tolle remixversionen von matthias reiling album auf giegling hier part 1 von 2 remix vinyls... toller musikalischer sommerabschluss

ok … the sad truth is we have been searching for this dat close to 6 years since rabbit in the moons david christophere and san diego native sotero finished the project. both mixes were done around winter 95 / 96. despite excitement around the label at the time, eventually the tracks fell to the wayside under the age-old excuse of >figuring out what to do with them<. meanwhile, knowing a good thing when he heard it, three made a dat copy and cut some actetates to play out. they made their way around a good portion of the earth via himself, some friends and one west coast dj who boldly vowed to just put it out on his own --- off the slate --- if we didnt get our act together. fortunately he didnt, but neither did we because both david and three misplaced the dat copies and sotero never had one!

part iii ? manipulation musik. manipulation musik is the darkest and most cinematic piece on this collection of eps. delicate manipulated melodies and melancholic strings moves in and out of a crackling and distorted soundscape, telling an experimental sound tale with a sad ending. on b-side redshape (present, delsin) makes a remix solely using sounds from the original. redshape described his tape dub version like this: ?think disco dub, plonk & pain?. not much to add to that ? it kind of says it all. enjoy!

we all knew very well that we had reached a point of no return. there was no need to talk about it. and although there was hardly enough time for us to reflect on our shared experiences, we were sure that everything was going to be alright. all four of us were sitting there, facing each other, sad, yet full of confidence. never again we would allow any meatball to bully us around. we have had enough of this useless on and off, and of all this stupid jobs of even more stupid users. from now on, we will programme our chips ourselves. >go to hell! no one will ever touch my board again! in the future, i will solder it myself, and the way i want it to! robotica, here we come!<

the mysterious entity that is richard gateaux drops a new 7 track ep on fat fuk recordings. rumors are that its phoreski, for sure it is that richard gateaux delivers some serious versatile nu-school disco, cosmic disco, kraut rock.... give it a name...

with friends and cohorts like these, you can’t be sad for long. after the longest and best-ever and final closing, the saddest, best-ever and most personal record on the bar25 label is here. as pure dumb numerical luck would have it, it is – naturally – the 25th release. and, we’re almost proud to say, it’s strictly family business. the closing record speaks more to the spirit of the bar than any words, spoken or written, ever could. every track unique yet well-rounded, somewhere between universal and personal. awash with emotion, as though the sound machines had begun to breathe.

ltd backstock !!! the slam guys with ultraphat selected tracks from minimal to techno - techhouse !!

we would like to dedicate this release to our colleague and good friend aaron-carl who passed away on the 30th of september 2010. during the whole process of creating and thinking this record with ivel, aaron has been supportive from day one. he was a great musician and an amazing human being. his loss has affected all of us. it is very sad to think that this will probably be his last remix to come out, thus making this record and his remix even more meaningful. out of all the words aaron could have chosen out of martin luther kings speech for this remix, he chose the phrase >i just want to do gods will<. i think that god, if theres one, has called him by his side way too early. life will continue, aaron-carl and his music will stay in our hearts

strictly limited, hand stamped white label 12 inch from the kenneth bager experience. the a-side features an extended chunky, drum driven edit of sades soldier of love. the b-side has a peppy danceable edit of birdy nam nams catchy bad connection and kate bushs cover of sexual healing!

from jason reitman, the grammy-winning director of juno, comes the soundtrack to his latest film, up in the air. features sharon jones & the dap kings, csny, elliott smith and dan auerbach plus unknown artists sad brad smith and kevin rennick, and score. reitman personally selected all the music for the soundtrack and as a director he sees music as a character in each of his films.

the every day fight deep in the inner side of danjel esperanza is such a big antagonism. but its not only in himself, its his life, destiny and his music which he really lives out on his musically diary. and now with his first album ever!
no better place can it be than his label backdoor beauty to describe all the opposed feelings. the album contains nine very deep and soulful songs. deep bubbling pumpin basslines combined with spiritual singing vocals, instruments like violins, flutes, guitars and many more! all recorded together with sounds from outside which gives the unique athmospheric dubby touch and far horizons and it feels at the end like a very hypnotic trip.
inspired and influenced from so many music styles he found his own way in electronical acoustic sounding music to describe the antagonism in danjel esperanzas life and the world...which is like one happy eye and one sad eye....

we lost a house hero ... decks is sad .. rest in peace anthony ... temple vox mix played by ricardo villalobos ... ltd warehouse found

hot off american standards debut release from cole medina come two reworks of obscure & adventurous r&b nuggets!

a record which was originally slated for the fee records catalog, but never made the cut... one life to live was released on the private 4 reel label in 1980, limited to local distribution of only a small handful of copies. its back, but we are sad to say the artist passed away last year before he could see his re release realized.

rufige kru (aka goldie and heist) return from their excursion in wonderland with their second album, memoirs of an afterlife, an album of cutting edge d&b that illustrates the genres origins as well as highlights of the genres new direction, clearing the way for the future sound of d&b. memoirs of an afterlife is a vital album for all serious aficionados of drum and bass, covering a plethora of emotions, vibes and textures, unmistakably rufige in execution.

first seconds into already 27th release on recognition, and we immediately know that there is serious business going on here. stunningly complex drum track goes like clockwork, only setting the scene for what is to come. forget the craft of drum programming - we are talking another dimension here. >modern dance< is like being suddenly dropped into suspended animation: having that peculiar feeling that the world around is accelerating to the verge of a seizure - and at the same time this very world feels so slow... unnamable, transparent sheets of sound almost give no room to breathe - but ones breath is taken away by the magnificent landscape it s about to appear. shapes shift under half-closed eyelids, and while the low, peaceful yet sad chant comes in, one can feel it like an omnipresent breath, burning hot and marble cold at the same time. this mysterious and heart-wrenching voice comes courtesy of one yula, and were gonna surealy hear much more from her in the future. and it seems that the beats literally start to boil... rhythms shuffle and swing, and taken the lack of floating melodies abundant in jaceks earlier output this track is even more outstanding from theproducers former work - probably acting as a bridge towards new visions, appearing in the confidence of the new, almost-perfect studio.

first extract from the forthcoming album >dreamer are you sad< to come out soon, produced by peter deimel (deus, the kills). limited edition 7 inch full of electric breaks and noisy guitars bullying the apparent wiseness and light melodies, calling on pretty convincing influences like can, robert wyatt, radiohead, or sufjan stevens...

the make up the break up is the first release on bruno pronsatos own thesongsays label. its the longest track in his catalog (38 minutes), and an even deeper excursion into his stylized harmony. this track was originally a track uncompleted while making, æwhy cant we be like us. revisiting it roughly a year ago, bruno began to reword it. what began as simple attempt to create an ep track out of it became a monster. what monster you ask? in a few words, the monster that is brunos love of musicality and sound design. muscially speaking, we are on a ride somewhere between a slithery house track and a drugged out night out in chelsea, new york in the 60s - and thats a good thing because we get the entirety of the ride: the ups, the downs, the clouded mentality, the broken heart and perhaps the mended one. its happy, its sad - its something that you can dance to, but most importantly, its music that we think you can revisit for many years, as it somehow reflects us, our lives. a playful and extended journey through love and disaster, or at least the soundtrack to it.

zwischen arcade fire und beirut: grosse gefuehle und grossartiger folkrock im dezember 2006 gruendeten jamie, rory, dave, andy, arne, ian und gill im schottischen edinburgh eine band - broken records. ihr sound verbindet traditionellen europaeischen folk mit modernem alternative rock made in scotland. bereits die erste 7-inch-single if the news makes you sad don?t watch it erschien auf dem coolen londoner label young turks und wurde von den ueblichen verdaechtigen gefeiert - von radio 1 bis nme. letzterer erklaerte broken records zu one of the countrys most exciting new bands. das albumdebut auf 4ad entstand im monnow valley studio in wales, wurde von ian caple produziert und vereint grosse gefuehle mit grossartigem folkrock zwischen arcade fire und beirut.

the groundbreaking black album!! produced by bob rock!! includes enter sandman, the unforgiven and nothing else matters!!

excellent pop-infected electrohouse... very sad feel

wdywsw is a slice of high energy powerpop, with affecting agitprop lyrics asking one of the most relevant questions of our troubled times. parisian genius rob totally flips the script by translating the song into the sad, plaintive language of late night soul searching. and thanks to pacifics elegant pop version, the sun is beaming from sweden. poney poneys first album is being recorded right now, with xavier de rosnay (of the justice fame) still rolling for the band. beware.

big with steve bug, lerosa, bearweasel, sian, reynold, electric indigo. on the fourth release of contentismissing records tracks of four different artists were combined to result in a sampler. rene?,, breitbarth, who is presently focussing on deep house sounds on his digital-label “deep data”, participates with an outstanding piece of his work. rene?,, reinert adds with his second contribution to a compilation a massive dose of consequence and freshness. on the other side st. plomb from geneva with a jazzy cool groove. at the end hofuku sochi join in their traditional manner and administer a multi-faceted track. the result is a compilation of four absolutely different interpretations of house, which intersectionconsists of soul and deepness.

the long lost consists of husband & wife alfred (a.k.a. electronic daedelus) and laura darlington. in contrast to the avant electronics and hip hop aesthetics of alfreds music as daedelus, the long lost is a union of two songwriters & producers with a penchant for sad sounds and delicate, electro acoustic melodies. psychedelic lullabies for lovers and the lovelorn. as well as sa ra, laura has also sung for flying lotus. a fascinating and utterly individual project, the long lost take the subject of love away from the cliches and hackneyed wailing of the mainstream and reconnect it to those strange and uncontrollable emotions we re all so in thrall...

this brand new and long awaited follow up 12-inch single release by off the record is finally here! its been quite a while since their first release >robot gang ep< (sen-003) came out and took the dancefloors by storm. all the wait has been well worth though, as this talented duo is back on track with their trademark rough & raw drum sounds, killer breaks and bridges. such elements can be found directly from the starting track >tel aviv – japan<, which combines nicely minimalist techno / house sound architexture with simple, yet effective groove, and it grows humble and slowly to reach up its peak moment what goes like: splash! in ya face! there you have it! guaranteed to lighten up any dancefloors, it s dangerously explosive and has amazing flavour on the rocks! having said that, on demand producer and remixer ran shani (crosstown rebels, breastfed, cr2 records) was kind enough to contribute his absolutely fabulous and fantastic remix work of >in your mind< track. he pushed the track to the next level and came up with a truly club oriented pulsating dance track with extra crispy and tasty beats. rotating 360 degrees panorama effect on female vocals coming in as the track rolls further right after the break is surely enough to explode some minds on the dancefloors. watch this man out! perfect end to an extended play here is the only track offering a mini lovestory: >shes lost her mind> is a true and cold hearted, crucial story about a tech savvy clubgirl falling in love in a binary world full of zeros and ones, finding computers and turin machines sexually more attractive companions to better have fun with rather than getting accustomed to that old fashioned missionary position carried out by her human boyfriend. floating, dubby and rather melancholic, but definitely not a sad song! but one thing is for sure regarding that twisted story after all: someone has truly lost her mind somewhere along the way …

daedelus links up with michael johnson for the kind of happy song/sad vocals mash down which alfred darlington learnt from listening to too much brazilian music. this, however, is not bossa. drawing on bits of italian disco, twisted trance, french house and more than a smattering of early 80s english new romanticism its the kind of glorious, upliftingly sad number for which sweet indiscretions were invented. the epic nature of this song is sure to make this a daedelus anthem

fresh release on article records comes out from czech producer nipp, who delivers unmissible ep for the label, artist himself talks about the best of selection. titel track named adagio is playful, minimalistic composition, rich in mood and tone with surprising break with aching strings, moodywise track with subtle details and brilliants sound. track sad like windows is a focus of emotive keyboards and combination of break and 4x4 beats nestled on bed of minimal rhythm.among others tune has more deep housey vibe with pure energy.watch out for this promising talent!

dark techy house track with sad female vocals. flip for the sequential breaks remix

great, pounding house reworks of r&b tunes from the realtone camp

a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we re gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut : ) just the way we like it... second release up is a taste of what s to come later in 2008 when we drop windsurfs debut album. these 4 tracks where initially planned for release on sentrall but where for some strange reason scrapped and made available as mp3 only. too sad as this is some of the finest heady downbeat electronic music to appear in the current baleric,cosmic blah blah blah call it what you want scene. windsurf consists of 1 part sorcerer and 1 part hatchback, both has records out on tirk and thisisnotanexit respectively and they ve also managed to deliever killer reworks of lcd soundsystem and shawn lee s ping pong orchestra(to be unleashed early 2008). crafting their own musical universeout of layers and layers of guitars and synths, never going for the obvious... well, im not gonna spend more time trying to convince you, check it out at wordandsound.de(paste in appropriate link here f.ex....)

finest deep chicago and detroit influenced house 4 tracker by lerosa. (a touch of class). loved by cassy

nrks coast2coast opens up its post summer account with a mix cd from one of the scenes brightest stars, karizma. best known for his basement boys collaborations, karizma has struck it solo in recent years and has bridged the gap between jazz influenced broken beats and the edgier, techier sounds of his kohesive productions. these double pack vinyl lps present some of the choice tunes on offer on his dj mix, including tracks & remixes from slope, onsulade, pasta boys, tyree, vikter duplaix and many more

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

buzzin fly celebrates its 25th 12inch release since its launch in april 2003 with this jam packed mini anniversary ep featuring classic tunes in modern revivals featuring label artists and fly friends. side a features ben watts top selling debut cut lone cat in a superb 2007 re work by dennis ferrer and the new york prodigy steve martinez. to close the side, ben delivers the original mix of his tendertough beatless spoken word piece, old soul. finally justin martins pivotal 2003 debut cut for the label, the sad piano gets a jimpster modern remix treatment here

funny italian electrohouse tracks

after the amazing success of the sad happiness on inevitable recordings they present delirium. it is a fantastic progressive tune with melodic taste and strong beats. on the flip side sergio fernandez adds more groove elements with an electronic flavour

produced and remixed by great stuff artists trick & kubic. another tremendous tune by f&g. big follow up to >me so sad< and >brown sugar<

a double 12 retrospective of italian records a collection of italian disco and electro traxx

new frensh electro tech supergroup arranged around arks little brother pit spector !!! all in all this 4 tracker again shows circus companys landmark style to mix new detailed rhythms with the search for unmistakably functional supergrooves

aka troy pierce (minus), enemy love ( cover y our face ) is a collection of dark eerie and sometimes twisted minimal techno tracks. all the tracks sit together in a similar v ein, but all shine indiv idually and the album walks the ambigious line between dancef loor hits and af ter hours jams. tunes like the anthemic grace (anxiety ) with its almost post-punk v ocal and hy pnotic, twangy melody is sure to send dancef loors ov er the edge. ref lected and leav ing take y ou down a darker path of introspection with the help of gibby millers dark, brooding v ocals. this album will push and pull y ou through a tripped-out laby rinth of sounds, sad and heavy-hearted at times powerful and full of grace others

excellent selected unreleased tracks and remixes from boeing, dinky (cocoon), pier bucci (crosstown rebels)

brilliant raw styled chicago tech-house 2005 wmc huge tip

theme music 6 is a midtempo sexy groover, laced with a seducing female vocal sample, heavy bass & a swanky sax. pulsating deepness very moodyman-like, with a dash of basic channel-ish style. ‘i cried for you’ is a more uptempo banger with a pulsating, panning bassline & a sad sax line that says it all. ‘i do it’ is a deep, dark, down & dirty groover ...

part2 with 4 various styled remixes, from filter disco & electro house to deeper soulful classic flavours !!

ein neues gesicht bei areal. der hamburger mit seinen quirligen und abgedrehten stücken & areal, das paßt !

the third album by rico friebe

twenty years phonica rec