the 6th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists 3 moody tracks full of deepness by swoy ! it comes with a bomb remix of rhythm&soul !

jazzy summer record, featuring remixes from trinidadian deep and life recorder.

saft welcomes nortasun to it s expanding roster of artists. with not too much info being available about the artist, the music should do the talking. nortasun comes up with a sample drenched ep that consists out of swell basslines, mind expanding chords and outlandish percussion works. untitled 1 opens up with a carefully placed disco sample that hovers over the rhythms very nicely. the percussion section and the ascending chords serve the overal ambiance while nortasun plays with the extended loop pattern that maintains of interest. untitled 2 serves as a very deep but functional voyage into tribal territory. a vary of percussion sets in and smartly exchanges tones with fx cuts. on the b side fudge fingas debuts on saft with an atmospheric beast of a remix for untitled 1 that constantly grows and cleverly uses vocal cuts that change up the original atmosphere and makes the overall a very broad work of house music. the stevie wonder like clava hit + piano solo s that come in when the remix progresses are all in courtesy of the edinburghian producer himself.

ep number four of this series of eight remastered tracks with remix-tributes to the techno legend christian morgenstern is here, and kicks off with d_funcs remix of steigreider on side a. creating a warm grayscale atmosphere, the track is carried by a heavy sub kick groove thats saturated with the modern industrial energy that proves kowalski’s skills as a techno craftsman. as a contrast, jeroen searchs remix of aces high on b1 is a more minimal interpretation, carried by a slowly developing beat and playing skillfully with the most recognisable elements of the original. the final track, a remastered version of morgensterns lydia to the edge of panic is a timeless classic, painting a morgenstern-typical distant and dream like landscape and opening up into a widescreen chord progression, with an epic build up.

gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

the debut release for kalyma on connected, the brixton/berlin based label distributed by kompakt records and run by terranova and stereo mcs. a1 laydown original kalyma teams up with his friend, singer and songwriter peter stanowsky. the song was written during a relaxed and loose jamming session in late summer time at their home studio. the vocal performance is surrounded by a groovy and very percussive beat. after a long, calm intro a hypnotic bass melody kicks in together with more percussive elements in order to get up to full speed. the catchy bass combined with the repetitive vocals gets the listener in a driving, rhythmical, dreamy mood lay down was made to enable smooth transitions in the dynamic range of a diverse house dj set, without loosing energy and create a special intimate, percussive vibe

dubgestion is finally kicking off the second vinyl release of the year! metaxa aka s.g. (siliccon groovees) is a german born producer influenced by multiple musical movements. his productions are a genial mixture of jazzy drums and funky athmos strenghtened by vocal glimpses and background filling microhouse textures. metaxa, previously released by labels like tzinah records, yoruba grooves, my first love records, is now joining the family with an exclusive ep titled -drum motu-. a four tracker which includes a stunning rework by george g, part of the legendary romanian trio premiesku. lose yourself in the gorgeous deepness of its athmospheres. 300 limited copies, vinyl only

marwan sabb and illan nicciani are essential figures on parisian techno and house underground scene. booth as dj-s and producers, marwan and illan left an indelible mark releasing for labels such as sci-tec, time has change and sharing decks together with names like fumiya tanaka, martin buttrich, arpiar, sonja moonear and many other.

hot off a couple of 12” from topher horn, rocksteady disco follows up with its first compilation featuring a heap of heavily sampled originals from more well-known editors. pontchartrain leads the release off with a summer-inspired aural prozac number, just in time for this june release. next up is notorious detroit editor lafleur, busting out this original milky-smooth detroit boogie house production. a slight little rearrangement from rocksteady disco label boss peter croce makes this one a bit smoother for the djs. lyon, france’s g2s kicks off the flip with a big-bottomed stomper reminiscent of some mcde ‘raw cuts’. pontchartrain book-ends this release with a track that puts the ‘rocksteady’ in rocksteady disco, with heavy analog-meets-electro drum programming and complete with pontchartrain on vocoder duties. hand numbered edition of 500 copies with dl code.

black country overlord justin k broadrick (jesu, godflesh) blesses regis’ downwards fiefdom with two tracks and a tightly sprung rework by surgeon. downwards have really picked the foulest iterations of a grim set for vinyl release, inscribing the industrial-strength torque of nothing is free - which sounds like early kode 9 battered by shapednoise - at 45rpm across the front face, and branding the knuckling 808 snares and distended electro bass blow out of kontorted on its backside. surgeon’s remix of the title tune ranks among his best in many years. trace elements of the original are extruded thru modular kit and remodelled on a bouncing, swerving techno chassis recalling bmb and cub classics, but streaked with sirens and vamped by a marching brass refrain that’s just spoiling for war. the release marks a long overdue overlap between downwards’ and broadrick’s interrelated industrial, noise and techno circles. broadrick was the original drummer for napalm death on their scum (1987) album, before forming the legendary godflesh, and carving out an oeuvre as one of the most feared and respected musicians to emerge from birmingham and the uk ever since.

four edges of a circle are defined by four different but closely intertwined pieces authored by four very special artists. why so series 02 provides a broken and diverse dimension through a selection of tracks that range from the glitchy subtleties of mierea dor s teleparty , the driving and bold force of lizz s secbor , all the way to sublee s delicate and gentle touch with that same feeling and ending on a tribalesque and mystical note with rojid s saiyan . either taken as a whole, or just as a a v.a. - wss 02 aims to surprise and jolt you in all the right directions. vinyl only, 180 gramm & original artwork

stamp s back in business with two surefire disco edits from the mighty man power! after releasing some great original material on correspondent, hivern discs, throne of blood and voyeurhythm, the englishman-in-mexico shifts his focus to reinterpreting an early 80 s r&b hit and some hypnotising funk from the sultan of seduction. thnk u on the a side is all about building tension and teasing the crowd while ablett on the flip pushes up the tempo to create a break-heavy and hypnotic roller destined for peak time euphoria. unmistakable keys and excellent drum programming. keep em coming man powe

stone cold classic, although pastime paradise has been reissued a couple of time on compilations every single reissue has used the rocky lp version which is not nearly as good as the original 7inch cut. as we at athens of the north like to do things right we went back to the sony tape vault and had the 7- version transferred for the first time since the o.g 45 was cut. this 45 sounds fantastic, much stronger then the o.g 45 cut so its a no brainer. on the flip we took one of our favourite track from the lp and introduced it to 7inch for the first time, mambotango is a dreamy sountracky latin disco number i used to spin on warm up duty, very new york.

king of ghetto house kicks off his 20th anniversary celebration with 5 classic joints, & a modern banger: wouldn t you like to be a hoe too, strap up before you hit it, pajamas, where the rats, vulture life, slugzilla. custom series sleeve.

ex:el is the third studio album by 808 state, released in 1991. in contrast to the band s previous works, the album features heavier beats and percussion, embracing earlier flirtations with hip-hop and industrial music.
extended 25th anniversary release, including 4 bonus tracks. first pressing of 750 numbered copies on yellow coloured 180 gram audiophile vinyl. housed in a gatefold sleeve with 4 page booklet and printed innersleeves.

toms due is talented duo from etruria beat crew, they re now back once again on their home label with two bangers urania and caliope and two remixes. one from nina kravizs trip label young protégé nikita zabelin, the second from micol danieli, italian newcomer artist and owner of 030s vinyl record label. on the a side sit the two original tracks. urania is composed of a powerful techno groove on a simple but strong chord fitting perfectly on the climax of the middle of the track. second comes calliope, a toms due signature heavy rhythm with a happy techno synth melody, a must try for all dancefloors. on b side, nikita zabellin shows once again his minimal approach, pure analogue sounds with a bit of darkness. mico danielis chose to use a never ending rhythm that wont ever leave you alone, a very elaborate arrangement. keep an eye on this italian lady producer!

nice price deal !!! kombination aus techno, house und jazz, mit einem remix von ashley beedle.

deep love is the first vinyl release by stefano pozzi, dj producer and musician. it’s very difficult to define his sound: his creative process led him to merge several genres in a very original way. the artist shows us a great talent combining different electronic styles from deep house to soulful house, new jazz and chill out music. stefano is also a guitar player. with his releases, he shows us how to bring guitar sounds together with electronic music in a brilliant way. in this 12 inch ep, that could be defined as deep house, the artist has worked to merge various elements of house music: the warm sound of a moog organ with a deep drum kick, the use of hypnotic and rhythmic vocal samples, the presence of many jazz and soul contaminations due to the acoustic guitar.

the computer is my instrument and the mobile phone recorder my accomplice. sample-based composition, improv and recordings - random moments, deconstructing context, fragmenting intonations, social interactions, textures, human behavior, surfaces, surroundings, other realities and possibilities. i settle in the realms of subjectivity.”
hidhawk is the musical alter ego of haydeé jiménez. the mexican-based artist and cultural entrepreneur is running a busy life organizing events and cultural projects alongside the border of mexico and the us. during the night, bedtime stories like alpagain evolve from the field recordings she is collecting on her various journeys. alpagain consists of recordings from istanbul, tijuana, berlin and salzburg, featuring sounds of alpine instruments such as the alphorn, ocarina and hammered dulcimer (hackbrett). the 15 minutes track is brought to the club context on the b-side of the record with a driving remix by gerald peklar and a dub retreatment by analog solutions mastermind eduardo de la calle.

it has been a while since we put out the first record on our * van doumen* sublabel. but the time has come to do it once again. it features surprisingly well-known artists for doumen standards, such as nyc prodigy photay, psychedelic la beatmaker ras g, studio barnhuis darling kornél kovács and leipzig legend leibniz. all are remixing original doumen releases. so i guess your are old enough to decide for yourself if you find that interesting.

seefunk tide sf001 vinyl only hoch aus dem norden kommen sie, sozusagen fast von der nordseeküste. seefunk ist ihr name, sowie der ihres frisch aus der taufe gehobenen vinyl labels. auf dem gerade die erste 12 inch erscheint. * tide* heißt sie und besticht neben dem original durch drei packende remixe. unteranderem konnten sie haito von spagat musik sowie die umtriebigen herren von sportbrigade sparwasser aus berlin mit ins boot holen. der dritte remix im bunde kommt von maaksel aus oldenburg, welcher gerade durch output auf auditive auf sich aufmerksam machte. floor orientierter vier tracker als * vinyl only*

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

hot on the heels of “the reason”, released earlier in april, mimi music continues to impress with the death no more ep from label head komplexx. he teams up with former booker of extrema and present-day photographer peter van hal. the original version of “death no more” defies genre boundaries with ease. fusing old school progressive stylings, well placed percussion, an epic choral vocal with a catchy main hook and a rubbery bass line, komplexx has unleashed a summer anthem for the discerning dance-floor worldwide. the remix comes from well respected german artist marcus sur. a producer in his own right, signed to noir music, trapez, highgrade, four:twenty records and many more, sur created a darker more hypnotic journey focusing on the percussive aspects of the original. and komplexx’s v.i.p. mixx heads off into housey techno waters from the start. deeper, more percussive and driving, the v.i.p. mixx keeps the central melody intact while creating a darker feel. this has mass crossover appeal written all over it.

amazing 2 monstruous tracks taken straight from the basement from one of the most original, ultimate & cult house producer : the great marcus mixx !!! all the djs were looking for those for tracks for years. it’s a fuckin’ must have & it’s on your favorite label : skylax

pierre codarin delivers three groove focused house numbers for the second release on his selftitled imprint this june. the british producer has started the year strong, launching his own label as well as producing the third release on huxley’s no idea’s original imprint. both releases have seen incredible support from the upper echelons of house and techno, with radio slave, raresh, mr. g, laurent garnier and jackmaster all showing their support.

after a five year absence the illusive cottam label returns. since the original series paul has travelled the world djing, released on labels such as aus & versatile and started his own imprint ruff draft for his own original productions and tracks from other producers. currently taking a break from djing & concentrating on production it felt like the right time to reactivate the label that started it all with some new under-the-counter specials. first up we have ‘mixing tool’, a heavy beat and percussion setting the dark & foreboding tone, the unease increasing like something is creeping up behind you until the distant war cries reveal themselves - a deep track that is much more than the title suggests. next up, the long awaited vinyl release for the cottam re-wiring of a classic film title track, mixing the best elements of the originals synth score with a club ready beat and acid that adds to the original - this is one of the finest carpenter reworks you ll hear.

as we move into the summer months, yoruba records is pleased to present this tasteful rendition of celebration of oggun from the much acclaimed sunlightsquare. based on a traditional yoruba chant performed by havanas abbilona, sunlightsquare takes the original and gives it a modern deep house touch. a soulful tribute to the protector in the orisha system, sunlightsquare provides a rhodes-driven melody that accompanied by powerful chants will have you grooving any time of day or night. a2 finds us with the stripped down yoruba soul beats version from osunlade himself. a unique percussive number that keeps the soul of the original – the bata drums command you to move your body in celebration. as we flip the record over we kick off with the yoruba soul mix. using the backbone of the beats mix, this nearly seven minute ballad is an absolute must-have in your bag. a smooth, subtle bass keeps you grooving as it makes way for the vocal – elevating you in the spirit of dance. lastly, we close with a stunning mix by none other than trinidadiandeep. this future yoruba classic is as deep as it comes. guaranteed to keep the floor moving, this must-listen tracks pads help round out an ep were extremely excited to bring you.

this is the first release on krad records, with mikhail kobzar and remixes of hernan bass, miro pajic and dualism.

castanea records presents its fourth release. the ep includes 2 original tracks by ztrl and 1 remix by odd

2016 repress! early support from: sonja moonear, raresh, thomas melchior, sascha dive & nima gorji
lowris = aeternum, crazy jack & concrete out of paris

british producer reformed society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. a self proclaimed goal that is easily noticeable in his first release for “made of concrete”, wherein he reveals three original tracks and a remix by gathaspar, one of the label’s regulars. kicking things off with “high tension”, a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the ep from scratch. a clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude. gathaspar’s rausch remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub- aquatic feel. on “volgende halte”, the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener’s brain. rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe. movement inducing from the get go, final offering “orbiting jupiter” centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.

already three years after his third album, vitalic is back on jennifer cardini’s records label correspondant records with two original new tracks. often unclassifiable, but always efficient, vitalic shouts out and restyles his universe under many different ways. after having mixed electro music to rock, to disco and then to pop in the course of his three albums, « film noir » ep invites us to a spatial journey. unusual, unknow, fascinating, powerfull and sometimes dark , this project defines itself as a cold disco. his own and recognizable esthetic shows here two of his multiple faces : ‚film noir’ will remind absorbing universe of german sound of 90’s : a techno and slow kick, a spatial slicks and a worrying mental melody. ‚ooey’, a sort of hallucinated electro pop joined by some chorists, without forgetting lady disco despite of its new wave bass.

repress! without special edition print of the cover artwork! infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it.

on t you get fooled by the name of our 8th release! no up no down is the main title and the song itself is everything but linear. the organic percussion rhythms in combination with the warbling subbassline gets you into the groove from the first moment. the booming kicks and rough-hewn hats is lending a vibrant edge to the mix. a morphing ethereal guitar riff, filtered to the edge and the slightly insane giggeling vocal effects, carry you away in a chant-like hypnosis. nothing here feels like a static loop. it s a masterclass in restraint, tension built to breaking and then get resolved.

this new vinyl from gynoid s sub-label translucent is a strong dub techno ep from kristian heikkila featuring the lovely petra valej on moody vocals. added are remixes from legendary samuel l session with a techy uplifting version, advanced human with a sharp, dubby techno version and to round off the release we also get a tooled up, instrumental dj edit. all sure ingredients that make this wax complete, dark and beautiful.

opak records alkyle series is a indépendant music label owned by seq9 & eeror303. the music selected on the label is a melting pot between techno, house, minimal, chicago, détroit, electro, pop, uk funky and abstrakt hiphop. mathias schaffhäuser is a german electronic music artist since the beginning of the 90 s, he produce techno and house on label like kompakt, compost, ware, tic tac toe, snork enterprise, mo s ferry, force inc. & many more « schlucht ( original symphony mix ) » is a big rave anthem between the vibes of the crazy horn and the minimal atmosphere of the deep beat ! the perfect piece of music for home & club listeners. the second track is a edit made by mathias himself with his home moniker « rudolfo irving » ! the mood here is more like a loud uk bassline house vision of the original theme. let the music control your body & shake your booty. the track n°3 is a version made by the new french talent « gran cavalière » also know for his collaboration with electric rescue, maxime dangles & more crazy artists from the hexagon.

tiga veröffentlicht eine 12 inch mit einem bisher unveröffentlichten track und einem seth troxler & phil mofa remix! es hat immer eine sehr kreative spannung im herzen von tigas musik gegeben: auf der einen seite ist er der underground techno don, auf der anderen seite wohnt ihm eine pop-sensibilität inne, die es ihm ermöglicht, herausragende songs zu schreiben. es ist diese dualität, die ihn zu einem der spannendsten charaktere der elektronischen musik macht. mit seinem neuen album hat tiga, in zusammenarbeit mit erfolgsproduzent matthew dear und dem finnischen genie jori hulkkonen eine platte geschaffen, auf der er sich -ehrlicher, offener und verspielter- fühlt, wie er sagt. jetzt legt tiga mit einer 12- zu seiner aktuellen single “always” nach, welche neben dem original einen bisher unveröffentlichten track namens “i’m so boss” und einen remix von seth troxler & phil moffa beinhaltet!

quite a few months have passed since adam port released his last original material on keinemusik. it’s been almost too long. but then again, every expert will confirm, you won’t see a “sonnenfinsternis” every other week. port’s new ep is going under the name of that very astronomical curiosity and accordingly, the like-titled cut on a can only be the result of a rare cosmic constellation. it starts with a spoken word field recording. could it be, someone secretly recorded parts of the internal pre-release labelmeeting? we’ll leave that to your imagination. but then, all solid facts. a forceful beat, decorated with hihat-hiss, stoically pounding synthbass, rattling snare-staccato and space-opening synth-layers. finally, some siren’s wailing, just in case someone didn’t get the immediacy of this material. classy floor substance, that is, with the scarcity value of an eclipse. “working for it”, as the first track on the flipside, is rather going for the deeper realms. this coproduction with jennifer touch, a singer/producer that just moved from leipzig to berlin, is built up on a cosy, warm synth-priming, that touch congenially contrasts with her undercooled wavy vocals. an emotional rollercoaster, if you will.

run your everyday marathon with the new rubinis creation: from the frantic streets of tokyo to the illusory stillness of paranas riverside. if you can t get physical, treat yourself with a sonic race.

german collective wareika return to visionquest with the bolero ep this june, comprising the trios original and four remixes from vlad caia, egal 3, boronas and nihko.

a new super sexy release signed by nice to be, split in two vnp s original mixes, the fresh techno remix made by luca agnelli and that of twr72, sharp and heavy in resonance. this artists worked brilliantly to this production. the super-catchy tracks -wake me up- and lampo opens their doors towards an attractive trip, rich in single-minded beats and dark sounds. there s a demon who is waking up and a sexual partner asking you to pay attention

nightvisions – great minds think alike, and especially with this berlin duo. both shared a passion forelectronic music long before they met and when the magic happened they chose ‘nightvisions’ as their moniker. their debut ep “twin peaks” on schakal recordings is made up of four tracks, two original tracks and two remixes from antialias & mallone and speaking minds.

british art-rock band no-man (tim bownes & stewen wilson w mick karn, richard barbieri, steve jansen, ben coleman) recorded heaven taste in the studio sessions in summer 1992. it got first released as a complete 21 mins version on painting paradise ep on one little indian (1993). the track drew attention in the rising ambient techno scene and got played by djs like mixmaster morris. the track fuses ambient techno with art rock and features a distinctive fretless bass solo by mick karn. this super sound 45rpm 12- features a steven wilson edited 11.21 mins version of the original and on b-side jimi tenor s rearrange with some solos with flute and keyboard. file under: ambient techno

with her 2016 headline uk tour on the horizon, hannah wants recruits american vocalist, kristine w on her new track, just.

limited numbered 200 copies on marbled vinyl in full picture sleeve. original re-issue 1 : 1 of the 1984 italo-dance classic produced by r. ferrante.

ian pooley revisits his beloved 1998 lp meridian with 4 brand new remixes accompanying the much-demanded arrival of the original lp in digital formats for the first time. belfast house stars bicep apply their remix magic for the a1 cut, streamlining the pooley classic cold wait into a chunky uk house thumper which has already proven a winner in their sets, while white label boss oskar offermann delivers a subtle, grooving uk garage-inspired take on hit n run. the b side finds two alternate takes on whats your number by pooledmusic family member mathias show-b schober, whose remixes manifest themselves in a starry-eyed version that elevates the originals melancholic side, plus a stripped back beats n fx tool.

repress 2018... following on from isaac tichauer s street lessons release, the mysterious loft records calls in the talents of bicep, hackman, dorsia and lancelot for a choicest remix package. the french express signing turned many heads when he dropped his lauded devotion lp back in 2012, and since then the australian producer has risen to become a formidable name within modern day electronic music. therefore it s only fitting that an all-star cast were chosen to remix his latest release on loft records. bicep, who had an enormous 2015 with releases on aus and 50 weapons, begin the release with the only remix of higher level - a break infused cut fashioned for the dancefloor with a penetrating melody, echoing vocals and soaring pads. the first of three street lessons remixes then comes from hackman, known for his work on 20/20 vision and futureboogie, who incorporates serene synths and subtle stabs to transform the original into a quirky renovation with elements of funk. london duo dorsia then step up with a cacophony of sounds that build in suspense with the introduction of fuzzy atmospherics, until fellow australian and w&o street tracks artist lancelot generates a cavernous dub containing the originals infectious hook whilst implementing resounding rimshots and wobbly keys.

following last summers acclaim ruede hagelsteins long player apophenia, we once again revisit the album, this time with a few stunning remixes from the drifter, can be love synth, and ruede himself of the hugely popular footprints feat. c.a.r.. up first is the drifter and he turns out what may be his best remix to date with a swelling, emotional ride that will most definitely be an anthem for the coming summer. taking a different approach, yet just as engaging, ruede reworks his original into a dark, looping psychedelic odyssey perfect for late nights or early mornings. can love be synth rounds out the remixes with a gorgeous pop-esque twist on the original choosing to focus on live instrumentation and retro synthesis resulting in a cross-over favorite. and finally, for all the times you want the vibe without the vocal, a dub version of the original gem.