stranger coles bangarang & children get ready by the versatiles.