12inch white label sampler of tracks from richard zijlstras 1980s genetic factor project.

b-stock! damaged cover. vinyl unaffected & mint. electro records!!!

giant records 10th release is from new york born adam collins and limited to 150 hand stamped and numbered copies. adam is widely known for his work as one half of production duo omni am, along with marky star and counts derrick carter and evil eddie richards and a whole host of others, amongst their fans. adam’s release for giant is titled - day2day and has all the trademark’s of adam’s wonky, left of field, slightly off kilter grooves - day2day builds and snakes itself into a bottom bass heavy house jam - chicago style keys mould the snare and hats into an infectious work out - with an alien like hook that keeps it all slightly wobbly. the next cut is from the super talented carl finlow under carl’s random factor guise, a beauty in its own right ! super tight drums and a punchy random factor bassline take’s this mix on a journey through many shades of electronica - as the track swells nicely with warm atmospheric pads and sprinkles of emotive keys, with an electro style hook that keep’s it all swinging in carl’s trademark sound. the next mix is from la based producer mieka du franx. mieka’s mix strips the original down to the bare essentials and gives it a tuff minimal feel. the last mix is from echo of glory, which see’s echo take the track on a acid tinged work out - adding dubbed out vocals and super subbed out bass.

lovefingers heard the atmospherian years ago on milk beach settlers, a promo-only mix cd comprised solely of australian artists, mixed and released by seminal melbourne dj duo and good friends hey convict! (tamas jones & jason evans). tamas explained that warp factor 9 was a one-off project by john and russell kilby of esoteric post-rock bands the crystal set and bhagavad guitars respectively, and who are brothers of steve kilby (frontman of the church, a prolific australian band we’ve adored since adolescence). we had an immediate epiphany and this project was set into motion

1995 classic by louie balo, ray roc hard, isaac ize and brian m.!!!

another 90s davidson ospina classic!

classic 1995 house tracks!

1994 classic!!

incl paul kalkbrenner remix /// undo & vicknoise, factor city s resident pioneers of the epic groove, return with their most accomplished work to date. a double-sided dancefloor depth-charge which further defines the aesthetic of barcelona s finest electronic export !! ltd repress

common factor classic..

>beaten< is the first track to be released from random factor’s new album and comes with excellent art of tones remixes.carl a finlow again shows his history and pedigree as well as his refusal to jump on bandwagons and trends by producing timeless electronic music inspired more by kraftwerk, yello, stockhausen, tomita, prince, sakamoto, brian eno and the white noise than by what’s playing this summer at dc10. ralph lawson used >beaten< as the last track on his recent 2020vision compilation. this jerky sporadic groove gives a nod to the forefathers while holding down a beat anyone would be proud of. the single comes complete with remixes from art of tones, fresh after last year’s huge >praise<. this mystery outfit has now signed to 2020vision and this is the first of many bombs from them. art of tones take the track directly to the dancefloor and produce two versions that would slay berlin’s panorama bar at 9 on a sunday morning.

get down on it! the next essential release from deep factor. a hook filled track with a seriously heavy bassline underpinning a blend of house, soul and jazz to make one of the biggest disco/house hits of the year so far. the original written by womack and womack performed by the legendary songstress millie jackson

funky piece of house music with nice piano, guitar and flute parts and cool female vocal snips

deep grooving funky piece of underground house music

dreamy and epic at the same time, phoskitos is a >state-of-the-art< trancer, taking its cues both from the trademark factor city sound (the lethal combination of fat bass and spiralling synths best witnessed in undo & vicknoise 12s) and the new wave of uk producers (holden & the border community crew). >el tren asesino< is a tigh minimal groover, based around a couple of simple, mind piercing, synth bleeps, a tension builder track that has already been packing dancefloors while playtested by the factor city djs. >dismonster< nicely complements the package, with its dizzy, bubbling bassline and nostalgic melody, it developes nicely with unexpected turns, stops and twists

gabriel berlanga, der mann aus barcelona zeigt auf seinem debut album wie man pop, alternativrock, elektro und digitale beats zusammen schraubt und dabei nicht die qualität verliert.. kölsche prägung..

funky discohouse track in a call on me style with great guitar riffs this should work the floors really well (sb)

brill electroid ellen allien rmx!

a double-sided dancefloor depth-charge with and indie flavour (dig those loud snares!) which further defines the aesthetic of barcelonas finest electronic export. a trancey affair with a percussive edge and a very shoegazer-inspired synth-cum-guitar. music to dive by. forget the underground, here comes the underwater! played by sven vaeth !!

exellent schaffel tech track with tiefschwarz sounds!!

part two

fresh 2024 slum village album

ltd marshmallow & chocolate coloued 2lp !

jazz classic from 1979

180 gram vinyl lp

90s vibe

standard weight, black vinyl

soundtrack

ltd. col. lp: (white vinyl)

ltd. col. lp: (transparent green vinyl)

ltd. col. lp: (green vinyl)

b stock - cover with seams split -incl jonny rock discomix

incl jonny rock discomix

limited edition reissue on crystal clear with black & white splatter double vinyl in gatefold sleeve.