taken from their forthcoming debut album, the spellbinding >alive in us<, darkness falls announces their next single, the melancholic and mysterious >the void<. featuring the heartwarming tones of lead singer josephine philip, who co-writes with band partner ina lindgreen, the whole album was produced by leading danish composer and recording artist anders trentemøller. as we look forward to the albums release, the catchy, up-beat yet mysterious charm of >the void< confirms that the groups stand-out sound is set for big things. trentemøllers touching piano version accompanies the original, drawing on the heartstrings as he does so well, with great sensitivity to the original. produced by trentemøller.

in 2009 we released our first season collection called >somero2009< two years later coming back with an another huge collection of fresh and already well known talents and artists. the double vinyl starts with matthew dekay & lee burridge great song >out of order<. pirupa draws with >raw orbit< an awesome ruff techno track. the french connection g-rom, jef k & gwen maze gives an amazing dreamy house song. from russian we got tripmastaz & arram mantana with a trippy circus track. one big newcomer from stuttgart city is emanuel satie with his old school addicted track >hans<. julien bracht & martyné are two of the new talents from frankfurt-freebase connection, watch out for them! arado & marco faraone the german-italian team kicking with >get reverse< a real groove bass monster. and something special from düsseldorf / germany the new talent lahib alekozei gives his best with a romantic and mind catching song >behind closed doors<.

slowdive wurden stilistisch besonders durch noise-rock-bands wie sonic youth und my bloody valentine, aber auch durch gothic- und dark-wave-gruppen wie siouxsie and the banshees, the cure und den cocteau twins beeinflusst.

saved regular ross evana returns to the label with the monstrous >these sounds<, a vocal infused future classic that cannot be ignored. combining an infectious groove with devastatingly catchy vocals the lead single will slip with ease into any djs box and remain there for years to come.
continuing with the quality expected of a saved release, gregor tresher makes his debut on the label, presenting his take on the lead single and adding a flavour to the original that only he knows how.

after his debut on baby fords trelik imprint, ld nero graces pomelo with profound house rhythms - delivering a perfect record for the hot season. title track be the light features a very catchy hook over deep strings and sparse but effective rhythmic programing, achieving an ethereal summer tune, floating and hypnotic, but grounded in the low end, - effective like a lightning strike in a steamy summer storm. the flip features two extremely stripped down house grooves, reminiscent of mid nineties house á la maurizio, applying subtle changes and transitions for maximum effectiveness on the dancefloor. timeless and classic

some may have thought the trail was cold, but battant (chloe raunet and joel dever) have just been running as far as they can. not running away from something, just keeping on moving. from the headless wave of their first lp, towards the strange shores of their second album, as i ride with no horse that is produced by its a fine line (aka ivan smagghe & tim paris) and will be released worldwide in october 2011. first glimpse: shutter. this is one of the many places where they now stand. a dry, sparse yet catchy romp. on their own edge (between early cure and meth country if you need ready made tags), electronics still dance in the corner, reigned in by the sharp its a fine line (tim paris & ivan smagghe) production. the live take of clearcut is what it says. ghosts in the machines, spookiness never in vain, this is a real song. the idea of a cover of westbam and nenas classic old school, baby had been in the mind of the team for a while. this track is a part of our history. not an easy tackle but we like to think they have made the anthem theirs. going beyond the anecdote, here is a seriously rocking wink with early support from optimo, james holden, tiga, chloe and more.

nice price deal !!! dose - brain drain :
new addition to the m-atome artists roster, another new zealand wonder which is now a force to reckon with, dose strikes hard with a moody rolling number,delivering fast-paced beats with groovy bass, hypnotic sub and clever edits. sheer badness!
rregula - batholith :
second appearance for rregula on m-atome, the bad man from the down under land, once again, provides a strong track, starting off with gentle pads until the ruff bassline surges, rolling along with some intriguing and catchy hits over a solid beat pattern.
dj support from axiom, chris su, mindscape, bulletproof, dementia, phetsta ...

systematic welcomes the polish producer duo pol_on from warsaw who are comprised of kacper bogacz and michal piotrowski. after having released several cool 12 inches on freerange, mothership and get physical the first collabo with systematic recordings was a remix they have prepared for spirit catcher. the a side track >were lost< sounds like an energetic mutation of aphex twin after having played too much with powerful house grooves and >heavy rain< on the flip side sounds like a hybrid of old imagination e-piano samples paired with deep house chords in combination with slightly delayed but ass kickin soul grooves. pretty crazy and unpredctable but hey, systematic is kind of the same, isnt it?

following the radio and chart smash >bounce< feat. kelis, calvin harris releases his storming new single >feel so close<. whilst >bounce< featured vocals from superstar kelis, >feel so close< features vocals by calvin himself. the single is indie meets dance and whilst having the usual catchy hit factor of a calvin harris single, it has an anthemic euphoria in its feel good chorus and echoing guitars and drums. already premiered on pete tongs radio1 show last week, it is most definitely set to make crowds ecstatic from the dancefloors of ibiza to the festival crowds of creamfields and big chill and is sure to be one of the anthems of the summer.

hand stamped and numbered - limited to 300 copies worldwide!
on sat002 lovework/decisions, black light smoke shows off his pop sensibilities with two sing-a-long summer anthems-in-the-making. lovework is a no-wave-inspired ditty littered with catchy analog synths, an ass-shakin bassline and reverbed claps juxtapozed with a haunting processed vocal from the producer himself that repeats, >you made a mess of my head. now i gotta put it all back together. theres nothing to say, over and over…< which is how this tune will be playing in your head after one listen. on the flip we get a taste of black light smoke in deep house mode with decisions, a lustrous and vibey joint that features a sweeter vocal by suavecito, a new guise of dj/producer and vocalist who is well known by another name. here more analog synths produce wickedly buoyant bass lines and swirling pads that combine with bubbly piano stabs and little vocal sample/edits for what sounds like it could have been a naked music release had the label been operating in 1990.

shir khan presents his favourite edits in the form of a new sublabel of exploited entitled: black jukebox. the first edition features a great mix of deep house, disco, soul and hip hop. contributions by amsterdams homework and hamburgs adana twins. 4 infectiously catchy tracks that can be either explained as >true revision< or >the stick a kick drum on it!< philopsophy. already loved by the round table knights, soul clap, dj sneak, jesse rose, catzndogs, wareika, dj t, jazzanova, christian prommer&michael reinboth, nd baumecker and many more. homework and the adana twins took 4 classic tracks and turned them into something that is so lush that maybe even larry levan might have played it out. 90s sentiments were rearranged to be retrofitted in this era: pure revisionist nostalgia.

support by richie hawtin, m.a.n.d.y., andreas henneberg, kombinat100 and many more. featuring deep atmospheres and altogether slightly more electronic rhythms, the second part of the catchpenny & cosmos series rounds this double release off by an even greater variety of sound. just like its name implies, the dark tower hotel is a wondrous and mysterious place. upon intricate double bass chords and trippy synthesizer riffs, female singing from times long gone mixes elegantly into the hypnotic arrangement like a melodic leitmotif. in his remix, mollono.bass lives up to the last four letters of his name and delivers a rolling groove. the jaeger gains experience with acid, at least during the second part of this title which distinguishes itself by a minimal character and enigmatic wind instrument sounds. last but not least there is morgiana , a laid-back song that does not aim the dance floor. its catchy gypsy vibe, created by lots of classical instruments, reflects the remarkable compositional talent of be svendsen in a very entertaining way.

iberian records feature on their seventh release an ep from migrant (aka 23hz) who comes with three slabs of soundsystem funk and groovy vibes. >limbic sistim< kicks off proceedings with a building arrangement into a catchy vocal lick – all underpinned with tight beats and warm subs. >acid sumatra< works on a similar tip but ups the tribal and percussive pressure on a deeper insistent rub. whilst >pipe club< brings some classic two-steppy flavours into the mix but cleverly reinforced with massive sub weight. these three tunes are taken from migrants forthcoming album, also entitled >exit plan<. more bass n groove from the lisbon and barcelona based label that should find favour with the deeper end of both dubstep and uk funky scenes.’ early support by scratcha dva, ghosts on tape, kid606, chrissy muderbot, cardopusher, slackk, mesak, phaeleh, deville, bunzer0, throwing snow.

after a long break cécille numbers comes back with a great 4 tracker from alex celler. after huge tunes like >caedmoon loop< and >a sin< together with his friend anthea, alex goes for his first record by himself on cécille. on the a side you find >blue vaudeville< a great emotional dancefloor track with an awesome catching groove, together with shonkys perfect summer anthem interpretation of this tune you have two different strong heaters for the hot summer. on the flip you find the cool clubbing monster >dawn in the jungle< with an unforgettable hookline plus >eccosaise< which shakes every ass on your dancefloor

yes, a deep and soulful release by the bittersuite crew. on this three tracker you will find the soulful groover life cycle, a great uplifting summer vibe with catchy bass line, chords and percussions. will def. move the deep house heads.on the flip you have the tracks blockhead and blueprint. blockhead with deep, deep pads and its distict bass line combined with a >in your face< banging kick drum, could be described as nothing less than a masterpiece. will def. be banging your system. the track blueprint is something for the late hours, on point peak time business. with a distinct groove to die for, nothing can go wrong with this bad boy

proper heat slid onto the nangsphere last year with their nifty >we are ready< ep. they certainly were… good reception all around and some fine plaudits. fast forward on 6 months and we are really pleased that the follow up >move ep< hits the streets. proper heat are from lithuania and are made up of martin virgin, saxtone and some fine vocals from karolis ramoska. laid-back, accessible disco house is the order of the day with this ep. we have two finely voiced tracks. dulcet tones and catchy songs abound with karolis doing a fine job in the voice department. lead track >the move” is mid tempo groover. mixes from nang label new-long-found-friend james bright and label stalwart (and supertop photographer) ichisan… you are always a subject when you are in the same room as this guy…. snap snap snap. james grooves it up with tight synthy bass and ichisan gets electronic and rolling. you can check out the video for >the move< on youtube and our home page too. the equally able >get ready< also makes a strerling appearance on the ep. another fine disco groovoid song. all in all the package overflows with extra dubs and instrumentals. bountiful disco abounds.

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

fresh from the release of his stunning third album, >inner space break free< on the magic + dreams label, the unique and acclaimed live performer, bass clef delivers an anthemic summer 12 inch for the punch drunk label. an integral piece of bristols musical jigsaw, bass clefs live shows and dj sets have wowed the city for years. his punch drunk 12 inch debut is long over due. rollercoasters of the hearts euphoria fuelled piano refrain combines with dub echoed beats and rolling, ground shaking bass before delving deep into acid bliss, juxtaposing the darker, melancholic yet tough and club ready so cruel on the other side. if you get a chance to catch bass clef live, you wont regret it!

supported by richie hawtin, monika kruse, mihalis safras, kombinat100 and many more ....crunchy beats and bouncy basses – no doubt, this is electronic dance music. but the extensive way in which classical instruments are deployed on acker number 23 cant be described as a simple sampling play any more. rather a fiery mixture of rhythmic electronic thrust and the thrilling atmosphere of handmade music is created. >solo para mi< is based on a functional yet driving groove on which a wind player arrangement unfolds, progressively escalating to ever new atmospheric peaks. mollono.bass takes up the summery-warm tone colours of the original in his remix but keeps it a little more dreamy and subliminal. >bulgarian chicks< is stronger orientated towards the electronic elements but still also here there are instrumental and vocal entries which lend to this title a very unconventional gipsy style. finally another remix on >solo para mi< by eule:nhaupt and molle:nhauer puts emphasis on the song-orientated components of the original, taking its hybrid character even further. supported by gorge, douglas greed, luciano, mihalis safras, the glitz, kombinat100 and many more

if you will permit me to get a little honors english on yall, classical scholar sir richard livingstone once stated that >our danger is not too few, but too many options ... to be puzzled by innumerable alternatives.< say what? well, take flo ridas predicament on new david guetta single where dem girls at: upon stepping into the club, so many fly females catch his eye simultaneously that he finds himself incapable of deciding where to begin. as hes struggling to resolve this deadlock over the veteran djs stark synths and four-on-the-floor percussion, an especially alluring specimen swoops in to make the decision for him - not only is she gonna kick it with him, but shell bring her equally fly friends along for the ride. playing the woman in question, young money heavy-hitter nicki minaj attacks the beat as only she can, dropping what may well be her most off-the-wall guest 16 since monster. so, readers, this dancefloor-scorcher + remixes on this vinyl will whet your appetite for more body-moving bangers, no doubt about that

white marbled vinyl + remixes by federico grazzini, dema and roland m. dill. fabiano bion catches you with his first vinyl for mulo records. ottanta leads you to an ancient era but always mod…the track is a funny mix of bumping grooves and vocals patterns that will commit you in a 80s dance! this release includes three amazing remixes by federico grazzini, dema and roland m. dill. supported by: alex neri, mihai popoviciu, uglh, mirco violi, someone else, andy kohlmann, trockensaft and more ...

nice price deal !!! nastynasty a.k.a. jasper reeder is a us bay area dubstep producer whose planet mu debut pits a slither of pitch-altered mournful vocal melody against a rough modulated bassline and 8 bit chimes, to catchy and memorable effect.
on the b side - heterotic - a.k.a. mike paradinas and lara rix-martin put together a remix that is altogether more upbeat, pitching up and looping the sample while building loose panned drums and a rushing arpeggio into an optimistic almost romantic crescendo with sweet chords and glassy tones that sit somewhere between juke and synth pop.

the kenneth bager experience strikes again with this catchy, feel good ragtime inspired dance tune that features aloe blacc on vocals. vocal mix from onur engin, a more 4/4 house flavored dub remix from tuccillo and the original accordion and clarinet album version. black vinyl in music for dreams sleeve.

faze action maintain their fine run of form in 2011 with this four tracker from the shack, aka guy williams and dan williams (not related!) both have been active in dance music from the early 90s, with guy holding dj residencies at clubs such as the ministry of sound and turnmills during their pomp while dan williams aka d.r.w carved a career as a singer/songwriter. together as the shack they have absolutely nailed it with >touch it<, a sleazy-does-it italo peak time jam. arpeggiated synth lines, catchy vocal hooks and instant bassline work in jotous unison with some cowbell carnage. the 12 inch comes replete with a dub version and boogie influence faze action remix. rounding off the release is another original cut, namely >dont stop, in which tough drums combine with a late night vocal intoning the track title to bewitching effect. this shack attack has already found its way into the record bags of pete herbert and severino - expect it to be in many more come summer s end.

there are certain songs that are so very good, the only singular word that accurately describes them is satisfying. >wait & see< is one of those: an aural pleasure that scratches an itch and hits the spot so precisely, it almost feels like self-denial not to listen on repeat. on holy ghost!s latest ep, the absurdly catchy single from their self-titled 2011 debut gets a makeover from three of dance musics titans: cfcf, kris menace and richard x. and while this batch of remixes finds the artists behind each track steering in new directions, each finds a way to capitalize on the irresistible danceability of the original.

parisian label my love is underground calls on the service of kool vibe, a veteran dj & clubber from paris. although now in his 40s, this is his debut release, but to hijack a well worn phrase, its been worth the wait. mr vibe has clearly spent many a night on discerning dancefloors, and the three tracks on offer here are produced with the steady hand of someone who knows their way around a house tune.

city limits vol 1.6-1.8 completes a hat trick of releases from silkie on deep medi musik and last before his highly anticipated and long overdue new album city limits vol. 2. this heavyweight four track ep sees silkie deliver a diverse helping of his unique style. >its late< with its catchy vocal hook, driving drums and surging synth owes as much to silkies early garage influences as it does to the sound of detroit techno, >float< and >murky< are all about the weighty dub influenced bass lines and keys alongside the super deep melodies and groove, finally the bumpin >techfunk< with its piercing synth, frenetic drums and g-funk style bass rounds off the ep perfectly keeping you wanting more and hungry for the next installment. radio support: benji b (radio 1), dva scratcha (rinse), gilles peterson (radio 1), mistajam (1xtra & radio 1), sinden (kiss fm), j 5ive (antisocial) (rinse). dj support: mala (dmz), skream, benga, toddla t, joe nice (dub war).

berliner martin dawson and polish duo catz n dogz join forces to bring us this fierce three track ep entitled no nights. the first track on this release is no nights. brimming with warm pads and an accusing, dark lo-fi synth line this version has a deep vibe to it and the ability to really get under ones skin. following this the berlin-polish team hit us with no nights (beatz mix) a catchy tech-house number with a lo-fi synth line sporadically accompanied by a melodically decending dubby synth. combined with the crisp vocal line this makes for a very promising track. no days, the last track on this release gets straight to business with distorted vocals and a menacing bassline that intertwine throughout the track. varying rhythmical flourishes keep it interesting, while tripped out synthesized sounds guarantee to get any dancefloor grooving. we couldnt be more pleased with the results of this tenacious trio and we look to the future in hope that they are already planning further collaborations.

>lifes track< is the mysterious and anonymous bosconi homemade project of two promising artists,100% build through an analogue and raw production and mainly based on a psychedelic, futuristic and freestyle musical approach.
no names, titles and any point of referement has been added to this release, what you get now is a 4 tracker ep, 4 sonic artworks of detroity inspiration and impulsive creation, in the vein of a more sensitive, delicate and spiritual omar-s, smooth like an early mathew jonson, dreamy and a bit acieed like some of the first intelligent techno tracks done in the 90s but with a more catchy pop music feeling.
shake all the ingredients and you will get the whole mistique and ghostly enigma of lifes track, timeless music made to dig in the depth of your soul.

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

after the brilliant work with tigerlily on the digitaline track >say so<, gregorythme teamed up again with the lovely singer and created another epic masterpiece. >no time no space< has the potencial to become one of this years big anthems, with tigerlilys great voice, the catchy melody and the unbelievable synthline staying in your head for a long time! kalabrese and lee jones both kept the epic feeling of the original. kalabrese added his unique funk and kind of a caribic touch to it. imagine a lonely beach with nothing else to do as watching the stars out there. lee reworked tigerlilys voice, combined it with a massive bass and takes it a step darker into the night, made for dancefloors and big soundsystems!

inclusive download code.
>gable is the story of two drummers who decided to play the guitar and a girl who learnt to play the keyboard by sticking coloured sticky labels on the keys.< french art-pop pioneers gable have been causing a significant stir of late, captivating audiences with their unique luxury diy. having spent the past year experimenting with a bizarre collection of odds and ends lying round their studio and home, they have created the fabulously eccentric and catchy album >cute horse cut<.

double 12 inch with bass-filled tonic for mind and body straight from the med school.

hulk is a collaboration of claw & richie august, two creative minds that share a similar production style and enthusiasm for heavy bass driven music. since the inception, hulk has been catching the eyes and ears of artists such as the glitch mob, dieselboy, reid speed, reso, the gaslamp killer, high rankin, iwrestledabearonce and dj lord of public enemy, among others. after catching the ear of juan basshead who had to sign them!

the a-side >schizo pogo< is a catchy poptastic punk single from your loveable london trashlettes girls on top - a dance record with a twist. pogo, twist, bop, or bounce on your bed, groove to the 60s garage harmonica solo and sing along with the chorus.
the b-side >she didnt show< with its fuzzy guitar intro, throbs threateningly with a satisfaction-type beat.

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

after the success of their inaugural workout last summer, jam factory return with their second ep of machine-made music that goes bump in the night. ocean calling is an authentic big-room house record underpinned by a catchy bassline combined with ever-evolving synth stabs and crisp analogue drums. on the flip hot & heavy kicks off with a rolling subterranean bassline and gradually develops into an addictive groove.

nice price deal !!! dj panik and yox do the honours again on frances number one drum and bass label. with catchy synth leads and scatty beats these tracks have been damaging dancefloors around europe for the last few months.

crazy p return to 2020vision with their first new material since the stop space return album. the mts series is a chance for jim & chris to get back to basics and produce some club tracks for their in demand dj sets, before they reconvene with the rest of the band for their next album. already making waves with both of their soloexcursions (ron basejam and hot toddy), they team up here for two perfect examples of their trademark disco and house vibes. crazy p are quite rightly held in great esteem from some of the hippest names around, wolf & lamb, jamie jones and tensnake to name three. they have been ploughing their own deep disco furrow for many years waiting for fashion to catch them up, and now can take the plaudits for being figureheads of this uk scene. my love is a superb raw house cut, thats custom built for sweaty basement sessions, influenced by classic us house. make me wanna takes a moreunk riffs and diva vocals. both of superb examples of the amazing crazy p sound and have had unanimous glowing feedback from the few people lucky enough to have heard them so far

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

lush analog disco from the enigmatic megadon betamax collective. super warm live synths and a catchy falsetto hook on the vocal version will put a hump in your shoulder. as always a highly limited and collectable 12 on voyeurrhythm with sweet retro futuristic disco tracks.

so sound recordings is proud to present the highly anticipated album from toomy disco: bedroom tricks. following on from the 1976 ep and the age of the jaguar ep, which have drawn praise from djs including: annie mac, m.a.n.d.y., dubfire, rayko, dana bergquist and tensnake. here comes toomy discoss debut album: bedroom tricks. the full album is charged with infectious nu disco grooves countered by ominous and emotional synth notes

austrian musican martin brunner aka madney moon scores with two refreshing tracks. with a wonderful catchy melody, the first track >is it hot< sounds quite imposing. patrick kunkel (coccon recordings) does a very nice remix and straightens the framework. the second original mix >is it what< is a powerful contemporary techno track with a dark concise vocal. its therefore no wonder that rocco caine does his typical deep interpretation of that track. the remix sounds monstrous and gives your spoilt feet all they want and love on the techfloor.

the song barbra streisand of the new yorkers house duo duck sauce is a dedication to the famous actress. duck sauce is a collaboration between a-track and armand van helden and in the official video you will find a lot of well-known bigwigs. with a great boney m. sample and catchy sounds barbra streisand is a track, which is much coolerthan you suggest from the name!!

umami who just collaborated with aka aka now join nicone with this late summer dancefloor smasher on side a: i come to you (incl. nicone remix)! umami who claim to make songs not tracks prove this on side b where they not only remixed nicones hanaetano but gave it an additional catchy vocal line. >im down on my knees<! limited to 500 picture sleeves!!

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.

strictly limited, hand stamped white label 12 inch from the kenneth bager experience. the a-side features an extended chunky, drum driven edit of sades soldier of love. the b-side has a peppy danceable edit of birdy nam nams catchy bad connection and kate bushs cover of sexual healing!

nice price deal !!! robodisco proudly presents a thundering ep by dibu-z. the 12 includes four powerful electro tracks with catchy drum programming, warm melodies and rich arcade sounds.

italian based eclipsemusics fourth outing comes with a serious release courtesy of passenger, talented artist whose productions can be heard on night drive music, paul macs sula muse, logos recordings and echoplexs soleil. this new 12 inch confirms his interest in the deepest and more underground side of detroit techno. >black varian< was the highlight of his digital-only release on radiance records back in 2008. eclipsemusics label manager instantly fell in love with it, and now, improved and remastered by aaron-carl (wallshaker, detroit), black varian finally lands on vinyl. with its evolving and ear-catching sweet strings, its delayed cascades of cymbals and pianos, swinging synth lines and subtle bassline, this is already a little new classic for the label, crossing the borders between detroit techno and deep, groovy house. the release is completed by two strong remixes: paul mac strips down the original and builds a dancefloor number keeping a few catching elements for massive impact. just out on connaisseur with her new album, estroe takes the track on an emotional ride creating new harmonic vibes while keeping the deepness intact.