2nd release by masaya for her own mina imprint, backed up with remixes by anders ilar and mihai popuviciu.

unreleased track by andy votel aka tandy love, mr scruff, har you percussion group, jo ann henderson, raskal the supersoniccruiser, mixmonster menno, 44rave & stuff. the future meets the past, in every vinyl bag!

heavily supported by pan-pot, wehbba, umek, stephan bodzin, locodice, michel de hey, karotte, oliver schories, maxime dangles, laurent garnier, martin eyerer, ante perry, tom novy

first in is a beat heavy analogue chug rework of the rare and weird italo 7 inch *i am your master* by the mysterious italo connoisseur savino dj and dj peet need based in holland. the arpeggiating bass line digs a circular trench that gets deeper as the track marches on until you end up stuck on an island with a strange creepy midget man. music that blurs the line between disco dreams and nightmares starion is back for more on ep2. how will he make a heavier track than ep1s *another dimension*? by making *darkstar*. analogue manctalo chug at its finest. big bass line, big synth chords, big vocoder action. you couldnt get more dark disco electronic if you went clubbing with daleks and the cybermen were djing.

we are the ones with the courage to stand up and express our ideas. so many heroes have sold out, moved on, and turned their back on the detroit underground. if the true believers are waiting on the calvary then i guess cryovac will have to do. this is our fight whether we like it or not. we are a few like minds, not the alphas, never the favorites. we are the other guys, the ones nobody bets on, the least likely to survive a business. we know what the score will bring us, but there is an appointment and we mean to keep it. heroes must define themselves and then redefine themselves. each day that moves forward brings opportunities to tweak creations into what the now means. kieth kemp endures the elements and ailments of an ever changing electronic world. he is an original hero with a smooth technique that reflects an instinctual nderstanding of sound and soul. kieth represents a talent and spirit that does not falter no matter how strange a circumstance can get. he follows his own path to relavence. i am proud to welcome kieth to the cryovac machine.

the mighty visionquest get set to release the highly anticipated rain from young shining star subb-an. a monster of a release, the a-side features the haunting vocals of visionquest favourites footprintz, while the b-side welcomes a collaboration with hollands tom trago featuring label co-founder and no.1 seth troxler on vocals.

drumma keeps delivering special and serious tracks for the dancefloor with its fifth vinyl release. for this ep, jorge savoretti, owner of savor records from argentina gives us an amazing trio of productions. the titular track of the ep, tai ere, is an amazing dub-techno composition that builds up and grooves continuously teasing and titillating the listener.the two machines compositions are gritty techno tracks that get the party going. machines 02 is a relentless hi-hat driven track that can be dropped at peak time. machines 00 is the more relaxed of the two a-sides but no less stimulating than its counterpart. a powerful vocal sample and bassline combine perfectly to make a bomb track.
early support from:luc ringeisen, d julz, luciano, dubfire, r.hawtin, barem, franco cinelli, federico molinari, nekes, martinez, ray okpara, butch, leon, mulder, alejandro vivanco, francisco allendes, julian perez, marc antona, mihai popoviciu, luke solomon, gel abril, willie graff and many more....

many missed the great 3rd romb release with the secret weapon of serge and mark du mosh, the b2 track by pawel kobak (psssst! we didnt tell you this!) the 4rth romb release also comes with a clear focus on the dancefloor and received strong support from guys like cos/mes, mark e, james priestley, disco dromo and others. romb again takes a stance for musical diversity, presenting a snapshot of the stockholm electronic music scene. great production, with tracks stretching from acid to more minimal house and techno, combining classic sounds with new ideas. get a copy while you can - only 200 copies pressed!

2016 repress! hot since 82 (defected, get physical) gets back with his second hot jam record another powerful fourtracker for your pleasure.

another clever techno release with emphasis on quality and structure and not forgetting the input from detroit dub merchant luke hess. *terminator reserve* is dominated by a thick bass line, razor sharp percussion, devastating juno stabs and with tonnes of analogue warmth coming from its abyssal depths. the luke hess remix provides the deep qualities of the original however its much more repetitive in its nature making it truly hypnotic and one you cannot help but get completely lost in. on the b side *mediator* is rough and ready ... booming kicks, dynamic bass shifts accompanied by the right amount of snare and filter inputs make this one of the toughest on the release not forgetting that its split down the middle with a heavy 303 bleed. highly recommended! *stilled* runs off in the opposite direction to the other track it shares the b with as its laden with detroit influenced floating chords and percussion.

made fresh daily follow up killer 12 inches from geddes and mikki funk with the debut solo ep from rising house producer jackmaster k. though indebted to the current vogue for the sounds of 90s house, jackmaster ks productions are filled with enough unexpected twists and turns to keep the formula fresh, *house aint givin up* switches things up with its nyc electro stabs, saxophone solo and swelling sub-bass, while *get up* takes things into deeper territory with its thick bassline and dubbed out, candy sweet rhodes melodies. on the remix, james johnston flips *get up* inside out, giving it some classic new jersey bump and flex, and busying up the arrangement with added organs, while rosenhafts take on *house aint givin up* is much more expansive, allowing the bassline to breathe in a spacious composition of pitched vocals and drawn out chords.

incl. rmxs by sierra sam, lula circus & daria !!

Ø phase remixes. not many people get the chance to remix robert hood, but Ø phase (token) got the stamp of approval from the master. the original is also included and gets the full a-side!

tembezi is a richly textured, intricate afro house track with emotive, melancholic piano improvisations backed by a solid jumping beat to get your feet itchy.

the first of many disco releases for your listening pleasure. 8 funky tracks guaranteed to get you boogying on the dancefloor! bought to you by tru funk, a fresh funky label from northern poland!

if you ask the canadian producer and dj edward currelly aka eddie c to name you some things he havent done yet but always wanted he answers: visit greenland. Êsell 45s off the back of my motorcycle in jamaica. those who know the music of the former countryman that left the canadian nature to get inspired by the lively culture jungle of berlin get a winking smile on their lips.

with a title such as passage17, we can rest assured that reeko wants to take us somewhere, into the depths of something. he wants us to know this long road is rife with a variety of sensations, but more than anything this new release is a journey into something more important that is yet to come. if we want to get there, we must first travel this road.

alex flatners (get physical, circle music, pokerflat) vinyl debut for noir is a collabo with msms and singer cari golden. real house music with remixes from emerson todd (saved, upon you), paolo rocco and fabio giannelli.

quality limited reissue of this classic lp from californian singer/songwriter, ned doheny. though beloved of the recent balearic scene with fans including harvey, lexx, moonboots et al, ned was under-appreciated during his own era with this superlative lp only ever securing a vinyl release in japan, making it a seriously hard to get hold of album but definitely worth the effort. following on from his iconic hard candy lp, 1979 s prone is again bursting with californian sun-soaked gems showcasing doheny s signature laidback funky musical style and relaxed unpolished vocals. from quality soulful groovers such as think like a lover and if you only knew through to the sophisticated disco sounds of sweet friction and funky love , there s not a filler in sight but the icing on this tasty west coast cake has got to be dj s favourite - the great jazz-funk floor-filler to prove my love . an essential album - don t miss!

just when you thought you knew what you were going to get from flashmob they switch it up completely, stamping their mark of quality and proving their versatility as producers they turn in an old school acid house stomp. dark, rumbling bass, spoken female vocal, and complimentary 303 acid squelches make both the garage mix and panorama mix equally at home in a field around the m25 circa 88 as it does on the floor at dc10 in 2013. watch out. acid house is back!

if youre going to get someone to remix a seminal record, its a good idea to get someone in love with the source material groove armada, noir and eats everything all fall firmly into this category. chicken lips >he not in< is one of those records that everyone recognizes, even if youre not aware of its name or who wrote it. the bassline is an enduring sound in dance music that everyone knows, and pretty much everyone loves.

easily recognizable by his impassioned johnny cash-meets-charlie feathers vocals, the french-born don cavalli began to get any notice in the greater music and blog community when he released his full-length *cryland* (2007), which featured his amalgamation of swamp blues, lo-fi pop, country gospel, and early rock & roll. in 2013, don cavalli will release his new studio album *temperamental*, staying on blues track while dismantling the traditional codes of the field. indeed, thanks to an old fashioned sound take and a contemporary production, don cavalli makes his new album sound old but incredibly modern. and if *temperamental* goes through many kinds of sounds, in the end it always goes straight to the point: a unique cajun blues from the bayou serving a soul and sophisticated voice. a must-have!
cd-copy of the full album included.

another slab of wax from the large music crew and this one is a beast! four fresh delectable cuts all with the classic deep large music house vibe. side a stars berlins nathan g with a garage workout and evan iff with a nod to classic vintage styles. side b features james dexter working out a chicago jack track and denmarks jacob bech with a sweaty nu school workout. get large 2013!

limited edition double vinyl set in gatefold sleeve, full length dj friendly mixes & re-edits, compiled by al kent.
im always pleasantly surprised by some of the feedback i get when i put out one of these albums. i mean, liking good music isnt exactly rocket science is it?

release 003 sees the introduction of three french producers, all are based in paris with a passion and love for the house sounds from chicago and detroit forming a blueprint for the dubble dubs ep

here on part 4 we have the rather wonderful isolée remix of manuel turs most of this moment, switch in his finest hour with get on downz and jimpster under his audiomontage guise with the little known but highly revered track the darkness

limited clear vinyl, phunked up house

since 2009 xxxy, aka rupert taylor, has released a string of 12 inches through labels like infrasonics, well rounded and ten thousand yen that have showed off his idiosyncratic takes on uk garage and bass-driven house. his debut for rinse picks up where they left off, with three tracks of shimmering, synth-led house music, marked out by taylor’s distinctive spiralling melodies and sampled voices.

nice price deal !!! clouds return to ramp after a long hiatus in the studio to deliver their upcoming usb islands mini-album. from the orchestral opener cannibal generals, to the tapped auto-tuned euphoria of i ll be broke, to the loose and rattling dubstep of you go to my head, finlands clouds are very much back on form.

intrepid kiwi music-maker mara tk cooks up a soulful, free-spirited two-track ep, taniwhunk, with deeply magnetic results. here is as authentic a listen as you are likely to get all year, experimental, challenging, enriching music without polished edge or tiresome brand -building edifice. taniwhunk is 21st century maori music - music with something to say ... everything to say.

brighton based delayed audio kick started in october last year with a brilliant various artist ep featuring quality, deep electronic music. the ep generated a superb reaction with djs such as huxley, norm talley, iron curtis & james teej all getting behind it and mixmag describing delayed audio as a new label to watch. now the delayed audio team are ready to get the new year firing with the next chapter in the delayed ep series, featuring 3 original gems and a sterling remix.
support: dj t / diesel (x-press 2) / jacques renault / ethyl / flori / waifs & strays / james johnston / jimpster and more.

the two brothers of gebrÜder teichmann have been regular guests at the early killekill events. that is because they have a very similar approach to electronic music as we do. first of all they are deeply in love with the music itself and not the fame, the money or whatever one might expect to get when making music, and second they have a wide musical horizon and interesting perspectives on it, because they are active on several levels, as djs, musicians, promoters etc. first of all though they got class and taste, and so we are happy to present their cooperation with one of our personla heroes and one of the very big names in early house music: johnny dangerous aka foremost poets.

paris club kings, concrete, unleash a series of textures, representing their diverse and hugely popular events in paris.

the long awaited new release of dj mad dog is out now. it features 5 hardcore bombs, including 2 huge tracks by the man himself, a superb collaboration with noise suppressor and 2 amazing remixes of *a night of madness*.

following up toni be & fulberts *midnight swim ep* earlier in 2012, remoterecords is back with a 4 track various artist ep including lady blacktronika,kammerton, perseus traxx and lakumer.

shoot the lobster is a new house and techno label from nyc. the first release is a split 12 inch and features grayson revoir and max mcferren, both djs and producers from nyc. side one is two tracks by grayson, spackle is driving bass cabinet garage, and get stolen is spacey sweaty acid. on side side b max mcferren delivers rusty smokey hard bassline panorama-ready house on one on all times (walk track).

raw killer underground house sound

lost paradise delivers a modern execution of our post-disco dance music culture, maintaining references to the past and looking for the oasis on the horizon. lost paradise #2 features two originals from space coast, aka sleazy mcqueen and jorge collazo. *vibe a.m.* is deep and dreamy with live flute and piano, emotive melodies and groovy bass. social disco club and last waltz turn in two completely different mixes, both fit for the late or early hours of the night. *cant get enough sunshine* is a melodic and cerebral ode to mid-nineties new york house but with a twist.
support from q-burns abstract message, b.g. baarregaard, sleazybeats recordings, atnarko, sleazy mcqueen…, ...

bringin’, to ya…, your daily dose of deep house music, sweetwax is a new force to be reckoned with. despite being a young record label, sweetwax is operated by two old blokes who still love their music on vinyl. so expect deep sounds on sweet wax.
enter the universe of the new parisian duo and be conquered by their sexy rhythms. electronic funk riffs and explicit samples, the two djs heighten to a max your senses. get hot now, & let music make you high! the acces is sending you straight to the heaven. the parisian duo deep house the funk, it’,s a soul dance trek! 3 tracks of a mesmerizing blend of sweet and sexy sounds. for fans of hot creations, soulclap and just good classy music.

we are super stoked to have this killer ep out on local talk as we have been big fans of both c.r.s.t. and chesus productions for good while now. as these guys are down with both house music and the uk garage scene we get served an ep that combines the best of both styles. the result is a jacked up house release that would work equally well at the classic new jersey zanzibar club or in your dirty london basement club. the first three tracks (monster munch, newark and life) takes us on a deep and jackin house trip with a bouncy garage twist. but to stir things up a lil extra the last track (special) goes all disco with some soulful philly samples ... perfect for the southport weekender crews!

this is the second vinyl in jerome sydenhams 3 part animal social club vinyl series. what you hear is not really the rainforest, or the wilderness. dont let yourears and eyes fool you. the primal edge, that instinctdriven music, raw and inviting, signals another meeting of the pack. and every time the wild ones get together, the quality of the sound is unmistakable. breathe, dance, listen, drink your fill, take it all in: this is an environment where there are no inhibitions and spontaneity is everywhere, in everything. a place where house and techno are the heartbeat. this is the primal universe of the animal social club.

da soul revival classics vol 1 presents two gems from the tyree cooper canon and ensures the newly established chicago vinyl records operation launches in fine style. brandishing one of house musics most distinctive voices as well as an enviable discography and endlessly energetic style, coopers contribution to chicago house cannot be disputed. the label delve into coopers dancemania contributions on the a side, plucking out the b side bump of *kan i get high* which originally saw release on his 19997 future recooped 12 inch for the iconic imprint. flip over and coopers dedication to all the stars of chicago *tyz n da middle* gets a much needed airing having first appeared back in 1995 on quick release records.

after releases on rekids, claap, octopus and his recent remix of gunnar stillers closer (cyh 21), nikola is putting out his first ep on clap your hands. with his custom beats ep nikola shows us ones again his distinctive pounding groove and love for destroyingdancefloor- weapons.

after his groundbreaking european-wide hit remix of asaf avidans >reckoning song / one day< the berlin dj & producer wankelmut releases his debut single on get physical music / poesie musik. with the great australian singer emma louise by his side, he presents > my head is a jungle<. wankelmut takes his >one day< sound to another level and delivers a powerful 124 bpm tech house groover with nice added guitar and vocal elements that make this an easy recogniseable >must have< tune for 2013

third release in the already ludicrously collectable series! 10 inch marbled pink, single press, 400 only, hand stamped, hand numbered and no digital. tusk says: *i love the coyote guys, they have been fantastic to me since starting up tusk wax. so i am really happy to get these two mavericks to do a porn release with me, so to speak.*

ltd 180gr vinyl pressing !

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.