local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. with the second release on local talks reissue sub label, 1nce again we bring back one of our personal underground favourites from the golden age of house music (the early 90s). back in 1994 mateo & matos released an ep on black label records entitled raw elements, which included an amazing cut called >maw basics<. its one of those raw 90s house jams that got the house bump but without the pump, its rough and funky but still deep if you know what we mean? no cheese in sight! together with the original track (now fully re-mastered) we also asked gerd (4lux, ny stomp) to make a remix that would stay true to the original but still bring it to the next level. the result is absolutely amazing and we are pretty confident that this baby will deliver knock out punches every time it blasts through a massive sound system in a proper club.

analogue audio presents aa001 dominik vaillant with his trick or treat ep, including two huge remixes by pierre deutschmann & matteo poker. with jacking grooves and raw beats is the ep located between techno and tech house with a certain analogue & rough appeal.

soren jahan is a 23 year old ithaca based producer known as half of b-tracks and a founder member of supply records. on his debut lp as rene audiard he drops seven varied techno tracks. the productions all bear audiards trademark rough texture and stripped down aesthetic. ranging between stark dubs, lo-fi house, upfront kraut-style techno to beautiful ambient soundscapes, this album is a strong entrance for the young artist.

home to a selection of the globes most cutting edge talent, the rekids imprint is proud to present the debut full ep from one of the scene heroes in toronto, nathan barato. backed by remixes from oliver $ and masked talent 808 fake, back up queen is set to burn through dancefloors with its pumping old school drive and rough edged soul.

this is a re-release of mick wills scoop vii from 2005. after playin this track in a lot of sets we decided to remaster this gem and finally release it on vinyl! a rough, rugged and raw techno blueprint! thanks for purchasing a real copy!

nicholas bussmann has shed his skin once again, now transforming into nicholas desamory to release >like you< - a house album of such warmth and rough elegance, it will leave the scene all excited.
comes as double 12 inch vinyl in gatefold cover, including code for free mp3 download of the full album.

amplified cointinues their quest to find new and interesting talents out there. disco in distress pt. 3 again is an amazing collection of slow house and disco. quell comes with a slow house joint that even has some techno elements: rough beats and tough stab and synth work. s3a (sampling as an art) has had an excellent release called continuation early 2012 and serves you with another killer discofied house tune holdin’ on here. russian newcomer kirill delivers the breathtaking house cut feel the broken line. last but not least sellouts does what he does best: slow-mo-spaced-out-disco in she knows. tip!

second solo ep on falkplatz from ed davenport after his groundbreaking verdantin ep from 2010. inland on the a-side is a 10 minute manifest and shows eds talent in creating rough, banging technotracks with a melancholic touch in it. this touch you also can find in >5 rivers< on the b-side. warm chords and shuffling hihats all the way through. pure sweetness. also for this release we found a remixer who delivers the special touch to this ep. force/emerge mutates the original iinto a deep grooving track with roots in bristol dubstep and uk funky and adds even some kind of pop appeal to it. welcome to inland

karat welcomes a new band for the release n°47. we are happy to host some canadians again on the label. the mole, guillaume & the coutu-dumont, egg and eddie c have already represented this country for karat ! these guys from vancouver know how to make it right ! 3 massive tracks, « boomer » in a rough and fat pumpin style, with nice breakdowns and atmospheric landscapes, perfect for the club, nice for home, « full moon cycle », the depest piece of the record, doesnt need much precise words. its simply beautiful moody and elegant music, « house of business » is a nice groovin track with deliciously arranged with typical jazz elements, brass & keyboards, in a pure canadian cut-up house vein

the 5th release on >house mannequin< includes four rough and edge disco/house tracks. this release fits the dance-floor, open air situations as well as your headphones. recommended!

the beautiful granville days volumes are a series of outtakes, remixes, and previously unreleased recordings from the operating days of the label beautiful granville records. some of the tracks are simply making their first appearances on vinyl. check!

bimas is a perfect proof that fresh and highly effective club music doesnt need much more than a free, creative approach and a good sense for igniting grooves. his desolat x debut comes strong with a versatile three-tracker, consisting of the rough-edged primetime tool never say goodbye, the charming groover post the music - both highlights in loco dice sets of the past months - as well as the tribalistic pain of our life. ex-phonica member hector, who caused some serious euphoria on house floors worldwide with his latest productions on saved, mobilee, nrk, tsuba and 2020vision, rounds the ep with a remix, stripping down pain of our life and giving it a moody and hypnotic outfit.

played and supported by norman nodge, samuli kemppi, inigo kennedy, samuel l session, colin dale, dvs1, developer, alan fitzpatrick, cassegrain, markus suckut, phil kieran, max_m and more. darkcell shows the new release on vinyl, just the third for his own label. his style is clearly defined. one track signed by the labels owner, and others two tracks signed myk derill (reform, knotweed, etc). darkcell transmitted in its track an atmosphere of modern techno. a slow techno rhythm, repetitive with something of psychedelic. a sort of brainwashing that will lead to total body hypnosis. the two tracks by myk derill are the same style. the first track (apply) is definitely very rough with a syncopated rhythm . the second (contemporary) is much more in the direction of dub-techno. only high quality in the fluxus records vinyl.

it is with great honour that in paradisum welcome sometime border community and traum schallplatten artist ricardo tobar into the label for the fourth chapter in our fledgling story. the esoteric/carnaval ep reveals four tracks that further showcase the chilean producers unerring grasp for electronic music that combines moments of introspection with the unshakeable urge to lose yourself in the moment.
tobar is extending this plunge towards all new uncompromising techno territory from various, equally engrossing angles. pitch the rough hewn mutant beat dance of >esoteric< next to fizzing, acid tainted textures of >recuerdos< or the grinding journey through dantes inferno that is >carnaval< and its easy to see why tobar has been accommodated into the in paradisum fold.

edits may be dead, but just when your elitist attitude comes to a head and you think you re on top of your game, there will always be someone deeper, faster and still motivated enough to rekindle your digging desires. where blackdisco volume 10 saw the return of lovefingers and nitedog, volume xi pushes forward into new territory (and with a new aesthetic) by welcoming a group of three deep diggers who shun musical trends and their inherent fakers. dea, albion & spacelex combine their vinyl-mining efforts to unearth some real diamonds from the rough. deas cut malaka is a floater with a funky sailboat vibe, while his complimentary cut taubat takes the tired jungle disco vibe to new level with its triumphant synth-led chorus, an absolute stunner that could be extended for 20 minutes. on the flip, albion spoons water over the coals, steaming up the joint with an uptempo percussion bomb as if santana had a disco secret, and spacelex rides us out with a sexy rock groove complete with mysterious male voiceover, almost as if someone lowered the volume to whisper in your ear.

oskar offermann is the boss of berlin based label white. you know their quality deep house output. title track on a side is a good mixture of early new york house sound and nu school german deep house sound. if you are following the release of smallville or laid, you will like this song. on b side, >technicolour dreams< on b 1 is more detroit house manner, it is rough and tough. b2 is a dj-tool version of a side.

scratcha dva has come up with probably the finest match between album title and music in the history of the universe. >pretty ugly< is what it is - sweet and sour, blaring and lush, rough and smooth. the man is a genius.

straight japanese killer techno !!! tight, mechanical and brutal with an underlying funk, snow monkeys is the sort of multi-faceted beast that kobayashi is known for. the rough edges are allowerd full space to create tension but the track is tempered with some brilliant, shimmering and evocative melodies that slide into the mix for just the right amount of time before subsiding into the churning groove. one of the new school of japanese techno producer, a.mochi delivers a well pitched, moody version on the flip. pacey yet measured in its progression its a version that takes the originals tension to new levels and wont be a surprise for anyone who has heard his productions / remixes for the likes of figure, cocoon and a-wave. hideo kobayashi is one of the few producers who can skip from deep or vocal house though to searing techno with ease and snow monkeys is a perfect example of what he can do when it comes ot the tougher sounds

part one of session victims haunted house of house sampler is already going down an absolute storm with the likes of dop, james teej, catz n dogz and tornado wallace declaring it >superb<, >inspiring<, >fantastic<, and bloody ripping, respectively. nows the time for part two containing four more cuts of the good stuff and by now you know what we are talking about here, deep, sample-heavy, rough around the edges but smooth in all the right places. basically good oldfashioned instrumental moods and grooves which will appeal equally to those old enough to remember the golden era of pork recordings as it will to the hip young vinyl heads with a nose for anything disco. enjoy, support and keep them peeled for the final installment part three coming very soon

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

>vintage violence< is john cales first post-velvet underground album and was originally released in 1970. cales signature sound with the velvets was purposefully rough and aurally challenging, but >vintage violence< is a startlingly user-friendly piece of mature, intelligent pop with a smooth, satin finish.
the welsh rocker shows a pop craftsman at work on ten tracks that reference everything from country rock to beach boys harmonies to the band-style americana and beyond.
180 grams audiophile vinyl pressing.

nice price deal !!! we have been working on new material for the last couple of years - honing, rejecting reworking and occasionally performing it out live. the objective of this gramme re-birth has been simple, but the decisions involved are always complex: simplicity is always the toughest of aspirations. we have been jamming together over the last few months and we have set up mobile studios wherever and whenever we have been able, including some of our office spaces after hours

great 12 inch featuring two superb rarities from renowned disco label sound of new york. run by legendary producer peter brown, this small harlem-based imprint garnered a massive reputation in the late 70s and early 80s turning out some of the best disco tracks ever made. first up here is ny disco funk favourite >dance freak< from chain reaction. produced by peter brown himself, this is pure dancefloor dynamite, as raw and funky as it gets with pumping horns, grinding bass, wild percussion and crazy synths building steadily to a high-octane blistering dancefloor freakout! on the flip is the equally fantastic >shout at the disco< from little scotty, another relentless rough grooving jam, also produced by the prolific mr b. with both these tracks super-expensive and extremely hard to find in the original, don t miss this chance to get your copy!

breaking-through in berlin is not an easy task and that is exactly what mike wall, the latest artist to join the hidden recordings family is doing with a remarkable release showcasing the versatility, artistry and pure soul that goes into making music for the big room. mikes talent first came to hidden recordings with his darker, jacking rendition of 014hr m.a.d.a. + planktons >antiz<. additionally, his inventive, high octane jams have found themselves on such high profile labels such as sleaze, on and on and pluseins. additional firepower enlisted for thre release comes two men who we deeply admire. the first is somebody who is making us re-think the boundaries of techno, the elusive and mysterious xhin from stroboscopic artefacts and clr. the second comes from splatter, with his evil and dark chugging glitched out trade-mark sound that will tear up danceflooors and leave you shaking in all the right ways. the combination of the originals and remixes will also be getting the deluxe vinyl treatment that followers of hidden recordings have come to expect – watch for it in february. we are proud and excited to share this one with you as we believe mike wall is a diamond in the rough. use these wisely to get your dance-floor moving and feedback is encouraged and welcome.

>aspen< is the name of christian loefflers single before his debut album on ki called >a forest<. the name of the single is not to be misunderstood as a dedication to the ski resort in colorado. its rather a dedication to christian loefflers home region in the north of germany. loeffler walked out into the forests near darss, to take field recordings of the trees that commonly grow in that area, which are called >aspen<. the landscape near darss is characterized by signs of storm and rough sea climate, but is also considered as a popular health resort in germany. the tracks on >aspen< create this contrary atmosphere: noise and silence, destruction and peacefulness, electronic sounds and traditional instruments unite in harmony. the cover artwork for >aspen< was taken by christian loeffler himself in the forests of darss.

internal sync are jackspot and calapez, a portuguese duo that made fame within a short period of time. on fortek their deep techno cut “dif dif”. a rough bassline supplies for the bounce and the minimal drum programming hits the spot. the duo go crazy with a housey juno-esque synth, a floor banger for sure. on the b-side we have fortek wonderchild “mr. stefan tretau” on remix duties. he takes dif dif into even deeper territories adding a tech-club feel a la ame and charles webster. the mix slowly builds and builds. a wonderful voyage.

juan atkins returns to r&s on a model 500 solo mission. the last model 500 single enlisted the help of the live line up that includes detroit techno royalty mike banks and ur alumni mark taylor, but this latest release is just juan in the studio and back at his best. >control< is vintage model 500, the classic electro that atkins pretty much invented, with his treated vocals riding over the crisp rhythm programming, dark basslines and detroit synths. >the messenger< on the flip is a moodier affair, with the liquid synths almost running away with themselves over the rough beats. model 500 and r&s has proved to have been a classic combination over the years and this release is one to file next to the classics.

kyoka - first solo female on the raster-noton roster works as a musician / composer in berlin and tokyo. she has been releasing music since 2008 and is known for her chaotic, direct approach and heavy-rough sound resulting in a broken pop-beat with experimental yet danceable rhythms. ish means around, like or about and reflects her way to be clear by being vague - brightness wrapped in a blanket of obscurity and abstractness. the ep was produced by longtime friend frank bretschneider, a remix was delivered by atomtm to tune the first track hadue for the dancefloor. ryuichi sakamoto underlines the exceptional talent of kyoka: >panic! it sounds like a toy box turned up side down. how can she make such pretty & chaotic sounds!? i love it!<

final release, after a huge demand for the ltd upfront promos now the final release.... the -my initial grooves- ep is shane linehan s debut wax cut on his own -basic groove recordings- imprint. here he offers two dancefloor tracks which both take influence from early us vibes. -hidden harmony- pays homage to the new york sound, with rough scattered beats and moving chords. -make it a ritual- boasts raw, basic drums. this track is a slightly darker number, with a deep, tracky groove.

whereas frozen flower marked his most delicate and emotive release to date, the latest ep from sei a snaps things back onto a futuristic grid of bass-driven club madness. break the pattern is a techno zap-fest featuring a killer hook, precision, laser-cut drums and a rough, rolling groove.
flux blends retro video game sounds with vocal samples, laid out against a psychedelic cha-cha rhythm. this one received early support from martyn who - fresh off his lp release - weighs in with one of his strongest and most playable remixes in recent memory, driving the 8-bit riff into a frenzy, backed by iron-clad beats bouncing atop a megaton sub.. guaranteed crowd-pleaser, this one!
with this release, sei a continues his evolution into one of the most promising talents on the uk scene, reinterpreting the best elements of modern dance music to create a unique and versatile voice.

douglas greed has been rather generous lately: he just offered his debut full-length krl and provided a track on the new upon you compilation. now we are happy to announce that he is sharing four new studio creations with us ... and you!

fully armed with their voltage controlled gear, the two germans are deep in the early 80ies. their very own interpretations of the sound of that decade are fully authentic (b2: memories), analogue and very rough(b1: alles klar). the classic analogue sequencer mello flows and changes (a1: frequency 99 / a2: komm mit (join us)/ a3: blicke (views))and their neverending drumcomputer flows still got the warmthof the 80ies. german and english spoken vocal phrases add a lot of more atmosphere of the zeitgeist, you can trust!
black vinyl pressing.

fully armed with their voltage controlled gear, the two germans are deep in the early 80ies. their very own interpretations of the sound of that decade are fully authentic (b2: memories), analogue and very rough(b1: alles klar). the classic analogue sequencer mello flows and changes (a1: frequency 99 / a2: komm mit (join us)/ a3: blicke (views))and their neverending drumcomputer flows still got the warmthof the 80ies. german and english spoken vocal phrases add a lot of more atmosphere of the zeitgeist, you can trust!
transparent vinyl pressing.

the original horsemen concept was initially conceived by 4 minds coming together through one unifying vision. those minds were of: ink, loxy, keaton and dylan. carving out their own unique take on drum & bass. fusing together specific elements that would form the fundamental cornerstones of the horsemen sound: raw original sampled breaks, heavy sub bass and dub elements. this style and concept has since seeped into the consciousness of a new wave of producers across the globe and has influenced and evolved into the sonics presented here on this album. ink and loxy in conjunction with renegade hardware are proud to present: horsementality...
dj support: ink, loxy, cern, marky, alix perez, spy, btk, optiv, sabre, bailey (1xtra) , flight (rinse fm) + many more.

lb003 arrives courtesy of bristol born, brighton based producer sam kidel, aka el kid. following up his well received debut on immerse sam drops 3 tracks of wildly varied bass music. beginning with the title track >hypnosis<, lush ambient pads and plucked guitar soon give way to fearsome bass swells and metronomic percussion, coming across like early autechre remixed by floating points. second track >mud< drops the pace for a noisy house workout, reminiscent of fellow bristolians kowton, and labelmate vessel. >kachinja< on the flip is the straightest - and darkest - of the lot, a lurching warehouse techno cut that wouldnt sound out of place on ostgut ton. finally hyperdub wunderkid walton contributes a rough & ready funky dub of >hypnosis< to round out the ep.

follow-up 4 track 12 inch to the first volume that was released earlier this year. in line with the concept of these two eps, the tracks were again taken from juergen junker live-set, recorded straight out of the machines. friend of the house is a collaboration with pavan mann, whose vocal parts are chopped to bits and more than just add to the live-live feel of the track. therell be more of him in the near future…watch out! its a jungle has a more hypnotic vibe and lures you deeper into the house jungle. dammit is the straight-up jackin track on this ep. no messing around, just rough sounding head-nodding material . feel what i feel starts of as a deep chordy affair. hard to let go off, once the little acid-lines start dropping in. all in all, its house! its that simple… as the neurhythmics also has its 10 year anniversary this month, there will be a special limited edition of this record. 54 records will come with a miniature 3-colour stencil canvas by juergen junker, hand-made and numbered, complete with a mini-easel.

here comes the new echocord colour. after some big releases with luke hess, skudge, sebastien san, mike dehnert c& resoe here comes the next bomb, this time by mikkel metal. mikkel has been our main act on echocord since the beginning 10 years ago, and is getting more and more active within the musicscene. his new ep on echocord colour he presents his rough side of the genre, raw warehouse infused dubby grooves. both tracks are perfect for the peaktime dancefloor, for the fans of levon vincent, kassem mosse and the berghain sound of berlin.

from the signals imprint in the north of england comes two suitably rough and tough cuts of british house/techno from liverpool wunderkind john heckle. this is how techno and house should be made! machine driven, raw, moody with heart and soul. a 10 inch cut designed for heavy rotation.

summer has ended and its time to get back into the clubs, dark basements and old factory buildings. audio assault is proud to release another belter by one of the labels finest producers. go hiyama delivers a stunning two-tracker which has all the proper hiyama elements in it. over the last years hiyama has managed to reinvent himself without losing his typical rough sound.

ultraschall is an homage to the first big techno club in munich. the owners of harry klein were part of the old ultraschall, which has a unique legendary status nowa¬days. the older generation in particular often long for the good old days. yes those times shouldnt be forgotten, especially not in terms of sound, but its also important to move on and attempt new things. like supporting vinyl, going to a who¬lefood shop or ending war. ok that might sound like a bro¬ken record, but how about spending less time on facebook and actually with your friends, cooking for your parents or organizing a break dance battle in your backyard? daniel takes us on a journey through the past and back to the future again. a charming mixture of laid-back grooves combined with some rough n ready rave moments make this a rapturous trip, no matter what time it is. track names are a really interesting element of music. some artists dont care about them at all and call their tracks a1 or something non-descript. yet many titles can be really funny, others made up words, and some corre¬spond to current events or times. some just really fit the sound. if you lose something, in general its a pretty nasty and unsettling feeling. but you have to deal with bad luck when it strikes. losing something can teach you an im¬portant lesson, or simply show you what it means to be unfortunate and down. not knowing the lows as well as the highs wont allow you to evaluate life very well. most important is to really feel and be yourself, despite the ups and downs.

harry axt has sharpened the axe. the man for the rough seems to be in best mood and brings us 3 peak-time madness.

new label on audio sickness. quality industrial hardcore straight from italy! rough and unexpected. definitely a good one for the dancefloor.

brooklyn based madteo returns to meakusma after his critically acclaimed >sinister ministers< 10inch released on the label in spring 2009. his signature stylistic approach still borders on deep, ambivalent and engaging house music and hiphop influences. the five tracks here are some of the strongest material he has produced, with basslines, melodies and moods shifting in and out of focus all the time and once again setting a rough yet subtle mood. the >bangin on the ceiling< track features a new collaboration with hiphop legend sensational. for fans of deep and different club-oriented music.

out 26th of sept. mikkel metals new tartelet ep travels deep into the spectral voids of space. empyrean pads and raw drums reverberate in our ear meatus on cassini -soft kicks with shrill claps and a prodding bassline bringing back memories of mikkel metals earlier dubby excursions. phasing, relentless, and a favourite in the early hours of both the night and morning, cassini has everything needed to become a mainstay for all djs brave enough to venture beyond our known realms. mazurski, a galaxy of beaming details and radiant synthlines colour it deep, while the echoes of light gone by envelops the transient listener. following on the same side is the dub version (vinyl only), outlined by a scrapping kick, filtering sequences of sonic waveforms and abraded sub-basslines. all this rough beauty is fully submerged in a crystal pond of levitating strings and sparkling monotones. these cuts will transport you beyond, both in front of properly charged sound systems and laptop-powered earphones. referencing both the recently resurrected new age wave and the analogue power of london, mikkel metal has brought a completely new dimension to the tartelet universe, the quality is undeniable, the construction timeless and the foot-tapping ensured, so get floating.

new awaited various artist on extra virgin featuring some of our favourite homegrown artists, a 4 tracker ep that will definetly please your springtime: on a side you will find the soulful boogie vibe of mr d aquino with >she likes my body< and the dirty and rough street funk sound of newcomer artist e-dward!, while on b side you will experience the sunshiny and utopist slo-beat groove of the italian disco-don riccio and the obscure, freaked out, psychedelic and stripped down chicago-house track >saturday night< by our veteran jackers trio the clover. enjoy!

killekills next release comes from snuff crew, a crew you might and should have heard about. snuff crews mission is to bring back the fun on the dancefloors worldwide. the masked duo is known for their jacking live shows that combine the raw energy of early chicago and acid house with a fresh and modern sound. rumour has it that they come from >somewhere in germany<, but their sounds draw a very heavy influence from the original acid house city of chicago alongside italo-disco and old school techno flavours. the use of old school roland boxes as sound sources and almost non existent use of even basic effects means their sound is rough, raw and aimed squarely at the dancefloor. their records have been released on labels like skylax, gigolo records, rush hour, playhouse and many more, but the two guys also run their own imprint called snuff trax where they release music of jackmates like kink and neville watson as well as their own tracks and collaborations with artists such as legendary robert owens. thats enough for now with the name dropping. killekill has got a lot of great exclusive material from the guys but decided to release only two very strong and distinctive tracks for now: domo on the one side is a proper acid monster that will go down on dancefloors worldwide like a hurricane and leave the dancers breathless. eat this on the other side is a rudimentary chicago jack track that might well have been taken off a dance mania record from 1992. this track is working its way with nothing but a few drum tracks and a vocal sample and is pure raw sexual energy.

b-tracks, aka soren jahan & john barera release their debut ep on their new imprint. the two musicians and record collectors worked together to make >specialize<, a rolling house cut made for the dancefoor & road tested at their gigs. with >day to night<, they go deep with a warm and melodic tune that still makes you get up. their rough and ready production style continues to shine in house workout >jump on it<.
on the flip, >progress< is a relentless techno cut with a raw analog sound and a mind of its own. finishing off the record is >your love<, a climactic and synth driven track in the spirit of early electronic dance music.

vinyl only release , limited handnumbered copies!! excellent deep detroit house at it best

supported by: tim toh, oskar offermann & edward, shaddy foul&sunk, boris hotton, andy weid, hunee,.. frank is back for another round. this time its frank music head poncho johannes delivering two heavy tracks for your dancefloor. we got a classic double-a side, personally stamped in a basement and limited as sunny days last summer. first there is >rough rough raw< ... well its rough and its rough and its sort of raw. dubby vocoders, 909, rave breaks, you name it! second is -way out of sight- which got a fuzzy bassline, little trance moments for maximum party pleasure and some more dirtness in between. this is most probably slammin muscle house for skinny jeans boys. to sum things up: basement is not a crime! our good friend tim says: a few days ago i listened to an old cassette from the year 2000. >roughroughraw< really contains the spirit of this time. the right tune to start taking some >e<s again, smoking a joint and gettin nuts on a tiny dirty dancefloor. underground ish for sure... and same for >way out of sight< especially the first chord of that synth, which reminds me on michael jacksons >thriller<. thank you and turn that swagger on!