halocyan outlines computer musics many future possibilities, while remaining actively mindful of its one and only history. having released material from such luminaries as dosem, paul woodford, oliver ho, extrawelt, and joey beltram - halocyan continues to assert its influence with their next record: a 2-part ep from apollo and r&s affiliate dave angel. founder of rotation records and originally hailing from chelsea, angel is a techno emissary whose intelligent, funk-licked productions have propelled him through a long and illustrious career through which he has consistently branded his own stamp on electronic music whilst also remaining highly relevant to modern listeners. it’s this that lends him perfectly to a record with halocyan who do what they do best in presenting his incoming ep: a sincerely-rooted collection that comes backed up by label favourite hackman on remix duties. portrait kicks things off with jubilant melodies rippling atop sharp, whetted percussion before minor-key sweeps bleed in and bring with them a degree of pensive tension. a buoyant bass line propels the track from dave angel incoming ep beneath before hackman offers up a deftly swung revision rich with his sturdy subs and idiosyncratic percussive flutters.

repress 2017 , allez! as the curtains come down on another crazy summer of love, apollonia drop their latest release courtesy of io mulen - the ukranian rude boy who appeared on the label at the beginning of the year with ‘unknown to the unknown’. he’s back with a hefty six-track package which is sure to please his fans, and win him a whole new army of supporters. we get straight to business with the first track, ‘rdm37’, one of those trusty apollonia bouncing bombs. skittish beats work off a sublime groove, while io keeps the background full of interesting sounds, boings, cheeps and all manner of whimsical effects, introducing more and more as the track progresses. by the midpoint you’re so gripped by the track that your whole body is moving uncontrollably, super glued to the rhythm. next up, it’s ‘xdt54’ coming through with a deep, persuasive bassline that jigs around in the low end luring you into its web. simple, polished percussive elements keep things moving at a pace while subtle keys and barely-there vocals add further layers to this catchy little number. the third track in on this lengthy ep is ‘mpc13’, a walk on the sensual side. vocal snippets are interspersed among sultry pads, skipping four to the floor beats and a sleazy b-line to create a delectable slice of dance floor naughtiness. this one flirts with you as it writhes around, taking you ever deeper…four tracks in we have ‘zgb41’, another alluring cut that has all the hallmarks of a deep house classic. those shimmering pads, a bassline that feels like it was born in nineties chicago, diamond-cut beats and a general feeling of what we would call ‘true house music’. there’s soul, there’s funk and there’s realness, what more can you ask for?ypt58’ keeps us locked in to that hypnotic groove with an insistent b-line holding things down - together with the infectious rhythm cultivated by the drum arrangement, it’s a killer combo. put those together with the smooth atmospherics plus synth lines staggering in and out of the background and you’ve got yourself a roller. last but definitely not least is ‘zxy22’, a wistful slice of technoid funk which has a delicate melody at its foundation. as it develops we get sucked in to layer upon layer of beauty, from the analogue low end to the electric guitar riff – each layer complementing the other and creating a symphony of sounds that acts as a perfect way to close out the ep and will no doubt end plenty of dj sets, when it’s released. so monsieur io (mulen) returns to apollonia with an instant classic, make sure you snap it up right away. magnifique!

system boss mike gervais releases the drift ep for round five of the us based label. drift - loopy synth sets the pace while airy tones and verbed out hats move in and out of the mix. breaking point - heaving muscular hits chugging along to slinky synth stabs resonate - just what you think a b-side track is. pulled back, deep resonating basslines with sprinkled hats in the reverb. future tool - loopy, delayed vocal tool with subtle changes and rhythmic swirls. highly useful as a straight layer or as a pulse in your delay / reverb pedal. and and voices tool - mangled mess of audio clips and loops

soaked in jazzy late night grooves, blissed out piano chords and glistening beats, it’s another essential release from a label that’s quickly rising to prominence.
following on from the soul-drenched disco excursions of ross from friends’ debut ep, newcomer rgl’s ‘1 thing’ ep spans 3 dusty deep house cuts built from the ground up to do the dance-floor damage. rgl is the moniker of tokyo based producer rigly chang, who’s also part of the tokyo based cosmopolyphonic collective. his affinity for intimate dance music brings soft textures and moods that stretch into the listener, bringing a new kind of warmth to the club.

the mysterious nic araguay lands on shall not fade with 5 killer tracks that blend moody synths, ambient soundscapes, gritty rhythm patterns and eerie vocals.

helmed by back to basics resident james barnsley, it s safe to say vessel records know exactly what they re doing with their initial five releases including names such as daze maxim, burnski, dj honesty, laura jones and diego krause. the label s excellent discography continues in their sixth release with dan curtin under his purveyors of fine funk moniker - highly regarded for early releases on peacefrog, nepenta, and more recently bass culture. politics of dancing, known separately as s.m.a.l.l & paco, are the parisian duo behind their fastrising eponymous label, whereas british talent rhymos has quickly garnered a reputation for his compelling productions on the likes of overall music, whistleblower records and murmur. joined by barnsley himself, this four-track release demonstrates each artist in fine form. purveyors of fine funk s depth of bass is a raw sounding cut with ethereal atmospherics and moody chord sequences. james barnsley is next with his deep and trippy number titled she not fast before politics of dancing merge intricate percussion with rumbling bass in their mesmerising queens road. tying things together, rhymos gets rhythmic with jazz hand featuring acid licks and echoing effects.

hell’s first single in well over a year, ‘i want u’ throbs and thrusts with in-the-moment physical tension. unhurried and extensive in its 11+ minute arrangement, it’s every bit as deep and as long as you’d want such a session to be with its rush-riddled breakdown that dips deep under the skin with lavish emotional chord changes and peaked atmospherics. a celebration of gay culture, an homage to purist analog-driven proto techno, a statement for what’s shaping up to be yet another exceptional album from the hugely influential international deejay gigolos founder, ‘i want u’ comes complete with two startling remixes: the legend that is the hacker accentuates the grit and crunchy ebm charm of the original with an all-out exercise in sonic horsepower while hell’s selector kindred spirit and all-round robot-rustling icon martin matiske provides a whirlwind trip back to another foundation era for electronic music with b-boy-busting electro boogie spectacular. trust us, you’re going to want all three. and thankfully you’ll get all three right here. let us know what you think!

in the last two years, paul régimbeau had put his most personal and earliest musical project mondkopf in stand-by mode. the rich arrangement work that defined his sound wasn’t fitting his desire of simplistic intensity anymore. his different collaborations (autrenoir, violent magic orchestra with vampilla & pete swanson, foudre!, oiseaux-tempêtes) forced him to explore new aspects of playing electronic music like a regular band member. the young producer was experimenting being a musician and embracing the experience. but after a year without composing, things changed on the tragic night of november 13th.
on this very night, the parisian set up machines he had acquired in the last few months and started improvising what became the first song on his new album: “they fall, but you don’t”. since that moment, paul regularly spent nights experimenting and recording what he felt at the time. while previous records reflected months of fine-tuning, these songs represent the mood of one evening, one night, the ones when you surrender yourself to the melancholy of the moment. much like a diary, the album is a compilation of these moments that escape reality in a chaotic and dark year.

an object resists changing its state of motion with inertia. what pushes back must then be even more vigorous in order to create a uid movement. an example of the force that embodies this dynamic can be found clearly on the appropriately titled inertia, aiken’s much anticipated return to chronicle. the spanish artist has been spending years honing his craft, focusing on sharp, distinct sounds that create a pure sense of kinetic energy. the title track of the ep bolsters a erce disarray of carefully (de)constructed atonal synthwork and a rhythm section that is set to detonate. it is then followed by “axial”, a track that stays as true to modular miscalculations as it does to stripped down techno, combining both in a subliminal cessation of sanity. however aiken isn’t done there. he continues with “magnetism”, which throws a brick in the glass of conventionality with its earth-shaking layers of textured momentum. phased pads then wash over “soul drama”, bringing the entire experience to an emotionally laced denouement. after the potency of his last record on chronicle as well as his releases on imprints such as his own label timeline and the spanish powerhouse semantica, inertia marks a de nitive step forward for an already exceptionally de ned artist.

ltd 2017 repress
following on from his return to dance orientated music on neroli records with the lush and endearing music for the golden age , multi album artist lars bartkuhn (sonar collective & needs) brings contrasting sides of his musical character for alex bradley s burgeoning utopia records, touching on detroit, jazz fusion and ambient. tokyo burning is a youthful and stripped back electronic club track harking back to the detroit house heyday of galaxy to galaxy and happy records but with a modernist approach and bartkuhn s unique musicality for what has all the hallmarks of a peak-time club classic. in contrast title track nomad brings the full spectrum of bartkuhn s musical range with a more organic and rhythmic dance composition. a fusion of afro percussion, his own emotive vocal hook, melodic keys, joyful flute playing, bound together with the guitar playing that has had many compare bartkuhn to the likes of jazz master pat metheny. the track builds into a breakdown that is perhaps best described by anthony nicholson as, a combination of truth, inspiration and cosmic energy . rounding out the ep a gentle acoustic reprise, a deeper introspective piece for ambient music lovers.

fabrizio rat debuts on involve records with a 4 cut ep of banging techno with acid lines.the italian producer, whos well known for his live sets, brings in >la machina<, a taste of what he does best, repetitive and steady music able to bring you into the deepest trip. take it or leave it.

perth, capital of western australia, sits where the swan river meets the southwest coast. sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where its at if you know where to look. its possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of australia s most mysterious electronic dance music labels of the 90s - red ember records.

mohammed al harbiti, adam stromstedt and flord king s lyssna records is now on its third release, and the label is beginning to pick up jus the right sort of momentum to make a impact on the vast, bottomless pit that is the deep house scene. what you need to be able to do that is plenty of style and a fresh way of constructing 4/4 patterns, something which levi verspeek has clearly nailed on the opening 256. peshka s miracle is also refreshingly off-kilter, meandering its loose drums over a hazy bed of washed-up sonics, while flord king s steff off uses the minimal formula to deliver its mesmerising glow, and adam stromstedts hm 2016 is probably the best example of traditional deep house that we ve heard since the close of that treacherous 2016. quality house escapades.

hot on the heels of the transcendental and mystical vibe telemetry long-player of the man like telephones, we proudly present: vibe remixes. some of you might notice the irony between the lines. a producer who goes by the name of call super is remixing an artist known as telephones. but, we rather rivet you on his 8:59 long skippy dub journey that recalls (pun intended) an atmosphere that could be found in the space between smith & mighty, the ltj bukem of his youth, italian house records, british balearics and bass affine music (of whatever providence). a magical mystery. but we don’t hang up here. dj fett burger is treating the other side and only he himself knows how he made what he did. 14:51 min of almost every style ever invented in the scope of house music. designed for people blessed with an everlastingly short attention span and djs on the lookout for a toilet break and a coffee break or whichever break, it leaves its listener speechless. and: its so much fun that once its over, you want to redial fett burgers number immediately.

toy tonics mushroom house series brings together different shades of afro-weirdo-psychedelic vibes in dance music. all tracks have been made exclusively for toy tonics. the musical range is wide: the third ep goes from arabic guitars to nubian chants and looots of percussions. the bass drum is four-on-the-floor, but switches from midtempo (kiwi: we are here) to classic new york lofi disco grooves (ponty mython) the other 2 tracks on the ep feature an emptier vibe: less toms more drum machines. more techno. red axes deliever probably one of their weirdest works. their munk rework is pure craziness. the melodies come from another space. the last track on the ep is made by old toy tonics friends from milano: the barking dogs. they teamed up with tom trago in the basement studio of the great record store they run in milan: serendeepity records. they are known for selling obscure, but classy music for dance floors and thats what they do when the make music on their own. like on your high: an obscure groove meets a sloppy bassline and stoned vocals.

die berliner melodic-electro erfolgsgruppe solar fake legt mit another manic episode ihren vierten longplayer vor, der auch als deluxe-doppel-cd (inkl. bonus mini-album) und als limitierte fan-box erhältlich ist.

always keep moving, never stand still a motto that dapayk & padberg have been following consistently for more than ten years in every respect. for nearly three decades sought-after musician, producer and machine enthusiast niklas worgt has researched diverse club sound effects with countless projects, while singer eva padberg is an internationally renowned high fashion model. since 2003 they have been traveling and performing together as dapayk & padberg. they are passionate sound nomads who capture acoustic impressions of their exciting journey. each album is a sound logbook, which captures memories in the form of beats, tunes and skits. on sink this ship, released a few months ago, the berlin-based duo provided a first glimpse of what you can expect from dapayk & padberg in 2017, with their new album harbour. a harbour, where both stop off for the moment, because their next trip is already planned: after the release of harbour, dapayk & padberg tour europe and row.

farrago debut shows how music can be so simple but at the same time very effective. this 4 cuts are expressing what this artist can say to us using less possible elements. simplicity is the ultimate sophistication.

dred is the new imprint from tanstaafl, born out of anxiety and hope of a better tomorrow or at least one that doesn’t suck as hard as today, seeing what we have by letting go of what we want, allowing for the undiscovered to be discovered, apparently. two tracks by s:vt aka sven von thuelen with a killer remix by john osborn. made with love in berlin, schoeneberg.

what a pleasure to announce this 2nd opus!
we offer 4 tracks composed by rare and talented artists who master the hypnotic groove perfectly. we focused this release on the organic and dancing side. a dance that takes us until the early hours, at the moment when the sun is rising ... le jour se leve.
certified quality! written and produced by alan castro, raul falcon, nicolas m. trojani, radostina bekiarska & daniel ivanov.
vinyl only! limited copies!

agent provocateur is the fifth studio album by american/ british rock band foreigner, originally released in december 1984. the album reached the number one spot in the album charts in the united kingdom, and it reached the top 5 in the united states. agent provocateur contains the band’s biggest hit single, “i want to know what love is”, which was a #1 single in the uk and the u.s., staying at the top spot for three and two weeks respectively. the follow-up single, “that was yesterday”, also proved to be a sizeable hit. the album was certified platinum in the uk by the bpi, and triple platinum in the u.s. by the riaa.
pressing on 180 gram audiophile vinyl.

few artists have the ability to totally seduce over a few spins like herva. what may seem messy at first listen starts to fall into sharper definition and ‘hyper flux’ makes a very strong case for being his most seductive and mature record yet.

josé james is reborn as a powerful voice in contemporary r&b on “love in a time of madness”. even for an artist as creatively restless as james, “love in a time of madness” is something new: an r&b focused foray into moody soul, electronic pop, and trap-addled beats, with the occasional influence of african folk, american gospel and minneapolitan funk. and though james’ voice is no less agile and his ear no less adventurous, this is also his most relatable, daresay sexiest work yet, detailing love’s ups and downs without holding back an ounce of emotion.

following releases on hot creations and electronique, sean branton drops the sublime ‘night mode ep’, the first release on new vinyl-only house imprint virtue records.
the title track is an exquisite slice of melodic, emotionally-charged house music: a cut that will undoubtedly work on the dancefloor while its impact will remain with you for hours afterwards. ‘flights’ similarly works on multiple levels, with the powerful low-end throb providing a hefty backbone from which intricate rhythms and melodies are let loose. wrapping up the ep is ‘lead’, in which a wandering bassline and syncopated, bubbling synths give way to shimmering pads and ethereal sighs: a truly stunning climax to an ep that fittingly sets out both label and producer stalls for what promises to be a breakthrough year ahead.

for our first release of 2017 and number 023 in the fina catalogue, we are super happy to welcome finnish producer saine to the family. saine has been on our hit list for a number of years and we are delighted to finally be releasing his aptly named mint ep saine delivers 3 classy cuts brimming with hip-hop fused, organic house sound that have always grabbed our attention in the past on labels such as sleazy beats, black ops, voyage, odd socks and quartet series. the mint ep continues in the saine vein(see what we did there) with obscure sample wizardry, thumping straight-to-the-bone beats & wavering analogue synth textures which do not disappoint. it is with great pleasure that we kick off 2017 with a bang & present saines mint ep – this ep is a must!

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

(incl. joris voorn remix) its a brave artist who takes on the task of remixing what many would regard as a true classic record. especially when said track holds its own personal memories, having played its part in shaping their own musical path. green boss joris voorn has taken the plunge, by lending his skills to reworking ‘mengs theme, a true dutch techno classic from secret cinemas former alter ego, point blank.

the staub conspiracy. i am a shape-shifting reptilian alien. my kind controls the planet earth by taking on human form and gaining political power to manipulate human societies. if you don t believe me, i suggest you do some research on youtube. there you will find undeniable and overwhelming evidence. but hey, maybe you ll still doubt it later... what can i say? the human eye is too primitive to perceive the blunt truth, it is far easier to completely bend reality than accept what is in front of you. why am i talking to you? well, i just realized it does not really matter if we infiltrate television, governments or even your minds-eye. the world will be ending soon and the only thing that still matters is to dance. that is why i ll do techno. before you all get abducted, and all that is left is dust.

green supreme is the fourth studio album from house music veteran phonique: a collection of 11 remarkable songs from one of the scenes most revered producers. to describe phonique as prolific would be something of an understatement. to date, he has amassed a discography of more than 500 original tracks and remixes - as well as three previous studio albums - for acclaimed labels such as dessous, poker flat, crosstown rebels, systematic, souvenir and of course his own label ladies and gentlemen, a collection which includes some runaway successes. despite working on green supreme, phoniques fierce production rate has continued unabated in 2016, with highlights including t groove on katermukke and his stunning remix of frank & friedrich coming home which landed on universal earlier this year. phoniques three previous critically-acclaimed albums attest to his evolving sound and diverse influences, his deep knowledge of house

you never know what to expect from rue de plaisance’s releases.exploring different moods and always looking for special music. we are really excited to welcome the boys from frankfurt. developing their very own sound mostly on traffic records. martyné & jacob chenaux are on fire. it’s a pleasure to deep into their world with this amazing

rico puestel is in charge for our cocoon recordings 144th release. rico is an producer animal who released more than 100 tracks & remixes since 2005 under various project names such as dinamoe, central scrutinizer and of course under his main moniker rico puestel. the enormous amount of productions shaped ricos knowledge and taste and his new cocoon release neyst and enokid seems to be the logical result of his long journey through the techno-universe. puestels style is very unique and merges elements of dark and hypnotic mainfloor techno as well as orchestral sounds and even industrial elements. neyst is the perfect hypnotic and dark techno circle that keeps on progressing and building up into sheer madness. no fast food, no leightweight, this is heavy techno business! enokid comes with a little more of a chicago house vibe however it is again still deep in puestels very own style. we especially fancy the crazy break in the middle with the spaced out room effect part and the melody coming in after the break. as stompy and musclepacked this track is, it still seems to be very musical and deep at the same time - what a trip! this one demands a good and proper sound system, well what other cocoon release doesnt?

nice price deal !!! yasuyuke >mutron< hirata is a very remarkable japanese music composer and brings us a fusion of high octane electronics, haunting strings and evil voices. add to that the occasional but highly functional high resonance bleep and what you get is a downright futuristic floor-filler. for the remix of alone -or should we say reconstruction- its ronny & renzo that will make your bowels churn with their slow but funky afro-rock beats, a deep & rolling bass line and countless layers of percussion topped of with screaming flute sounds.

critics and concertgoers love his live performances and call him a living blues legend. record collectors of soul and funk 45s consider many of his early recordings on wax as a -must have-, some even as -holy grails-. no matter what roy roberts means to you, an album which collects his sought after 45rpm single tracks was long overdue.

second release comes from berlin based b.e.f., soaking you into a deep journey of the now. a repetetive meditation - forward pushing and hypnotising. b.e.f. has been a steady part of parallel berlin since a few years, so it s a logical next step to release his debut solo ep on our label. he has been releasing under different monikers, which have been subjected to quite a lot of variations. he meanwhile found a coherent foundation of a rough, hypnotic and gritty sound. coming along with the process of discovering the most genuine way of expression, he focused on analogue gear. “waveforms are not only a mathematical law, waveforms are everywhere, in all sections of everyday life, in light and in sound. parallel is one of the many parallel universes out there, living and believing in variety, whilst pointing onto respect for various life forms. we do what we love”.

forging an idiosyncratic musical language, told through exotic rhythms and adventurous wordless vocal explorations, deal is fays boldest work yet, moving further away from the pop signifiers of previous exploits. with an articulate minimalism, deal flexes and shapes these elements to their maximum potential through vast spacial movements that evolve down unexpected paths. compositional directions diverge through variations on a theme. the album s complex choral arrangements and daring structural ideas demonstrate a deft understanding of music foundation while departing into abstract possibilities outside of these standards. a conversational interplay between drum and voice is at the center, highlighting the human element. a loose, primal urgency guides these compelling and playful electronic compositions that favor intuitive sense perceptions over self-expression. the voice acts as a beacon throughout the record, leading the rhythms and arrangements towards their next move. deal is music for movement, an active listening experience that feels narrative or visual, building tension and anticipation of where the piece will lead, and what will happen next. the album uses sparseness to it s strength, with each note and drum hit sounding more potent and unexpected. here you ll find soul, exhilaration, guts, humor, freedom, play, humans animalistic nature. with a willingness to embrace the potential for new music, deal is a brave and different record that will reward listeners.

a new year will come and we begin the first strike next year 17 with the tech whizkids federico molinari&#8203,, and alexis cabrera&#8203,,..!! federico was very diligent in 2016 with his releases -tran-c“ on point of view&#8203,,(002), -nais on ice“ on melisma&#8203,, ltd. (005) and with „congo toys“ apollonia&#8203,, label (021). alexis was also busy with his releases „bike seat ep“ on point of view (003), „mivi ep“ on fun records&#8203,, (002) and finally they will come up to epilog with the next bomb....-disco sauer“. that s why we are very happy to annouce them on epilog, the boys give us much love and respect with that incredible record! very honored that disco sauer will be their first collaborative release together since 2015 s la vueltica on raum...musik.&#8203,, what hit the ground...!

over the years jim coles has turned his hand to a fair few different styles and made them his own. these days, most know his om unit alias as a significant force in fresh developments within d&b (recently found larking about with alix perez, binga and more in the richie brains project on exit records), but it s not always been that way.

what is footwork house jam (fw)? first of all it is a long-running club night in moscow, russia, dedicated to real house music and house dance culture. started in 2010 as a small project, influenced by sound and visual esthetics of 90 s house parties in new york and chicago, fw soon has become the biggest creative community of dancers in russia, gaining strong local following and international reputation. it is the birthplace and home for leading moscow dance crews. various artists ep -footwork house jam #1- is a homage to the global house culture and the eponymous moscow-based club night in particular. the idea behind this compilation is to provide the fuel for house dance culture and house movement to expand further on, blurring the boarders and eliminating the prejudices of the present times.

phonica records is extremely proud to unveil the next release on its special editions imprint the stunning debut album vuduwave by niños indigo. niños indigo is the alias of audiovisual artist valeria hernandez. developed over the course of a month, the album was recorded in hernandezs home country of chile and recorded in a single week, resulting in a flowing, organic yet otherwordly listening experience. valeria explains: this record is a compilation of influences that have been inside me a long time, they keep coming back, afro drums, hindu instruments, candombe, psychedelia in south america. the rhythm of what surrounds me, the lake, the forest near where i live, the calm that surrounds it, the love of my friends and daughter. all of these feelings are what i like to put in my songs, a reminder to value the simple, to seize the resources that i have and to try and free myself of whats on my mind. originally released on digital and cassette label discos cetaceos in 2014, its a recording that truly deserves to be given a new lease of life on vinyl

the best of dj cam on limited pink coloured vinyl.

a fantastic obscure record, whose tracks simply anticipate techno and generally electronic music of the early 70s, including kraftwerk’s milestone “autobahn”. the set provides some blending funk tunes driven by experimental electronic music, all with a heavy dramatic feel: the result is an unbelievable, unique and explosive library music lp, a collection of several tv synchronization themes. what we had is stunning drama cop scores and dark electronic moods, all surrounded by loads of fuzzy vibes and all that weird, industrial, futuristic synth fx and so on...
the vinyl release includes a cd-copy of the album.

with 4 releases under their belt and more to follow, it clearly shows the alliance between hunter/game and the icelandic band kura, can do no wrong. their band, landside, is now primed to get an accompanying remix ep following up from signs of change and desert lake. drawing their inspiration from a cumulation of music that inspires them, they call up a diverse selection of artists to the task, which present an astonishingly coherent vision. from the stormy modulated chords of robert hood and trickling pads crafted by etapp kyle, to the dystopian narratives expressed by bambounou and edanticonf, the re-visionings provide additional star-power to what is already a fine, shimmering series.

in the outskirts of zagreb they already know what’s up, but now that young szch has stepped up to deliver the virgin infinite pleasure release, the whole world is about to get down to his vibe. combining the smoothness of some of the most epic boogie tracks the 80’s had to offer with the gritty punch of his machines, he conjured up four high energy dancefloor napalm club tracks ready to rock all dancefloors in the universe.

asymmetrical code is the evolution of what is known as techno today. the -code- or song, takes you on a journey to the future of the past where you can find an alternate you through contemporary realities and soundwaves.
starting in 2013 as an underground label with no public releases, the main goal of fragmento & tracy (owners) was to find and collect the perfect sound, ambients, and grooves to carry you to the musical meaning of asymmetrical code. on this journey the listener is also accompanied by visual stimulants created by the label, to influence or facilitate the mind to wander and build a new creativity within you.
in this opportunity we have the pleasure to introduce in the a.c.r.002.v. artists such as endlec - fragmento - ryuji takeuchi - tracy & mtd. stay tuned for the a.c.r. 003 .v.

it was such a hot day in may 2014, we all remember, moscoman drop by his home town of tel aviv to do a party with krikor aka crackboy as his guest, they had a few hours to kill just before the gig, mosco rang up his old compadres and brothers in arms red axes, to see what they were up to, they were just hanging at the studio, “we’re coming” he said, and the rest is history, thanks to the taxi driver abed that was waiting downstairs to take them to the gig, they had vocals to finish this track and mosco had the chance to play this track that night already. powered by a uncompromising mix from no doubt one of the best producers of electronic music, roman flügel, and another killer by red axes, not a lot is left to do but wait for this monster record to drop.

dj dez aka andrés returns to japans root down records for his second 7inch on the label. for those that only know dez from his andres releases you are missing a whole other side of what this guy can do. dez has been scratching, cutting, and chopping beats for the better part of 20 years as a dj for slum village, a member of detroit s 12 tech mob dj crew, not to mention countless amounts of productions, mixes and beats for other artists. here on this 7inch we have two rare examples of dez s inimitable style, raw, funky and timeless!

the material collated on this third release from heavenly music corporation was composed specifically for st. giga in japan, a satellite broadcast radio station transmitting ethereal audio harmony 24 hours a day. what made this station otherworldly was its programming, motivated by tidal movements, the aquatic ebbs and flows of each day synchronised to the activity and intensity of the music broadcast.

unordained, brutal, and led by the rhythm of heavy bass and massive drums, disorder is an unrestrained ep, conceived in an atmosphere of distortion, edging on a certain experimental techno, equivocating between noise music and musique bruitiste. as if, here, techno were a tool of vengeance, a violent revelation with the appearance of redemption, the pieces succeed each other without any glimmer of hope appearing, and the sounds with the abrasive textures come to coil round fast and broken sequences. times are marked on each pulsation, regular and relentless. the frequencies evolve in progressions designed to install a particular tension. in -contact- some voices hidden by the filtering of a radio announce to the stoic listener and the sweaty dancers what they already foreshadowed: communication is blurred, impossible and painful. in a word, modern.

second release for the roosters! this time we have two new entry in the farm: dj cream (homequest, robsoul) and frank agrario (micronation record, swayzak. enjoy the listening!