in the late 80s i started listening to uk radio stations when i was a little kid and i instantly fell in love with the acid sound and rave movement that was portrayed on those uk dance shows. when i got old enough to attend clubs and warehouse raves, to experience the movement first hand, it was a nobrainer for me that the music and the lifestyle was my call. lately…. in my dj sets and when producing music… i have been time travelling back to those days. back to how i remember the music i fell so deeply in love with and that is exactly what you hear on this “done/undone” release. for the “done” track i teamed up with cari golden to have a female spoken word and a great message to build the music around. i always prefer to do original vocal recordings rather than using samples. cari understood 100% what i was after and i love the lyrics and execution by her. the spoken word is centered, very clear and deep to contrast the constantly building intensity of the acid patterns and thumping beats. “undone” is instrumental and has a more straight forward flow to it. it’s quite simple although the shifting groove patterns might surprise some. i was torn between two different acid patterns and decided to drop one of them as a surprise change. playing the track in clubs i quickly learned that the change of dynamics had a great effect. both tracks have been wrapped in dark-themed chords and atmosphere. both tracks have my take on the sound i fell in love with years ago and obviously still love today. i hope you like what you hear.

vinyl only , nuff said

the complete musical experience including movie dialogue on double vinyl. housed in a gatfold sleeve with 10 photo prints included.

ny / garage house infected with well known vocals (remember c&c music factory - a deeper love)

superb drum & bass titel ... and a phat house track on b1 (clubjammerz)

spencer parker presents his dance music - album sampler 003

sl011 is on its way! to celebrate our most beloved format we mix the old and new and bring together three artists we ve just taken on board with regular sl artist joey kay from chicago. special artists, special audience, special music, special release: 180 copies, 180 grams. nothing more. nothing less. pandilla ltd opens up the feast on the a side. a collective of three portuguese artists, this trio of producers-composers made a name for themselves through their distinctive minimalist approach to music. and what better way to introduce them than the very title of their track: -you get to know-. do meet the guys and enjoy. chicago resident joey kay was already with on sl001 and sl003. but why would we stop? here he is again with some new gems. joey s been producing quality and selective underground house music since the 80s, giving us each time delightful hints of what good chicago underground truly sounds like, far away from seasonal trends and close to his own philosophy instead. open up your ears and heart, as joey will be -trying 2 reach u- with his beautiful ode to the golden age of house music. the end is just the beginning, people. flip the record, start again, and let tommy guide you. tommy vicari jnr is an underground music hero well known for his singular and very unique sound. tommy plays by his own rules and tastes. he produces and releases tommy s kind of sounds and tommy s kind of sounds only, regardless how of far he needs to push the boundaries of his musical world to find the right beat and hit. -decided- is sl011 punchy bassline banger, in case you thought of falling asleep between both sides. for don t forget: true dancers always dance. almost the end, we know, but dry your tears, we re not there yet, no, no. harrison bdb aka harry weber is here with us for the last stretch and a final sonic hug - one to remember -. harrison s immersive approach to deep house has earned the man his credit, solidly grounded in the finest and deepest selections. the kind of selection, in fact, that d make anyone want that record again. mind you, this is probably what this last track -going back- is telling to do. ready? flip!

remember keep control ! very versatile comeback of sono , great journey with an electronic mixture from electro / pop with different moods ... incl drum & bass inluenced catastrophe (a3)

(coloured vinyl in gatefold sleeve with uv spot gloss) multimedia artist pilar zeta releases debut album moments of reality an avant-garde new age lp produced by jimmy edgar.

special remarks+gadget mini jelly slapping hand for the first 250 units: special remarks this time the little treat youll find with the vinyl (limited to the first 250 copies) is an apparel wax trademarked mini jelly slapping hand, to always remember not to take ourselves too seriously!

it doesn t get much bigger than this: adam beyer links up with green velvet and drumcode s outstanding rising star layton giordani for a debut collaboration. some musical partnerships feel fated. both fans of one another s work, for years adam beyer and green velvet had discussed writing music together. in turn, beyer s protégé layton giordani had admired the chicagoan s work for as long as he could remember. when the 25-year-old found himself playing alongside the green mohawked legend at belfast s shine, the spark and subsequent friendship was immediate. with the links now set in place, it was only a matter of time before the trio s creative chemistry would manifest musically. ‘space date was conceived organically and birthed quickly. propelled by green velvet s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that s highlighted sets by beyer at awakenings, ushuaia and also edc vegas when green velvet dropped it to a raucous response. the track is complimented by rome future , the product of a year-long series of productions between beyer and giordani. deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who ve followed their sets over recent months.

the sun has set and above us track pant clouds are draining our imagination. the beach pebbles blossom in the glory of our denim world. can you see where this is going? indeed. jeans don t fuck with the levis, because garage house is back and the summer is tickling our toes. susans getting it going with her sixth instalment and always remember friends: whos susan?

you may remember the closing of space, ibiza with carl cox when he played a bootleg of total confusion. barry obzee hobbs (rising high a&r) spent a lot of time trying to locate the remixer and finally did a few months ago. we have now signed the remix which will be released on vinyl in may and on digital in july. the story goes like this: carl cox has been playing the version at most of his shows including tomorrow land, kappa future fest and timewarp ( see video clip below) but this is where the story becomes more interesting. the remixer, rod malmok from rotterdam aka benny rodriguez, who is a very established dj producer playing for loco dice in ibiza etc and releasing on ben klock s imprint klockwork, chris liebings imprint clr, adam beyers imprint drumcode and many more was inspired to remix the track through a conversation with dubfire, rod gave him a rough copy the following day. he played it to carl cox at space, ibiza and cox begged him for a copy - see video below if you ve been around the scene for a while you will know that rising high records was one of the first labels to shape techno, hardcore and breakbeat in the uk and was huge!

the 1991 album from michael jackson on double picture vinyl.

mood hut is very pleased to present a new record by ian wyatt, performing under the name local artist. hes one of the co-founders of mood hut, and you may remember him from his music on the proibito and rhythm section record labels. you may also have checked out his releases under the moniker slow riffs, including the gong bath 12inch from 2015. this wonderful record can be played at any time of the day or night and is also a great thing to play in the home or in the club. drums, bass, keyboards, as well as other sounds and outboard effects (including delay) are all present. the artwork was done by logan sturrock and local artist.

do you remember the amazing minimal synth song -computer mädchen- which was featured on the private records compilation -computered love- a while ago? the whole 1982 album -nur für mädchen“ get’s re-relased today. produced by el deux s gutze gautschi (founder and ex producer of dj bobo), distributed by private records this exclusive 250 copies limited edition including a bonus sticker and a foldout booklet.

remastered reissue of the 1986 eurythmics album on 180 gram heavyweight vinyl incl 80s hits when tommorrow comes , the miracle of love & thorn in my side !

when jackmaster opened his mixmag covermount mix with arthur baker & dave clarkes collaboration from 2001 it shone a new light on this southern fried classic. it demanded a re-release and two new remixers were entasked. first up man power, whose recent releases on futureboogie and dfa are turning heads, and also rising star cody currie whose output on pusic & razor n tape make him an ideal fit. dj support: groove armada - love the man power remix! fouk - really awesome, we remember this one from back in the days! loving the cody currie remix, full support the 2 bears - great! black loops - sick release! diggin all the mixes :)

limited edition of 2000 copies on transparent blue 180 gram vinyl, housed in a gatefold sleeve. the electronic music duo groove armada released their fourth album “lovebox” in 2002. the album includes some of their best tracks, ramping through genres from rock ’n’ roll to the psychedelica and ska. it also features collaborations with artists like neneh cherry and richie havens, who ads some soulful voices to the whole. opener “purple haze” introduces us to a giant guitar riff and highlight “madder” takes the groove out of the clash’s “magnificent seven”, before moving on to the raps by m.a.d. they’re incorporating a lot of samples in the fine structured melodies of soul/funk/rock and hip-hop. after playing at club nights for years andy cato and tom findlay joined forces and created their debut album northern star and breakthrough hit “at the river”. it was the start of a collaboration that brought them hits like “my friend” and “superstylin’”.

in the studio prototype 909 was a group that rarely agreed on a clear idea of exactly what they were trying to accomplish. the entire project was an experiment, and every time they hit record there was nothing better for them to do than to just try stuff. whenever it came time to put together an album they would go through what they had recently done and nd the tracks that seemed to fit together well, or that at least sounded like they were made by the same group. that left on the cutting room foor some really amazing worst that somehow just didnt fit their goals at the time. at schmer, we remember. p-909 leftovers have schmer written all over them. these four tracks were all recorded live in the studio in between their three studio albums 93-97. brenecki ( half of ontal ) provided his remix inspired by one of them. hyperdrive and -datafash- were recorded shortly after acid technology was released in 93. they come from the -lets make acid technology vol 2 approach-. that would have made a really cool record had they done it but they decided on making transistor rhythm instead. anoisenyc aka the tracs that dietrich hates is what you get when you let jason go nuts on a doepfer maq-16 ( they never made that mistake again ). bobo is possibly the most prototypical p-909 tracks ever: it took three guys making their own tracks simultaneously almost ignoring what the others were doing but somehow mixing them into a flow to make this one, but it all comes together nicely in the end. its amazing that they never released it before. you ve enjoyed the wait, now enjoy your new prototype 909 while it still is new!

arcola presents mwr157 contains six lost slices of leftfield electro including the mythical and mysterious hotline a track that was originally scheduled for release on mo’wax back around about the year 2000 but only ever reached test pressing for reasons no one can quite remember, alongside five other tracks that take in dancehall, hip-hop and 2-step garage, all recorded during the same session...

ultra limited christian morgenstern collection incl. 8x 12 inch vinyl + poster .. christian, we will always remember you .. here you will find rare tracks from the legendary lydia lp and many more

in ancient lddlm times, blddlm even, belgium could well have been the freaky house and ecstasy center of the world. if only we could remember all the lost hours. but after all, as the brussel saying goes: its friday, tomorrow is tuesday. at lddlm, we try not to reminisce, that was just setting the mood.we are very happy to welcome arthur johnson in our non-fold, a young producer from liege via marseille and la dame noir. aj is amongst those ever mutating artists, his u-turns slowly composing a real personality, and one fitting our contrarian attitude. in a way perfect stranger reminds us of a good 90’s farley/heller remix, not so much camp fire island than almost sweaty late night trancer. we love those tracks that do not fit our ethos a priori but that we can’t stop playing. cosmo vitelli is a long time family friend and he beams up this stranger through the axis into some kind of romantic italo-german anthem. ballada and secretary discordia show a different side of aj, a dub march echoing dif juz and a percussive machine funk number. we sincerely hope aj keeps on straying for the best, his way being our way.

the legendary 3rd solo piano album from thelonious monk, recorded in fugazi hall, san francisco, california on october 21 and 22, 1959.

remastered pink double vinyl re-issue of this 2007 album by chromatics, including 5 never before released tracks. produced by johnny jewel, vocals by ruth radelet.

la awanto 3 and meditation tunnel appear on the latest blitz, dj tennis’ ongoing, limited, vinyl-only series. these colourful records sometimes pop-up around life and death showcases, often featuring non-standard cuts + off-kilter attitudes. dekmantel affiliate, awanto 3 offers-up an infectious after-party gem, with “the phone we call it.” slow-burning cosmic keyboards pair with elements of detroit techno and a subtle wink to rdj’s masterstroke, xtal. the flip contains a killer from meditation tunnel, the newly-birthed dance project from the rapture’s luke jenner. la la la is a blitz future-classic. syncopated bass guitar, crusty synthetic strings and the purest of vocal performances - blitz #2 is one to remember.

the „here & now ep” is the second instalment of a three-ep-series coming up in 2018. christophe salin is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art.

no intro needed as „dreams sometimes come true” instantly takes us on the groove line. „astra perle” keeps the groove alive with some heavy jazz samples. you maybe remember sitting in your first car (christophe’s first car was named „purple pearl” and was an „opel astra “) and just cruising thru the city. imagine to be suddenly overwhelmed by a creative hole, „ohh no, not you “… turn over to „can you pay my bills” the journey continues with more jazzy vibes to end up with a downtempo lounge-dub-work which is indeed „different but sweet“.

it was vladimir ivkovic who introduced me to the world of rex ilusivii. a world where the spirit of a genius holds sway. i remember spending an entire night at vladimir s house in germany, listening to all those recovered pieces, and feeling like i had entered another space-time. mitar tragically left us, one november night in 1999 in brazil, leaving behind an extensive body of work consisting of more than 500 pieces, for the most part never released. being submerged in such a unique universe, so singular, brought me happiness. it also filled me with hope, because i tell myself that today there must be many other outstanding musicians who produce in the shadow of the traditional circuit, just for the pleasure of making music. listening to the music of mitar suboti&#263,, makes you part of his world. he did not stop producing from 1983 to 1999, in different styles, but with an instantly recognizable touch.his music also marries the evolution of recording techniques with new instruments that have appeared over this time, from the tr808 to the digital samplers. it took me more than two years to select the music for this record, as each time i listened to the material it revealed other details and other possibilities. i am extremely happy and honored to present this record to you, in which i try to do justice to the different, versatile- facets of suba.

seductive and cinematic soundscapes between ambient, drone and indie-neoclassical music: these are the best words to describe hior chroniks style and his new album released on 7k! in december 2017. 7k! is the sister label of !k7, dedicated to cutting edge musicians and composers in neo-classical, modern composition and experimental music. on this limited 12?, hiors music is reworked to melodic club tunes by budapest based & uprising producer gnork & new yorker lauren ritter on the flipside. gnork recently had his tune u included on lones dj kicks & has been releasing on lones label magicwire, as well as unknown to the unknown, black venison or crow castle cuts. lauren ritter is an active member of brooklyns underground, organizing events with resolute, playing coveted slots at institutions like output and cielo, and opening for respected talent such as raresh, moderat, thomas melchior, zip, kate simko to name a few.

„let me in“, einer der beliebtesten songs von dives letztem album „underneath“ bekommt ein limitiertes vinyl-release mit zwei exklusiven mixen des titelstückes, plus zwei exklusiven, neuen tracks. mit treibenden rhythmen und eingängigen sequenzen, die sich in faszinierender weise an dirk ivens bohrend-heiserer stimme reiben, ist „let me in“ ein fesselnder mix aus fiebertraum und club-song. die neue dive-maxi enthält diesen hypnotische floor filler in zwei bis dato nicht veröffentlichten mixen von mildreda und attacke. hinzu kommen das ambient-instrumental „hollie“ und das wunderbar rohe suicide-cover, „i remember“, als exklusivtracks. das streng limiterte sammlerstück erscheint auf 180g vinyl, mit edlem coverartwork und ist ein muss für alle fans von dirk ivens musik und für alle liebhaber von liebevoll aufgemachten underground-vinyl-veröffentlichungen.

bruno patchworks hovart is one of the top producers of todays groove music scene. after playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing todays technologies with the raw spirits of house, electronic, disco, funk, soul, reggae & jazz musics golden years since then. following the trail of success left by his various projects as patchworks, and under many aliases, hes proved his musical ubiquity and unexpectedly stroke in various genres. today, hes back under the edr records umbrella, following up to his various ep for the label, and meanwhile pursuing a comeback to his early love for house music. many house music diggers would indeed remember that before favorite recordings was launched in 2006, patchworks and pascal rioux produced many deep-house tracks on the rotax disques imprint. besides since the late 90s, patchworks has also collaborated with labels such as q-tape, or still music, delivering many clubbing hits such as million toes, sugar, or minautor. on this 5 tracks ep, he delivers 4 killer tunes again, inspired by the michael jackson’s classic hit, rock with you.

bruno “patchworks” hovart is definitely one of the top producers of today’s groove music scene. after playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing today’s technologies with the raw spirits of house, electronic, disco, funk, soul, reggae & jazz music’s golden years since then. following the trail of success left by his various projects as patchworks, and under many aliases, he’s proved his musical ubiquity and unexpectedly stroke in various genres. for this new ep, he’s back under the edr records’ umbrella, following up to his acclaimed eps called give my love (edr019) and dedications (edr021), and meanwhile pursuing a comeback to his early love for house music. many house music diggers would indeed remember that before favorite recordings was launched in 2006, patchworks and pascal rioux produced many deep-house titles on the rotax disques imprint. besides since the late 90s, patchworks has also collaborated with labels such as q-tape, or still music, delivering many clubbing hits such as “million toes”, “sugar”, or “minautor” to name just a few. on this 4 tracks ep, he again delivers 4 dancefloor killers, ready to convince any listener from old-school “footstomping” aficionados, to detroit house heads. for the occasion he also invited his long time mate eric duperray aka mr day, who brings his soulful vibes to the mix.

smx are max o brien and sam purcell (blank mind). sleep is an intoxicating live jam recorded in october 2015 during a period of emotional upheaval, exploring themes of discordance and euphoria. on thief, koehler says: take what you need and take it anyway you can. if you get it, you deserve it, because it means you earned it. but just remember one thing: whatever you take can be taken from you too, so think long, act fast and do so with honour and pride or all will become chaos. designed by alex mccullough. mastered by beau thomas.

“i’ve been writing music and playing shows since i was 12 but had never actually released anything prior to bruises, despite the fact that all 4 songs on the ep were all written in the space of 6 months, in a way the story of the ep has been 9 years in the making. the title bloom for me captures perfectly the 6 month chapter in my life between having the idea for bruises whilst writing in the shed at the end of my parents garden back in scotland to seemingly barely a moment later waking up finding myself half way across the world in the chaos of los angeles working on fade with a producer i’ve looked up to for as long as i can remember. the making of beginnings, the start of new chapters and also the emergence from everything that has gone before.” this is bloom - lewis first ever physical release of the critically acclaimed bloom ep. clear vinyl & rose-scented inner sleeve. lewis has decided to release a physical version due to popular fan demand and to support independent record shops.

2018 reissue

the first last gas station compilation includes 12 new tracks and aims to showcase artists that the site has followed for many years, as well as promising talents to keep an eye on. featuring las daytime disco duo poolside,vampire weekend s bassist baio, italian duo marvin & guy, brooklyn s duo vito & druzzi, adelaide-based producer james curd and turbotito, california balearic duo woolfy vs projections, disco halals moscoman, mexicos finest zombies in miami, ny unstoppable disco funkers midnight magic, dfas greek mastermind larry gus, crew love’s david marston, and last but certainly not least peaking lights acid test. this will be a ride to remember.

following the massive buzz a round the labels last release (voted the record of 2017 by some 400+ international djs and tastemakers on bill brewster s dj history podcast/poll (2017 furtive 50), hobbes music kicks off 2018 with a heavy slice of warehouse techno backed with deeper electro flavours, a second double-a-side 12inch outing by the anonymous dali. you may remember dali (nb all caps in the spelling) released a debut 12inch around this time last year. support came from ben ufo, laurent garnier, domenic cappello (sub club), john heckle, chris duckenfield, the revenge, tom findlay (groove armada), sean johnston and xdb (among others) and a repress happened swiftly, with laurent garnier and avalon emersonalso supporting most recently (on wwfm and at berghain, respectively). dali has a passion for analogue synths, abstract, hypnotic dance music and all things psychedelic. don t bother looking her up on the net, social media etc. dali is eschewing all that, to let the music do the talking for now

a warm welcome to detroit producer javonntte for his first quintessentials release. javonntte has been releasing his blend of pure deep house quality for years and his how is club246 is another fine example of his great talent. so how is club246? first of all the title is an hommage to a club in detroit in 1996. and javonnttes interpretation of club246 is diverse! the opening track has a slight kerri chandler flair, whereas club246 is a pure pumping club tool for all you djs out there. the b-side goes deeper. worldmix is a slow, deep (hell yeah) and hip hopish low bpm groover, whereas citylights is a classic vocal deep house track. club246? proper house music all night long!

so you wanna be a star 24 carat disco gold from 1980 right here. mtume, led by legendary jazz percussionist and all-round musical visionary james mtume had a number of massive hits and can count quite a few classics within their repertoire ( juicy fruit anyone?). this flawlessly arranged, funk drenched jam speaks on the dangers of living life too fast and relying on those who can t be trusted. remember, this was the beginning of the 1980s, the disco era had began to fade amidst the drug hazed excesses of the previous decade, while the music continued forging it s path skyward with tremendous records like this one. so you wanna really has a message and that s not surprising considering it has one of the most underrated production teams behind it in the shape of mtume / lucas. a true gem of the post-disco era. essential and rare. this repress of the original epic promo from 1980 is backed with a brand new re-edit from one of nyc s disco kings mr.k aka danny krivit. with almost half a century spent behind the turntables in nyc and beyond he surely understands records like so you wanna be a star intrinsically, he was, after all, there when it all happened! this classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original epic label disco 12inch artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

a compilation of classic elvis presley songs on 180 gram vinyl.

the deepsounds imprint sees the continuation of red ember s exposé of global underground music. featuring vinyl debuts in cheslon hunter, rohan golestani and andrej laseech with special guest jason hogans (planet e / moods & grooves). we come together for one unified mission ... the pursuit of underground electronic deepness ... house music and beyond.

the first collaboration of kuniyuki and japanese legendary jazz pianist fumio itabashi, it’s originally released in 2009,recorded for kuniyuki’s third album “walking in the naked city”. kuniyuki and itabashi invited henrik schwarz as vocalist,maybe you remember henrik&kuniyuki’s house version. itabashi said river is one of the best song which i have produced.
finally available on vinyl!

phono ghosts (alias of producer neil scrivin - also behind meatbingo) returns with his long-awaited second album released via brand new imprint fonolith. building upon the cassette-raiding, micro-sampling methodology and varied sound landscape of 2013’s chrome position on skam records, solar dream reel is a journey through summery funk, mangled radio jingles, evocative atmospheres and anthemic edit-stomp, all filtered via the shimmery analogue lens of the compact cassette. a sonic exploration of that borderland between the waking world and sleep - a place everyone has been to but few remember - phono ghosts comes back to reality with a selection of vivid polaroids and cassette memories from his visits to the hypnagogic hinterland of the collective unconscious and presents these pure distilled documents for you on four beautiful sides of vinyl. something may have come back with him...

memories is a bold collection of uninhibited songs inspired by ady’s personal experiences. drawing on touchstones of british adolescence, the album covers a broad range of themes - from love and relationships through to mental health issues. all the tracks on memories are written by ady, and co-produced by ady alongside the likes of ivor novello winning cassel the beat maker (akala, plan b), richard archer, eric appapolay (neneh cherry, craig david, lionel ritchie) and grades (bastille, dua lipa, khalid). highlights include forthcoming single ‘need somebody to love’ which sees ady intertwine sprawling jazz with adolescent infatuation over a teardrop drumbeat and sparse choral samples.

hobie steps up for his debut ep on seb wildbloods all my thoughts.

the inimitable cc:disco! has partnered with hyped underground label soothsayer to curate the first in a collaborative series of compilations entitled first light. soothsayer presents first light: volume 1 compiled by cc:disco! is due for release in february 2018 digitally and on vinyl. australias reigning champion of tasteful electronic music, cc:disco! has procured exclusive tracks from emerging and undiscovered artists across genres such as boogie, balearic, funk, disco and house with each sound piquing her interest, culminating in a finished product that would undeniably slot into a cc:disco! set. her mission statement? less chin stroking, more dancing. it captures what cc:disco! is all about: the dancefloor. the very first taste of first light comes in the form of a salty and sweet track called really want that by jace xl. premiered via resident advisor, cc:disco! explains: i remember the first time i heard jace sing in a bar, at first i thought a dj was playing then i looked up see jace singing his guts out. he blew me away! jaces voice is amazing and to me, a huge part of whats going on in australian music, so its with open arms we welcome him to first light. staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

do you remember groove la chord? well, we dive into similar rave territories with johannes albert and his generators. some might call it peak time stormer. endless arps warped into nasty basslines is what we manage on minilogue. yeah its kind of a tribute to a silver machine. please wait for the break, though. calming things down with a skit of ambient. well, 2018, bring it on!

”hey, remember me? i’ve been busy working like crazy.“ mit dieser zeile meldete sich fever ray ende 2017 erstmals seit ihrem debütalbum aus dem jahr 2009 zu wort. während das von kritikern wie fans gefeierte debütalbum noch eine art düstere, diffuse fantasiewelt war, die aus fabelartigen wesen, finsterer atmosphäre und mystischen klängen bestand, erscheint “plunge“ etwas offener, dynamischer und elektronisch verspielter, aber nicht minder edgy und direkt. die kreative evolution von fever ray ist also weiter im gange, ohne die vor jahren geschaffene klangwelt zu verlassen. die elf neuen songs wurden größtenteils in dreijers studio in stockholm aufgenommen – und landeten bereits auf den jahresbestenlisten von musikexpress und spex. das 180 gramm vinyl erscheint inklusive downloadcode und poster.