new ep by john jastszebski ! warm !

part 3 of the emotional relish series sees robi insinnas work remixed by a quartet of british producers. death in vegas overseer richard fearless tackles >be loved< starting with an ethereal loop that builds on top of itself before the beat kicks in and the remix heads for the dark (leather) dancefloor. mr andy blake channels the collective spirits of the slits, the pop group and killing joke on his space echo laden remix of >adolescent sex< whilst weatherall acolyte scott fraser returns to the relish cause with a typically chugging rendition of >turning< that has found favour from croatia boat parties to the catwalks of paris s/s 2013 no less (check youtube for evidence). cosey club founder richard d clouston slows down the tempo for a brooding, mind bending take on >blue girls<.

slamming chicago infected house

matt jones spark for dance music was ignited in the late 1990s, as a youngster hearing tracks by fatboy slim, basement jaxx & the chemical brothers.

lets pet puppies returns with a stunning release from marcus mixx. recorded in 1987, this cut screams classic chicago house! killer drums from vintage machines, soft melodies, and a bangin bassline. on the flip, the untitled cut churns out another sweet joint with a raw underground basement style.

made in the basement of an old tram station circa 1990 in a town that was probably london, hugh manes first and only release so far consists of hidden gems on a vintage dat.

cabanne and arks siamese duo turns into a schizophrenic solo as they combine their 5 inches each into minidisc ep. a limited special 10 inches minibar, made of a 100percent pure subtle madness that will make you enjoy the ride, from the basement to the attic. more than 10 years after their first release, the legendary and unobtainable perlon 25, the copacabannark train is back on tracks to bring you to the heavenish hell you deserve!

after successful releases on space breaks and shanti labels, petr serkin presents next one, on the new russian label! deep house tracks with warm groovy disco parts. the first side opens with very emotional breakdown treatment, next comes the dancefloor kicker freedom experience with solid low basement. on the other side you will find catch the flow, based on unstoppable guitar bass with some keys and licks. and the last one is ocean returns, a nice deep melodic disco-thing. supported by soulphiction / jackmate, franklin de costa, session victim, moodymanc...

hot on the heels of the release of neville watsons songs to elevate pure hearts album, crme organization releases a three track ep of remixes from the longplayer. drawing on diverse names, each of the remixers transforms their given track into something quite different from the original. the first is by watsons frequent collaborator, bulgarian producer and live specialist kink. he tackles songs to elevate pure hearts and laces it up with some lazy old rave breakbeats and plenty of lucid synth and melody pattern before fast rising dixon avenue basement jams associate marquis hawkes takes on against the tide . he imbues it with what is fast become a trademark sonic weirdness, with wrought iron synth bars interlocking with molten synth lines and a slow, purposeful and predatory mood. finally, american moon b turns in a trippy outsider house version of son of house with off kilter claps, see-sawing synths and organic drums.

claus voigtmann makes his vinyl debut on lisbon’s assemble music, applying the same high standards to his productions as he does to the toi toi parties he co-organises in london. in fact, you can imagine ‘spin’ greeting you on arrival in a moodily-lit shoreditch basement, its growling interplay of bass and kick drum instantly familiar and pleasurable. the plunging bass and pinpoint kicks of ‘junago’ bring to mind the refined soundspaces of peter ford or ‘the au harem’-era villalobos. it’s the kind of track that comes into its own the later the night gets, and just as the elements interlock then writhe apart from each other you can imagine the dance floor doing the same.

humans are an abstraction of animal life form – and this is their soundtrack. on the first release monomood shows some light. but the light is pulsating in stroboscopic rhythms and enlightens shadows of moving creatures locked into a murky basement. if this is too disturbing for you, the well known grounded theory mastermind henning baer slows down the frequency to turn the raging floor into a dark moving mass hypnosis. after that you can recognize some dark scientists are brewing a fascinating cocktail out of boiling bass anddistorted sounds capes. drink it and you will know!

waze & odyssey are an act who need no introduction, as they currently reside among one of the most talked electronic acts on the musical landscape.

eerie is back with a deluxe package of remixes of marco shuttles monster the vox attitude. previously out on the swedish label vidd the original (by now a classic vocal basement rave hit) is again featured on this stunning release, after big demand of repressing, together with 2 blinding remixes by joey anderson and pangaea

next up on local talk we got a raw peak hour jam from liverpool producer dale howard (lost my dog, large, morris/audio, off rec). there is nothing light or fluffy about these tracks, its just dirty straight up house music with a dark 90s basement feel. for the main track we actually chose the dub version of throwback over of the original mix. we just thought this version was soooo freakin raw even though its more stripped than the original version. you’ll see what we mean when you drop it in the club! the second track in out goes along the same house theories as throwback with jackin beats and deep chords that will do wonders in any authentic house basement. all in all, a might fine release of classic local talk house music. enjoy!

your mamas friend continues to build itself a healthy reputation as purveyors of modern sounding house and tech that likes to do things on its own terms. of course, it is all down to the leadership of marcin czubala who here serves up an ep of his own for the label, complete with remix from leeds lads audiojack, which will see 250 copies released on limited transparent red, smokey marbled vinyl.

the new bomb on echocord colour comes from mike dehnert. mike already released several eps on echocord colour, and we are happy and proud to have him back. this ep contains 2 powerfull techno-tracks, typical stripped down mike dehnert sound, perfect for the peak time dancefloor. the remix comes from mike s colleauge sascha rydell, a monster flowding powerfull track. mike dehnert is mostly known from his own imprint, the raw techno label fachwerk which he has been running since 2007. he is also releasing on other respected labels like delsin, clone basement series and deeply rooted house

coming off an outstanding 12 inch,, release on dixon avenue basement jams this mysterious artist returns w/an ep that ranges from slamming acid and bass heavy techno to a thick house jam with a dizzying jazz influence.

with the back catalogue burned to cinders and the last few dog eared copies at freerange hq looking more than a little shabby, heres your opportunity to grab some of the labels highlights on the blackstuff. the complete boxsets have all gone now but you can still buy the box with part one and add the individual releases.

now, the zenker brothers are back with their first release for tresor, brandishing a matured sound and level of sensitivity yet displayed by either before. *lion in mars* is like a fresh breeze billowing through the tresor vaults. honing in on signatures from the archive and repackaging them in modern sentiment, here zenker brothers deliver a record that gleans through the generations to deliver a cunning symbiosis of techno future, past and present. on the a-side *knighthof* and *the future is you* offer driving vintage basement techno with a zenker twist, whilst b-side tracks *davin* and *cosmilian*, the eps clattering dystopic closer, blend detroit tones together with their respective ilian-proven pallets.

limited repress edition. due to crazy high demand.one off repress with a printed label. two dusty d.i.y. straight to tape house jams from brooklyns lowlands, by basement producer terekke. music for those unending summer days spent in a sticky smoke-filled haze. over saturated house energy meets voices of paranoia while shifting juno chord changes and a dirtbag 707 drums keep things moving.check!

brimming with subversive energy, searing wit and gallows humour, *luftbobler* is the debut album by dinos chapman. consisting of 13 tracks of electronic schlampige musik, *luftbobler* is the result of a decade of experimenting with sound. inspired by insomnia, horror movies and boredom, and made in a diy fashion in the basement of his east london home, *luftbobler* reflects dinos chapmans interests in the industrial pulse of throbbing gristle, willful experimentation of stockhausen and impish playfulness of squarepuscher, but sounds like none of them.

nice price deal !!! lace curtain is james, david & mikey from total control, rat columns, rank/xerox, eddy current suppression ring et al, exploring an electronic world of pleasure, frustration and sadness. bedroom dancers, synthetic singers, basement kicks in a romantic void. influenced by the germans, the italians, pale british button pushers, glamorous alien pop futurists, mid-western sweat, nyc disco dreamers, undercover kings and queens escaping a dull grey world with rhythm and noise, sound and vision

rainer veil are liam morley and dan valentine, two friends who met while studying contemporary music in the north of england. the pair began improvising and making drones in a dark basement before incorporating a broader palette and forming rainer veil as an ongoing concern last year. *struck* is their first ep and debut for modern love, following an appearance at the label boiler room takeover in august 2012.

we are super stoked to have this killer ep out on local talk as we have been big fans of both c.r.s.t. and chesus productions for good while now. as these guys are down with both house music and the uk garage scene we get served an ep that combines the best of both styles. the result is a jacked up house release that would work equally well at the classic new jersey zanzibar club or in your dirty london basement club. the first three tracks (monster munch, newark and life) takes us on a deep and jackin house trip with a bouncy garage twist. but to stir things up a lil extra the last track (special) goes all disco with some soulful philly samples ... perfect for the southport weekender crews!

3 chairs, omar s and patrice scott. this limited ep is testament to the wild basement energy that has culminated from these nights, beautifully pressed on wax for this first ever vinyl outing. remember is a swinging downbeat vocal track based around a superb vocal improvisation from newcomer chris raine. an ambitious opener, this is fine uk hip soul with warehouse dancefloor swagger to boot. next track, the benji b endorsed cookie strips the vocals right down into a swirling motif of sunrise energy. this track sounds great on the radio, but will also find favour on the more discerning soulful floors. for a contrast flip over for the kraftwerkian micro-tech of contact to hear what a werk party sounds like at a hazy-eyed 3am and finally, as if all this wasnt enough check out the dubby, spaced-out brawn of u&me which sees second outing for vocalist chris.... on this ep which rounds things off nicely. for fans of firecracker, exit records and prime numbers, this exciting and multi-faceted ep marries uk and detroit influences with consumate ease. one to watch... plays/ supported by benji b, rahaan, kev beadle, burnski, kevin reynolds etc.

diva is a project which explores the outer regions of technos psyche - combining the trippy sensuality of chris & cosey with the brutalist analogue aesthetic of the likes of robert hood or liasons dangereuses. inspired by the vocal histrionics of strobe lit sirens such as loleatta holloway and jocelyn brown, diva calls on the protean roots of basement club music. lead track >paris stabbing< is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side >but i ve never< imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. also included is the >paris stabbing (beats)< which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.

on this second remix 12 inch pbr streetgang deliver a wonderfully deep modern house groove, toby tobias delivers 2 mixes straight out of the 90s basement and glaswegian wunderkind barrientos offers a kind of sun-kissed gypsy woman style re-invention.

andreas saag returns to local talk with a follow-up to his back to life ep, this time he has invited longtime friend and studio partner cazuma mori, together both of them offers the local talk fans house music with a distinctive production technique. >nostalgia< is a warm stomping basement beats floor-filler, with a fat bassline tempered by rising chord textures, smartly coordinated with the pulses in the track. both saag & cazuma showcases their skills in tackling slower bpms too. the b-side >cant hide it< comes with intricate keyboard work and deep atmosphere that is driven by an appealingly on-point house bassline. the track picks up a new elements at just the right moment to keep you on board the whole 8 minutes. there is no messin around here, just pure deep house from local talk.

the rogue cat swings into town yet again for this, the fourth time. in the guise of mislead-back-room-bass-bellowing miscreants, and in-keeping with their ethos of anything-goes-as-long-as-it-blows, rcs step up to the plate with another oddball belter of an e.p. in this excursion, warehouse-warlord the rhythm odyssey teams up with deep house botherer benny upsetter for a dirty and dishevelled dance floor detonation.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

from medellin to the uckermark and back again to question mark – here is another comeme travelogue for your badass baedeker. not long ago sano left his colombian hometown to find himself in an old palace in brandenburg, locked inside a dreamlike basement studio for two weeks with another seven from around the world. it has been there, as sano told us, that a blood pact was sealed. and now indeed it is his >chupa< (suck it!) to be the already second record (after alejandro paz - free) to emerge from that magnificent comeme conclave held at a cottage outside of berlin this summer.

midnight love club the second strike! it is a pleasure to release the rhythm odyssey (dance music legend dean meredith) with more of his acidic analog rawness and fuzzy vintage synths. feel the warehouse vibe and check the deep techy remix of hotshot ethyl (secretsundaze, quintessentials). mlc loves you!
dean meredith is a veteran of dance music. he was not only one of the founders of chicken lips and thus a cosmic-disco godfather, but he was also one-half of bizarre inc., responsible for many rave anthems and more. as the rhyhtm odyssey in 2012, he is back on the hottest labels like rekids and golf channel. a real pro!

daniel stefanik is one of the techno and house newcomers of the last years. his carefreeness as a dj behind the decks and his likeable appearance are literally distinctive for a new generation of young, down-to-earth producers from germany, which are the result of the influence of väth, villalobos and hawtin on the one side, and solid but hedonistic house on the other. whereas many producers nowadays have dedicated themselves to only one musical direction, the influence of kerri chandler, chez damier or kevin saunderson is clearly noticeable in stefanik’s music. his longplay debut for cocoon recordings is a mirror of all these influences and yet it’s so up-to-date and contemporary like only few other techno and house albums today.

yet another special moment on the tribute series, supplied this time by new yorks dr dunks. a personal favourite of dj harvey, this deep boogie cut with its dreamy, soul style vocal is a diamond of a track which will touch the soul of any dancer. cut loud on single-sided heavy vinyl, you can enjoy it on the beach, in the basement, or on any kind of dance floor

following the critically acclaimed part 1, untold draws deep from both sides of the channel and comes correct with part 2 of the trilogy.
caslon: east london meets east berlin for a grimey basement soundclash.
breathe: a slow burning roller that builds to a killer crescendo.

>slaves and masters< is the thirteenth studio album by deep purple, and was released in 1990. the album sounds like a cross between a rainbow and a deep purple album.
now available again on audiophile 180 gram vinyl with an insert.

bob dylans >love & theft< was a true return to form, his 30th studio album, with the unfortunate release date of september 11, 2001.
his voice is shot, but he sounds warmer, more relaxed, and old mr. grumpy is as good humoured as on >the basement tapes< (movlp 429). bob is in a wistful, elegiac, playful mood. he has recovered the humanity he lost on >time out of mind<, and is looking on life with loving eyes. he has thrown off the weight of life and is remembering a better self. and that makes this one of his more accessible albums, despite a lack of high-flying hit songs.
with beautiful printed inner sleeves and 180 grams audiophile vinyl, this is the first vinyl re-issue since 2001!

nice price deal !!! hallucinating, mechanical, and dark, spatial techno from three legged race. the wrong element ep solidifies robert beattys recent mind bending live performances into proper physical form: a 12 inch extended play record. the high voltage lines of slum moog and brick 808 define the all saturating sound seeping from the black lead earth of lexington, kentucky. the mastery of tension and release found throughout beattys work with hair police and burning star core is here crystalized into a rich and daunting psycho-physical techno fit for the club and the basement. listen with the lights off.

bristols elastic dreams present its third release, with label owner a sagittariun taking a back seat on this one and introducing sheffield based dj/producer, nyra, to the fold. hot off the heels of his ep for never learnt, nyra keeps on track with two new cuts of basement techno and deep, murky dancefloor tracks. the release is bolstered by a remix from skudge on lead track >uno 10<. skudge really need no introduction, but to the uninitiated, the swedish duo have been plying their simple, raw yet powerful sound since 2009 with releases and remixes for echocord, drumcode, fear of flying, rush hour and of course their own skudge imprint.

with their feet firmly positioned on dutch soil, the heads and hearts of dam swindle are nonetheless rooted deep into the soul of the motor city, and this ep of finely crafted grooves on jimmy posters and huxleys fledgling saints & sonnets imprint is as brilliant a reflection of their obsession as you could expect. >the wrap around< combines a killer vocal hook with a silky line, but its the bassline that marks it out, coming in with a thudding bassline that twists itself into all manner of unfiltered goodness at the halfway point. >pain tomorrow< meanwhile prefers to let its skipping percussion do the talking with a bumping chord led groove that would put mcde to shame. the ep is rounded off with a killer remix of the title track from deleusions of grandeurs pattern select, turning in a sparse reworking which transforms the light original into a throbbing piece of basement house.

the tribute series unearths yet another slice of musical magic for those special dance floor moments. number 6 in the series, we love rose, captures familiar sounds, but then pushes them out to as yet unexplored territory. rumoured to be the work of an aussie based late nite tuff guy, he has certainly reworked this all time classic into something very special for your ears. cut loud on single-sided heavy vinyl, you can enjoy it on the beach, in the basement, or on any kind of dance floor.

tj hertz he has a white label unknown objekt. from below as if the body is muscular rock sound, the words of the author’s case, dub step, three steps are a complex mixture of core and base, garage, techno. record during 28 months, hessle audio, including obtaining support from the scuba and surgeons, aphex twin, james ruskin, release the forefront of the techno / electronica scene, in the presence mysterious, and the label is. in addition, the top clubs such as fabric, such as radiohead sbtrkt work and nun or a mixer containing a book and berghain has been steadily eroded the deepest part of the scene is employed as. his name, the founder of a leading car rental company, or unit of frequency cited physicists in the mystical setter for a feature not leave a name, tj hertz. doberman, writing for himself while living in retirement in the body that is born in japan and raised in the uk, now in the outskirts of berlin, came from a magazine interview requests all 100 dj mag special million euros was more interested in the beginning with no offers, he said, the behavior is earnestly devoted to the basement

jackoff beats in a new various artist series from jackoff records. jobeats001 features ver¬sions of jackoff releases that have never been on vinyl before but have been tearing up dance-floors around the globe in digital formats. due to the partners at jackoff head office having such a love of vinyl, it was only a matter of time before this tracks came out on wax. the first release brings iron curtis, oliver deutschmann and october behind the mixing desk plus a bonus track from rising star borai that was all recorded in the smoked out city of bristol behind the red door - strictly for those that know!

new years deal - more berlin, less monacco. thats the ethos of the new max essa project, jan ken po: less sun, less sea, yachts and money, more twilight hour, basement clubs, up-tempo rhythms and dance floor politics.

dean merediths the rhythm odyssey returns for his next single for lipservice this time he gets together with label mates ben and vocalist james from the main stem to produce a tasty slice of classic, haunting house music with devils tease.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. for our first release we have gone back to 97 and a producer known and respected worldwide in the house music community with more than 200 production credits under his belt. joshua michaels aka joshua iz perhaps best known for his collabs with dwayne washington as iz & diz but has of course used many other pseudonyms over the years for releases on labels like prescription, balance, classic, junior boys own, om and guidance. the return was first released on heard, sub-label to tom middletons evolution / universal language productions ltd. using his moniker circulation. the track can easily be described as a mammoth house track, clocking in just over 12 minutes. its one of those pieces of music that’s stood the test of time and why iz has been a major force in electronic music for so many years. on the flip much hyped duo prommer & barck stripped it down from its original costume leaving not much left of the source material resulting in something that we best could describe as old school warehouse meets uk bass. its pretty raw and definitely a basement sureshot!

*** vinyl only !!***
support already in from steve bug, jef k, agnes, christopher rau and many more

hot release alert by our boy paul du lac who is a long time close friend of the frustrated family, colleague at the clone office and an old dj buddy of frustrated funk label boss klen (when they played the nighttown basement in the early 90s). so it s a bit of a special thing for us having him aboard. this ep shows pauls signature minimalistic approach on chicago style house. typical jacking 707s and 808s combined with minimal synth pulses. qom and access are pure jackin bliss for the floor while moodswings goes deeper with layers of warm pads and spaced out stings. the title track comes with a stripped beats version from tevo howard, for those who like to mix things up.. highly recommended!!

beretta grey is proud to present the newest ep from toronto native arthur oskan. keeping with the same quality music crowds and djs have come to expect from beretta grey, arthur presents a strong and hypnotic release in which the true essence of his home town and love for detroit can be heard and felt in his music. arthur takes us on a dark and mysterious journey, channeling the emotions of deep dance floors across the globe and back. appropriately titled: >wants & needs<, this ep is a slice of classic techno constructed with a modern touch. rounding out this marvelous package on remix duty is the beretta fox himself, luke hess (deeplabs/fxhe/beretta). bringing that old school detroit warehouse vibe, luke hess serves up a deeper shade of arthurs original. perfect for a gig a in a dingy warehouse basement or your headphones, these sublime melodies are crying out for only the darkest dance floors.