to forget the pursuit of harmony. to recall the past to make a future. forever seeing yourself reflected, feeding back in eternal repeating cycles. a dialog with oneself within the natural world. choosing a final destination as the journey ceaselessly repeats. i hope to share what ive experienced in this big journey. i hope you will feel both a sense of nostalgia, and a sense of newness. that makes our harmony. kazuomi eshima

this is the 3rd release on riot radio records, an independent techno label based in scotland. ingen is an edinburgh based producer who s sound is one of harsh complex poly-rhythms and soundscapes that crosses over into the darker realms of techno. over the years he s appeared on many respected labels and also works regularly on projects with some of the worlds techno elite. for those lucky enough to see him battering out his stunning live sets, playing alongside such lumineries as surgeon, whitehouse and the advent, these humbled few know exactly what extremes ingen is capable of reaching to crush your senses into submission. on this release, along with the original version of haste makes waste , there are remixes of this beast of track by lag, martyn hare, paul birken, duellist and the riot remix (ingeneered by taser), each one taking the original composition down a different track. the ingeneers have spoken.

biomechanoid is the classic 1980 album by composer and flutist joel vandroogenbroeck. the cover art served as the basis for the design of the movie alien. its 1980, in munich, germany, upstart production music label coloursound library releases their debut album. capitalising on the success of ridley scott s alien film, the label dropped biomechanoid, featuring cover art commissioned by hr giger, whose horrific necronom iv lithograph served as the basis for the design of alien and the music of the relatively unknown joel vandroogenbroeck. comprised of bleak, cinematic synth soundscapes and percussion, the album served as an inaugural calling card for what would be a decade of dizzying solo releases by vandroogenbroeck for coloursound, running the gamut from mesopotamian ethno-folk to synth sequencer funk to electro drum breaks to in-utero ambient delights

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller. willkommen bei studio one, der university of reggae. mit studio one scorcher, studio one groups, studio one soul 2, studio one kings und sound dimension mojo rocksteady bringt das londoner label soul jazz fünf, ursprünglich zwischen 2002 und 2007 erschienene platten neu heraus.

clear marbled vinyl written, produced, arranged and engineered by joseph longo iii | pal joey music aka earth people. new york finest joseph longo iii (aka pal joey / earth people) presents an excursions into deep & soulful house, downbeats and electronica.

much could be said about german house royalty boris dlugosch. from his teen dj years under the wings of fronts legendary klaus stockhausen in hamburg to his own marvelous tenure there that is pretty much synonymous with the explosion of acid house in its proto- and post-incarnations. one could examine his role as a herald of us garage and jersey house or as a remixer of underground gone pop records. but we will leave that and other stories for the front page soon. the traveller ep is the result of dlugosch and cassara meeting at a mutual friend of theirs, getting excited about their shared love for classic synths (see sh-101 for the traveller bass line) and exploiting the latter’s extensive synth collection. what you get: classic disco, french house, electro-funk, dj sound effects (that tractor plowed the front every night) and most of all fun, fun and a little bit of extra fun. chin-stroking impossible.…

next up on aus music is the return of label boss will saul working alongside long term label favourite komon. together the duo line up harmonise - a smouldering single that comes backed up with an almighty pair of remixes from osgut ton mainstay nick höppner and analogue aficionados juju & jordash. the title track kicks things off with glowing, interweaved synths and a pattering tom line. vocal snippets and trippy delays suffuse a purposeful bass tone before the 101 dub version rolls out with punchy drums and a sharp, darting acid line. berghain regular nick höppner then does what he does best with his remix in building a rich, hypnotic groove that steadily develops with intricacy and depth. dekmantel and golf channel regulars juju & jordash then drive a warped, rumbling synth line through spacey atmospherics rounding off another fine addition to the catalogue.

jacob long s work as earthen sea has already firmly established itself on itals lovers rock label, but here the san francisco-based artist is branching out to a sympathetic ear silent season. much like other artists on the label, long s fusion of heavy atmospherics and submerged techno make for a compelling, immersive listen. at times, such as on -the sky is a sea of darkness-, he opts for a looming set of pads and textures that bear down on the listener. elsewhere, more delicate sounds interact across the frequency range, but what binds the record together is the weight of the ambience long is so adept at crafting. without a thread of a kick drum pulse to be heard throughout, it s another strong step on for earthen sea.

one of the core members of the apollonia family is the mastermind behind the label’s latest release. shonky steps up with his first solo ep since ‘plombiére’ which dropped in july 2016. full of funky flavours and that distinct ‘shonky style’, the new ep consists of four brand new tracks produced exclusively for apollonia. each track emanates its own unique vibe, while reppin’ shonk’s irresistible groove. on side a we have ‘tyrolien’, a jaunty number with bright tones and a tight, rolling groove. shonky injects it with a series of unusual fx and what sounds like an wizened old creature, speaking about ‘the foulest stench in the air’. it’s a superb combination and sets the ep off to a great start.next up is ‘beat street’ which has a heavier set of beats, which stomp down as a marauding b-line gets to work. tiny fizzes and cheeps in the background add depth, sounding like robotic birds at play in the wild. the track is minimal in its make up, but deep and engrossing, classic shonky material.flip the vinyl over and we have ‘torro rosso’, a bold, stomping workout with fresh percussion and a jovial analogue riff. as the bubbly low end percolates way down below, the beats pump the track along and an extra layer of analogue funk enters the fray midway through. the final track is titled ‘serpent a&#768,,, sonnette’ and swithes the vibe. it’s loose, meandering and twisted, with a hypnotic bassline and super sharp percussion. this one is going to get the dance floor locked into a groove, as it progresses a sweet, chirpy melody brightens the mood. feel the glow!once again shonky demonstrates his ability to produce groovy dance floor cuts that have their own unique fingerprint, danceable, unusual and utterly captivating. grab the new ep now!

brooklyn s son of sound joins hometown label razor-n-tape with the dusty files ep, a 4-tracker that embodies the gritty and driving sound of the borough. the a-side kicks off with your voodo s broken, a track that builds to mid-tempo looped perfection even before the floor-shaking bass drops, followed by the beguiling synth patterns and efficient yet driving drums of no bullets left. on the flip side, nude jerzee eschews the bridges and tunnels and takes us straight to nj by way of outer space, and then what do you feel floats us gently back to earth on a cloud of strings, electric pianos and a chugging disco beat

the man known as dj nature holds a long and illustrious list of releases that spans all the way back to the early 90s, when, as nature boy, the bristol born dj and producer was carving out sample heavy house music for labels like ruff disco records and the underworld affiliated tomato label. his relatively modern re-incarnation, as dj nature, has seen singles and two albums come correct on revered labels like golf channel recordings and jazzy sport. following on from futureboogies landmark 50th release, dj nature drops a heavyweight four track ep on the bristol label, each track promising and delivering summertime vibes in abundance. born lifted, with its deft guitar licks and soulful vocal chops over lazy, hazy beats, is a great example of the nature aesthetics that make his tracks so very popular across the house fraternity. my life picks up the pace, deploying granite hard snares and cosmic chords with dusted vocal samples. on the flip, what it isnt packs some jazz chops with its sampled pianos and saxophone riffs over a discordant beat that swings with the best of them, whilst ep closer loving u more again serves up some delicious summertime grooves with the perfect marriage of deep, funky bass and seductive samples.

when phil evans conceived the very first catalogue number for blank state he wore short tight pants, a very wide, washed out aloha shirt and a pair of super big, super dark pilot sunglasses. what followed was the birth of the most wonderful, freakishly weird and trippy four tracks a label could wish for by a close friend and talented young producer.

after the lost tapes, the found tapes and the hidden tapes, electronic emergencies releases the closet tapes - a compilation of queer electronic music on pink vinyl. spacemaker and leather e have rounded up an unorthodox and fierce combination of queer legends, contemporary queer heroes and future queer stars. these include andy butler from hercules & love affair, eddy de clercq, bezier from the honey soundsystem and hard ton together with our own popsimonova. we are proud to be queer and this is what we love.

2017 repress! after releases on creme organization and signals, myriadd returns on the dutch label pinkman with another four-track chicago inspired ep

seit mehr als 15 jahren wieder auf vinyl erhältlich: der soundtrack der dust brothers zum us-erfolgsthriller -fight club- von 1999 in der regie von david fincher mit brad pitt und edward norton in den hauptrollen. der soundtrack der dust brothers klingt wie ein instrumentales trip-hop-album und gilt als einer der besten filmsoundtracks der 1990er jahre. die europäische lp-version erscheint auf schwarzem 180g doppelvinyl in einer eingeschweißten deluxe-kartonage mit aufreißfaden und bedruckter innentasche.

close talker zählen zur neuen kanadischen generation des progressive pop und veröffentlichen mit lens nun ihr bereits drittes album. schon der vorgänger wurde in kanada zum independent album of the year gekürt. lens mag eines dieser alben sein, die sich nicht gleich beim ersten hören erschließen. vielmehr steigert sich die qualität von mal zu mal, ständig entdeckt man neue nuancen, technische spielereien und eine vielfältigkeit, die besonders unter dem kopfhörer seine ganze pracht entfaltet. es zieht einen mehr und mehr in seinen bann und man kann von einer sucht sprechen, die niemals enden soll. ihr talent, ihre sensibilität sowie ihr händchen für songwriting ist erstaunlich und dazu ist ihre musik so herrlich zeitlos, so reif und doch so modern dieser vermeintliche widerspruch erschließt sich beim hören dieses wunderbaren werks.

looper sind stuart david und karn david. bassist stuart david war gründungsmitglied von belle&sebatian, seine ehefrau karn david (die auch regie bei verschiedenen belle&sebastian videos führte) beschäftigt sich mit multi-media-künsten und animation. so ist „offgrid:offline“ ein konzeptalbum dessen basis das gleichnamige spoken-word-stück darstellt. dessen musikalisches motiv und textliches thema kehrt auch in anderen stücken des albums wieder. looper sehen sich hier wesentlich von der indie-folk-szene inspiriert. das album ist nur auf vinyl erhältlich. das auf 500 exemplare limitierte vinyl selbst kommt in transparentem blau, inklusive downloadcode für das gesamte album und weitere bisher unveröffentlichte titel.

in spaces, composed by the brussels based producer haring, talks about what is living between several spaces and places, the feeling of having several homes and the ability to appropriate these spaces. haring has indeed composed this album between brussels, paris and istanbul. the encounters, the anchoring and the discovery of these cities come together in these ten titles which are each in their own way an ode to these cultures which opened new musical perspectives for him.

!!! (chk chk chk) liessen “shake the shudder” von den dance-koryphäen phil moffa, joakim und matt wiggins produzieren, die 12 tracks featuren eine ganze reihe von vokalistinnen wie lea lea, meah pace, nicole fayu, cameron mesirow und molly schnick. während die band, geprägt von ihrer post-punk-vergangenheit, immer auf der suche nach frischen sounds ist, bleibt ihr geschmack behaftet im funk und diversen elektronischen dance-styles. die idee zum neuen album entstand bei jam-sessions in barcelona, in den folgemonaten wurden die aufnahmen zu loops geschnitten, aus denen die neuen songs entstanden. zuhause in brooklyn ergoss leadsänger nic offer seine vocals über die disco-breaks seines zimmergenossen. ferner zeigte sich die band diesmal offener bei der verwendung von samples und keyboards. so entstand dieses groovige meisterwerk!
limitiertes transparentes doppelvinyl mit downloadcode.

das debütalbum des österreichischen trios gudrun von laxenburg vermag es gekonnt die brachiale, kantige elektro-energie ihrer schweißtreibenden liveauftritte auf den tonträger zu transportieren und dabei doch zugänglich zu bleiben. genug popappeal um neben justice, daft punk & co im radio zu laufen.
180 gramm doppelvinyl inklusive downloadcode.

!!! (chk chk chk) liessen “shake the shudder” von den dance-koryphäen phil moffa, joakim und matt wiggins produzieren, die 12 tracks featuren eine ganze reihe von vokalistinnen wie lea lea, meah pace, nicole fayu, cameron mesirow und molly schnick. während die band, geprägt von ihrer post-punk-vergangenheit, immer auf der suche nach frischen sounds ist, bleibt ihr geschmack behaftet im funk und diversen elektronischen dance-styles. die idee zum neuen album entstand bei jam-sessions in barcelona, in den folgemonaten wurden die aufnahmen zu loops geschnitten, aus denen die neuen songs entstanden. zuhause in brooklyn ergoss leadsänger nic offer seine vocals über die disco-breaks seines zimmergenossen. ferner zeigte sich die band diesmal offener bei der verwendung von samples und keyboards. so entstand dieses groovige meisterwerk!
schwarzes doppel-vinyl mit downloadcode.

takeshi fukushima aka takecha, gwm is one of the most important artist in 90s japanese house music scene. this ep was originally pressed only 100 in 1995 by his own gwm label. gwm is most known as the label where soichi terada had releases.

besides launching his fresh bodybuilder quartet series (qsb), inaugurated by scott franka, nachtbraker unveils yet another quartet: four records in the the trophy quartet series (qst). both these two quartets will be released over the course of the next two years. the trophy series will cover the warmer side of the house music spectrum. and who better than parisian boy-wonder tell (banoffee pies, skylax, rutilance) to kick off proceedings with the brilliant faster than light ep. last year he released hope springs eternal on qs003 which was an overnight succes after getting rinsed by heavyweights like jeremy underground and dam swindle, so a proper solo ep was inevitable. on the a1 tell serves up some intergalactic french filter house dubbed faster than light which brings back the daft punk and armand van helden vibes of our walkman-days. we all just love filters, admit it. its true. next up is yall feel that honey (paradise mix), a tune with undeniable swing and moody chords that ultimately collide beautifully with a delectable big room piano riff that will stay in your head for days. b1 opens with a leisurely-paced jam called “what can u do for me”. it’s the ‘pretty one’ of the ep, the one girls fall in love with and boys hate to love because they know he’s hot stuff. a high pitched vocal, asking what you can do for her, flies over rubbery rhodes chords with neat percussion keeping you on the groove. the ep closes with b2 vamos a la playa. keywords: coconuts, sand, bikini, six-pack and tan. vamos! large and in charge.

cin cin, the label from fort romeau and ali tillett is back with the labels 7th record and what a corker it is! gacha bakradze follows a pair of releases on r&s/apollo with two cuts of glorious deeptechnohouse perfect for modern dance floors the world over. on the flip knightlife blesses us with a couple of perfectly executed retrofutureravediscohouse weapons for those who long for the good old days.

12 inch vinyl with printed full colour sleeve - ltd to 500 len leise and salvador ricardo as general purpose have teamed up with anton klint of sweden to bring you a different
the second release for general purpose. this time label bosses len leise and salvador ricardo as general purpose have teamed up with anton klint of sweden to bring you a different structure to a dance movement. suck of the sav is a melodic array of swirling jungle sounds colliding in a rainforest off the coast of jupiter. the beat is deeply moving and organic. anton klint shows his rough psychedelic techno sound with his suck of the sav re-interpretation. a charged and confident club track to lose yourself in, on the dance floor, eyes closed, feet moving, shoulders chugging and chest vibrating. lookout for the switch-up. slim dusty is what it would sound like if you were riding a kangaroo whilst on acid in the australian outback. now imagine that! it’s a bouncy, fun, quirky percussive number that will ensure 100% vibe.

portable sunsets is one of the monikers of peter segerstrom: a producer based in brooklyn, us. he previously released his full-length album bless on atomnation, an lp as surfing on 1080p and another portable sunsets lp on deadelus magical property label. order is the follow up of these records and is a dreamy, somewhat lo-fi experimental techno lp. combined with an ancient ambient undertone, ‘order’ is not loosing its club ready vibe. this record floats somewhere between laid-back warehouse techno and the electronica genre - very much representing a unique style: peter often uses his own voice in his productions, programmed through self-created synths in max/msp. vocals have become textures and are used as a synth, pad or soundscape. the combination of genres makes order a perfect record to dream away on at home, as well as to dance to in clubs.

spanky wilson (born c.1947)is an american soul, funk and jazz vocalist, who has performed internationally and recorded several albums since the late 1960s.

what? unit 2, the classic mad mike production for the seminal detroit house label happy records (a subdivision to underground resistance, distributed by submerge) remixed some decades later? blasphemy, you might cry, a sacrilege, others might say, discogs police sirens everywhere. whatever the verdict, approved and sanctioned by the copyright holder himself, here it comes again and again. begotten during a kink live set, successfully identified by the running back ceo, extracted and road tested as a phantasmal endorphin-producing staple in his dj sets, later released as a limited, stamped white label and now properly issued by popular demand. people whose life is not a big room or a rave in a car park, will find a tamer, but nonetheless heartfelt remix by rome’s dynamic duo tiger & woods on the flip. deep doesn’t always rhyme with sleep.

wild oats is proud to present speed of life, a new record from london based producer k15. this 6 track double ep explores the idea of the sense of urgency that life can have depending on the frame of mind one is in. we encourage you take time to do some inner exploration to understand what the best use of your energy is in order to have the most harmonious experience you can have in your life. having a good balanced life starts with the physical and mental state you are in. what we consume on all levels whether orally, visually, sonically or tactilely influences how we think, feel, and react to our environment. this record is the perfect re-calibration tool using vibration to get your mind, body, and soul back into a balanced state. all the while, having a wonderful listening experience that will warm your heart, put a smile on your face, and make you dance.

fink veröffentlicht ein minimalistisches blues album auf seinem eigenen imprint r’coup’d! um die wartezeit auf das nächste -reguläre- fink-studioalbum zu verkürzen, veröffentlicht fink im märz -fink’s sunday night blues club, vol. 1- auf seinem eigenem ninja tune-sublabel r coup d. dies ist die erste, reine blues-veröffentlichung von fin greenall. produziert und gemischt wurde das album von fink und flood (u2, pj harvey, warpaint), aufgenommen in greenalls studio in berlin. jeder song wurde dabei in kurzer zeit live mit einem vintage-mikrofon und -verstärker aufgenommen. manchmal braucht es eben einfach nicht mehr. greenall sagt darüber: -most of this record is one take, from all of the guys who helped me get there ... new orleans legend david shirley on drums and the weird and wonderful colin stetson also really brought the heat to the table. -my love of blues has always been there, before i even knew what it was. records by john lee hooker, t-bone walker and chuck berry really spoke to me. for two springs, in 2015 and 2016, i immersed myself in the blues, scouring record stores whilst on tour to inspire and educate myself ... to do something raw, rough, and live, a record that just was, for its own sake. you d think that writing blues was easy - but it isn t ... it s easy to copy, sure, and to cover, definitely, but to write original blues that is more than just a photocopy of the past actually turned out to be equally challenging and natural...- - fink

it might not always be obvious, but music as escapism can serve as a radical social statement. what some may see as daydreaming or imagination of impossible realities, can constitute a sort of revolution of thought, the seed of a more human and sentient worldview. although on a first listen, high-level basis, it may seem as if the music contained in informa’s 10th release is a series of psychedelic, dystopian and otherworldly tools for escape, it might actually be a proposition for improvement, a route to self-discovery, a reflection on the true nature of our surroundings. although at no point in this release such high concepts are made explicit, there is a consistency in vision and methods present in the art created by the peers that label founder and owner deepbass has selected for this very special, celebratory release. encapsulating the product of eight minds, eight visions, in a common concept for evolution in unity.

lush hedonistic electro disco tracks.

what started as an idea 5 years ago now becomes reality with the release of saigon supersound vol.1, compiled by jan hagenkötter. a compilation about the story of a musical era in vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called golden music period in the south of vietnam, where under difficult circumstances – a lively pop culture had developed. this period is characterized by the fusion of vietnamese music with western pop music. the compilation includes some tunes reissued for the very first time since they ve been released originally.

released for record store day uk 2017. remastered and limited to 500 handnumbered copies only. pressed onto 180 gram red & white split vinyl.

the lifesaver 3 compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a hague bunker (lauer), provides data pop with piano crescendo (fort romeau), brings the style characteristics of german schlager music to the breakdance mat (rolande garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (benedikt frey). there are several new names to discover: felix strahd, benjamin milz, vincent feit, and of course there a many old acquaintances: massimiliano pagliara, orson wells, tcb, chinaski. roman flügel brings us “good news”, however: “from another planet.” and fort romeau feels “lost, again”, but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.

debut release from a duo of new school producers based in barcelona inspired by their passion for the atmosphere of the dance floor. long pads and driven grooves is what makes these tunes the perfect choice for a well and deep warm up. less talk and more music…

bqd40.3 features some new label signings that hint at the label’s future musical direction. first up is giuliano lomonte, who delivers an unbeatable groove courtesy of “reflections”. on the b is jorge gamarra & gulp from the sur label collective, who weave a tight combination of broken beats and 4x4 rhythms on “valve”, a track that comes complete with swelling synths and a modern, house flourish. closing off the package is another member of the sur collective crew, formas, whose track, “prisma”, really does take the listener on a proverbial journey. a real synth-infused masterpiece, it’s proof indeed that the next chapter in the brouqade story looks set to be every bit as exciting as what’s come before.

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive what many consider to be the holy grail of chicago funk, boogie and soul.

originally released back in 1995 the fingerprintz ep is truly a deep house masterclass. forget all these records coming out today claiming the deep house title, this is what it s all about right here - on one slab of wax. kc is a legend and at this stage in the game he doesn t need an intro, every single track featured here is an absolute winner, all drenched in that classic kerri swing and style. timeless productions. it s hard to pick a favourite as they are all amazing, every possible mood is covered making this whole 4 track ep your new always in the bag staple. from the driving upbeat funk of where is love to the totally stripped back tribal diva sampling i remember kc has you covered. it may sound cliched, but they simply do not make them like this anymore! essential, essential business here from one of the true masters of the game. 100% classic. this is one of a series of official madhouse / kerri chandler reissues for 2017. every title has been remastered by kerri chandler himself, from all original sources and each reissue has been legitimately released in full conjunction with kerri and madhouse records. and, as if that wasn t enough, all the reissues will be coming in the classic madhouse records house bag. snoozing not advised!

mainstream-pop einer vergangenen Ära: mit großer strahlkraft neu interpretiert.
die vinyl-lp erscheint inklusive album-cd.

the original motion picture soundtrack from “fifty shades darker” as double vinyl in gatefold sleeve.

one of the leading lights of a growing collection of electronic pioneers from russia, muscovite anton zap steps up with an album of gloriously deep, beautifully produced music for apollo records. with a background in sound engineering, a back catalogue stretching back to 2007 and a djing career that goes back a decade further, anton zaps music is imbued with a serious knowledge and understanding of electronic music - from ambient movements to the late night thump of deep house proper, here is a producer who is as comfortable making out-there space soundscapes as he is detroit-influenced dance-floor weapons.
the collection of tracks here includes a selection of previously released material (on jus eds underground quality imprint and anton s own ethereal sound) going back as far as 2008, along with three brand new tracks seeing a release for the first time, and the overarching feeling is of a portrait of an artist who has been slowly, steadily carving out a singular niche.

following the release of their previous single guess what (featuring smerz) today copenhagens code walk announce news of their debut ep‘doubler - out on friday 5th may on ex-local. code walk consists of friends søren gregersen and jesper nørbæk. after garnering praise from radio tastemakers such as benji b, phil taggart, nemone, julie adenuga & jamz supernova, code walk are well on their way to establishing themselves as a staple part of the burgeoning electronic scene that is rising in copenhagen. like recent collaborators smerz, the duo create evocative techno infused electronica, that swells with escalating emotion and energy.

during the oye pop up store in copenhagen last year, delfonic & luds stayed at uffe s appartment over the weekend and played together the money $ex showcase. uffe played some edits he made and delfonic asked him what s up with those edits! and now its time for the next release of the oye edit series! enjoy!

nucleus & paradox have always been a worthy pairing and their next release for metalheadz, which is split into 2 parts, once again proves it. their 2005 single on the label is switched up across both parts, with ‘12 bits’ getting a mako remix whilst the duo themselves present a new remix of ‘aragon’, bringing a fresh spark to the original. the two remaining tracks split across the ep are originals, with both showcasing exquisite breaks and twisted basslines throughout. artwork from matt twist completes the ‘wrath ep’ package.

mihkel kleis, man behind the ratkiller moniker, listens to music on the verge of human capacity. and from what he hears, he compiles top 500 end of year lists to his friends. big tip - incredible talent from talinn... do not sleep on this taped nightmare.. cult! comes with insert. limited pressing.

international black stick to their word and come good with another ep of high end club material from two young uk producers: neinzer & losian. neinzer, having released on deep moves berlin and the fabric affiliated yumé records presents what could prove to be his breakthrough track in the form of weiblich a devastating and highly function piece of sound art meets techno. losian finishes the job off with the heaviest techno cut weve heard in a long time channeling basic channel and passing it through a uk sound-system filter to create a monster ready for the berghain peak-time dance-floor.

amoon andrews is one of those cult producers from the mid 90s that could have easily remained under the radar were it not for passionate, tuned in labels like knoe tracking down their wares and finding out what didnt get released the first time around. the sir lord comixx material packs all the hallmarks of great 90s deep house, and so it goes on this next round of dat-sourced goodness.new world is a swirling gem that would sound right at home on guidance, while danceteria gets a twitchy spring in its step that should set the party alight.dance on the ceiling is equally feisty in its make-up, working some choice midi sax tones into the melee before physical oceans sets off into adventurous electro territory

shoot recordings presents fierce, a collection of dancefloor sickness from some of today’s finest bass technicians.
calculon, shamanga & austin speed drop the original, a savage, banging slice of classic hardcore fast-forwarded to the future. cutting and chopping with swooping sci-fi basslines, fierce earns its name, the meanest track shoot’s released.
dj madd turns the sick first mix, a halftime juke rework that puts fierce in a lowrider and serves it a cup of sizzurp. the bounce version for all the cali heads.
skeptikal is up next, deep-freezing the track into a tidy stepper. focusing the track’s scope, it’s a deep space killer, exactly what you’d expect from the don.
survival is the anchor, turning out a rugged neuro vibes that race through the nighttime city streets to assassinate your eardrums. the darkside sickness.
four tracks of pure fierce. shoot recordings for 2017, dancefloor innovation.