jay west and christian mallloni have joined together to create a hybrid filter funk sound all of their own. the original reaks havoc on the dance floor creating serious synth sweeps and bass drops to keep this track versatile and improvisational throughout. the vocal sample quirky as it is rings in your head while the percussive rhythm and killer bassline dri this piece home. nightshift boss man hipp e steps up for the b side with a new style and brings down the house. extended peak time mix here with big synth rides, crispy rhythm and big kick. wicked breakdown riddled with bits from the original and ever expanding sonic modulation takes this cut to the limit

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

beach is the perfect early morning track with dreamlike sounds. an amazing deep techhouse piece for a dancefloor and living room alike. underwater is a shuffle tech track and its sounds go deep underwater where the sun cant be seen anymore.this groovy one is sure to shake many dancefloors in the middle of the night. on the flip fusiphorm strip things down to basics in best minimal tradition

sie sind zurück und haben nach ihrem brillanten erstlingswerk nichts verlernt. breitbeinige rockattitude mit feingeistigem sampling. techno ist, wenn man trotzdem lacht

classic jackin chicago tracks a must have

collaboration between mika vaino & ilpo vaisanen of pan sonic and alan vega from suicide with experimental and deep electro trax from 1998 on this mute sub-division..

deep italo with narration, dark feeling synths and a techy edge. unique b side dub, synth drenched, italo/techno with building atmospherics and stripped down simplicity, opting to lose the vocal. dj friendly accappella also included on b side big big tip

nice spacin detroit trax !!

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

next excellent proggy release on oeften grueven mparadis taking you on an atmospheric trip flip over for the nick hogendoorn & eelke kleijn remix were things are stripped down to the point with a nice electro flavour

ultra smooth deep house with seasoned quality vocal by tyrone supported by subtle keys, strong bassline, organ,all laying back a bit to let the vocal take front and center. b side mix stands out with a stripped down darker feel and deep techy edge that play nicely off the vocal for an unexpected combination that works well. remixes by reel soul and martino from 83 west.

big with laurent garnier, dave tarrida, magda, woody, anja schneider !! knall is the latest label of the bremen based plantage13 family. knall is nothing but direct minimal action, created for those special underground club moments. stripped down and raw grooves with glitchy efx, psycho melodies and some peaktime punch. the three tracks on the labels debut are named after 3 places in berlin, paul panzer homebase keep guessing and watch out for this brand-new source of quality club music

just in time for the fast-approaching summer months, rio de janeiro s main man dj memê joins soulfuric trax to unleash his brand new release v.a.i. blending together all the right ingredients, memê s club mix creates a summery, carnival-inspired vibe whilst deep josh lays down a very effective deeper mix. the stereo mutants spice up their version with some great sound effects and the beatzz come as an added bonus. definitely one for the ibiza season

nice price deal !!! get on it is a heavy ass tune from label head honchos ben & lex, a proper heads down dancefloor groover. a druggy lick that runs throughout the tune keeps you totally locked in while the huge sub bass wobbles your trousers like a mutha will whites wait a minute, is a funk fuelled peaktime dancefloor killer. bursting with funky hooks, phat bass and catchy vocal snippits this is one hell of a party tune!already tried and tested on dance floors across the world

bryan jones and scud bloom team up for this solid four track ep on chicagos farris wheel recordings jackin house tracks that will please the fans of fetish, tango, jackin trax etc

finest minimal techno stomper by mark broom & mihalis !! the rhythm will make you move – and not only move, you will dance like there’s no tomorrow. in >congi< the hard bass will strike you again and again. >come down< convinces with a classic minimal tune and a straight unique bass. lovers of >sabbath< – the former cooperation of broom and safras – can be sure, this is a must have

great deep detroit house classics incl tracks from polyester recordings, compost, sense music and many more !! ltd restock

funky breaks by the beat assassins who team up with joe budden and bambata for this cool 2 tracker not to be missed

classic back stock

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

chunky driving breakbeat action here lbj on the flip deliver a stripped down swinging remix with this cool flute sample a must have

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

stripped down electro flavoured techhouse grooves

this argentinian dj/producer has no limits when it comes to cool housetracks. with this superb female vocal be mine will shake the clubscene. includes mixes by simon & shaker, dean coleman and elio riso & audioclash

dj jeroenski is one of the biggest talents of the dutch club scene and not only a hugely popular dj in his home country but also a fast rising international producer. jeroenskis latest offering on device records literally has lust for life written all over as it oozes with plenty of feel good energy.the electronic mix is an upfront slice of instrumental house with punchy beats and an electro spiced melody. the original is the smoother version and creates a vibe that will go down well with the more soulful.

cool label start with this three track ep full of minimalistic techno tunes !!

as a sublabel of the respected rilis, loose is on the roll with a series of impressive, futuristic pressings. following the black and red ep comes a new gem named yellow. here rino cerrone teams up with some of his friends maurizio viteillo and umberto carmignani. these men slam down a solid stripped down techno ep with stunning quality and superb craftmenship

big with john dahlbäck, zoo brazil, thomas schumacher, umek, john acquaviva the spanish-based production kings (cocoon, submission, sadie) and label-owners (sonic society) pig & dan, return to pickadoll with some truly balearic & beautiful techno tunes. the track 88 (make no mistake – this is true dance music!) is a hypnotic journey based upon slightly modulating old-school chords. the combination of rather well known >back in the day< aesthetics and the modern minimal feel make this a truly professional masterpiece. the b-side starts with a dark tekkno monster called >blobz<: arpeggios, stripped-down drumming, reverbs go to make up an unbelievably raw ecstasy music which then develops into a neo trance extravaganza with some highly impressive breakdowns! the last cut >robots< consists of video game sounds, sexy beats and some almost psychedelic guitar-like licks… after-hours madness guaranteed!

the frankfurt based 4/4 electro label nordwest goes into the next round. labelboss and music biz expert olaf pozsgay, known from releasing on labels like systematic or raum…musik delivers two outstanding tracks for true arpeggio peaktime pleasure. the a side push contains body-jacking drums and a true arp-bassline monster, that modulates thru the keen arrangement – big breakdown included. the 2007 house version of sweetlights Überhit >abusator<! the flipside horses dont cry starts in a classy chi-town flavour with smooth chords and a funky bassline and then moves into a dope arpeggio that moves up and down and back and forth

supported by: sven väth, steve bug, mike monday, miss jools, karotte, satoshi tomie !! childhoods end is a massively bouncing detroit-influenced tune with a dominating chord theme you will not forget. this track has a story: when we received the first version almost one year ago, we already knew this could be a big one, because of the wonderful chord theme. however, we weren t completely convinced by the mix down. the improvement of this tune became a mental trip for pele. by producing his final version, he acquired so many skills, that with this track he has left his fledging stages – which is why this production is called childhood s end

the dog is back with another funky breaks killer wiesel & captain koma here with this monster of a track feat this classic loletta holloway sample on the flip introspective work the original track into a stripped down stomper with twisted acid lines a must have

return of one of the most prominent characters in house music elbee bad has been around for ever and with a discography that reaches from nu groove to gigolo has had his fair share in the developement of house music. now he stands in the limelight again with a versatile four tracker that gets already thumps up and plays by sven vaeth. victorious is offered in two mixes and if you like some beauty within your house the video mix is for you beautiful layers of strings, classic piano. a crowd favourite the epic build ups and drop ins over a stomping beat. the blazin brooklyn mix hits you from a tribal point of view it holds on to the beauty of orchestrated music with all the string backings in the mix but strikes with a harder, more percussive beat. the tribe vibe on the flip has elbee yelling on the mic asking over & over again do ya ll want this party started” accompanied by a stripped down, devasting beat the answer can only be yes. bonus track is conny, elbees tribute to fingers inc. the classic donnie sung by robert owens is reshaped from a mr. bad point of view and layed straight up over a famous dj falcon instrumental rough and rugged, just real house music

after a few underground releases on digital labels, israels shay dotan is ready for some serious vinyl appreciation with his biggest and best production so far release. this stripped down electro track sounds like roman flugel, fedde le grande and bodyrox all mixed into one

great chicago acid techno classic by the legendary robert armani aka mark bernhard !!

from breakbeat over leftfield to minimal techno by one of the members of the legandary space invaders group, tom chasteen !!

the long awaited sweet n candy album !!

d1 recordings mark their 35th release with eamonn doyle s >red shift< ep. following on from his recent >ghost of the machine< release on sweden s hertz recordings, here he lays down two more slices of extremely deep bass driven techno aimed at the more discerning dance-floor. the 12-minute title track >red shift< is built around a deep rolling sub bassline with layered orchestral strings used subtly throughout. the flip sides >winter sun< arrives with more shimmering strings, this time underpinned with a crisp 909 backbone and lifted with some rich and soulful lead string lines. this release is part of the d1 limited editions series. vinyl runs are strictly limited to 300 copies, after which the ep will only be available digitally. the red shift ep has already caught the ear of many of the world s leading producers with dj support coming from detroit legends dj bone, claude young, octave one and also mark broom, laurent garnier, rennie foster and kan shinomura

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

robsoul limited goes round 9 on the a side gradient echo delivers a funky affair with a huge slapped bass guitar while sam karlson & steve o steen offer a huge bumping stripped down killer flip over for phil weeks and dj redeye getting an atmospheric techy edge remix from demarkus lewis

dj antoine and mad mark deliver a slamming electrohouse monster edit on the a side flip over for a funked up funky junction & antony reale mix and the stripped down keepers of melody e klaustro remix

toolroom mainmen mark knight & dave spoon return for another blistering e.p on toolroom trax. collaborating for the awesome title tune sylo, and then throwing individual tracks background noise & drug music into the mix. sylo is definitely one for the clubs with its chunky beats, electro tinged rhythms and massive builds. background noise is another signature dave spoon track, background noise is a straight up grimey affair with tight production and programming being the order of the day. drug music completes the ep from our very own mark knight. another heads down roller aimed straight for the dancefloor

after the success of the much anticipated >silverbird casino<-compilation, diamonds and pearls are back with their 7th release. and with >i fight for mars< eat stepp into new sonic territory and unleash a full blown electro monster with haunting pads, pounding drums and an eerie cinematic feeling. this one will definetely turn some heads and send shivers down our spines. six tracks from lush ambient soundscapes to analog synth driven, italo inspired electro-funk. a massive sonic journey for all you starsearchers out there.

"nice reminiscent of a classic minimal josh wink !! justified cause’s proposal for this ep is to present an exclusive, extended mix of the song >take control< from the 981 north album in the classic 12&#8243; format. we believe the track to be a strong fusion of american house in its deepest style, but made with an exceptional current day minimal production technique. as a result, we hope that besides just being a great dj track, that it will appeal to both types of listeners. as you would expect from the crew down at justified cause… who better to remix this track but our in house jack master, garcynoise who >takes control< of the remix and turns it into an indubitable dance floor filler by also fusing some old school feel with some new school production"

the vinyl boasts not only a club and radio mix, but also a more stripped down, dark and dirty mix for the more depraved of nightclub moments. hes even thrown in a raunchy a cappella to boot! mind if my friend joins in? is one of the most distinctive records you will hear in 2007 and, whilst it is guaranteed to tear up clubs worldwide, it also manages to push the envelope in a time of exciting change for dance music

stripped down funked up track with techy edge and a cool male vocal loop includes 2 mixes by the good guys

robb scotts third single from his glorious debut album afro odyssey is called revolution (future love) and features the gorgeous miss theasha faison. what a song! this one has it all, funky and catchy rhythms, great vocals and deep lyrics. a true statement towards the so called new world order! to calm things down the beat baron out of the dutch country, kid sublime comes up with a dope and reflective version of revolution. on the flip the great seiji from the mighty bugz in the attic collective turns things upside down and drops nothing less than a futuristic dance masterpiece! blessing us with a fierce vocal and an insane dub version. peace to seiji for those straight up booty bouncing rhythms

first in series,ep one starts out with an edit by darshan jesrani of an 80s disco jam stripped down and reworked for optimum dance floor bounce. path is an obscure break which has become a favorite of danny krivit, xpress 2s diesel and others. side b features an afro disco obscurity called run which has been reworked by kane into an uptempo fela at the disco vibe with heavy reverb kind of in an early idjut/u star vein. the ep closes with um spam. culled from several japanese sources, a sweet balearic vibe pervades throughout the track

there s no need to introduce these two as we all know what happens when they get down together on this label. massive massive quirky electro here with >the truth< proving just how cutting edge these two are.

punks jump up are joe & david. part english, part swedish london based duo who s rebel sound began in 2002. pju shared the bill and were plugged by james murphy, headman, radio 1, freeform 5 , simian mobile disco, klaxons, tim sweeney, filthy dukes, shakes... while recording in stockholm they tracked down the legend chalk jaxon, very rarely seen in daylight. after hours of chasing & following up leads that led to nowhere a glimmer of jaxsonswhite shoe set the sparks flying at the disco, could it be?!?