this is the first vinyl teaser for the upcoming andre lodemann album fragments which is to be released in may 2012. the album contains both original material and remixes produced by andre lodemann.Ê this ep selection features brand new remixes for the south african house group liquideep and the charles webster produced january tuesday both 2012 releases. lodemanns edit for lusines two dots was originally done for private use. now it found its way to a release. lodemanns mes remix was somewhat overlooked and now receives proper support here. all tracks bear lodemann typical production style creating an epic emotional ride

maya jane coles with her dj kicks debut... 8 tracks on two 12 inches with full of mayas popular style

dubbed the >next hot natured< & following on from the first two successful sleazy releases we bring you the new signing from cassino, italy. william medagli fuses deep house vibes and a nudisco vision which is really going to set the floors alight. williams style is straight up moog magic mixed with classy & classic sounding vocals, so much so you feel youve heard them before! his sound really does keep you locked into a futuristic grooved out disco inferno

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

massive stuff! early praise and support from: thomas schumacher, martin landsky, john tejada, jimpster, ben watt, anthony collins, varoslav and dave aju among others. deep, dank and dusty is the name of the game for bad animals second vinyl release. san franciscos safeword (marc smith and clint stewart) have been on a tear since forming last year in san francisco. right off the bat they ve hit a stride with releases on fine labels such as dessous, paso music and are currently remixing for the mighty mobilee. this, their debut ep on bad animal titled >west portal< weaves down more soulful yet dark avenues. deep vibes, smooth synths and silky vocals are perfectly accompanied by heavy, churning rhythms and tasteful reflections of acid house. the legendary smash tv lend their expertise to round off the ep with an acid house monster of a party jam. while still retaining the dusty soul of the original material, the berlin-based duo has brought their >midas touch< to bad animal with this golden rework.

chicago oldschool master k alexi with a raw, tribalistic banger in classic style.

great inventive, fun, and super enegetic bunch from dublin. fans of the futureheads, two door cinema club, adebesi shank and devo should get what this is all about

nice price deal !!!

nice price deal !!! after putting out three synthesizer-free albums, the magnetic fields are returning back to synths with a fresh approach: >most of the synthesizers on the record didnt exist when we were last using synthesizers,< he notes. the songs — none over three minutes long — were recorded in los angeles, san francisco and new york with merritts usual cast of collaborators: claudia gonson, sam davol, john woo, shirley simms, johny blood and daniel handler.
code for free digital download of this album included.

>vintage violence< is john cales first post-velvet underground album and was originally released in 1970. cales signature sound with the velvets was purposefully rough and aurally challenging, but >vintage violence< is a startlingly user-friendly piece of mature, intelligent pop with a smooth, satin finish.
the welsh rocker shows a pop craftsman at work on ten tracks that reference everything from country rock to beach boys harmonies to the band-style americana and beyond.
180 grams audiophile vinyl pressing.

a gritty 90s style album for those who grew up on illmatic, midnight marauders, only built for cuban links, moment of truth, and ready to die. behind the scale shows the other side of what some are glamorizing about street life and drug trade. this is unfiltered, real shit on tape. some of the stories are inensly personal and sean second-guessed including them, but if it aint raw it aint real. behind the scale is about change, transition and growing up.

after a long time we are about to release on vinyl again. the duet kanzler & wischnewski are coming with two new tracks that are forcing to join the party and to dance crazy through the latino-mexican guitar and vocal elements. who doesn t want to feel a little bit like mr. banderas on the dancefloor and to let yourself go with the flow of the beats? with the track la bruja (the witch) the duo provides a special aura with slightly mystic vocals and a driving sound. in order to have a full package, lizzara & tatsch and stereo jack contributed their remixes, each with an own style this rounds up this great release!

once again some special sounds and atmosphere on fdb recordings with a pure miami style electro 12. magotron & debonaire brought out here some very well produced piece music that could take u back in the early 90s in an eye blink. special project ltd 300.

repress 2015 ! umami who claim to make songs not tracks come up with their first solo ep. after collaborations with aka aka and niconé and their latest remix on shaker plates they hoist sails and push their style one stop forward with >conquer the night< on a1. thats >all what you get< (a2) from umami: driving, funny but still eclectic tech house in a fresh sounding garment. the ageless synth line of >sunshine and godzilla< (b1) will drive the crowd crazy for sure and with >kukukuku< on b2 they proove that finnish lullabies also work on the dance floor. this surely tastes a lot like umami

his music is like a waterfall on house – organic, constantly running,sparkling and fresh.it could be the background tune for magazine beauties in st. tropez,it feels like a drive through californian valleys,or it may as well be the soundtrack tune for a full moon party on the greek islands - yes, it might indeed just be the result of many a club year. just as well, however, we can look at it as some sort of a flip side to those busy and dark times of dull and hard work back in the days, something to simply relax andm make you smile, after a hard days work, with a cigarette in one hand and a smooth drink in the other… imagine a piece of roxy music, a dancefloor in northern italy - some time in the late 80s - and joe smooths promised land.see what i mean?you picture this?well,in that case you have a pretty good idea of robertos serenades style.the original version of tell me feat.kholi is taken from the upcoming album dawn.

for soweso no 12 we are proud to bring you beesmunts debut ep >circulations<. beesmunt consists of david van der leeuw and luigi vittorio jansen, two rising talents from the amsterdam house scene. they started working as a dj-duo in the summer of 2006 and have been busy djing and producing ever since. the five tracks on this ep have a typical beesmunt style that has been tried and tested on the dancefloor. make sure you try this one out!

next amazing thoughtless moover by stare5 aka bryan zentz with a huge remix of noah pred. known for his distinctive productions over the years as barada, cyan and under his own name on seminal techno labels such as primate, tronic, jericho, plus 8 and cmyk, bryan zentz reprises his stare5 role for thoughtless with three tracks of dub-fueled deepness. pushing ever outward on tides of subsonic bass, >the sprawl< emerges from cover of night, a vast expanse of sleepless chords illuminating the darkness as ripples of reverberant effects reach toward the stars. label boss noah pred adds another layer to the low end to imbue his remix with a swinging pulse, then intensifies the hypnosis with a sinuous synth that snakes its way through a winding labyrinth built from the materials of the original. >frozen fog< opens with cold yet insistent stabs that keep pace atop a bouncing dub bass line, responsive chords building pressure amidst gradually rising vapors. with equal nods to detroit and berlin, bryan zentz successfully presents his own unique vision of a classic form with >the sprawl< - solidifying his reputation as a master of the style in the process.

atlanta producer distal teams up with vancouvers hxdb for >booyant<, an absolutely killer collaboration that fuses the best elements of both producers in fine style. taking a 136bpm tempo and bridging dubstep with a cutting edge bass-heavy house vibe, the duo pull together an intimate dancefloor bubbler that fans of night slugs and swamp 81 will most likely feel quite at home with. awash with lush synths and gurgling sound bytes, >booyant< is a quality track to tickle many a fancy. flip to side aa for distals solo effort >amphibian<, an excellent piece of 140bpm machine music, whirring and clicking in a roughly similar vein to instra:mentals >rift zone<. experimental dubstep pressure for the open minded, guaranteed future-proof. distal will release his debut album >civilization< on tectonic later in the spring of 2012.

gui borattos dark 2011 masterpiece >iii< was brimming with deft highlights, but not every one of them was aiming at the floor. showing his expertise in more than one style, the brazilian producer wove an intriguing web of beats and sounds that even surprised his most dedicated fans. >destination: education<, a slightly saturnine rhythm study featuring the return of guis wife luciana on vocals (who also sang on the classic >beautiful life< from debut album >chromophobia<), now gets pushed into the spotlight by dancefloor gurus terranova and tale of us, both tweaking the track to its optimal danceability. a must have for boratto zealots and crowd-sensitive djs alike, this 12 inch presents two heavy-duty bangers tailored to every partys needs.

adjunct is back with force with its first piece of vinyl in 3 years! for adjunct23 we have label boss apendics.shuffle teaming up with the legendary mr. c for a dance floor masterpiece titled >something strange<. this is mr. cs first time spewing madness for adjunct and he needs no introduction, from the shamen to superfreq, you know him. this will be the party jam for years to come, mark our words! on remix duties we have the canadian berliner mike shannon giving us a slab of juicy juicy dope on wax that is sure to trip out the most trippy of folks with a disgusting techy housey dub of >something strange<. also on board is uks affie yusuf, from house of 909, slowing down the pace, kicking down some dirty water funk and laying it out for all you nutty ass muthafuckers! get it? got it? good! we do hope you enjoy, we sure do!

already supported by: raresh, petre inspirescu, livio & roby, luciano, butch, andrew grant, faster and more.
crazyjack records is the brand new project from the parisian underground music website and party-promoting collective of the same name. we are proud to announce its first release with their romanian friends phrasis veteris. being one of the most talented newcomer producers in the recent romanian electronic music circus, barcaceanu ginel & manea adrian aka phrasis veteris released their first vinyl on all inn records, in october 2011. their tracks have been played and supported by many prominent djs.

shyam kickstarts the new 10 inch series from rawax in fine style.

the dirty dutch! anticlub a notorious collective from eindhoven, the southern capital of holland, was inspired to push itself into a new direction. the inspiration came from a painting by an old lady that drew the attention and gave the impulse to create the album freaks and followers. as the title suggests there are two kinds of people, people who take risks and people who do not. as anticlub used to be a risk-taker but slowly settled in an unwanted comfort zone, this created dissatisfaction and led to a creative standstill. seeing the painting everything became clear again. one should not stand still but keep moving and evolve oneself into new areas that one has not yet explored creatively. as lessismore is from the same dutch city, this state of mind also hit the lessismore label, which inevitable resulted in both parties joining forces to release this diverse album by a former underground techno crew called anticlub. as the lessismore label is known for its typically styled techno, lessismore was searching for a new impulse sound wise and visually, to ensure creative satisfaction in the years to come. with this album everything came together and the lessismore crew reunited to renew their input into the label, which was once founded to be a creative platform and an artistic journey and in retrospective clearly not a platform where one should repeat itself time after time. freaks and followers is an 8 track album with raw electronic based music combined with a variety of vocal work by different new anticlub members. the overall feel of the album is a dark punky attitude that reminds of the good old days of rave, which in the early nineties dominated the dutch club and party scene. this period can be defined as being careless and not taking credibility into account, trying new things, being blunt and just partying your hart out. being older this is a feeling that will never have to die, proved by the old lady whose painting was used as the art-work of the album release.

26 years old andrade is without doubt, one of the most exciting talents from the current crop of young french producers. having built a reputation within the paris scene for his skills behind the decks. releases on dessous followed and last year andrade also made an impressive debut on poker flat recordings. making the first release of his own label street knowledge, its time for andrade to take centre stage himself with the >sugar ep<. its bass-heavy groove is met with a busy vocal sample and refined piano chords, evoking a picture of his street knowledge. sugar is the soundtrack to a loft party. classics snares, mysterious synths chords and crowd noises. fantastic. keeping it old school and rolling with the bass lines and keys, andrade wraps up the originals with irreversible and berlin. for this first release, djulz offers two excellent remixes of sugar in order to confirm the power of this release.

dope track 12inch by no milk from japan (yore, third ear, capricious..)

hissy fit is the brainchild of the moustache mamas, part berlin, part london composed of a us east-coast sensibility and a uk north east sense of humour. its a vehicle to be able to work with the artists and release the music they love, to give something physical (yes all releases will be pressed on vinyl) to the people that spend all that time dancing when the girls are djing. the mamas have then built up a reputation of being grade-a party starters across europe, playing at the rawest of parties, and outshining some of the boys in the boys club. their approach to djing is mirrored in their approach to starting hissy fit, the girls are serious about their music even if the music itself doesnt need to be serious. for its first release hissy fit welcomes aboard leeds based >death on the balcony<. this year they have been cosying up to the likes of soul clap and the wolf and lamb posse, as well as being booked to play all over the damn place causing hissy fits of epic (yet joyous) proportions. the ep contains three originals, and kicks off with >every time< a synth-laced house jammer that brings in the clap & the punch with just the right oomph for the kids on the floor.

the impeccably talented organ grinder returns to the catapult records fold, with, believe it or not, only his 2nd solo single to date. the artists first sell out release obsession gained him some serious global attention with steffi charting the title in her 2011 end of year round up for clone. the organ grinder introduces vocalist jessy allen who will be a familiar name shortly with appearances on what i want by crst (forthcoming on valve records) and will also make an impression with her vocal contribution on the fourth studio album from high contrast the agony and the ecstasy on hospital records. for this outing he offers a simple and accessible track with an anthemic scope whipping up a combination of some serious teutonic funk and floor friendly, party-wise golden era of house vibes.

spank rock feat. big freedia - nasty remixes taken from the album:everything is boring & everyone is a f—ing liar (produced by boys noize) on the peak of the succesful wave of spank rocks sophomore effort, everything is boring and everyone is a fucking liar, boysnoize records proudly presents spank rocks latest single called nasty featuring the undisputed queen diva of bounce music - big freedia and hooked up by the lady herself tyette. nasty is the pure extraction of an eccentric and intimate bounce track twisted, filthy, party- and sexdriven, its bound to make even the grumpiest person dance like there is no tomorrow. this pearl of goodness comes in 2 different mixes by bnrs youngest discovery scntst, who turned the original track into a dark techno/dubstep hybrid giving you goose bumps. both, are clearly one of the best mixes done by scntst so far. also alex ridha was more than impressed and picked scntst voal-remix of his favorite rapper, just edited it and made this nasty tune even more effective!addison groove, also known as headhunter, of 50 weapons fame has graced us with two reworks of nasty. both expose his passion for experimental broken up sounds. he keeps it real by emphasizing the deep and heavy bass in the track. sebastian’s dtf dadt remix is a dirty dubstep gem, which we can already see fitting right in in underground clubs and big international venues. what a bonus!

after keeping quiet for a year the mysterious story label proves with in 3 chapters that there still remain fresh and exciting yarns in house music worth to be told. and while the story-teller remains anonymous as always he certainly doesnt lack in distinctive style and bravura as he carves out with rich imagination and pointed quill slightly fragile sounding yet carefully interlaced swinging beat structures masterfully lined and intervowen with melancholic organ chordes and sketches of blissed out rhodes melodies.

welcome reissue for this super-rare space funk album from 1983, one of the holy grails of the cosmic scene. extremely expensive and hard-to-find in the original, this lp was created by legendary french producers jean-pierre massiera and bernard torelli (listed here as areisam and bernie) and released on french label savoir faire. it is a superb example of the duos innovative electronic disco madness, always pushing boundaries while remaining supremely funky. stand-out tracks are the italo classic >challenger< - heady synths, tough bass and astronaut vocals combine in a strange space odyssey, >cruisin<, a superb electro-boogie style cut with a hypnotic driving bassline, and the fantastic >on the border<, a tight funky percussive workout whipped by wild space-rock guitars. but as you would expect from the massiera/torelli trademark, all tracks are great and the lp a worthy addition to any self-respecting italo / cosmic collection.

the debut palace brothers album was released in 1993 when much american music was going through a particularly bombastic period. in contrast >there is no one what will take care of you< sounded like a field recording, as though a tape of back porch confessionals recorded by alan lomax as an example of high southern gothic style, had been newly discovered and released.

francesco grant has become an institution of the finest techno/house tracks on afu and way beyond and returns with his fourth release and three brand new tunes.
>dont scream< is a prime time piece that delivers with its cool funky rhythm bed and the cut up samples that became so much of francescos trademark.
>everybody love me< takes his style even further with vocoded vocals and >still here< rounds it up with some mental ladies voice and a fat groove! enjoy the ride ...

we are proud to present our release number 29:three precision techno tools from the hand of veteran producer kike pravda,including a remix by oscar mulero.queen of the damned opens the record with tight drum work, subterranean atmospheres,accurate synth sounds and a structure in constant evolution that make of this track a definite hit on the dance floor.on the b side,oscar mulero reinterprets anthropic using detroit style keyboards,razor sharp hi-hats and a sibilant ambience.a track devised not so much for the mind, but for the body.the original version of anthropic closes the release with hardened rhythms,dynamic roland 909 sounds,together with deep and changing arrangements that keep tension up for the duration of the piece.

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

this latest instalment in an impressive run of eps sees chris colburn drop one more classic sounding cuts, wide awake (jacking, detroit-inspired minimalism). having asked to remix >wide awake< after receiving the track directly from chris, rebekah showed just how much she liked the track by delivering two remixes. her fully awake remix is typical of the no-nonsense heads-down style that has earned rebekahs previous work plaudits from adam beyer and chris leibing, while the half asleep mix reworks the original stab pattern to deep hypnotic effect.

the irresistible electronic trio formed by antonio pecori stefano meucci and andrea giacchetti mainly known as the clover strikes back on bosconi records with another strong 4 tracks ep. after an year spent into researchin and experimenting in their own studio, jammin for hours like a proper band as they are, using analogue machines, freaky instruments and concrete sounds, our lovely boys, always keepin their distinctive funky n groovy attitude, turned the page of their past west-coast inspired funky house vibe and changed the way of seeing club music into giving life to a completely new, fresh and personal house style. the whole ep sounds like house music influenced by post rock bands like tortoise and kraut legends like can and this 12inch is an absolut winner that sees on a side the psychedelic tribal funk of goodies while on the second cut theres the subliminal mood of wandering souls, b side instead goes more spiritual and rockin thanks to the manipulated percussive trip of find yourself and the darkdroning session of amsterdam house don san proper remixing goodies. a real four season ep!

nkltd is proud to present three serious deep techno cuts from japans imugem orihasam.we call classic on this one!skit 5 is stone-cold killer in the refined spirit of larry heard or juan atkins. deep space darkness with shivering jazz keys. made for sunsets in the northern light.float is a mills-style mechanical beast – made for the darkened clubs or the brightening sky.deposits,closing out the ep,is an abstract,melancholic electro killer that will make the walls sweat and the eyes wet.

elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party. coverart by: emiliocaccaman (ita)

astounding new material beamed via shemales atomic allotment,concealed in an outermost shadowy recess of darkest hyperborea. the musical paintbrush creates a harsh, barren landscape for hell transformation screens as deeply brooding electro and dramatic synthesisers propel each musical journey in its own unique style.there is an indescribable and mystifying tension which builds within the work of shemale, the opening cut, dead city photographs being a prime example. the soundbite here simply cannot pay justice to this tack as a whole,as the intro (which incidentally cannot be heard in the sample) is quite simply outstanding,with deadly,steely synths preparing the listener for an unmistakable and impending doom, which is ultimately realized in the dense, desolate sense of desperation interpreted in the final ambient-drones of tomb. converted followers of the atmospherically articulate shemale will need no further persuasion,as this will undoubtedly be a compulsive steal, but for those with an appetite for the darker side of twenty-first century electro, then there has never been a better moment to plunge into the shadows of atomic allotment. special limited edition pack includes matte postcard insert.

new label sunkissed records brings you the first in a series of fantastic compilation 12inchs featuring choice balearic moments from different artists with the spotlight focused this time on blues rockers fleetwood mac. kicking off the beach party is arthur bakers incredible extended dance version of the mac classic >big love< that became an staple at the early ibiza parties as did the next track >ricky<, a lost 7 inch b-side also caned on the white isle in the late 80s. finally on this side is the more up-tempo disco-tinged >keep on going< keeping the floor moving. kicking off the b-side is the mesmerisingly dreamy groover >hypnotised< a true balearic classic followed by two more sunkissed delights, the sublimely sensual >brown eyes<, and finally >world turning< a bluesy stormer with some amazing percussion that also found much favour in ibiza. an essential slab of vinyl and a must-have for that perfect sunset record box.

here uto karem returns to plus 8 for his second release on the label, with the two tracks he serves up - take control and all over you - continuing in the rising italian stars good run of form. as well as being an in-demand remixer, dj and producer, karem also runs his own agile recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here.take control is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. though it pushes on from left to right in true plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. all over you again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. as well as this, there is a more driving dub version of take control which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on plus 8.

ltd 2013 repress !!! if you liked >intriguing feathered creature< you will go nuts over >mangalore< , track 1 of pistes insulites! a highly addictive unmistably bradock detroit deephouse infusion - an intense groover with big bass, incredible kick and much epic drama. almost unstoppable - you will put this on random, swear! track 2 >hints of delusion< is different in style but no less stunning. a briliantly over the top stomping >multiy layers of vocal bits< collage so funky i have no words to describe for. must be heard! alltogether another bradock classic to run after, have, play and behold forever and a day!

from rome to glasgow through bavarian lands, analytic trail to forward its last project. the young frankyeffe comes from the success of his releases on labels like: remain records of axel karakasis, naked lunch of a.paul and kombination research of mr. cisco ferreira a.k.a. the advent. riot is the name of this ep made by four tracks, including remixes by harvey mckay and alex bau. first remixer comes from scotland with his debut album, machine make noise and the amazing project nightwalker on soma records. with starting his own label toneman back in 2000 alex bau also started to his soloproductions for labels like chris liebings clr and sleaze records with a great remix by alan fitzpatrick. riot has a straight kick, an obstinate synth reverbered in background and a sereies of short hihats. the track is mostly characterized from continuous aggressive snares that making an hard groove and all is surrounded by a fat bassline, old school techno style.

polluted017 is a tech house 4 track ep from joel enzo. the projects take inspiration from the artist move to berlin and the new choice of life in such a city. the solid beat programming and synth melodies makes all 4 tracks very catchy and for the dance floor. the tech house style of this artist it is pretty unique from influences such as booka shade and general get physical releases but mostly from the deep and dark german tech house. for this release there will be a 5th track for promotional purpose only and will be free to download on the artist soundcloud page from the date of release.

cool phreakin and spooky real electro bombs... anthony rother style

this is electronic funk at its best starting out with detroit in effect mix of a annihilating the rythym. this is a true gift for all electro fans you. get the two funkiest groups in detroit giving up nothing but the funk with the remix of annihilating the rythym and the original by aux 88. side 2 mr velcro fastener taking aux 88s vision on the track interstellar fligh theme to a more celestial electro style. track 2 b side has yet another aux 88 croatian brother dj xed re programming control panels in another steam punk electro inspired robot world….don t miss these aux 88 masterpieces reworked by the hottest producers around.

after a break for over a year pattern repeat is back again with another two tracks on their own label. both kenneth & resoe has been really busy last year, so it has been difficult to meet up in the studio. but now they had the time to finish two tracks of deep dirty techno from the capitol of denmark copenhagen. again they set it of with raw dirty dub infected grooves and the a side starts up right away with the dub elements intact, and then keeps building through the rest of the track. after the short break a hypnotic atmosphere kicks off in best pattern repeat style. the b side starts slowly with an almost alfred hitchcock kind of atmosphere, with a dull kick underneath. the track keeps gettin more dirty through the 6 min. and 15 secs. it last, with more distortion added to the dub stabs. its a good way that kenneth & resoe returns since the last 12 inch they put out in december 2010, to set the stage for 2012.

roberto clementi hails from a small town on italys east coast somewhere between riccione and rome. he is much more of an inventive sound designer as opposed to an average music producer. his tunes range from deep and lush to uplifting and party-pumping - often fueled by minimal subby basslines, retro-ish melodic elements, elegantly cut-up vocals, and an overall warm, analog feel. he currently has releases and remixes on labels like unfoundsound, monique musique, distric raw, undercut, stolen moments, manual music, kompass musik, suara, greel pound, sk supreme, and others. he is also one-half of i-rob alongside roby dj, and they have releases on labels like autist, tenax recordings, clasque musique, and others. his debut ep for steadfast features 3 techno trax ranging in mood and atmosphere but all sharing a perfect dancefloor sensibility and top-notch production. brendon moellers reshape aint half bad either.