a strange confluence of sound that sounds part krautrock synth label brain records, part hyperdub. techno haze and synth wormholes with spectacular sound design that has banged at berghain and soundtracked winter night drives. greenspan is known mainly for his work with junior boys and jessy lanza and taraval is a longtime touring member of caribou, but both have released several 12” and eps of electronic exploration over the past few years. inspired by synthesizer minimalists like jd emmanuel, cluster and john carpenter, the two attempted to create a type of dance music with hardware that was indebted to their influences but did not feel intrinsically retrogressive. the idea was to make a type of raw synthesizer and drum machine music that could be listened to beside the hypermodern techno of pearson sound or actress. the cover art is a tribute to a mysterious mural that looms over the hamilton ontario area where the album was recorded. each of the five tracks on the ep were edited down from much longer recording jams which were done with hardware sequencers in real time. the recording was done completely off the floor with no overdubs or added material after the fact.

im hauptfokus des albums ore sind drums, umspielt von elektronisch manipulierten texturen und akustischen details. Über die jahre hat belfi eine soundwelt kreiert, die gleichermaßen ein drum set-up mit elektronischen komponenten vereint. es war ein langer weg, die akustik seines saari drumkits zu entwickeln, bis es seinen ansprüchen genügte. in perfekter symbiose stehen die elektronischen elemente des nord modular und samplers. beide welten vereinen sich auf ore. belfi ist bekannt für seine energetischen und charismatischen auftritte. solo, sowie als teil seiner unzähligen kollaborationen. 2016 war er mit nonkeen auf tour, der dreiköpfigen band von nils frahm. belfi war schnell das highlight der shows, nachdem sie das london barbican centre ausverkauft hatten. mit seinem beeindruckenden und explosiven drum soli, wurde dies ein unvergesslicher moment.

ltd repress - toi toi return following on from last years voigtmann release with audio werner stepping up to the plate with a fine two tracker of spacial minimal beats

danish composer the swan and the lake is at it again with his trademark widescreen soundscapes wrapped around eight new tracks of exquisite scandinavian balearica. with the release of his first album -moments- last year on copenhagen’s music for dreams, we were introduced to a unique artistic vision. with one foot in the ambient chill out spectrum and the other in everything from classical avantgarde, idm and jazz, the music of emil svane breum under his alias the swan and the lake is both very accessible yet complex. on his new album -clouds- we see him expand on those same ideas and with seemingly simple means achieve extraordinary strong emotions. opening side a, the jazzy intro of -fresh food- leads us into a sublime piece of hazy ambient groover that could easily be mistaken for a lost 80s production from japan. -clouds over Østerbro- keeps things playfully cool and adds elements of scat singing and xylophones, layered over breum’s shimmering bright chords. while the title suggests we are still on danish soil, this feels like a five minute vacation to a tropical paradise. guitarist johan liepstack makes a guest appearance on -summer in december- which comes off as an understated anthem that could break out into euphoria at any second, but manages to stay in a sombre state all the way through. on the track -plastic pacific ocean remake- we are visited once more by airy vangelis-like vocals which assume the role of a nurturing angel, guiding us to a comforting state of relaxation and healing, as breum lays down an overwhelmingly beautiful synth serenade with chords that hit you right at the core of your most vulnerable state. flip over for the mallorca inspired track -port d andratx- which comes in two versions - part 1 (sun) shines like a perfect escape into that cafe del mar/ hostal la torre sunset while the more deep and melancholic part 2 is aptly named rain. the gentle trickling of -waterfalls- sees breum mimic the eternal cycle of water, creating an organic and ethereal composition that stretches out seemingly without beginning or end. and finally on -heaven’s voice- we see breum in his most epic and emotional mood, as he steers us through a slow explosive force of cinematic sounds. it all ends with a heartfelt spoken word contribution by guest vocalist neonbi.

after a run of successful mixtapes over the last fve years, self provoked released his debut album triangles on october 28, 2016. production has been supplied by la natives nobody, kenny segal, louden, big game huntaz and daddy kev.
hailing from the los angeles county region of san fernando valley, self provoked’s music career has been elevating through his crew on a high note, building on 70.000+ subscribers over his streaming channels and opening up for hip hop legends such as bone thugs ‘n harmony, talib kweli and dilated peoples. triangles is the summation of his endurance and discipline as an mc, running through unique wordplay and imagery over the 43+ minutes of the entire album.
every line of triangles opens up the most honest of windows into self provoked’s thinking process and the beats ride through west coast tinged ?avors of the darkest and brightest sides. the frst track to premiere from triangles was launched this summer, galvanizing his perspective on the realities of society with the nick rodriguez directed music video “supposedly.” bringing in 150.000+ plays in the last few months, “supposedly” was produced by long time working associate of provoked’s, louden.
triangles was recorded, mixed and mastered by low end theory co-founders nobody and daddy kev at the cosmic zoo.

we’re seeing red! promnite’s absolutely mental snake charmer ep gets the physical edition it deserves. this ain’t no soundcloud special — snake charmer is a four-track dive into life itself, showcasing the collaborative songwriting chops, elevated sound design and alwaysfunky approach that makes promnite one of the most exciting young producers in the game. this cali-via-nyc producer (and co-founder of la’s beloved athletixx dj collective) eschews run-of-the mill bangers for the bittersweet turn up of “gunsmoke,” featuring denzel curry, nell, j.k. the reaper and twelve’len, and short-story worthy clubland tales on “ride around” with adam vida. meanwhile, prom’ssmooth stepper “call me” with mark johns nuzzles up against the space-age trunk rattle of “cruise’n usa,” featuring ladonnis. promnite is bringing the love back to club music. for all their futuristic thump and sonic precision, the tracks on his snake charmer ep are wonderfully, messily human.

here we have the very special return of the synonymous tom blip to the blip discs label since 2015 s endlessly re-pressed wrong guanco . sentimental strings kicks off with notes of early 2000s daft punk hands-up-in-the-air euphoria before politely cannonading into hints of theo parrish kick-drum chaos midway through, whilst a commingling of orchestral disco sample heaven, twinkly scintillation and sonic messages from the stars constitutes the b side, there were no signs. early support coming in strong from midland, gerd, francis inferno orchestra and more...

andi and david first met in a forest beside a psychedelic castle in the wild west of scotland and soon bonded over a love of wrong speeders, balearic gems hidden in plain sight and the odder side of the dancefloor before djing together just moments after andi was unraveled from a burning tarpaulin. a firm friendship and fun partnership was born. hailing from mancunia but for sometime an export to the usa, andi, for many years was one of the great things about new york city. a charming, low-key individual, a great, great dj and a graceful presence in the land of the overhyped and ego driven. andi held down the musical supervision of rock star games and was responsible for a lot of great music getting out to the gaming masses. he was a vital member of body and soul for the best part of 15 years, delivering infamous warm up sets for danny krivit, joaquin joe claussell and françois k, pedigree vibes... david, a music lover since birth, a record collector for more than quarter of a century and a reputation for being the first on the floor at any party. db s transition from dancer to dj didn t take too long and his selections of rare disco, oddball gems and panglobal pandemonium have seen him play back rooms, basements, festivals and freakouts throughout the land, whether running his own parties in glasgow or playing further afield alongside the likes of young marco, jayda g and moodymann.

12inch whitelabel, limited to 300 hand stamped and numbered copies, coverartwork by utramoodem. schockglatze is the distillate of a longstanding collaboration between artists working across the frontiers of several forms. with audio- visual performances, band projects and international exhibitions as part of their armoury, spõnk, nik nowak and moritz stumm have been causing a stir within the art and music worlds for years. spõnk has already cooperated with a range of acclaimed vocalists including warrior queen, sensational and christoph waltz. he forms the solid basis and is the sonic central nervous system (scns) for the studio productions of schockglatze. nik nowak, most notably through his sound tank or ôpanzerö (2011), has in recent years worked closely with musicians such as (the late) dj rashad and dj spinn, and sonic poly-math the bug. last but not least moritz stumm aka ultramoodem, who brings to schockglatze an inimitable rhythmicity and graphic dimension. as a graphic artist, vj and video director he created a singular technique of synergetic audio-visual effects redolent of a hyper-voodooism, the aesthetic of which has become a signature style of schockglatze. the warlord ep showcases their various influences and is only a taste of the sound from éheart of the mandelbulbÆ and includes a remix by hyperdubÆs ikonika

subtil009 is coming from andrei catalin bumbu alias hansel he is also part of the new generation of dj s and producers from romania. the 3 track combination sounds good for the dancefloor with one long a side and 2 tracks back on the b side! this record will keep any point of the night! we are happy to get this guy to our subtil family and to our roster.

south london ordnance debuts on parachute. the british producer marks his first release of 2017 with parallel window, a four track ep featuring three wrought-iron originals and remix from token & blueprint affiliate, sigha. driven and direct, the music marries rolling low end with high energy drum machine percussion and wide angle highs - for the most part eschewing anxious, heads-down austerity in favour of a more uplifting, trancelike approach - spread across multiple bpms. despite the heady, crushed finish - shifts in tone are subtle, developing over prolonged periods, with careful modulation drawing sounds in and out of the sonic hinterland sporadically to create a comfortable atmospheric balance between peak-time dance-floor urgency and hazy mid-set moments. on his remix, sigha hones in on this sentiment - lifting the caustic lead bassline from parallel window and augmenting it with trademark cavernous low end, skittering highs & a rolling lead arp to create a hypnotic, half-time dirge.

the fuse label builds on its previous releases from psyk and goldffinch to present another transmission of high-end contemporary techno from henning baer. great toolish techno like a faster version of the lost tracks series by dan bell back in the days.

another outstanding release on an|dromeda
full cover, vinyl only!

it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep ônewwave project æ2ö a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music.

coming from the sound system scene in geneva, androo began to produce 80-90s infused digital dub as a teenager. his interest in jazz, new wave, dub and house gently collide in his studio a place he sees as a laboratory of experimentation here everything is mixed, dubbed and recorded live at the console. with this first ep release on second circle androo s music reveals a desire to avoid categorisation whilst displaying a clear love for percussive rhythms and emotive melodies. big tip! second circles first release of the summer features an ep of tracks by young producer androo from switzerland. having released on the sparring partner label which he co-runs with bony fly, androo has another release imminent on his second imprint poly dance .

the first long-awaited release of champ libre records compiles the tracks of the label’s three pioneering artists. since 2015, spun off, 3-pi, and size pier heave been heavily shaping the eclectic character of the most daring parisian dancefloor. their work reflects the crew’s transgressive approaches to techno. it stands for contradictory ideas, open-minded experimentation with sound, art and aesthetics. genese ep highlights each artist’s intriguing distinctiveness growing from the background of creative chaos.

having remixed depeche mode and dj hell as well as releasing a new fixmer/mccarthy single with douglas mccarthy (of nitzer ebb), 2017 has already proven to be a productive year for terence fixmer. with the new force ep, the berghain resident follows up on 2016 s beneath the skin ep (o-ton 97), offering four stylistically different but congenial techno scenarios for club use. the record s eponymous track on a1 doesn t think twice: the initial signal horn starts as sudden as the staggered kick drum rhythm, reoccurring throughout the cut s 6-minute playtime while sustained and oppressive screams from a synth, extra multifaceted ebm percussion and synth drones add to the overall sombre atmosphere of ôforceö. the musical vibe distinctly changes with ôsidewalkö which puts more focus on synth melodies û like its predecessor a techno cut per se, but with a stronger accent on hypnotic motifs. on b1 ômelting planetsö emphasises the kick: clocking in slightly slower than the other three tracks û at 122 bpm û the bass drum here sounds extra vivid, ever-present and spot-on, just as if terence was playing the drum kit sitting right next to you. with additional percussion and swirling melodies ômelting planetsö is a lulling, mesmerizing meditation in dub techno. ôstriking patternsö on b2 links to the best moments of force ep s a-side, combining bone-dry bass drum hits and distinctive brazen, banging noises, pulsing synths pads and sizzling surface sounds.

there’s a delicacy to the performances by toxe—not a fragile delicacy, but the kind you’d associate with an olympic rhythmic gymnast, whose twirls only seem light and graceful because of the immense muscular power behind them. “ - fader toxe’s horizons are very wide - she has deconstructed britney spears in -xic- for halcyon veil and with ‘still life’ (co-produced with mechatok) she caught the atttention of kenzo who used it as a score to their fw 2016 prints’ presentation and she has also performed alongside arca. toxe exhibits her relentless creativity as she edits and produces her own videos designs her visuals, exhibiting her relentless creativity which has lead to the excitement for the upcoming audio visual collaboration. the work, ‘morning story’, was created in collaboration with artist niclas hille. released on limited edition vinyl and also digitally in may 2017. the swedish musician crafts some of the most stomach-churning music productions, innovative drum patterns and lovelorn melodies in the scene. her debut ep ‘muscle memory’ was released on staycore in october 2015. on the five tracks of this release she clashed boulder-heavy rhythms against intricate details painting a picture very human and emotional, developing a very distinctive sound. the artist concluded 2016 with her first ever south-american tour. more recently, toxe played at berlin s ctm festival and meetfactory in prague. the swedish experimentalist has just been announced for a gucci x club to club night in milan, best kept secret and wiener festwochen s new hyperreality festival.

for the 13th edition of code is law, dark stars rising, we have a double ep collaboration between the labelÆs newcomer wyad and chief moerbeck. focused on shamanic black magic vibes, this release is filled with a lot of mysterious synths, ecstatic melodies and groovy beats. this will be the perfect selection for the upcoming summer festivals.

the parels is a duo of jim goodall and eddie ruscha from l.a. this lp is their second release after their self titled tape on lal lal lal. inside the grooves of this record they continue their strange exotica mission through the jungle and towards the mysterious grottos of the mineral kingdom. the trip is listened through a kaleidoscope: small details and miniature symphonies change places and blend together, enchanting scenes morph into others. limited edition of 300. co-release with ikuisuus

after two hugely successful outings on distant hawaii, hidden spheres cruises into lobster theremin waters with four sun soaked and heart meltingly infectious slices of his trademark soothing and late night house.

after zine s m--e ep started the climb to the peak of the mind everest the crew s journey continues with this versatile four track ep by fairly unknown but up-and-coming producer lowshore. his debut record provides a fine selection of superb crafted house with a not to deny touch of funk and jazz influence featuring a tooled bassline cut, a drum infected sampler session surrounded by an emotive peaktime jam and an ambient run out on the flipside. each release comes in a black screenprinted sleeve with an embossed photographic fine art print.

limited edition of 500 copies, clear vinyl, w/ download code original songs written, recorded, mixed and produced by the devil & the universe 2013-2016, remixed, rearranged, visualized & channeled january 2017 at babalon sound.

ass spanking funky futuristic wobbly disharmonic robot wanking at its best! a must have for all fans of the karlskrona sound! this is the shit that makes you wanna move to the small town and have pizza at sorrento every day. dj joakim cosmo, sweden.

modem:39 is booted and connected. main task: linking components like friendship, art and communication. this sustainable mixture results in label artist tommes first release on solid 180g black gold. the a.r.l.t. ep represents a thoughtfully crafted selection of analog sounds, inspired by classic house music. tommes, being a part of eastern germany s underground scene since 20 years, demonstrates his unique style with four timeless tracks. his passion for dubby sounds and chords echoes through the whole ep – solid deepness incoming!

mcdrive is a bass line driven tune, full of versatile, warm synthie-melodies and catchy percussions. its length offers great mixing possibilites.

let s get smooth and dreamy on the „stendalsunsetboulevard“. a beautiful piece for any occasion.

side b features two more linear and straightforward tracks. -deeples“ hypnotic dub-groove creates a very profound depths. club approved!

cheerful house roller „deemin goes- glares with atmospheric pads and a punchy bassline - perfectly rounding off an honest solo-ep.

the ep is limited to 300 editions with a handcrafted cover artwork - 50 of them comes in a special black and white edition, 250 copies in decent black artwork.

perfect groovin romanian minimalism. our first vinyl release comes with a special four tracker va which includes tracks from our own fenju and mariin and also our close friends from abroad andrea ferlin and pandilla ltd.

the second release of 2017 and from fasten musique is almost ready. our eleventh release will be first split ep. fasten musique brings together berlin based artist andrea ferlin who is one of the founders of sleep is commercial and japanese rising star sinob satosi, we finally welcome his contribution to our series. vinyl only as always!

green village is a label operating out of jersey city that deals in all manner of sounds from rugged house to scuffed up techno, but with a distinct bent towards broken rhythms and plenty of bass. this various artists 12- plies a diverse trade, with all tracks bound together by their ruffness. theft & toyc bring some loud and lurid bass synths to their snaking slice of oddball club music -atlantic-, while bd1982 places focus on dense layers of choppy drums and needlepoint acid arpeggios. eighth ruin delivers a truly head turning beat with the appropriately named -whip-, and then etch pays tribute to a classic movie with the excellent breakbeat science of -predator-.

(180 gr) mark barrott steps away from the balearic sound hes become synonymous with to take a journey back to the territory he first explored with bepu ngali. the pathways of our lives is a joyous, life affirming piece of 70s afro soul with amodern twist, continuing barrotts love affair with african polyrhythms and 70s philly strings.

nancy noise passes the mantle onto andrew weatherall and a motley crew of balearic prophets to deliver four very special cuts for the second release of brand new imprint beyond paradise.

hannah holland s batty bass imprint returns with the vinyl release of mama s sublime, atmospheric unmask me, sits somewhere between dub and house. the 16 min original twists and intertwines with rippling bass and powerful vocals. a concoction mama s uk upbringing and dark berlin sensibilities have shaped. legendary house pioneer, ashley beedle offers a glistening, summer, deep house beauty. stunning rhodes sit on top of shuffling percussion alongside mama s message.

naveed akhtar is truly one of the unsung heroes of manchester s ever vibrant music scene. under his freak seven & sasso aliases, naveed has enjoyed support and acclaim from hordes of dancers and discerning dj s alike. his expertly crafted productions speak for themselves, and we re more than happy to present the debut release on his newly minted northern life records label. the a side houses day come through a ridiculously uplifting, but bitter-sweet hymn crafted from the bones of detroit techno and the soul of deepest nyc, via the rain-soaked streets of downtown manchester this wonderful ear worm is already attracting deserved plaudits and ecstatic reactions. on the flip largo is a crisply rendered, heads-down jam, shot through with the heavy production dynamic, but melodic light touch a hypnotic delight. finally raspberry toast featuring the handsome guitar work of begin is a beautiful homage to the sun-soaked mediterranean, which has inspired so much of the manchester music scene. an incredible debut, we re sure you ll agree!

after kicking things off with sean thomas’ (cop envy) the weigh, sydney’s outer time inner space return with a collaborative ep from jon watts, the kind-hearted, go-to sound engineer of the sydney club and experimental music scene and otis label owner, hugh burridge (aka hubert clarke jr). as resident djs for otis’ sweet echoes parties and guests for some of sydney’s more open-minded club promoters, jon & hugh have developed their own style of warm up set, largely unrestrained by genre. another view is just an extension of this open approach to club music. there’s an obvious ode to bukem’s good looking records, a lopsided mpc jam that could have been written by a drunk ron trent, a club roller with uk broken beat at it’s heart and a spaced out, dream-scape dub from melbourne mate, rings around saturn (dan white) to round out the ep. the common thread, they’re keeping it deep.

early 90s warehouse find featuring classic ny garage, disco & boogie + a dj tool. this amazing ep starts off with aftershocks slave to the vibe followed by keep on movin remix by deodato. on the flip we have the sound of music by dayton and to end we have set it out by midway (accap) house edits

proof of the rude health of the australian underground abounds with this new label from phile, who step out with a self-titled debut ep that tells you all you need to know. this is searing, brutalist techno crafted with invention and imagination - the dense crackle of the beats and scorched peals of synth on -found in blood- are a visceral force to behold. -marauder- is mellow by comparison, furnishing a minimal beat with live bass, dramatic string licks and steadily building atmospherics. the analogue dirt of -abhor- is positively evil, and that s before karina utomo s none-scarier vocals come into play. brimming with personality and demanding of your attention, phile made themselves a duo to watch in one fell swoop.

latest in the run of downright deviant activities from the contort yourself camp is this new collection of old and new industrial tinged bangers, leading in with the excellent noirish heat of eindkrak s slow-stepping -shawarma-. andromeda complex s mid-90s rhythm-fest sits in stark, functional contrast before gdl s own contemporary rhythm science sends the record spinning in a reverie of surprisingly light-footed percussion. circling vultures are too enjoying the mean tempered intensity of focused drum machine programming before klankman rounds the record off with a slightly squelchy remix of andromeda complex s -the servant-.

catherine and gerald o-connell s work as lives of angels quietly and subtly helped to define a whole generation of post-punkers for the greater part of the 1980s. much like other luminaries of the scene at the time, the couple have remained in the shadows of time, highly praised by the collectors but barely ever cited by the mainstream, and if that s not punk then we don t know what is. dark entries are doing the honours of course, and the imprint have managed to license a whole bag of previously released and unreleased material, the former from a bunch of dusty cassettes which are now going for gold on the second-hand market. this was the era of the drum machine, and these 11 tunes are all carried by that unmistakable analogue swing, at times harsh and leaning into something tech-minded, and at other times playful and quirky, a tendency which defined this outfit and the time in which they operated. what a record, this is another dark entries monster

polish beatmaker pawel strzelczyk has been slinging out all manner of beats as teilete since 2010, largely on the u know me label, but now he brings his dynamic technicolour sound to father & son to surely catapult his skills to a wider audience. there s a rich musicality at work throughout magnetic soul/magnetic tree, as blues samples, rich orchestration, dubstep rhythms, juke patterns and soulful vocals all swirl around in a highly accomplished blender. the attention to detail is remarkable and the production is pristine, but for all the daring ideas and studio skill this is also an incredibly immediate listen that draws you in from the start.

two hard-edged dancefloor r&b killers back to back from one of the true blues greats, elmore james, with his unique, uptempo rendition of the delta standard rollin and tumblin backed up with the equally frenetic stranger blues

jazz siren frances faye delivers a pair of interesting and unusual takes on two well worn standards, with her version of summertime employing a build and release arrangement laden with rolling congas and night and day employing a similarly latin-edged, smokey and jazzy feel.

so low is an occasional night in glasgow run by iona fortune, jd twitch, katie shambles and becky marshall. so low is strictly for creatures of the night and plays music that could perhaps be described by the words dark waves / cold waves / minimal synthesis / maximal industrial / lo-nrg / forgotten flemish goth bands, teutonic apocalyptic beats +++ it is now also a label, administered by optimo music. after debuting with happy meals “full ashram devotional ceremony” album, here is the first 12” release, “now & then”, a various artists 4-track ep featuring two tracks from now and two from then.
the 12” comes housed in a bespoke hand printed fold out poster sleeve inserted into a plastic sleeve with screen printed text on the plastic, designed and created by katie shambles. due to the extremely labour intensive nature of the sleeve design this will be a strictly limited edition of 300 copies.

first in a three part series by frits wentink, presented in a hand stamped picture sleeve.

classic funk tunes from prince aka symbol

one of the biggest prince tracks ever !!!

with further announcements forthcoming with life and death later this summer, drug dilling offers up the first new material from the/das on the label since 2013s outfashioned. now as a duo, fabian fenk and philipp kollers latest ep is the result of playful and pure studio sessions, during which they aimed to capture the often-overlooked club-friendly side of their project. top vibes breakbeats come as a welcomed surprise, while holy rollers pairs wobbling synth pads with a vocal cameo by dj tennis. the standout title-track recalls hazy afterparty moments. detroit stalwart dj bone delivers a focused reinterpretation on the flip, backing expertly-sampled organ takes and flanged vocal lines in an enticing bed of afro-cuban rhythms.

nice price deal !!! having put out releases to mini acclaim on esteemed labels such as dfa, dissident distribution, astro lab, their own the walls have ears imprint, cage & aviary are now set to spread their wings with a brand new spanking release for tiny sticks and its a winner in every way! two very individualistic tracks that ooze charm & personality. on the flip nycs brennan green runs with the acid theme in the original and turns in a pure analogue master class. amazing! dj support from: james murphy, joe hot chip, mark e, cosmo vitelli, roy dank, inflagranti, toby tobias, lexx, azari & iii, peoples popular front, etc etc...

nice price deal !!! auf 333 st?ck limitiert, einseitig bespielt.
fernab von kommerziellen strickmustern hat stefan pabst aka sch?tzmeister of ja, panik-fame nun das wundervolle kurzalbum >the wurst and the money< in vinyl hinein ritzen lassen: antifolk from austria mit den comedian harmonists und den royal trux auf hoher see. eine fake-zither hier, ein rumpelbudenschlagzeug dort und immer wieder erklingt ein fordernder tusch: >hoch die tassen!<

with adryiano and kastil on production duties for their løskøber alias (which first emerged through soul notes in 2013) the 15th saft release has some serious sounds on it. apart from the two originals this time around the label has acquired remixes from the likes of keita sano and berlin based australian andy hart.

archivist (alex markey) is a producer residing in seattle (transfusions and medical s home). he is a member of the thriving and diverse secondnature collective and is a prominent producer and dj in the seattle and surrounding scene. archivist presents four new tracks that take his signature dense textural sound into somewhat new darker territory resulting in 4 excellent pounding cuts and superb dj tools. this 12- follows other archivist releases on blankstairs and motor. presented on 160gram black vinyl.