the white man & the arab return with their fifth release, the exchange ep, further developing the sound that s made their previous four outings so alluring.informed by a range of cues that reflect the pairs influences, you can sense dub, ambient, minimal, a love for eerie melodies and raw deepness permeating from this ep’s start to finish. the a side kicks off with -on the floor- - a nod to the fact that the whole ep was crafted literally on the floor (the studio was in transition ) - signals what awaits the listener for the duration of the ep. moody pads, slowly progressing melodies and their signature syncopated drum patterns. -people say- follows next, instantly shifting up a gear - this is a solid dancefloor shaker with a simple but seriously effective bassline that will be lodged in your brain, a sharp hi-hat & clap combo and a disembodied, haunting vocal that chants along to the beat. flip the record over for the title track - -the exchange- - a reverb-drenched ethereal club cut that gets it s unstoppable sense of motion from the irresistible percussion workout, while the squelchy acid line adds that extra rawness. rounding off the ep -sideways- signals a distinct nod to detroit. no homage in sight though - it s been carefully distilled via their own signature processes resulting in a somewhat emotional, dubbed out track - perfect supplement for when you re starting to land back to earth

with a meticulous sound design and audibly distinguish, suciu s latest work transports the listener into an exquisite intricacy, far away from the conventional. showcasing a mysteriously dark, eerie atmosphere, -translucid- subsists a glitched out after hours affair. this heavy piece of techno house minimalism plays along with a quirkly oddity allready established in suciu s trademark. on the other side we find -jesus chrysler-, a refined micro-house beat that hosts a warmer ambiance, delivering a delightful context for carefully selected whimsy sounds.

clip gebre ep abstract places audio ubiquitous barcelona producer edu tarradas keeps on gaining a wellearned reputation as clip. tarradas was invited to the 2011 red bull music academy in madrid and has provided vigorous releases to such labels as discomaths, struments, classicworks and fina white, where the pounding “brotherhoood ep” was released to be supported by serious selectors as ben sims, truncate, anja schneider, xxxy, throwing snow, skream, luke solomon and simon baker.
now, clip returns to action with the first release of his own imprint (along with fellow barcelona producer xixa) abstract places audio. this gebre ep confirms him as a true bassmaster in his own genre always providing emotional response to the floor twisting techno codes with a house groove with powerful basslines that are the spine of the development of the track.

up next for moss co. is the split ep featuring the highly talented london duo odd, mysterious collective innominati and label founder archie hamilton, bringing a diverse 3 track ep.!the records opens with abductee from odd, a dubbed out groove providing the listener with catchy tribal percussion elements, along with deep melodic chords, making this track perfect for any hour. next up is smoke and mirrors on the a2 from the mysterious innominati - their first reappearance since their last outing on odd s own label - who grace us with an hypnotic minimal house roller, ready to take any dancefloor on a journey! the final track on the record comes from label founder archie hamilton. vitamin d is an excellent chunky house cut, blending the new age sound and the old an addictive acid flavour bassline compliments groovy percussion to make this a perfect conclusion.

the colors are stunning. in a single view, i see looking out at the edge of the earth, all the colors of the prism. red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. as i looked upon our home rock, i saw many natural features. i witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. i also saw huge forests, extending along & across several borders as if these divides didnt exist. i watched the extent of one ocean touch the shores of separate continents, then suddenly, a profound thought came over me as i looked down on all this. the birds dont fly this high

repress 2016 , the arrangements are compiled by a selected group of producers focusing mainly on rhythms made for building. we wanted to merge the idea along side true innovators of modern architecture and the thought process it took for reinvention during those times.

very worthy 180g 2x12? pack - limited and only once per year, immediately sold out in the last years! collectors watch list: the standout tracks of the second year of heist get remixed by the label artists of that year.

with the trust and work of isaiah tapes, «destroy the comfort zone» is the second long play record coming out by the mathematics releasee - le matin. going along with its full 12 tracks cd album version insert, this is a non-impairing dreamt and solid record composed by 3 quarters of swamp-sounding electro and water world techno, kept a long time in the dark for maturation and finally coming out. -destroy the comfort zone- brings deepness that will surely help the listener to reach new places.

them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka’s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.

steadily building up his profile within the realm of heads down techy house music, lee burton lands on elephant moon with an ep that fizzes with production flair while retaining a serious floor-minded focus. -15:30 (the jam)- bounces along with the kind of slinky, shuffling energy you d expect from an early cynosure record, while -12 angry apes- keeps the swing up while heading towards a more upbeat headspace. -osmosis- is one of the standout jams on the record, managing perfect threads of piano and chord in the mix to make for a sharply honed club track. -racily- then rounds the ep off with a diversion into lush electro, maintaining the soothing tones from the rest of the

last year, an enigmatic name seemed to appear out of thin-air. sam weston was apparently a fresh upstart in the australian house-scene releasing a dusty collection of late-night/early-morning jams aptly titled shiraz voyager. with this rose-tinted house release in hand, weston arrived on the scene and people took notice. the tape sold out within weeks. thing was, sam weston was not a fresh-face at all. he was here all along, although more commonly known as one half of influential sydney techno duo – alba. lorded for their brand of live-fire robotic grooves, alba became trailblazers in a town more miami than berlin, where brooding and rolling hypnosis weren’t often preferred to fist pumping “bangers”. wanting to flex his lovin’ spoonful of hypnotic lo-flung house, weston decided to release a handful of edits on his soundcloud. immediate attention was conjured and sam weston released the aforementioned shiraz voyager ep to a pretty amazing response. almost overnight, australia had a new hero in weston’s warm compositions that summon memories of sunny days and happier times.

after a refreshing and vibey summer of sun, beats & parties, dext hq is firing up for our next release which is set to drop this autumn it is an absolute pleasure to welcome back one of our stable artists, callahan, for the follow up to his well-received dext debut don t need. callous ep shows the same rawness and intensity of his earlier work but with a more polished and refined production sound, focusing on a few key elements that are executed to perfection. right from the off, the title track callous draws you in with its haunting and somewhat dystopian synth line that rides along the track s jagged percussion. the result is the kind of danceable groove that has become the calling card of the more exciting techno music to come out of the uk in recent years.

meant are launching a series of roving travelogues and you’ve got a sonic first class ticket. travel tales gives us an opportunity to celebrate a dj’s unique nomadic lifestyle, and haphazard creative opportunities (and friendships!) that arise along the way. meant’s series highlights producers and takes in their various collaborative creations written on the road. first up, label boss remain whose roadmap excursion from paris to sao paulo teams him up with brazilian techno stalwart clickbox, creating two crisp, restrained, tech workouts alongside two vividly contrasting remixes from swayzak and danton eeprom.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 10 x 7” box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 4 lp box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

normal bias are two good friends - yac and 77 - who both went through punk rebellion, death metal fumes, the fall of the berlin wall, and even managed to settle down in life. along the way they listened to 80s/90s transformation period rebel vibes through a filter of dub - a sound and a tradition that they have always remained faithful to. each of them is highly regarded on the polish dub/dub techno scene in their own right, and now they combine forces, skills and equipment to create a modern take on a sound that unites studio one and berlin s chain reaction legacies. this vinyl lpweighs 180g.

new imprint daphian productions makes its debut with a local talent, jacopo latini aka jackie, plus an amazing remix by mr. dj honesty. dpv001 was realized trying to merge the most refined house sound along with an emotional dub. front side -what you gave me- and -morning haze- on the flip side mark the beginning and the end of an careful research on authenticity and acoustics quality.

jex opolis presents: in the nite---look at my car!,- a versatile new ep featuring three cosmic cuts from jex and ian d. knight, a st. louis-based performance artist. knight features most prominently on the compass point-tinged -look at my car!,- a paean to the joys of both consumerism and rampant motorism. on the flip, jexy whips out the strat for some chic-inspired licks on the chugging -guitar sands,- with the italo-bumping 120 bpmer -rimini nites- along for the ride, too.

‘sound of palladio’ is the first in a four part series of limited 12- pressed to 180g coloured vinyl, with a single piece of cover artwork commissioned from italian artist nerog spanning throughout the series. never ready records’ inaugural release sees venetian techno & bass house experimentalist munstac veer between the echoing sub bass chambers and angular staccato momentum of “the cathedral” to the more drawn out drum rolls and flutter of “the theatre”. along the way, east london’s spatial helms a mighty 132 bpm jungle break refix of “the cathedral” whipping up that trademark hectic fervor the infrasonics label boss has previously delivered on the likes of “wncl & stillcold”

hot on the heels of refraction vol. 2, residual welcomes the return of long time friend john tejada. the prolific programming master serves up salacious selections that are searing to say the least. the lead track jaco is a pepe bradock influenced piece the twists and turns with breaky beat work. the numbers on the b side are firmly focused on filing the dance floor. round the outside shows tejada in top form. upfront drums and basslines perfectly paired with flittering melodies. repurposed is more minimal in form but no less effective. quirky tweeks along cascading riffs.

for this first audio avantgarde release, we welcome on board victor s mob - that drops 2 tracks with sexy deep analog groove. on the other side, we welcome george eve who along with day z bring their hypnotic finishing touches into this ep. 180 grams,

darren roach is supreme master of his own unique electronic house fusion as he weaves his virtuosity into his forth-coming ep vinyl only pressing ‘ionian’, due to be proudly released by the end of october on giant records. this technically deluxe record presents an a-side original mix, written and produced by darren, along with double remix b-sides from ‘echo of glory’ and ‘funton’ who both offer additional production to this sonically vibrant pressing. darren’s depth of creative flair and technical finesse is wildly evident within the tracks purposeful deep, elevated groove. the composition holds an intricate dynamic depth to its pulsating core root and draws upon a clean-cut stimulating atmospheric clarity within the concise use of synthesizer. melodic bursts intertwine and flourish in a rich and vibrant way amongst an array of intricate atmospheric key parts and crowd stomping purposeful beats. a wholly elevating sonic vibration that will have you instantaneously elevated and unified on the dance floor under the one truly vibrant positive spell.

the extraordinary prolongation of sound jerked polly’s pretty head away from her work at the calibration machine. today’s jobs had seen her at her thorough and meticulous best but as afternoon melted easily into evening, these latest reverberations meant she’d no longer be able to focus to the level required. her boss had just dropped the bomb. as her ear drums filtered the noise, the technician’s bright mind was flooded with delight, her eyes no longer felt dry and tight with concentration, she was caught riding the crest of a massive wave of admiration. sitting her specs on the desk and pushing herself off the comfortable heat of her work stool, miss filla let the soundwaves pull her to her feet and carry her off to the main source of the captivating music. in honour of dixon avenue basement jams spending four years at the forefront of the global electronic music scene a new release was planned to shake the foundation to the very core. techno wizard big miz had been charged with delivering the goods and by the gods, the glaswegian had cracked it! he’d created, not just new tunes, but a whole new fucking genre. polly could feel the vibrations pulsating through every part of her curvaceous body as she sashayed along to the seductive beat.

london-based producer, visual artist and nts radio host kit grill has announced a new 5-track ep, titled westway. the ep will be available digitally along with a limited run of 200 vinyl copies designed by alex sullivan, with cover photography by grill and an accompanying video by london director laurie lynch. westway draws on grill’s personal experiences of living in a cityscape and echoes the industrial, fast-paced and repetitive rhythm of his home city, london. the ep was recorded over the course of several months from early 2015 to february of this year, the propulsive beats and driving, shimmering synthwork across tracks like ‘distance’ and ‘street runner’ inspired by and echoing the brutalist beauty of the capital, culminating in the euphoric, widescreen string flourishes of closing track ‘stairway’.

dancefloor munitions aplenty with this release from rlsd. 4 great tracks with plenty of potential. rlsd 001 finally drops, featuring original tracks by doug cooney, pgj and jonathan k, along with a lee holman remix. in long established tradition, the first outing by dublin based techno label rlsd records has indeed been a labour of love. with small quantities already in all city records, it’s firing on all cylinders and has been well worth the wait.

mono junk’s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. ‘vector plant’ is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut ‘almost there’ is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk’s turn to dive into the vaults with an unreleased track from 2005. ‘feeling or destroy’ is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, “our unreleased track here was made after the new york city survivors – static light cd 2002” and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

after last years legohead ep which featured on fabric 085 mix cd, fatdog returns this time to his own label. with this is how i feel we get a bumper selection of sun soaked stylings with dub touches chugging along nicely with the type of shuffling slo-mo rhythms that he is becoming known for. flip leans into funkier old school & electro territories, conjuring up slightly darker moods yet still keeping within the fat dog flavour, ending with a flip from d train - keep on, to great effect.

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

massive mix alert! -it s party time tonight!- - nyc mix maestro mike maurro has turned in a storming, 14+ minute version of patrick adams classic -weekend- by phreek, a true blue club classic from 1978 (later covered by class action, sampled by todd terry etc) -weekend- was an absolutely huge paradise garage staple getting unlimited spins from larry levan during the club s lifespan, the definition of a -garage- record indeed. maurro s new mix rearranges and deconstructs the original version with so much style, respect and feeling, using unheard synth vamps, string sections, percussions and breakdowns pushing it into a whole new direction while retaining the feel of the original mix. the track is already electric in it s original form but here mike maurro pushes the energy levels right through the roof, birthing a fresh new mix of a stone cold classic! on the b-side we have the low slung funk of the new birth s killer -deeper-, released in 77 as a single on promo 12- this cut gets the mm mix treatment, with the intro extended and the drums brought fully upfront in the mix mike has teased out all the best parts of the original arrangement while managing to stamp his always unique style on this new version. this midtempo groover is pure soul all the way, one for the serious dancers that keeps rolling itself along into one of the most solid, funkiest grooves ever! simply put, another set of essential mixes from a modern day master! file under - *essential disco*

spilt milk recordings was launched in early 2015 off the back of the esteemed london events with resident dj marc ashkens lupine ep, since then the label has gone on to release material from founders tred benedict and st. bernard alongside remixes from alexi delano and mihai popoviciu and picking up support from the likes of art department, matt tolfrey, huxley and sidney charles along the way.

opilec music is proud to bring you the first ever remix album of san francisco s cult synthesizer-punk legends, the units! one of america s first synthesizer bands and pioneers of a genre now known as synthpunk, the units were notable for their use of synthesizers in place of guitars, and multimedia performances featuring multiple projections of satirical, instructional films critical of conformity and consumerism... predating mtv and 25 years before the birth of youtube! this is a definitive collection of over 24 of the band s original songs written between 1977 and 1984 and remixed for the dance floor in 2010 by a renowned and international cast of over 40 djs, producers and bands active in the contemporary club scene. this project celebrates the futuristic units along with the innovative djs that first played them.

lanthan.audio, the german label founded by christian gerlach, now presents its sixth release from abstract division . the netherland-based dou delivers a 4 track ep with two originals and two remixes by milton bradley (do not resist the beat) and albert van abbe (vanabbe). abstract divisions corrosive mind stands with a significant synthline that screws into your mind. surrounded from its open and pumping drums its really developing into a mesmerising piece for the dance floor with a high recognition value. milton bradley strips it down and presents a very strong tool with a great tension in itself. intervention grabs up its name and reflects the word into sound. it comes along with a exciting touch and builds up slowly but strong. with potent drums, like we knew it from abstract division, it is definetly a track for various situations but not without loosing its goal. albert van abbe abstracts the core and reshapes it with classic drum sounds and adds an emotional melody, its centerpiece. tight and thoughtful next strike from lanthan.audio again, which is expanding advisedly.

daniel meuzard aka feater originally hails from a small mountain village in the western austrian alps. the music producer with north african roots calls vienna his home for quite some time now. for more than ten years he has been involved in electronic music and working with analog synthesizers and classic tape recording. as an owner of a studio equipment shop he was able to get his hands on a wide variety of equipment. experimenting with different instruments and recording techniques helped him to develop his own musical ideas. in 2013 he released the 7inch vinyl single digital love on paradeis garage. in february 2015 he recorded his debut album waste the time on a 8track tape recorder and finalized it together with the producer and recording engineer sam irl in the summer of 2015. as a member of the finishgermanaustrian group skymax (along with stilettiana & sam irl) he released the vinyl ep trucker trans on his own label called international major label

midwest groove master titonton duvante joins the god particle family with licentious gopa06. a1 licentious duvante displays his master of musical yin and yang with title track licentious. mischievous synth tones dip between a steady line of kicks and claps and bounce above a deep sea-dwelling bass line. b1 permittivity permittivity is a bottom heavy party starter with hints of acid and subtle vocal samples. warm synth keys wash over the last half of the track, perfect for sending out cosmic smoke signals. b2 sans compunction closing track sans compunction takes us on a darker drive, exploring the outer nebula. ominous synth lines dance along duvantes signature flirtatious rhythms.

john tejada and arian leviste are back on areal after their much celebrated release “reactance“. these guys are working for 25 years together meeting up weekly in the studio to try new things. they say themselves that it is their longest and most special collaboration. they use mainly hardware with an old school mind set that comes more from the early 80s nyc hip hop culture than anything else. early pioneers misusing gear and making the best of their limitations. their newest release “hysteresis“ comes along strongly functional for the club.

hotflush are proud to introduce an exciting young artist, pyur, along with her singular debut lp epoch sinus. despite her relative newness, pyur meets the world with fully formed and unique signatures in both visual and sonic work, revealing a deep artistry that transcends medium. growing up in munich, in and amongst the same fecund scene that spawned artists like the zenker brothers and skee mask, pyur cut her teeth from a young age as a guitarist and singer before becoming spellbound by the electronic world’s endless scope for sound design. endowed with innately strong synaesthesia and reared in a shamanic household, she tells how music “played the biggest role in my growth. it alone had the purpose to help me dissolve boundaries, discover the beauty of life’s mechanisms, create freely. it talked. soon i felt like the music was making me, not the other way round.” epoch sinus is a seamless and heartfelt whole, a life-like being unto itself, describing the disintegration of barriers between the self and the all. here pyur offers an intimate and personal statement, combining knowledge of universal harmony with electronic music. she states: “i m mainly influenced by my inner visions and nature itself, yet also a lot from club culture, which is undoubtedly an important space of connection and freedom for so many people”. the record dances playfully between supposedly incompatible qualities: moments of brutality turn to softness, new life embraces decomposition, while explosive rhythmic and melodic structures are tempered with gentle and subtle percussion.

zeal....enthusiastic devotion to a cause, ideal, or goal. in our case devotion to deep, dubby, warm mirco grooves. the label s first release comes from monsieur georget which is an alternative alias for well-known french producer chris carrier, who many will recognise from his own label adult only records, along with releases on other labels including robsoul, one records, off recordings and silver network. the release also features a remix from stellar german artist dewalta, who along with a number of seminal releases on meander, is a regular collaborator with mike shannon and boasts releases on other labels including vakant, haunt and visionquest.

fragil musique reaches the 20th release mark, and offers us a very special debut ep from a newcomer to watch. vidock lands on the label with an unusual three tracker, oscillating between intense breakbeat excursions and moody techno hybrids. -dub attack- is the main club weapon here. cycling around the drum loop, pads and samples build up to heavy tension moments, then fade away to fully unleash the force of the stripped down broken kick-bass groove. the pressure is strong and never stops rising, gradually bringing the dancer to a manic arms-shaking state, while sporadic laser synth shots and percussion hints sprinkle the track, smartly shaping its three-dimensional aspect. on the b side, dance music ufo - metamorph - is an epic journey through what feels like unexplored fringes of sample driven emotional dance music. movie-esque haunting voices and disturbing sirens set the vibe, inviting one to drift along this dark and coloured ride. fellow nantes native simo cell goes trippy on the remix, taking apart the most heady bits of the original and extending them into a deep and breaky piece.

patiño is one half of fluxus-techno outfit n.m.o. along with drummer morten j. olsen, with releases on the death of rave, where to now? and - shortly - diagonal. a frequent evol collaborator, he has been highly active in the field of contemporary electronic composition, releasing his music on labels such as anòmia and lateral addition, as well as directing videos for powell and not waving.

ats everything makes his much-anticipated edible label debut with the girl powder ep, his first release since january of this year, and the first to land on his own imprint. comprising two new tracks, ritas e and veronica electronica. 2016 has already been a huge ride for the bristolian dj & producer extraordinaire along with huge club cuts the duster (featuring green velvet) and big discs, remixes for disclosure and green velvet (taking the classic) flash track to dizzying new heights), eats mixed the 86th edition of fabrics fabled compilation series back in february. and as the edible label edges towards its first anniversary, a slew of highly well received releases from the likes of rhythm masters, jesse perez, lauren lane, lord leopard and brett johnson, have established the imprint as a consistent force for quality house music. with its infectious bassline, dubbed out keys and vocal call to arms, ritas e find eats on top form, carving out an energetic and funky club cut, whilst veronica electronica gets deep, down and twisted with its duetting vocal delivery, hard hitting drums and rave-esque sirens.

original remastert und auf 180 gramm vinyl gepresst.

the 1973 billy joel classic back on 180 gram vinyl.

opening things up, the sinister title track is a dense, winding affair built around staggered tribal patters and powered along with a brooding reese bassline. he/at’s “set openers” have become something he is known for and this is definitely one of his most dramatic. after that madness, “it’s impossible to describe the smell of a wet dog” strips things right down with subtly chaotic-timed rhythms and synth-work. kind of minimal...but not.
on the flip side, “a drama out of a crisis” is a straight-up new-meets-old techno stomper with early beltram-esq beats and modulated melodies, before the ep closes out with the rawness, “the man who made husbands jealous” is a tough acidic kind of work out with an infectious hook we think you’re going to like.

flumos mainstay ekkohaus returns, this time bringing a full-bodied package for the dance floor. suitably, far fetcher acts as a warm welcome, inviting the listener inside its richly deep analogue soundscapes, reminiscent of deeper sides of classic house rhythms that have come from the usa. its pace provides a perfect way to start off the ep while the synth-vocal creates a soulful depth. things get darker and more aggressive with musketeers, a dub-heavy rhythm that drives one to involuntary movement due to its relentless repetition and & subtle swing. the amalgamation of the synth along with the pulsating sub invigorates one to move and bounce along with these elements. fantasy provides the penultimate party vibe. it s funkiness transcends & the melodies drive the vocals to the extent of ecstasy. rounding off the ep 64 bars features vocals by arthur russel, the synth inflicted break progressions capture the vibe of ekkohaus live sets with its haunting chants hinting towards techno and while its warmth never escapes.

archie hamilton released on much respected underground labels such as fear of flying, tzinah, moral fiber pleasure zone and of course his own imprints, moscow records and moss co. along the way he has gained strong support from the likes of marco carola, tini and robert dietz amongst many others.

originally released in 2014, lucianos ‘the great amael is an enchanting and endearing trip, a lo-fi bubbling groove and dusted hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. two years on, and cadenza music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in lucianos catalogue.

were proud to bring you remixes of the 1996 classic track keith sibley - stand by me, originally produced by ron van zeist who s worked along side some of the garage greats like, masters of work & eddie perez, in this ep, we bring you all new remixes, which include crackazat, who kicks off with amazing deep trenched, rolling house track. up next is label boss marc cotterell with his classic cut along with some killer live organ by slikk tim, on the flip is awesome 90’s vibe from johan s and lastly we finish the ep with the original club mix that came out on the 1996 release.

awesome new album from stockholm s ever morphing production/live unit. skudging the depths as you expect and exploring yet more sounds along the way. big tip! first edition - limited to 500 copies

love is the center for all that matters. Âmo is a release inspired by all the love in our lives, love of friends, family, pets, and that special someone. with this inspiration willian pires has formed the vinyl release sector of his casa do conde label working with close and trusted friends. the first 12” vinyl press features willian’s original mix along with three remixes from luke hunter, starkato, and rafael paste.