Üppige lp anthologie mit raritäten, unveröffentlichten songs und live-stücken. ergänzt wird die lp durch eine bonus-cd. diese enthält zwei komplette konzertmitschnitte aus brüssel und leuven vom 5. bzw. 6. oktober 1982 mit insgesamt 19 songs.

ahead of a full-length album coming on glitterbox recordings, the king of disco re-edits dr packer presents four of his versions of soulful dancefloor favourites old and new, giving a flavour of what’s to come from the lp. different strokes kicks off with a re-rub of the mk-produced latrece i want to thank you, itself a house cover of alicia myers soul classic from 1981. dr packer pulls back on the tempo, making way for keyboards that echo the vocal melody and enhanced percussion. next, he remixes still in love by shuya okino, a contemporary nu-disco classic with gorgeous string instrumentation and a tight guitar riff. in true dr packer style, his version has plenty of extra funk, fleshing out the bassline to suit a dynamic disco set. a remix of atfcs bad habit is next, again given the effortlessly laidback, groove-laden dr packer treatment. finally its soul rebels ill be good, a vocal house classic from the mid-noughties, reinterpreted masterfully for todays glitterbox dancefloor

limited 25th anniversary edition on gold coloured double vinyl.

panic! at the disco präsentieren 2017 ein reissue ihres debütalbums »a fever you can’t sweat out«, und zwar auf vinyl.
das album erschien ursprünglich bereits am 27. september 2005, und zwar beim label decaydance records von fallout-boy-gründer pete wentz. dieser hatte zuvor demos der band gehört und nahm sie unter vertrag, noch bevor sie jemals live performt hatte.
aufgenommen wurden die 13 songs von »a fever you can’t sweat out« in den somd! studios in college park, maryland. für die produktion zeichnete matt squire (good charlotte, the used, taking back sunday) verantwortlich.
das album wurde ein kommerzieller erfolg. die zweite singleauskopplung »i write sins not tragedies« schaffte es in den usa bis in die top 10 der charts.

following the edge & void, french producer and goldmin music label owner romain lanteaume aka einka delivers his first album to waken doubt in one.

much has happened since stereofysh released their debut album - the race , which has been received very positively by music critics. groove magazin described the album - fresh as a daisy , and - simply congenial , faze magazine as - made with love and - excellent result , freshguide found that the album - held the spirits high and set the bar even higher . features in intro and missy followed. dasfilter wrote: - stereofysh lets the elements melt into dreamy poppy house, that unfolds is magic as much on the dance floor than it does when hanging out at the next river bank. two years later, the latest output of the family band is available in the stores. their second album is a very personal one. the sound of the album is not only inspired by their life in berlin, but also their tour through the united states and hawaii, where they introduced the album to an international audience. important to know that the name of their new album, ohana, is an essential part of the hawaiian culture representing the importance of family and friendship connections, the company and coherence over generations. stereofysh themselves describe that the album has lead them to their musical and familial roots in a very special way. being on tour together, the shared experiences onstage and backstage have brought them closer together. this also shows in the music and lyrics of the ohana album: towards more closure, even intimacy. so the songs have gotten both, more exuberant and more melancholic. little daily life stories have their spot, so do the bigger puzzles that keep the band s minds busy. the optimistic and hopeful message, that the band radiates in spite of it, is, again, truly refreshing.

25th anniversary reissue of en vogue’s second studio album, originally released in 1992.

local talk is proud to welcome back marcel lune for the release of his album astral palms. on this album marcel continues to explore his fascination for melodies and composition and has created something that is wonderfully refined and thrillingly accessible. listening to astral palms some may hear the influence from such great artists as floating points and local talk very own crackazat. what marcel is doing is fusing the two and adding his twist with enough originality to stand out from the rest. from the opening track and throughout the album, you get the idea of this young genius musical universe music that aims to both soothe the senses and move the feet. astral palms is not only offering a unique twist on melodious and rhythmic house music, it also highlights marcel lune growth as an artist

if god had a disco, the dj would be playing california gospel-soul group the supreme jubilees. “we won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “it’ll all be over.” prepare to dance and contemplate death all at the same time.

with their first two daptone albums – get an understanding, and as featured singers on como now – the como mamas established themselves as three of the strongest voices in gospel music today.
in december of 2015, they cemented that reputation by taking their first trip from their home in como, ms up to harlem, ny to crush the apollo theater as part of the daptone super soul revue. taking full advantage of their presence in town, the daptone crew brought ester mae wilbourn, della daniels, and angelia taylor into the house of soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. jimmy hill, thomas brenneck, homer steinweiss, and bosco mann, all stalwarts of the daptone stable, came together as “the glorifiers band,” to put down a churning musical foundation for these amazing singers. the results are some of the heaviest tracks that daptone has cut to date. if you don’t like raw, soulful gospel music, you’re really gonna hate this one. move upstairs is a real mother!

eine außergewöhnliche mischung aus house und traditioneller afrikanischer musik.

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project - dusty chinese vinyl hissing and crackling throughout – resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production.
using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music.
the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, “pt.3” is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one.
onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.
as a producer who has released records inspired by 80’s funk, 90’s hip-hop and r’n’b, electronic and even a spiritual jazz project, “pt. 3” brings this stylised set to a close.

after a first track -i sent you flowers- released in early 2017, the young parisian artist tour-maubourg unveils his first ep with a wink title déclaration préalable à l’embauche. a 5-tracker, with a subtle synthesis of jazz and house, mixing festive and melancholic sounds.

bress records is back with his second release brs002! the label presents a new series: v.a. friends & buddies, including tracks from bress underground, ruff stuff and lucas welles.

die skandinavische elektro band röyksopp veröffentlicht am 14.11.2014 ihr fünftes und letztes album »the inevitable end«.
»the inevitable end« ist röyksopps bislang persönlichstes album und bereits die zweite veröffentlichung innerhalb von 6 monaten. im mai erschien bereits das von kritikern gefeierte minialbum »do it again« mit der schwedischen sängerin robyn.
auf »the inevitable end« sind als gastkünstler jamie irrepressible, ryan james (man without country), die norwegische sängerin susanne sundfør und die schwedin robyn zu hören.
das 3-fach vinyl erscheint im klappcover inklusive downloadcode.

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project dusty chinese vinyl hissing and crackling throughout resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production. using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music. the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, pt.3 is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one. onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.

marieu is the otaku member of the analogue cops and restoration records -the drum island- e.p., his debut e.p. on memento is an compelling mix of three dancefloor-rollers. in full compliance with his trademark style, characteristic of the releases on his own label enlightened wax and on hypercolour, marieu artfully blends militaristic rhytms and heavy basslines with delightful funk and sideral atmospheres.

the anticipation between osunlade releases are experiences in themselves. the high priest of house, his sound legitimizes the unseen spirit world that informs the pulse in every song he crafts. dedication ep functions like a sound library, a place where you can find indigenous rhythms from around the world, making osunlades musical signature both ancient and futuristic. jazz and global citizenship come through in his latest work, a decade based in greece and a lifetime submerged in the participation, creation and production of music. with dedication ep, osunlade boldly presents a mid-tempo meditative musical essay with reflections in the form of everyday conversations and everyday life. these selections meet global feelings of political anxiety with rhythm patterns that bring you closer to the gift of transcendence.

balance recording introduces another underground imprint * balance traxx* inspired by time spent in italy , this new series called (word of mouth) also * parola di bocca*. this 4 tracker feature something old and something new. a new imprint project with chez damier and ben vedren new joint venture h2h called * road trip* a house grove with a limited mix by hugo lx. the project also features chicago producer garrett david (courtesy of balance ) with this underground track that s been played at the panorama bar over the last year, we also bring you the classic by chuggles * thank you* produced by ralph lawson and chez damier with remix by uks classic underground producers xpress2, the last track is a remix of french connection * speechless* with remix by italian producer nicholas. the project was created as a dj tool project.

chicago dj and producer olin follows up the debut release on his new record label, boundary movement, with tpi featuring four diverse cuts. up-tempo electro, moody minimalism, old-school melodies, and chugging deep house all woven seamlessly. the a side begins with “tpi,” an exercise in minimalism and micro-detail. unmistakably olin’s own, insistent synth stabs keep time while needlepoint percussion keeps the ear guessing. if you thought olin’s palette was limited to techno and house, a2 “corsaren” will prove you wrong — this is pitch-perfect electro in a classic style, a slow-building interplay of sci-fi synthesizers wrapped around icy cool call-and-response kicks and handclaps. b1 “thanks rob” is bom02’s most straightforward cut — and one of its best. building momentum slowly across its eight-minute runtime, “thanks rob” impresses as the larger-than-life bass swell hits. the dancefloor will be rapt – proceed carefully. b2 “hyssop,” feeling like it comes from a similar vintage as “corsaren,” might have been called “ambient techno” decades ago, but its upwardly mobile percussion makes it feel as at home in a club as it does in the chill-out room. it’s just the thing to close out this broad-spectrum record. – chris zaldua

ltd repress! s.a.m.’s debut album on his own delaphine consisting of 3x12” heavy weight vinyl in the finest gatefold artwork designed by max binski, mutantexture and s.a.m. himself. scandinavian sound resonating with love. mastered by stefan betke.

a forthcoming masterpiece of a new artist! - with traces of burning spear and culture in his voice, spiritual s original songs share with buzz artists like chronixx, protoje and alborosie the aims and destiny of reggaes new roots re-generation. production credits are a seal of quality, as there is the main producer clifton -specialist- dillon (producer for alborosie, shabba ranks in the 90ies, world hit by omi and many more) alongside bobby -digital- dixon, who also mixed a good part of the album. the main recording took place at digital b, plus some at anchor, tuff gong and oufah recording studios, with a big credit list of finest musicians, both veteran or new generation of the jamaican scene appearing and with the final mastering touch by kevin metcalfe. additonally iba mahr and droop lion (from the new gladiators) appear as guests for fine combination tunes. -awakening- is an album which might stand alongside classic reggae 70s albums like natty dread (bob marley & the wailers), marcus garvey (burning spear), two sevens clash (culture) and the right time (mighty diamonds) and is available with a new artist introduction price level!

going even further into the tape archives of robbie m we find ourselves with “friend”. this time it’s going to be a late night affair, as robbie smothers you with those smooth vocals as only he can. rock island s ram music direct to you from the midwest. robbie is currently working on his autobiography film project, but had the time to bless us with a new music video for “thanks for the love” featured on this lp.

consumer manoeuvres by le cliche is the latest release on cold beats records (barcelona).

back by popular demand, a rap vacation x-mas with mndsgn and ahwlee is now on vinyl for the first time, and just in time for the holidays. contains 3 new vinyl only bonus tracks by ahwlee. art direction by chris hund. being limited to 500 red and green tie dyed copies, these are sure to sell out fast. don’t sleep, and happy holidays!

forthright, razor sharp techno tracks running at a neck-breaking pace that will leave you breathless, remain neutral is all about the urgency and the purposely crafted indiscipline meant to make you twist your body in every directions. spoke throughout the feral scratches of overworked drum machines and the whiff distorted vocal samples taken from a tape found by chance, france via belgium s mehdi kernachi carries on with his exploration of the danger notion in electronic music -- borrowing as much to the slower, noisier industrial music of yesteryear as the speeded basement hysteria of rave culture -- applying the scorched-earth policy throughout his tracks.

3xlp in deluxe triple gatefold jacket with 32 page booklet

2016 re:issue , a groundbreaking classic album , must have !!!!!!

• debut album from los angeles-based producer greg saldate • download code included • limited to 300 units worldwide

diesen sommer veröffentlicht dev hynes freetown sound, das dritte album unter seinem aktuellen alias blood orange. aus einem reichen oeuvre an techniken und referenzen schöpfend, entfaltet sich das album fast wie ein theaterstück, beschwört unerwartete stimmungen, stimmen und zeitalter herauf. freetown, die geburtsstadt von devs vater und hauptstadt sierra leones ist titelgebend. inhaltlich ist es das bislang persönlichste und auch politischste album von blood orange. verhandelt werden themen wie rasse, religion, gender und sexismus. musikalisch ließ sich hynes von den alben der dust brothers inspirieren: its very cut and paste. like my version of paul s boutique. it kind of plays like a long mixtape.

the 1983 album from bob marley & the wailers back on 180 gram vinyl. comes housed in a gatefold sleeve with download code included.

greg belson s divine disco is a snapshot in time encapsulating the raw power of a spiritual performance, set to the pulsating 4/4 rhythms that were in vogue with the dance floors of the day. tip! labels like savoy played a key part in identifying artists that fit nicely into this brand new style with performers like shirley finney and the gospelaires, both of whom were established within the scene, but carried the disco torch brightly with their tunes featured here. divine disco also paints a picture of the lesser known acts that privately released their message to the hopeful masses, such as the gospel ambassadors and the inspirational souls, whose recording budgets would have been significantly less than any major label.

a study in simplicity and its power on the dancefloor. 4 diverse, american-inspired tracks ranging from a 130bpm wonky techno scorcher to a love letter penned to classic chicago house

erste reissue der legendären 7- der grammy-nominierten soul-sängerin betty lavette, erschienen im original 1975 auf epic.

the expanders new album *hustling culture* is the band s third studio album, but for the band members feels like their first proper album as a cohesive unit.

south floridas very own j. albert and person of interest come together for exotic dance records on this four-track 12inch of certified heat!

concord club releases 5, 6 & 12 all bundled up for one special price!

a humid 3 tracks scorcher from sirius type and mcdoo. “odd food”, originally released by dave sector through sector 1212, is fossilized next to “wow”. on the flipside, sirius type delivers a plaster shaking ko with “thankyousphere”. sirus type is a collaboration between eric douglas porter (afrikan sciences) and tom mcconnell.

** repress 2016 ** two of the black madonnas most sought after early tracks return to circulation alongside one burning new jam on goodbye to all this, the latest release from stripped & chewed. drawn from the chicago labels 2012 compilation livin for the city ep, the piano dappled joy of *exodus* luxuriates across side a, spreading the good word with a pounding beat. *we dont need no music (thank you, rahaan)* from scrs004 takes another whirl around the dancefloor, its pinwheeling horns and infectious vocals pulling even wallflowers into the fray. and in case two remastered sure-shots arent enough, the brand new *who do you need* closes the record with a soulful thwack: half uplifting house, half blistering techno – all peak-time fodder. a fine addition to the black madonnas discography alongside records for argot, the nite owl diner, hometaping is killing music, and of course stripped & chewed.

reissue of dooms 2009 album as deluxe double lp with embossed / debossed, spot-glossed and foil-blocked sleeve.

ive been involved in two or three major genres that are very different from each other, says vaughn robert squire from canada, better known as prison garde, who is making his true romance debut with our trep009. about his melody ep, he says: its gospel-influenced house stuff. its in line with the last couple records that i put out, but i feel like its a little more mature and that the quality of the recording is a lot higher than anything else ive done as prison garde. i recorded it at the phi centre in montreal - its a beautiful cultural center in the old port. ango and i locked ourselves in there and did a live record on an ssl in a big room.

edits from….a mysterious new imprint from the southwark borough of south east london.

wiederveröffentlichung eines sagenumwobenen dub reggae album auf dem wiederbelebten englischen label burning sounds in einer hochwertigen 180gram edition (re-mastered und mit linernotes). das originalalbum erschien 1978 auf dem label jamaica sound (mit der katalog-nr. jslp 006), europäische pressungen gab es in 1979 für frankreich bei rca und für deutschland bei der fa. bellaphon. laut experten finden sich hier dub-versionen der bunny lee studio band the aggrovators zu dillingers warrior, sugar minott und weiteren noch nicht identifizierten originalen!

adesse versions started out as a re-edit series, with humble ambitions of releasing a couple of white labels, nothing more, nothing less. it kept growing with both original productions and remixes appearing. it didn t take long until tracks such as pressured, modal and justified appeared on charts and the records found their way to such esteemed people as derrick may, larry heard, gilles peterson and of course mad mats & tooli. since then it s been an ongoing theme with kevin gormans music, yes that s his real name. always well received and played by many.

limited salespack featuring a nice variation of artists and remixers! includes oblack releases # 006, 007 & 008.

early in 2014, copenhagens kenneth bager asked electronic wizard and remix entrepreneur ruf dug if he would make an album for his acclaimed balearic imprint music for dreams. that summer, ruf dug headed off to spend three months on the island of guadeloupe in the french caribbean. seizing the opportunity to live out his own compass point fantasy, he put together a portable studio that would fit into a suitcase - two half-rack synthesizers, a couple of effects units, his laptop and a 4-track cassette recorder. he set up the studio in the spare bedroom in a rented villa and spent the next 12 weeks watching the sun set and making the album. all tracks were written and recorded in guadeloupe, with nev cottee beaming in vocals and guitar parts for a couple of the tracks direct from the heart of mancunia, hooking into the powerful and long-standing musical relationship between manchester and that most famous of sunset islands ibiza

outta sight startet die neue serie *rarer stamps*, inspiriert durch die legendäre *rare stamps* serie auf dem stax-sublabel volt records ende der sechziger. *rarer stamps vol.1* widmet sich den detroiter soulgrössen barrett strong und gino parks mit einigen ihrer besten aufnahmen - echte raritäten!