saine & smith consists of jaja saine and leo smith. two talented djs/producers from stockholm. both are diaspora kids - jaja saine s background is in west africa and leo s in barbados. so their debut release is a kind of heritage reflection, with twisted elements of decadent scandinavian dance music, which echoes generally in their sound. a. lord vanlig - inspired from afro-caribbean traditional folk music from the 60s. a melodramatic blend of cheer and sorrow. with capturing and repetitive drums combined with a compact kick and sweet overlay of melodious keys and child laughter. b. sir viktig – a deep house banger with haunting ghost like pads, catchy afrobeat samples and vocal snippets.

new to the stay underground it pays gang, the tenth release on the label comes from one ofthehotest&experimentalfrenchproducer from marseille : donarra ! we get the chance to get 6 cuts on one ep (!) which is almost a mini album introducing you guys to his astonishing sound. it could be described as dreamy, raw, completely analog (his trademark), well some kind of proto-techno new-wave belter. killer. all in all, another wonderful release that feels straight at home in the stay underground it pays catalogue

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

jah wobble s biography is a long and winding one, and he s achieved a lot both in collaboration with others and of his own accord. emotional rescue know a talented auteur when they hear one, and in the case of wobble they ve chosen to shed light on one of his less well documented phases, when he started his own label called lago. drawing on recordings made between 1981 and 1985, the lago years is a captivating listen that touches on post punk and no wave all the way through to dreamy psychedelia and the kind of world music wobble would become so well known for later on in his career. an essential collection for any lovers of leftfield music and mysticism.

lemmy ashton made quite a splash with his first outing on his own tnc label last year, and now hes back to follow up with another salvo of premium heaters geared towards disco friendly dancers. there s a chunky, looped up quality to silver suitcase with its insistent bass lick and slamming drums, but there s equal space for soul thanks to the string-loaded sample hook. by way of contrast lunaire fires up the acid flare and heads straight into a babbling brook of 303-related goodness. amsterdam rounds the ep off on a stomp, whipping up the kind of bombastic disco drama that would get studio 54 moving were it in action today

the sadly departed jaki liebezeit was the kind of drummer whose influence will be continually recognised over the decades to come. best known for his work in can, there are also many more sides to this singular sticksman, and emotional rescue has chosen to shine a light on his post-can period living in stollwerck. on the a side of this 7inch curio is the sound of phantom band with linear johnson & the protons. rush rush has a spiky new wave bent to it, but still liebezeit s drumming stands out. the b side drums off chaos need little explanation its the sound of one of the all-time drumming greats letting rip in a ferocious blast of percussive abandon.

coming out of the audio plants fraternity, ukranian drum & bass artist pageant brings a bright and breezy musicality to the scene on this expansive debut album. the beats come through clear and punchy while the instrumentation takes its lead from ltj bukem s smoother moments to results in a very palatable kind of liquid drum & bass. this is as feel good as the genre can get, and with its wide scope for natural and synthetic sound sources it never tires on the ears. whether it s the soaring vocal of elena aki on space song or the expressive guitar trills on taxi driver, there s always something catchy to draw your ear in to pageant s smooth as silk soundworld.

we eroded pre-existent structures constructing an open heterotopic space, a horizontal and vertical thinking found its way through physical- and cyberspace, here, nothing manifested instantly - flippancy left space for any kind of interaction and appropriation. within (or well beyond) economic pressure points which diluted production, this was our opportunity to try out different potentials with no restrictions to the public, while simultaneously scrutinising the general framework of institutions and human behaviours. subversive potential always was variable, always asking, deconstructing and reconfiguring itself allowing new states of aggregation within diffuse interspaces and futures

the fourth release on spazio records is indeed a very special one. it’s the first release from behrang mohammadi - who also is one of the label bosses. coming from the punk/noise scene playing in various bands, he found his true calling in the underground electronic community of southern sweden.
the ep consists of two minimalistic club weapons, each one of it’s own kind. it’s a groovey affair with the typical elements of behrangs own djing: it’s not too much, not too little - always full of passion.

recorded in a single session at berlin s golden retriever studios on june 18, 2016, nonland combines atmospheric, looping guitar with textural, polyrhythmic percussion. having played together live only once previously, these sessions were entirely spontaneous and improvisational, intuitive and expressive...

steve o sullivan s mosaic split series is back with a fresh instalment for you in 2017 as the boss continues to discover and compile music from artists new and old for the well-received series that marked his return a few years ago. focusing on three slabs of high grade deepness for release number six, the a side comes from a firm mosaic favourite dean decosta, a long-time friend and contributor to the imprint. hailing from california, his music has always held a timeless quality and subtlety that is in key with the label and steve s ethos. stripping everything back to basics, recon feels like a tribute to the last days of summer and the warm coastal breeze that inhabits the shore in decosta s native california. filling the space with warm pads and twinkling synths, the bass end neatly pulses and tweaks throughout as it elegantly moves to a spatial groove that seems to freeze the very moment in time you inhabit. complimented perfectly by within without, leeds lad bobby o donnell serves up an instant ace for the b side as he fuses a tough ended kick with dub tinged rhodes chords, pattering hats and swirling melody: evoking the kind of uplifting vibe that won t go amiss with djs and dancers alike. expect some heavy rotation and smiling faces on this. last, but not least, rising swedish producer sean dixon lays down a fusion of omar s styled synth jams to dub driven house. by taking elements of the classic and injecting a fresh angle, dixon creates a unique space in the sound that builds and builds, deserving both your time and attention. with repeated play, you can t but help admire his craft. if you haven t already checked out his catalogue don t get caught sleeping.

planet rhythm usual yan cook teams up with fellow ukranian artist mays for a tough collaboration record named “old friend ep”. on the opening-track “fixed” the tone is being set for this being an utter dancefloor effort with the extended use of fx and modulation. “old friend” resumes in this fashion bringing a glitchy atmosphere of some kind together with matches chords and outlandish drum work. the b-side opens up with the futuristic tones of “coder” which is based around tough synth arpeggiators and ferocious kick drums. “tesla” continues down the road of futuristic techno with it’s strong and extended fx works and intrusive synthesizer sounds.

this is the first release of a brand new label lillygood party! (sister label of alex attias visions label) this time his brother stephane joins him on this new adventure for a special project dedicated to re edits or re arranged tracks from albums or singles. the aim of the label is to put out in limited quantities vinyl only, official licenced tracks from the past in various style with a different twist to the track or just a longer version of a tune that they love to play at their parties called also lillygood party! lillygood party! label is very proud to put out the volume 1 with two alex attias versions unreleased before in a 12” format. already played on radio bbc 6 by gilles peterson, by dj zaf lovevinyl and a few others international djs, we are definitely confident that this new imprint is promising with great quality for music lovers and vinyl collectors.on the a side we have a classic cut from leroy hutson “get to this” in a longer version than the original on a kind of soul funk boogie style , an amazing groover on the dancefloor with leroy fantastic vocals and on the b side you will find a soulful deep disco boogie funk jazz stomper from michael gregory jackson “risin’ up ” with an exceptional vocal and deep arrangement, extended for the dancefloor. these two great soulful track will definitely find place in any dj box because it’s really really good!

were happy to welcome back harry wolfman for a full record after his fine collaborative square lane ep with loz goddard last year. here he delves into the leftfield side of house, this dreamy 5-tracker. torontos jesse futerman joins us for the remix fresh from his debut releases on church and omena.fermi brings the tropically tinged deep house heat, wavering pads and buoyant bass paint us a mirage of sweltering summer days ahead. ice thin starts as a melancholic mover, it steadily builds through dusty samples, shaken percussion and smokey moods elevating the energy into something euphoric. things get gritty as we flip to the b-side. downstream is a dark and grainy outing, edgy arps work in and out of tough drums and frenzied synths. jesses superb rework of ice thin features distant horns and vocals that ring out over a warbling rhodes and rumbling bass, then comes the lick of a slide guitar reminiscent of some kind of twisted western. wrapping up this beautiful and somewhat nostalgic journey we turn to outro version a funk laden work out. rich strings and woodwinds fill out the lush landscape that swells and soars across the steady, bottom heavy, dance inducing

monsieur kapote comes back with another deep funk house ep on toy tonics. slap bass, wurlitzer jazz pianos, old school house drum machines, nasty talks. this new three- tracker continues the vibe of his last single the nose (that went no.1 on traxsource and juno and is still getting hammered by dj’s from all kind of scenes). this is slow grooving dance music. nothing is stressy here. jazz funk inspired mid- tempo house with live played bass, keyboards and lot of warm harmonies. played with a high musical level. pure quality. in fact kapote used to play keyboards and bass in jazz bands before getting absorbed by dance music culture. he is a big fan of late 60ies hard bob jazz as well as 1970ies jazz funk and disco. you can feel these vibes in all of his tracks. besides producing his own music kapote also is running toy tonics records with his buddies manuel kim and munk.

dj glc makes his debut with his first solo ep, inspired by 90 s deep house roots. gianluca, a dj & producer since 10 years in the business, offers a complete ep touching every kind of nuance of house music. “feel the rhythm” original mix is a dreamy concept, pads filtered take you into a trip, simoncino remix is a dance floor killer with straights pattern and magic atmosphere. “paradise house” is inspired by infamous italian deep house of the 90’s , vintage sounds selected and hardware used to make it. “move on!” is different view not in 4/4 but break patterns, samples and deep bass line. a complete view of actual house landscapes.

m_steps roots go back to the heyday of viennas cheap records, and the echoes of that labels seminal style can still be heard on his trust debut: stone-cold electro funk meets the kind of low-slung basslines and laid-back jazz chords that the viennese producer, dj, and (double) bassist contributed to classic releases of 550 rondy, pulsinger & tunakan, sluts n strings & 909, and even kruder & dorfmeister remixing madonna. fourth release in the covert systems series

duff breaks is composed of 40 breaks and sound effects compiled for easy use in any set or production. a companion for any serious dj or amateur record collector. duff breaks is the frst of an essential vinyl series transforming the sound of music and helping funky beats and drops conquer the world.

chances are if you have a body, a pair of ears and access to some kind of listening device, you’ve at least tapped a foot to ‘shine’ from soul clap and nona hendryx. pure authenticity and vocal integrity is provided in bucket loads by nona (ex-labelle member and purveyor of funk for more than 40 years), while the production maintains soul clap’s sublime freshness. increasing your marimba intake by 200% with two additional versions, hot toddy gives exotic plushness with a diversified rhythm section and melodic bottom lines that lightly entwine, shimmering in the light of nonas voice. scott grooves brings the funk, with an upfront bassline and extra jb-style horns on his horns dub, while the deepah dub takes a housier approach while still keeping the horn stabs. scott finishes off with an echopella of nonas vocals recorded from the international space station. this remix package is everything you would want, and then some.

charlie watts meets the danish radio big band is the kind of album that many jazz fans had probably given up hope of hearing. in the glory days of big band jazz and arrangers like oliver nelson coming up with brilliant music, albums like this were, if not commonplace, at least more readily available. the truth is there is nothing commonplace about this album, it is a sheer delight.
anyone who knows charlie, knows how much he loves jazz. a few years ago when he and i were looking at a photo of the stones playing in the 1960s he pointed at a particular cymbal and said, “i’ve still got that cymbal, but i don’t use it on stones’ gigs, it’s too good for them. i just use it on my jazz gigs.” there’s no doubt, that’s the cymbal you hear on the first part of the ‘elvin suite’.
charlie watts is one of the great ambassadors for jazz and every jazz lover will relish this record, and the fact that charlie is involved may bring jazz to the attention of some that are not sure if they like jazz. listen to this and you know you do.

repress , from moods & grooves to sistrum, brian harden has served up more than enough soulful, synth-led house and techno in his time. it s just the kind of style that suits the mood on d3, and so the label has picked up his essential -chicago to detroit- jam and called upon a fine selection of remixers to rework the track. first up is byron the aquarius, who drops some expressive broken beat drums into the mix to spar with the illustrious melodic tones to great effect. meanwhile the label boss brian gets busy with a classic, straight-up adaptation on his -chicago sur seine mix- before patrice scott opts for an energised variation with poignant new rhodes-esque keys floating on top.

in order to get lines of perspective moving, aufgang transcend their instrumentarium. from this organic corpus, they manage to extract a hand-stitched, deeply human kind of music. this exhilarating craft builds bridges between disciplines, skilfully pulling together acoustics and electronics while making bold connections between different eras. ancestral pianos are groovier than any sequencer, the synths they use are antediluvian and the drums are constantly oscillating between metal and skin. they may well be the first truly accomplished and unabashed explorers of the channel connecting various approaches which, so far, had at best only been piled up. aufgang transcend the confines of time to bring the past back into the future.
180 gram double vinyl cut at 45 rpm - download code, a3 poster and embroidered shield (patch) included.

after being compared with mayer hawthorne on his first world acclaimed* classic soul album, treat me right, john milk is back with paris show some love a piece of modern and engaged r&b. synthesis between jay dilla and prince, john milk delivers a genuine and solid recording based on real to real tape machines and electronic sounds. previously working as artistic director of his own record label (karecords) and collaborating as a singer with mr president and blundetto (heavenly sweetness, favorite recording) john milk is now on a new vibe, merging all kind of recording processes, live recordings on reel to reel 8 tracks tascam, introduicing beatmaking and hip-hop culture with numerous machines, samplers and keys... a musical patchwork which has been open to all kinds of experi-mentations. songs where composed on top of instrumentals. the creative processs is about delivering the right energy once the music transmits the appropriate atmosphere. all songs are focus on having catchy hooks as much as conscious lyrics. paris show some love is a message album. creating music in the city of love during one of the most violent year for a long time... this contradiction has been the fuel to his creativity.the song «paris show some love» is specialy dedicated to the tragic night of november 13th 2015. john milk offers a person-nal reflexionon our capacity to find our way and moves beyond the lines and create.

for his 2nd ep on the parisian label ondulé recordings, dj un*deux decided to surprise us. with -tool for fools-, his hip hop background is talking......with -two for bass- that s the dark side of dj un*deux, the kind of track you keep preciously for the peak time when you need a jumpin bassline... and finaly with -groovy vapes-, this is a pure soul cut that ends the trip.

the canoe label comes to life with some rough and ready cuts for the wilder kind of dance, courtesy of nyra s gritty studio approach. having previously been found on the likes of never learnt, elastic dreams and more besides, there s no doubt the plucky producer has experience in the field, and the diversity of the styles on canoe 001 is testament to that. -d.a.t- is a stripped down machine workout that keeps things punchy and urgent throughout. -save lite- meanwhile is a wound-up, bleepy techno number with soul, and then -rexperiance- aims for the rave jugular with a stab-tastic lead and some crunchy breaks.

nice price deal !!! nice price deal !!! ears open for this flex002, a collection of fresh made in italy house and the first journey with our new “piada spaceship”, we are pleased to welcome this bunch of astronauts that made this 12” a versatile tool for every kind of dance floor. yougrent, with his hypnotic and full dreamy track (don’t give us a chance!), the hill’s -short track- which embraces mpc beats and a 303-like evolving bass, alongside the collaboration between our men dj rou and opponent, who build their “afrowalk” on a never-ending jazzy loop. on b side you can find the dirty bass driven by tengrams that make the things more raw, the closing track is from luckyfeels which creates a fresh house track on a 90’s piano.

homeys records new release,something new, features the first collaboration between marina p and the upcoming french producer ksd. once the original track was completed, the vocals were given to three other producers close to the italian singer for remixing. stand high patrol’s version offers a jazzy take on the track with unexpected footwork influences. twm, for his very first release, presents a steppers version made for the soundsystem. homeys brings a roots reggae touch with a flute part that leads the theme.

repress with special package
garage shelter is an undeniable classic by living new york house legend and recent objectivity roster addition jovonn, it was featured on the 1994 double ep set called stump it ep on nite stuff and is highly in demand ever since. it has been picked up during the years by high-profile djs like theo parrish, ricardo villalobos or efdemin and became kind of a very effective secret weapon for them. mojuba is very happy to make this rare killer release available again for you, completely restored and remastered and packed with an addition remix by recent ostgut ton / unterton artists tuff city kids.

one in a million leads with a bright 90s garage house beat reminiscent of disclosure before breaking into the kind of danceable indie-pop swagger that will excite fans of lcd soundsystem and hot chip. replete with remixes from zomby and playgroup this 12inch sets a precednt for olsson 12inch release where he kindly asks his heros to reimagine his work. in this case two of electrtonic musics most exciting and consistent names step up.

r&s welcomes back space dimension controllers jack hamill for a ep of his trademark future-funk, his first for the label since 2013. the exostack ep marks a welcome return from hamill to the kind of astro-boogie that made him a unifying favourite in any discerning dj’s record box. the title track is a masterclass of wide-eyed astral disco - cycling euphoric arpeggios underpinned by dubbed out bass riffs and swooning pads. unfurling over a sizeable 8 minutes, hamill justifies every second with a beguiling arrangement that takes the listener on a groove excursion of epic proportions. on the flip, red hot swede kornél kovács delivers a tuff rerub that jacks up the drums, and cools out the chords, twisting the original into a classic house roller. sdc original biopan finds hamill in more contemplative mood - pulsing drums, a subdued bass figure and woozy synth melodies combine to haunting effect.

haunter records’ 2017 kicks off with two new displays of aural expansion by longtime members of the milan-based crew. twin singles from weightausend and petit singe that also mark the label’s first ventures into 7” format. through heavy use of darkened breakbeats and angular dynamics, each of the two producers sets out to have their unique sonic approach ring on throughout the sprawl.
hazina francia aka petit singe returns to give a sign of what’s to come in the very near future. her transdimentional approach is always prone to punctuate the spiritually intense quality of her taste for melody with heavy barrages of drums organized into hard-hitting grooves. each of the two tracks manages to balance in her world of feral beauty, pummeling the dancefloor while also dragging into psychedelic stupor.

the rat pack – wer kennt sie nicht? diese rasselbande hollywoods, vor denen ab den 50ern weder whiskey noch weiber sicher war? frank sinatra, dean martin, sammy davis jr. waren die hauptakteure des rat packs. sie spielten in filmen zusammen – und sie sangen hits wie what kind of fool i am, i get a kick out of you, i’ve got you under my skin, memories are made of this, love and marriage und viele mehr. die größten hits des rat packs jetzt auf vinyl!

pavement und preston school of industry gründungsmitglied scott kanneberg aka spiral stairs veröffentlicht ein neues album auf domino records! es sind nun acht jahre vergangen, seit scott kannberg, seines zeichens gründungsmitglied der legendären pavement, sein solo-album the real feel veröffentlichte. in der zwischenzeit ist vieles passiert. von einer gefeierten pavement reunion bis hin zum ausbau seines familienlebens in australien war alles dabei. jetzt meldet sich der gitarrist als spiral stairs mit einem neuen album zurück. “doris & the daggers” wird es heißen und zehn rock songs enthalten. am schlagzeug sitzt justin peroff (broken social scene), am bass hat sich matt harris eingefunden, der schon seit der gemeinsamen band preston school of industry mit kannberg musiziert. als gastsänger sind matt berninger (the national) und kevin drew (broken social scene) mit dabei. scott kannberg über sein zweites album: “i guess i’ve been writing songs for a while now. i like hearing echoes of things i love in the music that i make. writing music doesn’t come easy to me - it’s hard to write a song that’s good. but our memories slowly escape us as we get older, and in songs you kind of relive those moments, the things that matter.”

supply records proudly presents waynette’s stunning debut album, “eraser on the dancefloor”. a heidelberg native living in berlin for the past few years, the dj, producer and vocalist has landed with her first ever release of any kind. supply could not be more honored to present her fresh, raw and distinctly personal take on underground dance music to the world. these seven tracks effortlessly span a range of techno, house and electro moods, interspersed with waynette’s unique vocals. from meditative rhythms to jagged electronics, a bold new voice has arrived, a multifaceted and hugely creative artist, and one to keep your eyes on for years to come.
the album was long in development, assembled from a wealth of productions, with new intriguing ones constantly arriving at the label’s doorstep. with a cache of material to carefully pour over, the final track list was decided upon an at a in person meeting in berlin between label heads and artist, the perfect musical harmony achieved. a landmark release for a label mostly focused on twelve inches so far, this is supply’s second ever lp, after rene&#769,,, audiard’s well-received “pechorin” lp in 2012 . “eraser on the dancefloor” is a fearless album, and it arrives in striking artwork by mikala hyldig dal, who also directed the video for “gentle.”

• superb new rrose release - the 1st solo title on eaux for some time
• black vinyl - 2nd repress
• printed disco bag
icy polyrhythms, stinging acid, modulated reflections, and hallucinatory waves percolate through the latest solo ep from rrose. starting deceptively crisp and dry, all three tracks ooze with the kind of slow building, multi-layered intensity that typify rrose releases.

this is the fourth ep the paris legends dan ghenacia and chris carrier have made together over the last year, and it’s just as fresh as their previous efforts with plenty of bounce, depth and funk. first up on the a-side is ‘the blue grass’, a deeply sensual cut with a potent low end. therein lies the groove, which is utterly captivating – made to get you writhing with glee, this one is aimed straight at the hips. alongside that sleazy bassline we have jazzy notes, swinging percussion and otherworldly bleeps and chirps. all of which makes it a great intro to this sterling ep. on the flip side, we have ‘blue stick’, another ridiculously groovy riddim with warped voices floating above a set of crispy beats and a raw undercurrent of emotion. minimal in composition, and the effect is deadly. lastly, to close out the three-tracker, it’s ‘kind of blues’ (can you spot the theme here?!). when it starts off, this one is a stomper with a moody expression. the beats are hefty, the bass morose and the analogue effects strangely cosmic. more twisted vocals are filtered in the background, giving this one its weird hook. the vocal reveals itself in the breakdown midway through before the track bounds on to its finale. dan ghenacia and chris carrier deliver three firebombs, perfect dance floor material with tight grooves and killer production. would you expect anything less?! go get em…

name in lights have been organising parties, djing, producing music and running their own label feed for a long time. fact is - they are kind of royalty back in stockholm. after releasing records on under the shade, free association, let s play house, as well as getting remixed by dr dunks and axel boman it s now time to present two tracks on omena. believe it or not but the ties between omena and name in lights go way back. all inclusive is that type or track you would either start or end the night with while post mortem sounds like dj koze and isolee would have a baby together. on this release there are two remixes which completely flip the originals. underground hero samo dj is a force to be reckoned with. with recent releases on the trilogy tapes, public possession and an album on snaker together with maxxxbass he found time to work all inclusive into something completely new. watch out for the end. finally label boss tooli delivers a remix filled with as much rhodes and conga as your heart desires.

vinyl only. handstamped limited copies. for this edition, reda dare invite their friends and talented producers okain, ortella, john jastszebski and dj steaw. 4-track ep made of subtle, eclectic and smooth sounds. kicking off, the first tune by okain is a perfect crowd warmer, with a proper deep and harmonious vibe, followed by a more upbeat and pumping one by mad in lyon s ortella. the b-side begins with none other than john jastszebski s unmatchable blend of drum patterns and melodious synths. finally, rutilance s dj steaw closes the ep with a musical gem playable in any circumstance. this limited press record is a one of a kind mixture of groovy, bouncy and chilled beats and is definitely to look out for!

12 inch hand stamped sleeve limited to 150 >> dj support : ricardo villalobos, cassy, d julz
more than 10 years after a limited pressing that caused huge stirs around the world, -house ya- is back on wax ! championned by ricardo villalobos at every gig last year, but also cassy, d julz, claude monnet or even bob sinclar, this one has a large spectrum appeal and is pleasing all kind of crowds. along the bomb, you get 2 more exclusive secret weapons, a very effective reboot of -house of god- for the strongheads and an acid house anthem derived from a sneak track that keeps inviting you to the deepest trip. let me tell you this one is a huge release, and very limited too. don t sleep on it.
vinyl only...

too many possibilities can also mean a tyranny of the what if.... in this light, celebrating less becomes vital. and thats exactly what swedish producer and studio barnhus affiliate simon haydo does in redux. all of the sounds in the albums nine tracks come from just one synth: the korg ms20. as simon puts it, the idea was to maximize the use of less, basically. less gear, less effects, less input from other people , less everything.using only between 2 and 6 channels for every track, the result is a stripped but surprisingly rich sound, that delineates spatial techno vignettes coated with the unmistakable charac- ter of the ms20 filters. even more interestingly, this restraint is not only applied gear-wise, but also from an emotional point of view. instead of involving my own feelings, i let the voice of the ms20 take care of it, says simon. all this makes redux an expression of techno in its purest form. after all, its a kind of music that has always gravitated around simplicity, austerity and, of course, the believe that the machines have their own soul.

public releases hits the lab for some aural alchemy and to turn out its first release of 2017. a four-tracker from moscow’s phil gerus, scenes—or, in the producer’s native russian, &#1089,&#1094,&#1077,&#1085,&#1099,—manages to have a makeup that’s both peculiar and magnetic. the title’s a fitting one, every track feels like a vignette in a collection of short stories. separately, they’re self-contained, but a rich narrative arch is added when they’re sewn together. if there is a theme here, it’s of viewing the future through the dusty lens of the past, and each of the songs explores this in its own fashion. the kick-off, “ohashi sky garden,” starts as a hyped-up italo space epic, pumped full of swirling synth licks and sharp, tight drums, but it mutates into something completely its own when vocal samples (90s r&b?) and warm keys (prog rock rhodes?) enter. after the original’s brisk five minutes, the legendary richard sen—graffiti guy, breaks guy, house guy, disco guy, half-of-padded-cell guy—steps in to give it a trance-y tinge while doubling its runtime and adding a dancefloor-destroying hi-nrg coloration. the b begins with “naha swim,” a crunchy funk foot-stomper that might as well be an unreleased idjut boys or ray mang ditty dug up from the noid catacombs. fiery and furious, yet utterly cheeky. serving as a sort of coda to “naha” is “kiss of a kind,” a gerus take on 80s adult contemporary, replete with sleazy sax and sensual pads. a gentle nightcap to a zigzagging, antic 12-inch

limited deluxe edition vinyl release in gatefold sleeve with double cd included. cd1 included in the vinyl features the same tracks in the same order. cd2 features the same titles but demo version in the same order as the studio album.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicides second album, and the elegant melancholy of the national.

standard vinyl release in gatefold sleeve with album cd included.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicide’s second album, and the elegant melancholy of the national.

last copies - nice price action !!
excellent relaxed / deep space disco (cosmic) with dubby flavour, vinyl is selected (unmixed) by junior boys

10th release on fasrat is the debut record of mr yo so hailing from the west pomerania region of poland (same as his label mate das komplex), rafal reich is an experienced musician. from playing piano in modern jazz groups to woodwinds in a brass band and synths in his home studio, his music displays rare sensibility and an ear for lovely melodies. delicious brings together six tracks recorded during last few years, from dreamy new age-ish soundtracks to proper balearic sunrise/sunset anthems, with obvious echoes of 70s lords of synth. cheesy, yes, but its this kind of rich, mature, delicious cheese we all like, dont we?

new mosaique 002 -msq002 caron - connected circuits ep- with koehler (skudge) & kind human being remixs. your power on the dancefloor. vinyl only!

soaked in jazzy late night grooves, blissed out piano chords and glistening beats, it’s another essential release from a label that’s quickly rising to prominence.
following on from the soul-drenched disco excursions of ross from friends’ debut ep, newcomer rgl’s ‘1 thing’ ep spans 3 dusty deep house cuts built from the ground up to do the dance-floor damage. rgl is the moniker of tokyo based producer rigly chang, who’s also part of the tokyo based cosmopolyphonic collective. his affinity for intimate dance music brings soft textures and moods that stretch into the listener, bringing a new kind of warmth to the club.

it’s a diverse and distinctive listen loaded with the kind of grubby sonics and curveball composition choices that we so love here in the cassette realm.

zu falcos 60. geburtstag eine kollektion von 20 seiner größten hits auf limitiertem gelbem doppelvinyl im klappcover.