a vanguard touch for a classic gold work on loose records by the label boss rino cerrone and flavio diaz, with an epic re-editing and two remixes by tom hades and jake childs. first one made a lot of releases for mb elektronics and rhythm converted, jake childs is famous for his success remix of blazes lovelee dae on om records. miseno is a mix of funky and old school techno melodies, with a strong kick and a warm bass line, the hi hat gives a sliding rhythm to the groove. the hypnotic synth is the essence of this track, very tasteful but very techno. extraordinary wiring makes a second step with jake childs, with a carrying tech - house beat and a funky bass line. everything is rhythmic and moved on by a minimal synth which runs on the track shaking the people on the dance floor. a tribal mood on a tech - house beat, the sub bass is pushed on by a powerful kick and the synth bass makes the track very strong. energetic tune and very good stuff for take a dance, just another last cigarette for tom hades too. a magic and innovative rework from loose records, the fusion of different styles enclosed in one release, enjoy

gerardo frisina goes back to the roots of the sound which has made him famous worldwide: the latin sound of classics like >descarga< or >the latin kick< (both previously released on schema). >moderno primitivo< is an ep about the encounter of the ancient afro-cuban tradition (the core of frisinas artistic dna) with a refined electronic taste. this component enriches drums and percussions and gives more edge to the whole production with details like pads and effects. in >moderno primitivo< the latin ensemble headed by frisina takes us into a jam session where percussions, piano and trombone play happily. the latin house mix is a club version where the rhythmic element and the groove take control of the mix. the melody is broken and a hammond plays over a ostinato bass. the flavour is definitely tribal. >cogele el ritmo< is a trip into frisinas latin world. slower than >moderno primitivo<, still has a solid hook to the dance-floor and is a triumph of joy and colour.

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

not long after laxx’s debut release – the laxx ep, walsh and biscuit factory records are proud to bring another fresh face to the foreground. introducing farkas…originating from sweden, farkas, also known as joel metz, has already established himself as a regular favourite with leading swedish outfit all out dubstep. his soul and funk inspirations are clear to hear in his creative and unique style. this together with his excellent ability and understanding of various production techniques, show why farkas is going to be an artist to watch out for in 2012.

again 4 tracks tribal latin tech house from the brazilian newcomer jphilipps!

south american label woods n bass unveils its new vinyl-only imprint, woods n bass limited, with wet feet by will azada and piltdown sound. the title track, wet feet, is a forward-looking slice of tribal minimalism that encapsulates the ethos of the label with its dubbed-out, winding hook, thoroughly drenched in dirt and brooding overtones. on the flip, piltdown sound goes solo with rbml, a detroit-esque piece that relentlessly works the floor with its twisted organ and chord stabs trading places for dominance. tying up the release, will azada amplifies the sleaze-factor with the driven bass and tweaked synths of slangin low. living up to its name, wet feet, is just the beginning for woods n bass and its new vinyl series, and promptly received enthusiastic support from influential global techno tastemakers raiz, seph, jeroen search, samuli kemppi, and detroit techno militia to name a few.

if it would not be so cold outside, the latest shot of insistmusic would become an instant party classic. what ping! from thuringia have delivered this time at least definitely feels that way. the third edition of the frankfurt based vinyl label presents an intelligent, groovy techno: predictable enough to entrain, diversified enough to pleasantly surprise. the opening track depature marches across the dance floor, picking up the playful dancers with its funky offbeat elements in the beginning and taking them on an,ecstatic journey with its cleverly placed breaks. in the remix by label mate sascha sonido depature catches a touch of tribal techno moving the track with its vocals like rolling sound figures a good bit further into the house cosmos.

bristol based mensah anderson delivers something a little different from his current output and dj sets for his first release on deep medi. the gambia was picked up by mala almost two years ago and has yet to leave his record bag. it featured heavily in mala?s xlr8r?s podcast, which was voted best of 2011. ?the gambia? is a slow burning, dark minimal and heavily tribal journey taking in elements of techno, afrobeat with a touch of danchall, this output leans more towards mensah?s alias ?new york transit authority? than previous mensah releases and also shows the diversity of mensah as a producer. ?trailing moons of saturn? on the flip takes on a more laid back and cinematic approach with it?s subtly layered synths, thunderous bass stabs and intergalactic rave vibes and effects.

the irresistible electronic trio formed by antonio pecori stefano meucci and andrea giacchetti mainly known as the clover strikes back on bosconi records with another strong 4 tracks ep. after an year spent into researchin and experimenting in their own studio, jammin for hours like a proper band as they are, using analogue machines, freaky instruments and concrete sounds, our lovely boys, always keepin their distinctive funky n groovy attitude, turned the page of their past west-coast inspired funky house vibe and changed the way of seeing club music into giving life to a completely new, fresh and personal house style. the whole ep sounds like house music influenced by post rock bands like tortoise and kraut legends like can and this 12inch is an absolut winner that sees on a side the psychedelic tribal funk of goodies while on the second cut theres the subliminal mood of wandering souls, b side instead goes more spiritual and rockin thanks to the manipulated percussive trip of find yourself and the darkdroning session of amsterdam house don san proper remixing goodies. a real four season ep!

when italian alex costa arrived in the world in 1979 he believes he was already addicted to electronic music. inspired by the djs surrounding him in his pr role in the clubs in the early nineties, he made the switch to dj and radio show host. in 2005 he started to produce - zoning in on quality deep house, tribal and tech house and scoring him a series of releases including daddy soon on toolroom records and was great on intacto records. we are happy he is back for some more intacto fuelled action!

though some only know the byrds for their covers, critics believe that they are amongst the most important and influential bands of the 1960s. their signature sound of clear harmony singing and jangling guitars combined well with the sounds of british invaders the beatles & the rolling stones, and they became the pioneers of folk rock, psychedelic rock, raga rock, and country rock.
the recording of the 1968 album >the notorious byrd brothers< in the heyday of the flower power age was nothing less than herculean, disputes over artistic direction & power struggles within the band meant that by the time recording was finished there were only two byrd-members left. the album was a labour of love, though, its more experimental and progressive than their previous works and is considered one of the best albums they made ...
re-issue on 180 grams audiophile vinyl.

two energetic tribal-workouts by sacred rhythms joaquin joe claussell.

first available only via decks.de !! second release which is more going to the proper label style. already appreciated by the most italian djs. tribal tech with vocal infusions. the jungle track is a deep dubbing beat into the afro tech style and mathemba is a perfect vocal tribal track for the clubs.

as a new year starts naked & ashamed kick off their adventures in club land with a release from new artist james washington.in the nite klub is the a side, a powerhouse groover fit for peak time use whilst flip sides sweet utilises a tribal groove with a simple melody for an overall hypnotic feel.

vanguard sound vol. 3 is the maiden voyage of the vanguard sound label. the mothership is helmed by dj/producers amir alexander and chris mitchell of the vanguard crew. fellow crew members include hakim murphy, g. marcell, dakini9 (lola) and dj spider. the ep series continues with four high intensity bangers that kick ass and take names. stripped down to the core essence, these tracks will bring that left of center otherworldly flavor to your sonic atmosphere. violence!

following on from his massive cross genre hit >computation<, dismantle hits us again with his first release on terrain, n-types jungle influenced dubstep label. both tracks have been kept very exclusive, to keep the dubplate vibe alive.
broke: deep dark and dangerous, rolling breaks and tribal percussion alongside jungalist pads and thunderous bass. this one tears down the dance in the best way possible. dark, but energetic, a staple in n-type set.
times up: similar darkness but more steppy. this one hits you hard with tearing hoovers, powerful lfos and all the atmosphere from a 90s warehouse rave, in a 2011 style.
supported by n-type, hatcha, walsh, youngsta and benton

nice price deal !!!

four stripped down, hypnotic tribal-cuts by harmonious thelonious aka stefan schwander of antonelli electr. fame. he perfectly describes his style as >american minimalists vs. african drumming vs. european sequencing<.

after the last crazy studio session, matt k created a brandnew remix from the legendary release from carsten fietz s rappelkiste. matt k s new remix is based on a crazy percussive baseline with some tribal elements. on the flipside we release the original mix from 1998 again, because it was a long time out of print !

as 2011 unfolds, ld very much retains his own sound drawing from his roots: drum pan sounds of jamaica resonating throughout, flashes of soca drums, subtle tribal nuances, and the ghost of jungle reverberating in the warm, pulsating sub bass. it seems now is very much the time for ld to make the transition from behind the scenes and into the limelight.

here we go with the 2nd release on circle music of the belgium michael coninx alias hermanez. this talented young belgian is both in good company and is fast earning the respect from his peers that many producers can only dream of, with releases on paul ritchs quartz imprint and release >nicotine/soms< on leena music, anja schneiders imprint, plus hermanez remixes for la factoria, and monique musique to name a few. now, after the big success of his first release on circle >locomotive< he will be back with the second one, the >spank ep<, on the mannheim german based label. the a side brings us spank. a groovy and tribal house tune who will rock the floors. the b side with stomp is more progressive and a little bit techno. very cool for every maintime set! circle music is very happy to release this nice piece of clubmusic!

dj duke scored a massive international hit in 1993 with this new york style, tribal house anthem. this us release features two exclusive mixes, along with x-press2s >death to digifunk< rework.

juzus >re:momentos< in 2 remix-versions by kuniyuki. spaced out tribal-jazz with a balearic touch.

hailing from new zealand, truth and decoda have established themselves as true heavyweights of the dubstep scene. following releases on several high profile labels, and their hit album >puppets< truth lay it down for wheel & deal.
truth & decoda – the emperor: emperor is the heavy hitting, distorted reese tearout monster with a dramatic intro of horror film proportions. this follows the dark jump up vibe of wheel & deal, and will smash up any dance.
truth & dutty ranks – calling you back: this is a upbeat style track, reminiscent of the older dubstep sound. with a tribal skank and haunted garage style vocal, this is soulful but sub heavy in its own right.
these have had support from n-type, walsh, hatcha, and mistajam to name but a few.

this single will be advertised in the wire 378 august 2015-05-25 in a full color quarter page ad.
originally released in november 2011, this is the very first single ever to appear on the label. it was produced under the heavy influence of the original chicago footworkers like rp boo, whose influence is obvious in the sounddesign. two tracks written and produced by dj kabra and discarga, the man behind duck n’ cover records. both tracks feature a haunting, dark atmosphere. bones is a tribal graveyard stepper, time for a burial. up is a straight battletrack with pondering drum assaults and viscious stabs.

for led010 we have a great studio return of cirillo the icon italian dj and producer from circoloco@dc10 ibiza and cocoricò italy, together with new italian producers athletic duo. the ep >por obaluae< include original vocal from brasilian singer carla cruz, for a powerfull tribal tech with a strong dancefloor response. include very great mixes starting with the jackin house mix from andrew grant and lomez, a remix conceived in an original jackin style. the project is been killed already on the ibiza dancefloors with strong feedbacks from greatest as damian lazarus, loco dice, timo maas, dan ghenacia, ralf, ricky montanari

asiko disko - jt uses classic drum machines, sneaky acid lines and a mike dunn-esqe vocal to create this underground gem.
gaia - this track is sure to be a dj favorite. pounding tribal rhythms, hypnotic chants and an arrangement demanding to stay in the mix. this is a dj weapon.
asiko disko (dave aju remix) - having been a fan of dave aju for a while we thought it would be a hoot to get a remix from him. the result is a slow burning, shimmering remix that takes the original and shoots into space.
gaia (lance desardi remix) - our main man lance desardi turns in a electric remix. taking the original and delving into darker territory. new sonic creatures rotate around deep bass tones, hypnotic chants and new directions.

trust now is the keystone album of brooklyns prince rama. the album takes the kaleidoscopic mysticism of ancient devotional music and focuses it through the fierce urgency and archetypal language of pop, forming an environment that is both accessible and impenetrable. deep synths rise from a sparkling sea of gamelans and prayer bells as tribal drums pound the earth with the hypnotic power to heal or destroy. voices carry captivating and haunting melodies that shine like the diamond jewels of old bollywood soundtracks spilling over dark wave dance floors.
first conceived as a ritual to be performed live, the songs were fittingly recorded inside a 19th century church in seattle by scott colburn (sun city girls, animal collective, arcade fire). as their 5th full-length album, and first as a duo, trust now is perhaps prince ramas most focused, cohesive and powerful album to date.
comes with code for free digital download of this album.

danilo schneider publishes on his label enough! the ep - short image in my brain-.
two esthetical and expressive sounding tracks, which are clear and expressing on the same time and always up for surprise.
with -short image in my brain - danilo is wraping us in percussive sounds which are rounded up by a tribal beat that doesnt let you stand still. the second track - edit suite - is so deep and flashy, almost mystical arranged where the sounds gear into each other and give the whole track a clear signature.
the two artists jakob seidensticker and bardia salour take care of a wonderful and fabulous background of this ep. they give the original track - short image in my brain - a new sound. with dedication and passion this remix is a treat for your ears just from the beginning. bounded on the track you will absorb every sound and let yourself drift. another wonderful vinyl extraction presented by enough!

120 days are a 4 piece from oslo who released an acclaimed self-titled record in 2006. in the time since, the band has been developing and honing a sound, the first taste of which is >osaka<, which will come out on club mod.
a brooding, tribal, baggy acid beast, the >osaka< single, with remixes by sidwho? and diskjokke, is now available in 12 inch format.

there is a certain dynamic that emerges whenever andre galluzzi and dana ruh pair up to create a record. with last year s >freya / mauersegler< split ep on ostgut ton, the two have already hit up some of the most prestigious labels in the electronic music landscape. tracks that are upbeat, driving, and, most of all, fresh have characterized their co-productions, which now have aras as a home. taking its cues from their label nights at berlin s panorama bar, galluzzi and ruh have solidified aras into an imprint based around expanding upon the creative energy that both share. their first release, >trambolla<, harmonizes each artist s approach into a grooving whirlwind that showcases their ability as producers as well as live musicians.starting off with the title track >trambolla<, the ep begins with tribal beats and infectious arrangements that seamlessly build upon each other along the course of the a-side. grooving from the start, it is the kind of track where the listener or the dj gets into the vibe right away. the percussion of >trambolla< especially stands out amongst the latin-tinged bongos, hi-hats, and hand claps that interchangeably come in and out of the track, a journey of its own at 9 minutes. >thelema<, the b-side, contrasts with the lightness of the a-side and demonstrates galluzzi and ruh s equal comfort in creating darker and heavily pounding tracks. the ten minute track grows out of a simple beat and growls ever louder as it takes in more intensity with its cascade of filters, delays, and booming bass. aside from the hard edge of >thelema<, it also provides a preview into the live set that the two artists are about to debut together.

the history clock is most certainly alive and ticking with this incredible release from argentinian duo, djs pareja. you may be familiar with some early tracks that they have done for matias aguayos peerless comeme label (their excellent ghetto rhythms, kenia and tribal scream), and this is a perfect follow-up. >psycho rhythm<, the appropriately-titled lead track is a brilliant, mid-tempo, mildly-disturbed outsider house / ebm-shocker, coupled with the absolutely perfect roska / uk funky-esque, tropical rhythm of >pampa room<. a track that joins the dots between the bumbumbox parties of buenos aires, the boiler room nights in london and the boxes of the more forward-thinking djs on rinse fm. balearic music fans will immediately fall in love with >spanish is beautiful< - in both original and alejandro paz (comeme / huntleys & palmers) remix formats.

hold on tight cause here comes a game changer, jen & ed edj 001 delivers a first for the couple best known as dj jus-ed and jenifa mayanja. the two producers team up to deliver a rousing two tracker that cuts right to the chase. the a side features >dark matter< from jen which is a high speed baleraic dancefloor smasher with an old school tribal feel. >slammer< by ed grabs the dancers by the hoofs and never lets go with its addictive chants and stabs throughout the groove. this release may be considered controversial for some but for jen & ed its just another day at the office. edj recordings is a sub label of uunderground quality / bu-mako recordings

hdr002 takes us straight to 90s house territory with four new edits from nycs marcos cabral. the a-side opens with >sym phon<, an anthemic filtered piano house jam that opens up wide and swallows all in its path. a2 gives us >better think again< with sticatto chords and twinkling keys in a jersey-esque house sound. the b-side hits with >in the sea<, starting off with a giant slow tribal beat and then morphs into a psychedelically swirling synth workout. b2 wraps things up with >get get get< turning our ears to old school chicago house. rolands tr-707 lays the percussion down while the chant of >get in the groove< repeats into infinity

support by: losoul, hunee, aubrey, xdb, basic soul unit, fabrice liq, iron curtis, dan curtin, octave one, keith worthy, baaz, dj 3000 …
with detroits kevin reynolds we are proud to welcome one of detroits best kept secrets as the latest member of the nsyde family. starting as an audio engineer at derrick mays seminal techno label transmat, kevin has spent most of his career helping others to shine. honing his production skills in the transmat studios refining a variety of projects, he has accumulated an impressive body of work in the background over time. with the release of nsyde 002 kevin has now set the focus on his solo career and the years of experience and raw talent have truly left their mark. showcasing his savvy for deep mesmerizing grooves, he brings us two tracks for the mind, the body and the soul, ready to conquer dancefloors worldwide. fusing raw tribal elements with warm strings and chords, kevin creates his own fresh trademark flavor, paying homage to the original techno soul of his hometown along the way. keeping traditions alive by retro-perspective modernism. with a unique sound, lauded by the likes of gilles peterson and osunlade, kevin reynolds is the perfect match for the nsyde musical philosophy.
so listen close and let our secret weapon from detroit blow you away!

after a short production break, the russian techno duo easy changes (denis cast & kilrill silas) are back with a 12 inch on the berlin/london based label, mean records, run by cesare marchese (cesare vs disorder) & federico benedetti (onirik). the lion is also a good drummer fits in nicely with the labels love of minimal techno productions that feature original sounds, moody melodies and deep aural landscapes. easy changes gained recognition in 2007 with two back to back hit releases on foundsound records. in 2009, they were the first ep from nervmusic, a moscow based label that focuses on unconventional techno started by cast, silas and friends. seated comfortably between the avant-garde and the dancefloor, the release has something for everyone. the title track, the lion is also a good drummer is an epic, crawling minimal techno production filled with stripped down percussion and abstract found sounds perfect for after-hours. on the flipside is the uptempo, quirky and tribal burlesque, replete with spliced vocal samples, snares, cymbals, bleeps and claps. for the burlesque remix, french producer doubtingthomas shows off his lifelong obsession with percussion and its rhythmic allure with the addition of a trippy drum solo midway through the track.

the followup to time trekker this 2 track 12 inch is set drop just in time for the summer. punks get down is a deep house groover with lush keys and a tribal feel. smooth with some jackin beats. b/w inside 2 a thumpin deep house track with a whispery spoken vocal refrain.

tripmastaz is a name that has been steadily pushing forward his career in the past year, with his latest works on be as one, moon harbour, cecille, and magnetic recordings (complete with a loco dice remix) been heavily supported by the djs gang out there now, andrew is debuting with a full ep on be as one, after his appearance on the latest tools for school vol.3 compilation. house syndrome opens the ep with a bang - truly an infectious tech house stormer for the big stages, which is already championed by the a-list djs constant learning is a proper tribal techno affair that combines a rolling groove with a catchy melody, an uplifting summery mood. on the b side tripmastaz takes things into deeper territories with quiet hit men, an acidic bassline worked around a machine groove as andrew knows to deliver. pende (dub) closes this ep with an underground attitude, a tune that will be noticed by those looking for a special moment on the floor

classic re-issue from robbie rivera !!

backspin, josh loves last baby, is a techno label, mostly focusing on tribal, funky and hardgroove techno! backspin, as kazoo records, will be releasing tracks from various famous techno producers but also from some new rising stars! if you are looking for some high quality techno tracks with latin, funky or groovy influences, you ve found a new treasure.
this third ep features tracks by fer br & thermo, jesus soblechero, josh love, wyrus. a gig hitter for fans of labels like patterns, moopup and basics!

aniligital music presents tal m. kleins >deep dark place<. this is one deep trip with a giant didgeridoo tribal dub setting the pace for a house intro that melds into a heavy juno bassline and peaks with a piercing 303 acid lead. this track does not mess around. the dead rose music company goes deeper both figuratively and literally by adding vocal elements that echo through their swagging cosmic thumper remix. soho808 liven up the mood and tighten up the impact with their remix classic house piano treatments and guitar.

the intermezzo ep kicks off with we are here, which could be easily described as get out part 2. a spoken word vocal over kerris trademark beats and instrumentation, musing on the subject of a busy schedule and calways available technology. so it begins again takes things down a much more tribal road, perfect for a big room, and the dc10 mix is a nod towards the direction kerri had in mind and the dancefloors he created this track for. the dark mix takes this idea even further with a more progressive feel as the track plays out. red lights explores a more live drum feel with a cut-up breakbeat playing a 4/4 rhythm, and a throbbing bassline and synth pattern. this one is a little deeper but still packs plenty of punch!

raf pisani and marco conte, aka audiomatiques, have long been involved in techno but its since they began working together as audiomatiques that everything began to click. together with roberto capuano, an artist who has already released for loose, claque musique, monique musique and suara, the duo have delivered 3 sterling tracks, which are backed by a remix from rino cerrone, for loose. cerrone takes full advantage of his position as label boss and places his remix of >so bad< in pole. its a walloping but low slung affair riddled with hypnotic rises and false drops which build incredible tension. in original form, >so bad< is a pounding affair. the focus is centred around an unholy bass heavy kick with just the minimum of percussive flourishes and vocal effects doing the rest with aplomb. >mind trip<, while equally as heavy, is fluid and slick. swinging tribal vibes and some clever effects work paired with an airtight arrangement makes for a surefire club burner. finally, the bizarre yet compelling leads of the aptly titled >crazy synth< close proceedings with a fever-dream fervour. original and memorable, this is a genuinely anthemic cut.

this the latest offering from osunlade/soul jazz joint label. deep afro house with slick beats, chanting vocal and tribal percussion.

excellent groovin tribal techhouse action

the main stem debut with >contortion danse< their first single for lipservice. it oozes new-wave swag, with james flanagans vocals setting the scene. clash-esque guitar chops and cowbell pings are the order-of-the-day with a hefty bass line and drum workout that keep the groove bumping.
now the remixes, first up the rhythm odyssey warehouse dub takes the track down a dirty groove dubbing things up and adding some 808 rhythms and tribal bass coming on like a undiscovered nu groove release! the band drop their own remix keeping it smooth and hypnotic with echoes of the beloved. last but definitley not least birmmingams slo-mo house / beatdown king mark-e provides us with a epic mix of >yes sacrifice<, mark-e takes us on a spine tingling electronica journey.. oh yes!
look out for the main stems long player >electric church< coming soon.

nice price deal !!! amsterdam-based producer fyoelk and the duo les trucs from frankfurt/germany join forces on this beast of wax! the fyoelk side is a tribal casio/sampling tune, les trucs spit out two tracks of spastic beat inferno, surprising breaks and punching vocals. marble vinyl in different colours and stencilprinted.

first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera, frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy... played and supported by marco carola, ralf, soukie & windish, larry peters, franco bianco and more. first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera , frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy..

the second release on new world audio is a 4 track ep showcasing a variety of flavours from the producers in the camp. the title track sees sukh knight and squarewave team up again after the success of their hench release, this time on the tribal roller called tribesman. the long list of club dj and radio support solidifies the strength of all the tracks on the ep.
supported by: mistajam, benga, redlight, rob da bank, plastician, jakes, eddie k, chefal, walsh and many more.