electronic house and tech house with a slice of tribal a sides original mix is a gritty sleazy knockout aimed at the hottest progressive floors out there especially as the minimal but wickedly effective bit of depeche y vocal slides in flips nocando remix goes deeper at first with a filthy minimalist electro bender that warms up a bit slowly before catching fire at the break big one

ghettofunk vs blacksoul start off with a jason hodges style cut gotta feel it tough beats hip hop vox cutups and bouncy bass the a2 cut help me thru a more layered track with vocoded vox fx and lots of quirky feel flip for the debutant tracy coopers 2 tracks uptown is a jackin jazzy groove with live horns big upright bass and well placed sampling definitely a track for the heather/sneak crowd green grass is a really funky slice of hybrid jazz with latin bassline and bluesy piano stabs the horns stabs work well within too

debut release from australian breaks producer ph amyl bingo borrows a little from electro running at an easy pace for the floor and building atmospheres with those gigantic synth lines a proper head warp for a packed floor white mans triangle is a truly whacked out slice of hip hop styled dub fuelled breakfunk with some very cool vocal samples

dick magik johnson has a very busy 2005, what with his debut album >cardboard journey< on nrk as well as releases and remixes for blockhead recordings and detour. 2006 seems to be shaping up just nicely, with two new eps due on darren emerson s underwater label, and this, his solo debut for honchos music. >ill take you there< is a sturdy and percussive laden slice of house music. ! support from king unique, kenny hawkes, john acquaviva, paul woolford

huggotron is back in form with an other dancefloorslammer on confused. >breath< delivers a floor friendly ,hot dipped, hypnotic track with a slice of acid. >dance< the title really says it all is an uncompromising piece of material, while >live< applies his focus even deeper into the modern techno abysms, frightening and unpredictable but strangely alluring

the final installment of mr_barcode's designated robot trilogy contains what many consider the two best tracks of the lp. 'girl from the stars' is an absolutely huge slice of cosmos-esque space funk. with great female robot vocals and a trippy synth hook the track is set to become a secret weapon for dj's in the know. on the flip, 'telectro city' seems to be the acid groover everyone is talking about

written produced & performed by fred falke & alan braxe & savage. savage who gives his all on the guitar ! tracklist: side 1 : defender. side 2 :bliss. buzz chart #9 + cool cuts chart #17+ lewis dene hype chart #1 typically braxe / daft punk slice of disco-fueled floor-rocking magic is there

huge slice of dirty twisted house music with a striking vocal hook. the flip flashbackis a meaty beat led house cut with twisted loops and plenty of attitude

a full-on electro excursion from cajmere, with a great vocoder vocal the centerpiece, surrounded by driving beats and a steady bassline. mark grant takes it to the main floor crowds with a stellar rework, retooling the drums and bass for the peaktime hours and throwing some well-placed filters into the mix, while the vocal stays present. on the reverse, the 'praise mix' is a classic slice of gv action, with thumping drums, wailing synths, swirling effects, and no vocal, all very much in the style of 'flash' et al

one of eastern germanys most requested house-djs delivers a slice of hot electro-havoc with killer basslines and a striking vocal. remixed by patrick bryze (great stuff recordings), luke payton and jim tonique

off the hook quirky slice of the house here on paradise top range of remixes with label protege elio riso & of course the worldwide hit remix by the hotter than hot danish producer trentemoller delivers a very unique interpretation of the track

20 year old swede john dahlbÄck has been one of the most respected scandinavian eclectronic impresarios and his glasshouse ep is another proof for that. on the a side dahlbäck shows his ability to think different and delivered a a fine slice of quirky minimal techno slammer without his usual synth-riffs but reduced storming bass-line and a melodic rave signal on top! oliver koletzki: 'this ep is the bomb! a real shure shot'

a professional slice of 2005 kick ass dance music – phat bassline meets crazy ass efx meets tight drumming meets deep melodies– big up johnnyboy! it feels so good, on the flip, displays jds more laidback and atmospheric side! funky fresh vocal snippets + solid bass groove + killer arrangements + proper rave action will make you dance-a-lot. already big with miss kittin, laurent garnier, damian lazarus…

the second instalment of this fine series contains two massive tracks. mike perras the beginning of life and phuture rise from the grave. both is a prime slice of house defining old skool

rhythm slaves with this newie for the knee deep usa imprint. musics in my soulis a typical grooving slice of house excellence, with stabbing keys the main feature, joined by a bumping analog bassline, chunky beats, and soulful vocal harmonies. dbr strips the track to just beats and minimal keys on his take, making it more of a mixing tool than anything else. on the flipside, copyright also take the track back to the bare essentials, reconstructing it around a wandering new bassline, while the vocal harmonies are joined by soaring synths, sultry piano, and crisper beats on a surefire peaktime house please

a chicago-infused slice of rhythm heaven. featured on this 12inch are a variety of great remixes:an electro-tinged andy caldwell rework,a dub-savvy offering from sfs own triangle orchestra,and a stripped down 80s treatment (first-ever remix) by germanys dj t. (get physical) , limited repress !!!

criminally catchy slice of hearbreakingly soulful pop with a chorus that will refuse to leave your head long after the stereo is turned off big techhouse mix by solid groove

superfunky slice of kicking house with fat driving basslines and wicked beats flipside with some disco flavoured samples of one of our fav classics

jack addicts (hussle, minimal) comes with uk breaks with a slice of audio bully stylerap over the beats slightly different for whoop but slamming and seeing support from the breaks djs !!

with ferris schumacher delivers a fine slice of quirky acid tech house, with killer synths, storming bass riffs and a melodic rave signal on top! other side a traditional persian acid housetune

slice of bumping latin-jazzy deep house courtesy of the worldÆs most beautiful..warm keys, jazzy guitar work, bouncing bass and the tasty vocals from the original..

written by barry white.produced remixed & mastered by mbg.a side mbg elektro rmx b side mbg dub intro. personal & exciting interpretation of barry white's classic turned into a driving energized slice of funk edged house with gritty, very real, vocal by laeticia backwell

the ransom team deliver yet another fine slice of old skool piano driven uplifting house!!

eric prydz teams up with steve angello for another slice of pop-dance. woz not woztakes a simple 4/4 house formula, and while not being as instantly recognisable or as big-room sounding as call on me, its stretched out disco chords and guitar bass line to give it a summer anthem vibe

>u got me< centers on a superb vocal sample, surrounding it with a wickedly deep bassline, riffing guitar, choppy vocal edits, and chunky poppin beats on a tracky peaktime slice of jackin house

filipino is a sparse guitar driven slice of quirky rock, straddling the house devide. mixes from greens keepers and sleeve artwork from wildstyle graph writter lee quinones.

a four track slice of breaks soul and new age soundtrack spookiness. already being supported by jerry bouthier with essential record of the week in mixmag update, hitting all the quality dj charts in the top 5.

2 new cuts from mr. tejada, showing yet again his never-ending ability to turn out sublime techno for the later crowds. merging of realities is a lush slice of techno, with tight beats and a rumbling bassline, while analog squelches sputter in and out of the mix and a stabbing vocal keep the interest levels high

2cd packed with full of 80s clx

first official licensed compilation mix from leon vynehall.

alle drei sets atmen den bewŠhrten -in search of sunrise- spirit und bringen entspannt-groovige trance/progressive-sounds im balearischen ibiza-style. dabei bedienen sich die drei djs exzellenter tracks von namhaften kollegen wie above & beyond, jam el mar, solarstone, ferry corsten, cosmic gate, the thrillseekers, aly & fila, dakota, paul oakenfold oder emma hewitt und ergŠnzen diese mit meist exklusiven, neuen eigenproduktionen. somit wird der sommer 2018 nach einer dreijŠhrigen pause wieder etwas reicher!

the third longplayer from peverelist, this time released on his own livity sound imprint.

recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the 9702. album contains a set of varied tracks recorded within five years after warsaw labels launch and its first release. extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) warp or rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks n cuts movement of the second half of the 1990s. usage of human voice samples is an outstanding feature of many of these archive materials. entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish jacek sienkiewiczs creations and his label recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. this collection of music from recognitionÕs first five years, surprising for its freshness and sheer impetus, is a must for all fans of jacek sienkiewicz and polish electronic music of the turn of the 20th and 21st centuries. in connection with publication of yet-unheard tracks, jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. recognition xx audio-video performance comes out in summer as a result of this retrospective look.

in february of 1971, larry ray and bill szymczyk fled an earthquake and a debauched l.a. music scene to claim their own slice of utopia in denver, colorado. after meeting and bonding at abc-dunhill, where ray landed as general manager, and where szymczyk had breezed in from new york fresh off his first real hit as a burgeoning engineer/producer with bb kings. the thrill is gone theyd often daydreamed about starting their own label.

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

please welcome a first for skyline recordings. yes our first artist album release has come! from the moment that i first heard stop the bus and purification, i knew that funkshone would be releasing an album. 2 years from those first releases we now have it, shining by funkshone.here you have a 12 track album that covers the funky four corners of the the world. opening up the album is a drumtastic break beat explosion called let the drum speak and oh yes brothers and sisters let them scream the roof off. accompied by tom mcload on the baratone who lays down a monster of a groove. the album also offers you the raw, deeper love droppin and wired which all feature the dynamic and superb soulful voice of nastasha watts. other new and super funky recordings are run for it, the strut, two new original funky workouts. also included are two bboy stompers hot wheels the chase(from the film gordens war) and panama (first released by the roy porter sound manchine band). both are super heavy weight versions ready to blow up! im so proud to release this album on skyline recordings, please open up your ears, and let funkshone find that shining place in you mind, body and soul - let the sound flow in. the message is simple, feel the groove and get into it! from james brown and funkadelic to kool and the gang and the fatback band, its all about the groove and that sound. in an age where digital technology is fast becoming king, funkshone offer you a slice of yesterday for tomorrow. so turn it on, turn it up and get down to the deep funk sound that is shining by funkshone.

the fourteenth release by moll-selekta is an essential compilation of rare, previously on cd/lp unreleased roots-, lovers,- and dj-tracks by one of the most important artists of jamaica. lincoln sugar minott played a major role in the history of jamaican music as a singer, songwriter, producer, label owner and sound system instigator. his debut album live loving can lay claim to being the first dancehall release ever.

2xcd package in gloss double cd sleeve. grab yourself a slice of dnb history. critical sound is the new album from critical music. a album that showcases the diversity and quality of the label. featuring the best of the scenes most exciting producers, both new and established. the album is lovingly packaged in gatefold vinyl and cd formats and is strictly limited to 1000 copies. grab yourself a slice of dnb history. critical music is a uk drum n bass label releasing some of the freshest breaks and beats around. created and nurtured by kasra, the imprint has gone from strength to strength over recent years. 2009 has seen this continuing with massive releases such as the break remix of spectrasouls alibi and sabres glorious original sin. following on from the huge all sounds electric series we bring a new concept. 8 tracks from the hottest producers in drum and bass right now housed in a deluxe gatefold package and a double cd, again in deluxe packaging featuring the 8 tracks from the vinyl on one disc and 11 brand new tracks on the second disc. each track on this album encapsulates all that is great and good about underground drum and bass. from the blissful beat workout of breaks people are different to the blistering tech infused funk of spectrasouls wedgehead. a storming selection of the cream of todays scene. the cd package combines the vinyl tracks with a whole extra disc of fresh material. dubstep champ ramadanman comes with his own brand of stripped down dnb, russian new kid enei brings the future flavour and we are privy to the first ever solo production from label boss kasra with his own track perception. this is the critical sound.

hibernation volume 1 is the first of a new series of compilations. these unmixed cds will feature greatest hits of the previous months, future smashes and some exclusives unavailable elsewhere. a fine bear-tinted slice of whats at the cutting edge of todays disco spectrum