roc & damu on limited edition translucent blue 7 inch vinyl.

pressing on coloured triple vinyl - 1x clear, 1x transparent orange, 1x transparent red.

six sound explorations from mediated ambience, spread out on double vinyl.

all inn celebrates 10 years with the all inn allstars

ltd coloured vinyl

assembler code & jensen interceptor back on mechatronica.

stay sick presents ten inches of mean sleaze and kookie far-out bongo blasters.

true oldskool electro with fat bass, space effects and smooth silk pads

slamming electro and tone dropout style breakbeat-house cuts on this new label

magic carpet is the first compilation of the german label harmonie exotic. from balearic / space to ambient

limited 4lp , 180gr pressing

inland returns to his home label with a new four track ep

das dritte release des in madrid ansässigen labels ist frisch aus dem ofen gekommen. es enthält sechs stücke mit der kraft und intensität wie wir es gewöhnt sind.

this is the masterclass of oldschool! part 1

thanks to peter f. spiess for making it possible! reissue 2019

piero piccioni’s original soundtrack for the 1964 italian movie “3 notti d’amore” back on vinyl, remastered from the original tapes.

radio slaves r-time returns with three unreleased fabrice lig productions from the vaults spanning over two decades

dark spheric techno tracks from the man of aura dinamica

berlin based label atmophile electronics is launching it bold new release series called ba-lanc-ed which will explore the more experimental, electronica influenced and raw side of hypnotic techno. the release touches lightly on a wide range of electronic sub genres, while maintaining a humanized organic techno feel at heart.

the new album from bbc music awards & billboard music awards winner hozier on 180 gram double vinyl, housed in a gatefold sleeve.

21 vinyls plus t-shirt... comes in a wooden handcrafted box...

great collaboration between lucinee, lifka and stute

african-influenced jazz and funk (dokkerman & the turkeying fellaz, the mabon dawud republic), head-nodding hip-hop beats (abase, tom caruana), straight dancefloor friendly pieces (bete aka suhov, umoja, m.w.d, chilum trio & auto reverse) and also, laidback grooves (freakin disco & crookram)

5 industrial techno / ebm killers from black egg & rendered.

incl. brainkillers, noise factory and chatter b & potential bad bo

def. of techno 2019 from russia on 2x12inch

ltd backstock, all songs recorded 1978 - 1980

the best of the runaways on 180 gram vinyl with download code included.

(180 gr, clear vinyl, incl dl card) having already unleashed a considerable amount of collaborative magic with the planetary funk: 22 light years series of remix eps, luke slater has now upped the ante with six full sides worth of material,all of them injecting the spirit of classic p.a.s. into new sonic organisms. behind the controls: marcel fengler, psyk, lucy, slam, octave one, function and ksp.

the act of escaping that which is predestined. / a hustle. reto a ichi is a sonic tabula rasa for guillermo herren aka prefuse 73. there are identifiable elements of the artist you already know - an uncanny sense for rhythm, an ability to shape samples and frequenci- es like clay, an affinity for the subtle changes of repetition - yet this is first and foremost music born from the need for silence. there is no easy entrance point or index for the listener. the double vinyl release includes a download code.

finest funky disco mover

mechatronica drops another forceful electro release, this time with a diverse collection of new and familiar faces in kosh, ocb, jauzas the shining and ersatz olfolks.
the moroccan casa voyager crew conducts the a-side in style, kosh carefully manufacturing an expanding, fat and spacey electro drive while ocb laces old school electro flavours with breaks, acid and devastating groove.
on the flip, harder and darker electro sounds evolve as decade-long french electro producer jauzas the shining drops a potent electro/acid track in “machine”, followed by the relentless energy of “stella” - a murky, ever-intensifying journey through electro, breaks and industrial soundscapes by french producer ersatz olfolks.

collaborational full-length release by stefan schneider (to rococo rot, mapstation) and koshiro hino (ypy, goat)

“temple of noize” is released as a limited edition cassette and digital download. the soundscape, formed over 11 tracks features harsh electronic noise coupled with lush granular synthesis and classical compositional techniques. fabio martinelli, hailing from ferarra in italy’s emilia-romagna region has created a piece that flows seamlessly in and out of sleepy melodies and broken drones.

3rd release on kontrapunkt

californian electronic pop duo peaking lights make a splash on dekmantel with sea of sand the bands first release in 2018. its a kaleidoscopic melting-pot of dainty dub, experimental and leftfield beats, with wondrous sunny soundscapes that blend together the unconventional home-fashioned electronics, and windswept vocals that have defined peaking lights to date. sea of sand is the band’s first record in three years not released on their own imprint. with six tracks, exceeding 30 minutes in total, the extended ep is a prelude to a forthcoming lp. with a diy aesthetic and approach to analogue instrumentalism, peaking lights retro-digital sound is one that sits perfectly with dekmantel.

deli daydreams is a conceptual lp based around a week in the life of a deli worker. varying styles from the spoken word tour de force introduction of white noise to the melancholic vibes of eviction notice

the debut ep from swiss artist savage grounds with remix support from savage grounds.

an electronic beat-driven side project created by android lagowski to release tracks on sleepers records.

bittersweet brings three hard hitting electro works and one lush electro-tech track from silicon. in a time of world chaos and disorder the strap, noise, and worms reflect this with double meaning lyrics and sonic push reminiscent of old silicon productions. wish brings the feeling of sweet hope and that all will be well with a crisp and clean sonic push

super summerpack wth tracks and remixes by koze / adolf noise, robag wruhme (pampa records) , michael mayer (kompakt)

in the era of the brand, kutiman is an anomaly. a musician who’s a video artist who’s a producer who’s an animator who’s also the unwilling star of one of israel’s most successful recent documentaries, his every record contrasts with whatever it was that came before. but that’s fundamental to his appeal: no one, not even him, really knows what to expect next. unsurprisingly, therefore, ‘don’t hold onto the clouds’ is no different, which means it’s like nothing he’s ever done. most artists would acknowledge this by working under pseudonyms, but kutiman is – yes, you’ve guessed it – different again. “if i changed my name every time i wanted to do something new,” he laughs, “i think i’d have too many names!”

keeping up the pace rolling nicely into our third release of 2018 we welcome onto etg yet more italian techno precision, this time from francesco profeti and pietro franchini aka hertz collision. responsible for a myriad of very stand out tracks such as “lost” and “all going” they have been remixed by the likes of kwartz and appeared on labels such as frozen border and dynamic reflection.
it’s been a pleasure putting the release together with the guys, receiving tracks and agreeing on artwork. as with every etg this release shows the full spectrum of their talent and their own individual take on techno. as ever it’s double a side. also special mention to programma 101 who features on track aa3.

undisputed rulers of the new pop empire, kadebostany announce the release of their genre-defining new album monumental, coming march 2018. the quest to design this ultimate pop album has taken kadebostany through hills and plains the world over in search of unconventional contributors and outlandish ideas. all manner of peculiar artists were assembled to weave the intricate tapestry that is monumental, the banner for a pop empire which everyone can stand under. monumental features both newcomer and confirmed singers: delhia de france, rhita nattah, anna kova, sissi rada, kate wallace, and kadebostanys front live singer kristina.

born in munich, sebastian schnitzenbaumer aka belp partially grew up on the seychelles islands off the coast of east africa. educated in classical piano, those two gravitational poles, european and african influences, became the basis for his musical development. having travelled extensively with a closer connection to london over the years, belp kept his base in munich, becoming part of a small alternative scene questioning the predominantly rich and posh surface of the city. blending jazz, dub and noise, an emphasis on darkness in his broken beat oriented works evolved as a reaction to a rather hedonistic society preferring warm and uplifting sounds.

the remarkable thing about belp s new album is its two-dimensional function. it works both on a loud and a quiet volume. some tracks would go down well as a club track, like opener travelling thru galaxies . this track brings back memories of the best work released on the hyperdub label, with it s fine combination of synths and irresistible, dubby beats. elsewhere, off ending might start off as dancehall-but-not-quite dancehall track but when half way the synths kick in they change the feeling of the track to a more cerebral level.

“struggle artist” is the new album from justin c. meyers, the minneapolis-based composer, artist, and head of the sympathy ltd. label. meyers is a unique, underappreciated talent in contemporary electronic music. his greatest strengths are twofold: his compositions have a meticulous structural logic, revealing a hermetic and austere formalism, concurrently, his compositions have a deep, introspective narrativity grounded in his lived experience, evoked with a mature clarity. together, they make meyers one of the most interesting electronic musicians working with cutting-edge sonics today, unlocking their latent powers of metaphor and figuration. his previous album, 2016’s “negative space (1981–2014)”, deals with the onset of chronic illness and near-death experience. its careful, anechoic meditations on the failing body are a resounding achievement, and the album remains a high watermark of acousmatic music in the 21st century. “struggle artist” portrays meyers’ expectations and disappointments arising from making art in his free time. created initially during lunch breaks and in hospital waiting rooms, and finished after being laid off from his job, it catalogues the despondency of the precarious life. if “negative space” was about the fallible body, “struggle artist” is its violent collision with late capitalism.

may 2018 will see the release of bad company uk’s first new album in sixteen years. the release of their forthcoming ice station zero lp will add to an already genre-shaping discography, and be their first album on the iconic ram records imprint. dbridge, fresh, maldini and vegas are back with a vengeance . it features a selection of tracks which both reflect the outfit’s roots yet also signify how they continue to set standards. featuring collaborations with legendary mc $pyda, singer/songwriter dan lancaster, mat zo & kill the noise, fatman scoop and more, after testing their brand new creations across the globe, anticipation is only set to grow around the album’s release. pressing on transparent double vinyl, housed in a gatefold sleeve.