ozs inkswel sends an irresistible four track package zig zagging across the globe to the door of fort unthank on the banks of loch firecracker, somewhere in the mists of scotland, via his very own powerful boogie powered super collider. opener do it is how its done, atomic funk which has been split, stretched and closely inspected, then reassembled to create a dancefloor chain reaction. the funk particles then pass through the americas and pick up the one and only chico mann. a man known for his like minded awareness of, and abilities with, the worldwide ways of the electric boogaloo, he adds his abstract afro cuban theories to tu machito. next, its a sharp turn eastwards to the old countries, whilst riding the waves of lfo bounce. uks funkineven, another kindred spirit in the search for man made machine soul, provides further refinement to the initial wave hypothesis, resulting in a glimpse of the elusive dark matter that is often talked about, but rarely seen or heard

making all the right moves with previous form on aus, needwant and tusk wax, ejeca is well tapped into the revivalist house zeitgeist with these hale and hearty jams for waze & odyssey. solid inner city chords and crisp, bright drums abound on side a, with >night rays< sure to inflict some damage with its fulsome square wave bassline. on the flipside, >never forge< ups the tempo for a cut that dresses like tech house but moves like 2-step. waze & odyssey themselves bring a smoother, deeper vibe to bear on their remix of >riddim<, pulling the melodic content right back to subtle flecks for a greater dramatic impact.

having swiftly carved a niche for himself amongst the likes of perc, ben gibson returns to sect to deliver more of his brooding and engaging techno. there is a great emphasis on sound design and atmospherics in the two tracks on quien es?, as ominous clangs and tense tones hang heavy over rugged drum workouts. >ceased to gasp< is the more industrial of the two, but still allows for a melodic slant in the cavernous echoes that define the track. >remain< adopt a swirling, psychedelic approach to sonic decoration that draws you in just as it continues flooring you, like all good techno should. highly recommended.

assemble music returns with a three-track ep from colognes david joseph aka st. joseph, exploring further the refined, tripping path forged on the labels previous release from daze maxim. the pianos, vocal snatches and ambient hiss of josephs releases on platzhirsch are present and correct, but here the jazz flourishes are reduced down into something far slicker. these tracks have been prepared using a keen blade, and none sharper than >personal dancefloor<. heavy drum programming and a rumbling bottom end bring to mind theo parrish in his moodier moments, but the deal is sweetened by light piano, garage-like vocal samples and a deep, burning 4 love bassline. >indigo< spins the duke ellington classic into a spiralling, shuffling chugger that will bring a 30s harlem spirit to enterprising dancefloors. move the needle to the b2, though, for the eps party hit. written in 2009 and reflecting that years raw arrangements and joyous samples, >wave/table/muscle< finally gets a vinyl release, proving this sound endures to this day. expect more of the same from assemble music with their next release featuring vera and ricardo villalobos.

after having blessed the world with >soarex< released on our sublabel irr (international records recordings), including a remix by ada, we would now like to welcome von spar to areal. and this time, the remix comes from no other than techno legend john tejada. with >jon voight<, the hamburg-based artists have created another epic masterpiece in line with their earlier electronic tracks: great emotions, melodies you will never forget... in other words: a track that will send something of a shiver down your spine. tejada, of austrian decent now living in the united states, shows full respect for the original version and comes up with a remix that has proven immensely effective on the dancefloor. it so effective that we still find ourselves awestruck in the studio. well, in the meantime, we have to admit that we went out to one or two parties, but only to find ourselves back in the studio again, still awestruck.

incl 2 bit crew, lgg, volta cab and rosenhaft. 2 bit crews just cant seem. taking a sound heavily influenced by the underground house music / garage sound of the 90s, this is a bumping groove with a driving bassline and hatswith a simple female vocal sample that will stick in your brain. the second track takes things deeper with bastien carrara aka lgg with let me, smooth rhodes chords with a love sensation sample underpinned by raw beats and sub-bass. on the second side things get a little tougher. the third track is from a producer who has had many releases already on labels such as balance alliance, seven music and undertones, konstantyn isaev, better known as volta cab. his track what is underground focuses primarily on a killer bassline, retro synth stabs and a cheeky hip-hop sample used to great effect. finally is haim rosenhaft, a young producer from israel with 1992, his homage consists of an old school organ sound with heavy kicks and snares influenced by the sound of labels like umm and cleveland city in the 90s. again this will be a vinyl only release

japans rhythm of elements return with another e.p. that display their versatility and belief in the many forms that soulful music can take. >tribe #3< contains the classic rhythm of elements combination of dj uchikawas firing electronic beats alongside virtuoso piano playing by makoto kuriya, plus bass by incognitos francis hylton. the track is a tribute to the late departed detroit electronic music artist aaron carl who sadly passed away last year. continuing the detroit connection, rick wilhite has been working with the likes of theo parrish and moodymann for years, and his remix of >tribe #3< provides an audio beatdown, stripping the whole thing down to its rawest elements, and supplying the hard and the smooth in perfect balance. >blow< is another journey into a percussive horn driven groove for the dancefloor. rhythm of elements provide the remix, layering the musical elements like flavours in a delicious cake. finally, >meditation bath< (loftsoul 2012 mix) takes the pace right down for this beautifully relaxing slow burner. close your eyes and let it flow over you.

dj nature aka milo steps uponce again to the indispensable golf channel label, with his eagerly awaited debut artist album comprising all original material. a founding member of legendary bristol sound-system collective the wild bunch (which spawned massive attack, tricky and much more), nature made nyc his home in the early 90s & went on to collaborate with the major force crew in japan, before hooking up with gc boss phil south, who thankfully persuaded him to don his production cap once again. there followed a series of acclaimed 12 inch releases through gc which developed a trademark sound, a sound he’s fully realised on >return of the savage<. natures unique take on modern black music is somewhere between the bass heavy sound system cuts on which he cut his teeth and the more nuanced vibe of peers like theo parrish. irresistible, low slung and beautifully structured yet raw club pieces make up this outstanding selection - a superbly packaged gatefold double lp, complete with download codes for individual tracks as well as the mixed version.

label boss umek & friends with another killer on 1605 music therapy.

a special collection of all the limited records released over the years on sushitech inside a solid carton box designed by kerry roper. the box include 5 x 10inch clear marbled records with some new and exclusive mixes! limited to 400 copies vinyl only!!

in the lead-up to the release of ‘motion sickness on december 3rd, domino will put out a three-part 12 vinyl series with each record featuring two highlights from the remix compilation. these releases will be staggered throughout november in december, the first of which is to be released on november 19th. full details can be found below.

new 100% original disco imprint, file under disco, drop the first vinyl sampler for an extended player project by production outfit drop out orchestra. the power of music ep will be released in feb 2013 and features 6 original, dub disco workouts by the scandanvian duo. here we are offered a taster of what is to come via a couple of hot reworks. first up is crazy p member ron basejam who conjurs up a wonderdul el coco inspired refix that covers all the bases. while on the flip, disco deviant dicky trisco pushes the big red disco button and flies like a disco eagle.

limited collectors edition. half speed remastered for optimum audiophile reproduction, pressed on virgin 180 gram heavyweight vinyl. includes a 12 page booklet and high quality 30cm art print.

the sad sunday ep is implementing its theme on all levels, providing a formidable sound for a frolic sound pleasure. combining attributes like lucidity, lightness and a great passion for details, newcomer carlo ruetz convinces with his new bad taste ep. its another amazing minimal-technoid record that joins the marvelous musical work produced by the supdub young stars. mentor alfred heinrichs provided the ep with a remix himself in addition to the original song.

excellent three track vinyl, from detroit electro to ibm like droned techno... b2 = excellent ambient feel

former model sade, born as helen folesade adu, delivered a sensation with het debut “diamond life”. her delibetately icy and aloof approach, in combination with the jazzy sound and warm voice brought this album to the top of the charts.
this modern soul classic debut was recorded and released in 1984, two years after the english group was formed. diamond life was an instant hit in the uk, peaking at #2 and staying in top ten for more than six months. at the same time they conquered the rest of europe reaching #1 positions in the netherlands, germany, switzerland and austria. in the us, it reached #5 in the charts and the album reached a 4-time platinum status, just like in the uk.
the hit singles “your love is king”, “when am i going to make a living”, “smooth operator” and “hang on to your love” propelled sade s debut album to sell more than 7 million copies worldwide.
exclusive remastered, 180 gram audiophile vinyl pressing.

after all efforts were put into jacob korns debut album during summer 2012 uncanny valley strikes back with namesake jacob stoy and his very first solo ep after his s51 for the uv010-compilation. everything starts with redensart, a sunny piece of music with a sneaky bassline and easy synth pads that come across like a warm rain shower: its house in the end but feels like so much more. hauswart is an impressive example of how one can create a whole atmosphere of sound within two minutes. its short but feels so comfortable that you really like it to go on and on forever. start is maybe the most conventional deep house track on the ep and seduces with catchy synth chords and thrilling drums. finally gegenwart brings things to a jazzy end with tipsy synths and tripping percussions. the artwork comes from none other than jacobs father olaf stoy, who is a painter, lyricist and porcelain designer still working in jacobs hometown rabenau near dresden.

returning to this chicago label, he brings a solid release beginning with a spaced out soundscape & flows into dark devotional energies, an eerie cut with killer drums like the china syndrome. place space this galaxy and easing the cosmic streets take on the flip on this essential ep.

here it finally is - fake bloods eagerly anticipated debut album >cells<! renowned for his hi octane, electro-influenced productions, this record is set to be one of the standout albums of 2012. theo keating, in true maverick style, has forged his own path as fake blood- a hard-hitting, multi genre artist with a cult following like no other. his previous releases, >mars< and the >fix your accent ep< that features the hit club anthem, >i think i like it< gained rave reviews among press and fans alike, cementing the man as a leader of the scene.
double 12 inch vinyl in gatefold sleeve, pressed on heavyweight 180 gram vinyl, code for free mp3 download of the full album included.

slowly building, soul-soothing, and disco-fuelled house with a nod to both the great masters from chicago and the new electronic breed. lisbon producer and lux resident ramboiage likes to take it slow to take things further. >del fuego< kicks off modestly with a simple beat and some light percussion, creating and eerie mood. but then some tasty, disco-fuelled heavy house kicks in, and the tune starts to roll unstoppable, riding on a horn hook. funky like a train, as the mighty equals would say. spanish om records darling al velilla steps up the pace a little bit and lets the original float over some tasty discohouse beats and eighties-flavoured synths.

clouds have rapidly evolved from world-class stadium-wrecking maximalists to serious talents featured in sets by techno heavyweights like richie hawtin, chris liebing, and marcel dettman. featuring a remix by truss.

die fromme geduld hat sich gelohnt - das >gute leben< ist jetzt. auch wenn die im juli erschienene >waiting for the good life< dank gewohnter qualitaet und einem exorbitanten gastkatalog, die dürreperiode ausgesprochen vergnueglich in kurzweilige vergessenheit geraten ließ, hat die neugierde auf den dritten full lenght player des domstadt produzenten-doppels jr & ph7 damit nur noch mehr floriert!

limitierte neuauflage im originalcover von 1980! aufgenommen im channel one studio mit den roots radics und von scientist bei king tubbys abgemischt. weitere credits sind produzent: henry junjo lawes, bass: errol flabba holt, drums: carlton santa davis, guitar: earl chinna smith, eric bingy bunny lamont, keyboards: ansel collins, gladstone gladdy anderson, percussion: christopher sky juice blake, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

yoshiki tsuchiya aka miruga offering 2 deep numbers. put the needle on the record when the song beats go like this

following the great reception of hiverned 01 here is the second installment of hiverns edit series. in the a side, tbs >invitation to love<, a highly anticipated track that is finally released after becoming a fixture in john talabots sets. based on twin peaks osts >laura palmers theme<, the track rephrases angelo badalamentis clas- sic from an acid house perspective. adding analog rhythms and a crispy bassli- ne to the ethereal chords of the original composition, this refix manages to keep the dream-like atmospheres of the song while transforming it into dancefloor- ready groove. the idea is simple, the results are magic. on the flip, marc pinol repeats appearance on the series revamping some lost australian minimal-wave track. in the vein of his previous >wheels< edit, the track conjures gloomy atmospheres and sparse rhythms with gritty synth melodies. on the top of it, the barcelonian producer adds dialogues from spanish cult art-house film >arrebato< (hence the title) multiplying the obscure ambience of the tune. once again, the release comes in a limited edition 10 inch wrapped in a handmade silk-screened sleeve. no digital and no-repress.

perc trax is proud to unveil the debut ep by pinion, known in a former life as us-based producer bobby dowell. pinion is the sound of a man with his own vision of music, sitting somewhere between classic industrial and contemporary techno without slavishly bowing down to either discipline. where the likes of ancient methods and perc are the sound of metal on metal, pinion is more like wood on leather, a ceremonial throb that switches in an instant from tightly locked grooves to more freeform rhythmic patterns.

omega male could conceivably be described as a supergroup, a transatlantic duo featuring david best of brighton minimalist kraut-funk outfit fujiya & miyagi and sammy rubin of brooklyns digital rock band project jenny, project jan. the combination is an inspired one – laptop sex music played by two white dudes.

pilot, guitarist, dj, producer, autodidact, comedian are just a few words to describe the workaholic and house-fetishist dayne s. he is ranked as one of the upcoming deep house talents for sure ... in 2012, he grew up quickly and released tracks on labels like noir music, suara, witty tunes, microzoo and kittball. his affinity to the blues now sums up in an ep, which represents what he always wanted to create, a mixture of pure blues-feeling and a catchy groove for the floors.

die born to die - paradise vinyl beinhaltet die 8 neuen titel von lana del rey auf schwerem 180 gramm vinyl. neben >ride< unter anderem auch >blue velvet>, dem wunderschönen song >yayo< von ihrem mit 19 jahren - damals noch unter ihrem bürgerlichen namen lizzy grant - veröffentlichten debütalbum sowie dem verführerischen >cola<, dessen erste textzeile schon vielversprechend anfängt >my pussy tastes like pepsi cola…<. das packaging der vinyl ist eine slipcase box, so dass die ursprüngliche born to die albumvinyl hinzugefügt werden kann.

phat drumcode like prime time action

the next catalog number presents you two berlin artists– jonn melchiat & k.atou. both are not unknown in the business. so k.atou already collaborated with labels like bpitch control, einmaleins musik or resopal. jonn melchiat who made himself a name with the pseudonym sonceboz, decided now to focus on his project jonn melchiat and releases beside on the label what now becomes, an ep on sono vivo.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

faces number three will invite the two young producers sekouia and rain dog to share sides on this disc and expose their musical crafts. coming from denmark and the uk, respectively, they are with certainty looking forward to long-lasting succesful careers. what they share is a an intrinsic feel for tiny musical details which give their music an intimate feel to keep the listener mesmerized for ages. on this record they experiment with different sounds and tempos to create a dynamic collection of unique compositions that congregate an ep of colourful, low slung and ambient tunes or simply chocolatefudgebrownieplasticmusic.
limited 12 inch vinyl for serious collectors, djs and record addicts only! comes with code for free mp3 download of this release plus 2 bonus tracks.

label head lee foss calls upon no.1 american house producer mk to collaborate on this knock out release, featuring the stunning voice of l.as anabel englund. on the flip lee goes solo to deliver two solid tracks like only he can.

vienna based dj and producer roman rauch doesnt like to compromise. hes constantly pushing his musical boundaries: house, techno, disco, funk. rr mixes the shit together like on his full 12? for quintessentials! keeping a raw edge on all 4 tracks, roman still provides club appeal. yes, we think hes talented, thats why he already released on philpot, endless flight or tenderpark. may the haus be hoch!

the first reference of this argentine label, monochromatic records, it is a serious bussiness. in one side, specter - a chicago producer that edit by labels like sound signature or sistrum- with a pure class organic and deep warm up track. on the other side is the banfield audio track, with a more floor oriented but yet deep and warm analogic sound.

this is n eight track release series built of four remixes and its previously released originals now in form of a re-issue to complete the series. successful tracks like lufts >in high spirits< or even more secret gems like livu grozas no love are brought back on stage by being amazingly remixed by other raoul artists or friends of the label. the first edition features remixes and originals from: luft, crowdpleaser, liviu groza, digitaline, emilie nana and dollar mambo. the vinyl edition includes only the new remixes.

here we go with the next release on frank mullers mad musician from the techno headquarter berlin. some might know this track from franks live performance as beroshima. ken ishii heard this track in japan and offered to do a remix. we dont have to explain ken ishii and his nice releases. he has been on the scene for almost two decades and has influenced the japanese techno scene like no other. two other mixes are done by frank muller himself. his alter ego beroshima mix is is pure techno spirit and simply rocks the shit out of your lazy bones. brand new and good for you!

if the black monolith tycho magnetic anomaly one from stanley kubricks classic 2001 felt like partying, he would be throwing his rocks in the air to the vibes from barnt, even without having arms or legs. it is probably because is this what they were born for? is not the first time the dj, producer and co-founder of magazine (barnt, not the monolith) orchestrates his profound knowledge of true cosmic sound design in the most convincing manner.

often overlooked in american techno history are the weird and wonderful flavours to have emanated from the mid-west over the years. no two finer exponents have there been than minnesotas paul birken and freddy fresh. their contributions date back to the early nineties when freddy was exploring the possibilities of extreme techno (via labels like labworks, experimental and his own analog) - an activity that paul took up a while later after debuting on woody mcbrides renegade communique label in 1996. teaming up for the first of two collaborations on this 12 inch, paul and freddy open with >the fate of thirty eight< - a belting slab of analogue techno, where machines shriek and squawk like possessed animals on the loose.

vase continues its blooming series of stellar releases since its inception a few months ago with its boldest release to date: the zodiac ep. this self-titled project by producer / songwriter jeremy rose marks a definitive episode in the young labels direction. the brain and ear behind some truly singular releases, rose is responsible for production on the weeknds house of balloons (what you need, loft music, the party & the after-party), as well as >genesis< by bay area artists the jealous guys and the acclaimed styrofoam cup session remix of roach gigzs >got em like<.

breakbeat paradise recordings is proud to introduce yet another talented artist to the bbp crew. dj rudd is an established dj and producer from latvia, where he is leading the funky breaks/mashup scene, doing shows with names like a-skillz, featurecast, nightmare on wax to name a few. rudds oldskool type of funky breaks was a perfect match for bpp, who was quick to get rudd on board, when they first heard rudds successful funky breakout ep on bigm records. this became the beginning of a prosperous teamwork set out to design this amazing ep of 4 state-of-the-art funky bangers. track by track and sample by sample they worked their way through, in order for this ep to be as great as possible. the result is nothing less than a masterpiece of classic funky breaks - with all the right elements including well-balanced use of modern day wobble basslines.

since the latter half of the last decade, alex melia aka reso has been blending heightened technological futurism with dancefloor prowess to create a densely cinematic musical universe. following last years >ishimura< ep, >check 1.2< is the next single to be introduced from forthcoming debut album >tangram< on civil music. an unflinching vision of the future and complete competency in his craft sees reso construct a brave new narrative in the way that timeless artists like richard d james, photek, dj shadow and a guy called gerald have done for earlier generations.
comes with code for free mp3 download of this release.

hot on the heels of 2011s >schlungs<, the jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled >mungodelics<.

to celebrate the rerelease of the three classic to rococo rot records on city slang between 1997 and 2001, we have asked two friends and fans to rework their favourite tracks of these albums.
four tets kieran hebden chose the brooding minimal collage >he loves me< from the bands 1997 archetypal release >veiculo< and, like a prism in singular beam of light, his remix reveals the songs true glistening content.
mute label founder and longtime to rococo rot afficionado daniel miller teamed up with london based producer gareth jones to give >cars<, from the bands impeccable second album >the amateur view< a compassionate modification into a ... well, lets call it a krautrock disco truck.
the 12 inch will be limited and only available for a short time.

having released his critically acclaimed third album �>personality�< earlier this year, scuba has announced news of a brand new single �>talk torque�<. the one-�sider �>talk torque�< will be released through hotflush as a limited edition red marbled vinyl and will coincide with the world premiere of scuba�s live show on november 3rd in london. not one to rest on his laurels, scuba has been busy this summer djing at countless european festivals including off-�sonar, sw4, hideout, primavera, closing bestival on the saturday and making his debut at ibiza. hotflush recordings has blossomed into a veritable juggernaut in underground electronic music, releasing everything from techno (sigha, george fitzgerald) to some of the most experimental and important music of the past few years by artists like joy orbison, untold, mount kimbie and sepalcure. having cemented his place at the cutting edge of electronic music with �>personality�<, scuba now turns his attention to the live scene. scuba�s debut live show promises to be nothing short of spectacular and is not to be missed.

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

great dont techno 4 tracker... new moves from cursor, ben pest & jerome hill ... cursor miner has built a solid reputation over the years for being a free thinker in the world of techno, breaks and bass music, and here for dont he delivers the massive >nonon<. with early support from perc, the track has to be heard to understand... it lures you into a trance then thunderous spastikesque drums pummel the listener into submission. in one word, classic. plus you get palinki, a warped techno bouncer. on the flip, another freethinker, ben pest treats us to >yam um sugli<, with deranged synths and drums practically oozing funk, this sounds like nothing else on the planet.. which is what dont is all about! finally, label boss jerome hill steps up to give a reworking to the aptly named >rumbler<, an intense techno bruiser!

its to siberian producer unbroken dub we turn for our next ep a man who has released a seriously deep and grainy slew of eps on labels like berlins rawax and is picking up more and more props as a result.