handmade and handnumbered limited edition high-bias cassette tape . includes violet poison remix. warning: contains blood and sharp objects

sue zukis inaugural recorded document the we are all very anxious tape is in our opinion one of the most innovative audio expeditions that has resonated with us. boldly defying and deconstructing conventional genre tropes we arent being bias by saying that either. this is a genuinely sincere perspective. the key to sue zukis music is her vocals where she misanthropically preaches the records themes of psychological alienation and despair, trapped within an augmented virtual reality. whilst trapped and unable to properly function inside this distorted simulation there are the bewildering sounds of a thousand voices and every conversation unhealthily looping inside yourre mind, through the echo chamber. manifesting into a bleak neurotic obsession and feelings of inadequacy, a desperate plea, blinded and fatigued by the unnerving glare of the computer screen, processing too much information and not knowing if the human interactions youre experiencing are genuine or artificial.

a legendary album! this previously unreleased album by os mutantes was supposed to be their breakthrough album to an english speaking market – but for years it’s only been talked about in hushed whispers, and has only been heard by a lucky few! the record was recorded in paris in 1970 – and it’s all in english! (not that we’re biased against portuguese, mind you – but since we’re english speakers, it’s kind of a nice thing to have a record that we can understand!) the record features a number of tunes from the mutantes first two albums – redone here with translated lyrics, and in a compressed pop style that’s a bit smoother than the original albums, but still very nice! in fact, the record’s a sophisticated pop statement that would have stood well in the company of many of the best of 1970s rock elite – had the boneheads at philips actually decided to release the record! no use crying over spilled milk, though – because the album’s out now, and it’s filled with loads of nice tracks like -panis et circensis-, -batmacumba-, -tecnicolor-, -el justiciero-, -i’m sorry baby-, -saravah-, and a sublime reading of -baby-, a track that was virtually the manifesto for tropicalia!

kidnap kid’s birds that fly label got off to a flying start with his ow&#8203,,,,,,n release,‘ moments’ feat leo stannard picking up over two million plays and shaking up the spotify / hype machine charts. next up on the imprint is rising uk star apple&#8203,,,,,,bottom with &#8203,,,,,,‘the ride’ ep, an artist that draws many parallels to kidnap kid’s own early career as he barely has made his way out of his teens but already caught the ear of some of the most sought-after labels and radio establishment. annie mac can’t get enough of him and his releases on kerri chandler’s madtech, zed bias’ biasonic and uk powerhouse black butter records have coined him one of the future figureheads of dance music. applebottom has come to be considered a beatmaker able to transverse genres with that rarest of production talents: the consistent ability to make a straight-up club banger, which makes him the perfect follow up for birds that fly. “‘theride’ was quite a diff&#8203,,,,,,erent piece of music for me, ’he explained of the track, ‘i had been thinking about where i d want to release it and i was pretty stuck. but shortly after i d finished it kidnap kid’s first ep on birds that fly came out, and straight away i felt a connection with the sound and a lot of the music i’ve been making recently. it already feels like it has a clear and distinctive sound forming and i can t wait for my music to be part of that.” applebottom hails from the musical mecca of bristol but shares a pioneering view of its style and output. “&#8203,,,,,,i think a lot of people have just gotten too comfortable making the same sounding dance music - and for me that kind of defeats the point, there’s so much variety in it. i feel that particularly for my generation anyway, we’re a lot younger as producers and it’s kind of our job to be that next generation that produces that next sound. we should be striving to make something new and different and build our own vision of what it should be.

special 4x12 inch pack containing four classic releases:
- solar-021: anton fielding & tiny stikz - afro punk’d (solar recordings)
- dcr-005: de hugo - music is u (danse club)
- act002: prompt - kieto (achtung)
- facto020: ismael rivas - relouder (factomania)

it is wise to take time and effort to organize the experiment properly to ensure that the right type of data, and enough of it, is available to answer the questions of interest as clearly and efficiently as possible. an experiment deliberately imposes a treatment on a group of objects or subjects in the interest of observing the response. a control group is used as a baseline measure. the control group is identical to all other items or subjects that you are examining with the exception that it does not receive the treatment or the experimental manipulation that the treatment group receives. an experiment that yields clear and systematic differences among the results of the test takers is biased. treatment vs control by deepak sharma uses extended tracks, story-telling techno to elicit a unique response through direct brute force and indirect dramatic soundscapes.

holy smokes batman! brand new label straight outta mcr here as esteemed clubnight house of wax launches a new, vinyl only imprint entitled jupiter s melody. what a coup for this debut release - the drop are a london based, 9-piece reggae band operating since 2009 and with a soundsystem informed mentality. fitting then that soundsystem operative, ukg legend and accalaimed bass music progressor djrum is enlisted on remix duties to take these uk reggae skankers into the club for some grooving 2-step business. felix manuel has a storied history across uk dance music, most notably through releases on the iconic 2nd drop records and a much lauded resident advisor mix. -looking to the sky- is that festival burner you wish you d have packed for the summer just gone. gliding in on waves of undulating bass, punctuated by a typical but none less arresting 2-step beat, the rastaman vox from the drop fit so well you won t actually believe it s a remix! deep, emotive and beautifully poised, its retroist in many ways but this only adds to the warm and welcoming nature of the track. the flip is more introspective, and in someways melancholic, but with a massively uplifted message. again, taken from a completely different og piece (check youtube for the drop s original vid), the vocal sits perfectly in another crisp and frenetic take on the ukg beat. this side builds slowly, with a defined song structure and lush musicality, never quite climaxing but simmering gently with a mindful glow. appearing out of nowhere and instantly having us climbing over each other to see what was playing, we expect this to be a big smash here in manchester over the coming months. if you ve felt something missing in your life since mj cole, zed bias and todd edwards last released summat, then you could do much worse than adding this to your collection! limited copies so get those orders in quick folks...

re-release from 2012 12inch whitelabel, limited to 250 hand stamped and numbered copies. the first 12&#8243, by berlin based bass music collective and label through my speakers is produced by their very own radar bird. this ep ignores genre boundaries by blending influences of hip hop and electronica into drum and bass, juke and house garments. radar bird is neither a person nor an animal, its primary music and about the love. the love for birds, and machines, programs and humans, knobs, ones and zeros. already played by dbrigde, dj stingray, sinistarr, sarah farina, kabuki, scratcha dva, zed bias, norwood soul patrol and more. releases on stil for talent under different moniker - airplay on rinse fm, nts, radar radio

12inch whitelabel, limited to 250 hand stamped and numbered copies. the 2nd drop on through my speakers comes straight from nght drps dubby chambers. showcasing his musical roots and influences, it blends earthy grooves and heavy drums with his signature deep and trippy vibes. from killing it on factmags against the clock producer series - collecting almost half a million plays and making it into the all-time top ten of against the clock to remixing moderats 2016 eating hooks, we are very happy to announce nght drps debut ep on through my speakers. already played by dbrigde, plastician, toddla t, sarah farina, kabuki, scratcha dva, zed bias, moderat and more

skatebard is back on untz untz records. this time in collaborative mode with stiletti-ana to present: the finsk-norsk body language society. the short version of the story goes: skatebard and stiletti-ana meet at a party they both played at hosted by untz untz in berlin 2011. stiletti was there as part of the duo jesse. a drum machine gets a skate signature on it at the end of the night. jesse remixes skates confirmation bias track for untz untz in 2013. fast forward to 2017 and here we are with the deal that was unknowingly signed in 2011 fulfilled. this record was recorded, mixed & dubbed live straight to a two track stereo tape recorder, during a fine january weekend in 2017 at stiletti’s haista ii studio on the island suomenlinna outside helsinki. we hope you like standard moderne, a moderne standard.

following rhythm büro’s debut release last year, the kiev-based label has returned with a successive rb002. in a similar vein to their first release, this release features vero and na nich as well as a welcome addition from an up-and-coming ukrainian producer, lobanov k. a2 finds a remix from the notable and much-applauded dj’s dj, eric cloutier. sonically, the record ranges from deeper, housey motifs and dubbed-out techno ventures on the a-side to electro-esque and slightly weirder break-beat expositions on the b-side.

medical records presents the third release in our transfusions 12- singles series. certain creatures (born oliver chapoy) currently resides in brooklyn, ny but has a career dating back to the early 90 s. he has roots in the miami hardcore scene that evolved into post-rock and even electronic pop (warm ghost). he began exploring electronics as certain creatures in 2013 with a 12- on styles upon styles with guest vocals from stuart argabright which led to oliver producing the 2014 black rain comeback record on blackest ever black. in 2015, oliver created a lush and enthralling lp vipassana, also released on styles upon styles. for this particular release for transfusions, oliver sought to step out of his production bias comfort zone by recording live takes with minimal editing and production in order to maintain a dirty, raw, haze-filled warehouse aesthetic. mission accomplished! the 12- contains 5 tracks total of uncompromising techno which we are ecstatic to unleash on the world. presented on classic 160gram black vinyl in our transfusions 12- sleeve. mastered by martin bowes at the cage studios, uk. crucial material for fans of surgeon, regis, as well as labels such as downwards, mote-evolver, and the like.

forthcoming limited double 12 inch vinyl (m.m-39)

dancefloor munitions aplenty with this release from rlsd. 4 great tracks with plenty of potential. rlsd 001 finally drops, featuring original tracks by doug cooney, pgj and jonathan k, along with a lee holman remix. in long established tradition, the first outing by dublin based techno label rlsd records has indeed been a labour of love. with small quantities already in all city records, it’s firing on all cylinders and has been well worth the wait.

taciturn manner is reggy van oers’s first full length on his own telemorph imprint.
pertained in a period of strained self reflection, several field recordings have become the core upon which the album has been created. a persistant continuous movement throughout the elements of the tracks causes a certain constrasting tension and gradually transforms into lush cinematic textures.
an intricate and mesmerizing journey, full of rich and surprising details, resulting in a rather emotional expression of his constraint style and coherent distinct sound.

a brilliant tune produced by a team who also worked together at chicago s loop record store, jesse jones and carl bias. written by leroy haggard (aka mr. lee) when you hold me was arguably the fiest of the deep house genre. the pair went on to work extensively with liz torres, the queen of house. re mastered for 2016 and re released in conjunction with trax.

off kilter, sideways and savage, weekend circuit continues, stanislav tolkachev returns and yyyy enter for this versatile, two sided release.

master c & j (carl bias & jesse jones) along with vocalist liz torres are counted among the most influencial artists to rise out of the mid/late eighties chicago house music scene. known for their singularly darkly sensuous and skeletal sound, their tracks captured and defined the late night, underground dancefloor experience rhythm, sweat, sex. originally released in 1987, face it is a deep moody chicago house all time classic. containing all 3 original mixes, face it has been re released and re mastered for 2015 on conjunction with trax records.

for the second release on frits wentinks new bobby donny label, he hands over to san2, aka geert schilder. hailing from eindhoven in the south of the netherlands, schilder takes his production name from the building which houses his studio, on the second floor of the san building where the legendary radios and tape recorders were built by philips. with this in mind, it seems to follow suit that his music is mainly produced with analog techniques, incorporating equipment like the roland tr-606, sh-101, sbx-1 and akai mpc 2000xl

ltd hand-painted sleeve + insert

munich’s zenker brothers arrive on index marcel fengler for the first time with pollioni, a four-track ep that captures the unique style that has brought the duo acclaim over a string of releases for tresor and their own ilian tape label since they combined their considerable production talents as a dual force in dextrous, charismatic techno.

welcome to the dark side. where chaos is the constant, distortion forms the standard and frontiers are built out of opaque shadows. mumbling voices are hunting you through a maze of creepy synthesizer sounds. welcome to antifuse. with their latest release, the berlin-based duo nerkkirn are following their path of experimental techno sounds, this time leading into dark shades of whirring electronic sounds. by creating a gloomy, yet groovy tune, antifuse builds up a perfectly conductive path within the unique sound system of snork enterprises. like a mysterious rollercoaster, four versatile tracks are pulling you into a vague ride through various spheres of electronic sounds. starting off with high speed into the deep and gloomy mines of underground techno, dipode unfolds its dark side in full blast. moving forward, antifuse chases you upside down on a roaring bass line merging into electronichangover. there, in a reduced atmosphere of sound, subtle tunes still forcefully keep pushing you through an odd darkness until everything, then, flows into a slight glow at the end of the tunnel - reversebias.

much like its three predecessors, the fourth format release is carved out of stripped beats, stained bass textures and a great deal of dark atmospherics that take the sound of techno back to its very foundations.

the first new crazylegs music of the summer season is a bold slice of motown-fuelled house music from tommy rawson, following up his debut on sweden’s local talk last year. uk garage hero zed bias brings the dread with a dark, broken maddslinky refix on the flip, after recently announcing his imminent retirement from the dj circuit. imami rounds off the package with a booming mutant funk workout, off the back of his debut ep on druid cloak’s apothecary compositions label last november. crazylegs is a young record label birthed in 2012 from a five-year old bristol club party of the same name – founded by jambo and shandy and now run by a small team of like-minded djs and producers – tied together by a love of surprising, spontaneous electronic music and existing to provide a home for the people that create it.

limited edition of 300 copies.
the dastardly sukebe, back from pornotopia with a model-actress-singer on each arm. grooving, late-70s disco, with giddy strings and orgasmic syndrums, a pg mercer and arlen, early-80s style and fashion.

deluxe 2x12 inch mini album in black matt mailer box with 4 x high quality prints by photographer silvia grav. record store day exclusive product.

spaced out bias hammers

its been a year since ashley beedle brought you the critically and commercially acclaimed yardism ep on raf (2 bears) and toddla ts girls music imprint and now its time for round two.

percep-tion is an electronic music label founded in 2013. homebase will be berlin, germany and amsterdam in holland. the music will vary from house to techno, but always of high quality and with the best producers in the scene.percep-tion is not just a music label i, we are also doing exhibitions and parties throughout europe. the designer of the label is herr von bias one of berlins fastest upcoming street art stars.
the first release is called jamaican summer and is build around a voice sample by one of the founders of rock steady from jamaica. remixes are made by jay tripwire, david alvarado and diego krause.

produced by christian andersen & adam marshall

best of dissimilated by products 2011 2013 now available on lp. early support by daniel avery and erol alkan.

the latest in tru thoughts series of essential label compilations, compiled by a&r and label owner robert luis, shapes 12:01 is available on double cd, double lp and digital. bringing the best of the current sound of the label, with a handful of upfront exclusives and cuts previously only available on other formats. artists include quantic & alice russell with the combo barbaro, belleruche, zed bias (aka maddslinky), mark de clive-lowe, hint, the bamboos, lanu, anchorsong and many more.

nice price deal !!! chimpo & trigga collaborate on club anthem gaza.

vinyl only release !!! >> come on, be honest. you also have been waiting for this. for more than seven years now, the 27-year-old frankfurter chris tietjen stands, like hardly any other dj, with his cocoon mix compilations for the sound of this label. apart from sven väth, maybe.. so, it was really time for tietjen to carve his music-aesthetical biases finally into vinyl, because for the value-oriented and highly dedicated dj, its a matter of honour to release his tracks in the traditional ep format only.

gerd janson (head of running back) and phillip lauer (dj, producer and 50% arto mwambe) step out of remix mode and release their first 12 inch of original tracks as tuff city kids. the ep is released as a hand stamped yellow label in a green generic paper sleeve and is the second release on ostgut tons new sublabel unterton.

platt & samrai aka swing ting veröffentlichen mit >creepin< ihren ersten release unter dem namen ihrer monatlichen clubnacht in manchester, die zu den besten veranstaltungen der stadt gehört und wo eine mischung aus garage, grime, reggae und hip hop gespielt wird. das duo ist von anderen künstlern aus manchester wie zed bias, marcus intalex oder illum sphere beinflusst und präsentiert eine ganz eigene version von elektronischer musik. dj support von brackles, wifey crew, matt iq, xxxy, mr scruff, hoya:hoya & co.

finish copy featuring a embossed sleeve. very limited supply, do not sleep! zed bias teams up with uk house up-and-comer funk butcher, swamp81 pressure

go deeva records is glad to announce the first go deeva unmixed compilation vol.1 with tracks from the best go deevas artists:simone vitullo, mark broom, wally lopez, felipe puertes, aki bergen, ismael rivas, coolio, alex gomez & bias, noir, angel anx, muzzaik, max.si.mas., javiunder, fabian argomedo, glovibes, horneyboyz, lady vale ...
supported by: luciano, nic fanciulli, wally lopez, gel abril, dj chus, behrouz, pirupa, richard dinsdale, axwell, supernova, joe t vannelli, muzzaik, tom novy, james jackson, ivan pica, david herrero, hjm, nico de ceglia and many more …

ltd edition 300 units !

nonplus+ label owners instra:mental have been working away on solo projects in 2011 with al bleek working under his boddika alias and kid drama as jon convex. here we have boddikas first output on nonplus+ after his debut on naked lunch in 2010 and prior to his forthcoming ep on swamp 81. his work has been supported by djs across the board such as benji b, oneman, scuba, shy fx, martyn, ramadanman, joy orbison, leofah, skream and zed bias amongst many others.

alison david features for papa mixes from the in demand andre lodemann & the uks very own zed bias

soul jazz records new compilation of the uk funky scene.
>riddim box< explores the most unique, left-field and innovative uk funky releases of the recent past with loads of killer tracks and exclusives! uk funky inhabits the space between dubstep and house mixing together elements of grime, dancehall and rnb with the percussive rhythms of nigerian afrobeat and caribbean soca to produce one of the uks most interesting recent musical developments.

jerome derradjis legendary chicago based label is proud to present paul randolphs >echoes (of lonely eden)<, an outstanding cd remix compilation of >lonely eden<, randolphs seminal album for still music.
since his first releases for kenny dixon jrs mahogany label and his classic releases for still music, detroits very own, paul randolph has gained an increased popularity worldwide. his musicianship and singing talents now established, randolph has been stunning audiences as the front man for berlins best: jazzanova.
charles webster, todd sines and zed bias are the choice remixers for >echoes #3<. charles an zed both deliver stunning soulful house music takes that will ravish dancefloors worldwide while todd creates an analog techno journey around randolphs classic >eda mae<.

supported by: brothers vibe, federico molinari, nekes, ray okpara, fimo ... we are happy to present on our first release for this year a new diaphan family member and one of the most up and coming young artists from athens. v.sexions releases on labels like safari, catwash, time has changed and many others shows that the youngstar from the greek capital knows exactly how to rock the crowd with his sound. pumping house music, thats it! and thats what he shows us on that ep with >do your head< and >you see<. however, >kadon< on the flip is a more deeper track wich is also the template for the >brothers vibes remix< who inspired and biased so many artists from the whole house scene with his amazing releases on his own imprints mixx records, jersey underground and som underground

kicking off at least we can dance is an extended dj friendly version of the original track, featuring production from the dp team of sharp and zed bias. this extended cut is dekata project at their soulful house best, with heavy beats, jazz keys vibes, horns, funk undertones and soaring hook lines. on the remix tip, check out the heavy hitter nu:tone, with his high energy drum and bass take on the original, dripping in heavy basslines, intricate beats and synth builds that make you want to dance the summer away into the early hours. currently causing a stir in all dance music circles as one of the main instigators and contributors to the hype and buzz that is the uk funky scene, roska steps up with his cant stop dancing mix. using broken beats, garage, grime, dance hall and house vibes, roskas unique sound has critics and compilation makers hailing him as the new sound of londons dance scene, having recently featured in the guardian and mixmag.

one of the biggest records in ibiza gets a release through italys go deeva with factomania on the remix dj support from eric morillo & many more...

played by mathias kaden, sebo k, tobi neumann, karotte....there is a date this year in autumn you should keep in mind: the release of marcel knopfs first album on mos ferry. being a dj marcel knopf is used to fathom genre boundaries and now and then he dives into dubstep, electronica and realms of pop. with the single dusty dance you get a foretaste of the upcoming congenial longplayer. in its own way, his single enables an acoustic addiction of a thrilling style mix. these two tracks move in between smart techno and grooving illustrious house and points out, that knopf doesnt want to be bound to one musical direction. the title track and a-side of the single >dusty dance< is one of the floor fillers of his album. get ready for an enthralling groove, a monster break and a hook, where any bias against trumpets in the club is blown away. on the b-side youll find the oldschool frickling house track >rec-chord<, which reflects knopfs addiction for the beloved vinyl format. go out and get yourself a physical copy, to hear this nice and comfortable sizzling noise. its the best way to get a charming club feeling. and always remember: who buys first, may listen longer!

its about time that i put you all up on some more electro...yeh, i know, ive been pretty biased with all the hip hop & sneaker posts! the blogs going to have a bit of a facelift soon, including some of the content, so stay tuned! anyhow, this gem comes from french duo donovan. to sum up their style, theyve got a chromeo-esque kind of sound to them, crunchy electro with an 80s feel. theyve also banged out some sick remixes for the likes of sebasiten tellier & in the club (their remix of turn you on is straight fire). breakin sounds great dave spoon (radio 1 - worldwide) yet another quality release from work it baby. this label really has developed its own sound release by release and its always a great quality especially in these days of all the same.matteo esse (cosmonote srl / various worldwide) charlie fanclub remix is real nice dj neoteric (many / dubsided records / national + international touring) i fucking love the charlie fanclub mix, totally up my street. i will be hammering it. (and joining charlies fanclub!) jack allsopp (just jack ltd) & more… fake blood, kim (the presets), aquasky, the c90s, matteo esse, colin peters, malente, sammy jo (scissor sisters), jaymo & andy george, john jones (hed kandi)