the debut release from detroit based dj steve miller is a funky 3 track house ep. outer zone is a bumpy, feel good track sure to get the crowd moving. fire boosters is slightly darker with a distinct detroit tech- house feel. love in the stars has a great female vocal snip. tasty!

jd records is proud to present one of detroits finest underground producers, gari romalis! gari has been producing music since the mid 90s and releasing on classic labels such as terrence parkers intangible records & soundworks and most recently on rawax, housewax, dockside records, hizou deep rooted music etc. this release is all about lo-fi disko house and features 4 tracks packed with analogue love and house grooves from the detroit underground. limited edition.

at last cv313s magnum opus comes to life on wax. the album is engineered and mixed down from 1/4 inch analog tape, and mastered by the talented fellas at alchemy mastering in london, focusing and enriching every finite detail. this lp edition features never before heard songs emitted from the cd and made exclusively for the lp edition.

(claude young, gerald mitchell, orlando voorn rmx) three names, three legends. vinyl only! 300 copies

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

vunk techno time 2014. this time moustaches label owner david vunk comes up with this abstract techno 4 tracker 12 inch de maas e.p. named after the big river de maas.

technosoul is a group of dj s & promoters, responsible for some of the best polish parties with techno music within the last years (with guests such as robert hood, surgeon, regis, james ruskin and many others). the idea for a label was born a few years ago – it took more than reasonable amount of time to make it come true. the first release is produced by piotr klejment – member of technosoul, previously known as 0311 and dj ninja. remixes come from perc and sleeparchive.
includes the *technosoul* mix-cd by dtekk.

itokim, aka tendo-based producer takuro ito, aligns with dj bone s subject detroit label with the subject japan: rhythm poems ep and his opening gambit certainly leaves a dent. -motechnique- has been a staple of bone s 3 deck attacks in recent months and it will have eyebrows raised and mouths open from the off. weighty but warm kicks start as they mean to go on, bursting with pace and vigour as thrusts and stabs pinprick the brooding chords. the laidback, easy-going connotations of the title to -roll up and shine- are very much the ethos and aesthetic of the production, as a playful, bubbling melody sets a warm and almost sugary tone from the off before being bolstered by a suave melange of full-bodied kick and dexterous percussion. itokim rounds off his first outing on subject detroit with -the mood device-, a to the point groover that melds elements of the previous productions to stunning effect. a genuine builder of a track with a straight and true trajectory, -the mood device- melds innumerable coatings of percussion and synth as stabs are layered and layered again, clotting and coagulating the composition in to one delightfully deep and multidimensional slice of formidable dancefloor composite.

phat prime time techno / incl antigone & jonas kopp rmxs

a little over a year since their debut on the label, veteran house producers synchrojack are back on vibes and pepper with another four track ep directly from their archives.

having closed out 2013 in some style thanks to the inimitable sounds of hector couto, darius syrossian and ben mono, swiss label definition: music picks up where they left off this time around thanks to british duo origins sound, who mark their return to the label thanks to the detroit cuts ep

what happened to techno? if you find yourself asking this question, obviously you haven t seen amelie ravalec s landmark film on the subject. from secret parisian parties to berlin s infamous berghain club, paris/berlin: 20 years of underground techno documents the underground movement of techno through the lens of two different cities. after 2 years successfully touring the film worldwide, fondation sonore and les films du garage are commemorating the occasion with a gatefold double lp featuring the film s harder edge techno. back-to-back classics from regis (downwards, sandwell district), ancient methods (ancient methods, fondation sonore), adam x (sonic groove, fondation sonore), archae & grovskopa (surface), makaton (rodz-konez), kareem (zhark) and oyaarss (ad noiseam). this must-have-techno-compilation also features an lp exclusive track from dna, produced by dax j & paris/berlin director amelie ravalec.

from the ruins of the birthplace of techno … detroit underground returns with this, their twenty second release, in a catalogue that has come to define the outer limits of experimental electronics while still adhering to dance floor basics. this edition sees du label boss kero return to the spotlight in collaboration with la based sound designer and interactive director drasko vucevic, aka drasko v of los angeles based drastic music + technology.
pressing on orange coloured vinyl.

crazy acid techno nutters. just about sums it up really.

next maddisco output! tip!

played by patrick luca (saft/pulp), mark forshaw, owain kimber (owain k), dnart (shift ltd), james ornate, alkalino, fred p aka black jazz consortium, anaxander

alex w fired again detroit inspired techno burners with massive sound, sweet atmosphere and funky grooves. ep included dub version and berlinimal remix by denizo.limited.

detroit dancer is back! this time its the dutch master >orlando voorn< behind the gidgets. 313 theory features 4 excellent detroit cuts, from soulful to phunk and electro to ghetto. no commercial top 10 beatport bullshit stuff on here, this is the real authentic techno deal folks!

detroit inspired techno at its best with powerful tricky grooves, warm and massive.

this record tells the story of a detroit groove from the perspective of the speaker, taking you through time from luomo s to the hardware syst3m parties, and the first leaky warehouse roof no way back where dean syst3m worked the door, with all the disrespectful nature one would naturally expect from a true detroit groove. created by two veterans of detroit grooves, bmg & derek plaslaiko, who now calls berlin home, in bmgs studio in the center of detroit. this song celebrates some of the out there characters and crazy cowboy outlaws that made this detroit scene happen on the underground level, that made such an impact that is still felt around the world today.

after 20 years of experience, gary martin couldnt resist a 12 inch that is also the 50th release for teknotika: a label from detroit that didnt exactly stick with the game when it switched to the mp3 format. *basking in blackness* is a composition of textured broken beat then classic four on the floor old school soul. *synthotika* is what would happen if a synthasizer could take over an orchestra. a track inspired by detroit peers no doubt. *every bit as beautiful* goes sensative deep house piano, a lil latin percussion and soaring eno-esque synths to top it off. the title is a bit sarcastic, let us face it, there is no life after techno!
pressing on grey marbled vinyl.

third ears detroit beatdown series was instrumental in redefining the perception of detroit electronic music abroad

nice doubleheader / hypnotizer .... two delicious groovin deep house cuts

need you tonight - this a1 killer tune a la aril brikhas art of vengeance: groove la chord is a brilliant 2014 diamont techno house underground mainstage track. expect original tr 909 drum programming, roland jupiter 8 synth chords... an insane deep party break with 20 hz low bass, topped off with some jazzy funky steps. feared in rotterdam and its suburbs and already played by laurent garnier! b1 is need you tonight in the alden tyrell remix... super dark building up power mono techno track... berlin/london/rotterdam style. b2 is made by the legendary rod ... a deep techno track with great groove perfect dj tool.

repress of omar s second ep for fxhe on red coloured and marbled vinyl. includes a bonus track.

the third in the modular techno series from live analogue artist and freerotation organiser steevio. after 15 years of producing techno live on hardware, in 2009 steevio began building a dedicated machine on which he could totally improvise an entire techno performance from a blank canvas that far surpassed anything he could do with his previous setup of drum machines and synthesizers. steevio’s modular is 100 analogue, there is no computer involved, there are no memories to save sounds or sequencing patterns, and everything is improvised in real time.. volumes 1 and 2 of the series were just a taster of what was to come, and were the early experimentations on steevio’s newly built machine. steevio records everything he does, especially during the intense practice sessions for live gigs. all the music in the series are out-takes from these practice sessions, and the tracks from volume 3 and the forthcoming volume 4 all come from a three day period in practice for a recent live gig at delete, bournemouth, uk. volume 3 continues from where volume 2 left off but delivered with more confidence and a deeper more hypnotic feel. steevio continues to develop his skills and fine tunes his unique instrument in this dedicated for life project.

eine schwalbe kommt selten allein!... ante pom mit remixen von thomas lizzara und andre lehmann

i love detroit, amr002, exclusive edition vinyl format.basic mind 12 inch, full of variety from the purest underground sound, the purest sound of techno.

dta2 is by alex w and denizo with a solid 6 track ep with techno tracks that are rooted in transmats share in classic detroit techno.

annie halls new lp random paraphilia on detund explores these experiences through five original tracks with remixes by richard devine, valance drakes and erp

first ep and vinyl release from this surprising detroit secret! we dont know who or what, so we will let the music speak for itself. for those in search of something new, buy this record

nobody knows where these guys were beforehand, but this record is a real hit. a new release has emerged from an equally new label - detroit techno archive it reflects the labels name perfectly. the 12inch recording includes six wonderful detroit techno tracks, from a couple of artists. the first associations that come to mind are detroit legends like underground resistance, derrick may, stacey pullen, kenny larkin, and octave one. youll find some old-school techno with a rich groove, multilayered melodies, and some great stories behind them. this is real hi-tech jazz.

label boss dj bone mans the controls for the 38th release on subject detroit, laying down a typically fierce, three pronged auditory attack. *what he said* tactfully yet forcefully treads the line between house and techno, cherry picking physiognomies from each side of that ever-blurring line and constructing something fresh but bristling with familiar subject detroit elegances. a favourite fixture from bones more recent dj sets, *i do* sees bubbling, arpeggiated chords simmer and swoop from foreground to background loosely as one solitary, remanipulated ticking hat keeps things in formation. watch out for the thunderous, doubled-up drum arrangement that crashes in to the picture out of nowhere! b side track *rhythm soul funk* is a genuine hard hitter and another that tiptoes between the old school and the nouveau.

fabrice lig on dj bones subject detroit label backed with killer remixes from aaron carl and dj bone! allegedly stored in the subject archives for some time, *hmong dignity* is finally unleashed and the original will be familiar to anyone that has witnessed a dj bone set in recent years.

absent from the shelves of record shops for some four years, the detroit wax label operated by eddie fowlkes resurfaced in style with last years unsung hero ep. thats what makes a track represents the seventh detroit wax transmission from fowlkes and sees the producer offer up a double does of his own distinct technosoul sound. lead track *thats what i think about* starts with a deep beat and then expands neatly, adding further rhythmic detail and a killer vocal hook: this is what makes a song cool, special. complementing this, *computer* has fowlkes on hypnotic form, mixing deep beats with cosmic sounds which are again elelvated by his usage of vocals...

super limited pressing by a well known producer who prefers to let the music speak for itself. >definition< feels like rolandos >jaguar< and may remind folks of derick may, but all the other tracks are equally as cool. a mix of deep house and/or techno. hand stamped white labels

still music presents the second volume of the in the dark: detroit is back series showcases a wealth of the motor city taken including marcellus pittman, delano smith, rick white, amp fiddler and many more.

detroit master of technosoul eddie fowlkes shows us that he can still surprise us with his original beats. influenced by soul music, in love with dance music, this powerful track is a perfect combination of his inspirations. and it really makes you want to dance and feel the music go into your ears until *something e special* gets stuck in your head for good. bringing you catchy lyrics, vibrant beats and a great kick. who else than the legendary eddie fowlkes can declare war on dance music? well, not me. the only thing to do is to follow the hypnotizing beats and sounds of this track and let our bodies go crazy. and when the backbeats hit us, it transports us to a new level where we definitely join mr fowlkes on his trip to become his allies.

all styles of techno, combined in 1 vinyl! this second release by leveltrauma limited brings you a head to head collaboration between the master of rohrmusik denny hanson and germanys craziest hardtechno producer minupren. wich chapter fits your kind of style enjoy reading in the book of techno!

with *imaginary beings*, his first release on chiwax, andy vaz, described by clone as being able to execute one of the best acid house tracks in recent years of hypnotic jacking acid just like armando and jack frost used to make once again comes through with the goods in full swing.

new ep by phil asher on archive for house phillerz vol.3

daren agers debut vinyl release! daren is a very well known and respected analog synth/modul teacher on the internet. having his own youtube channel with 2.5 million clicks we thought it was time to introduce this genius to the vinyl lovers as well! darens main influences come from the likes of drexciya, model 500, derrick may and carl craig. when listening to summer in detroit you can feel the influences from these heroes. there is a warm and beautiful detroit flavor all the way thru the track. on the b-side you will find halcyon days which is a acid-house track that makes you want to jump into the time capsule and travel straight back to the warehouse in chicago or the hacienda in manchester

12ep: limited to 200 copies in hand screen printed vinyl.

hands off recordings is a new label based in odense, denmark with a remit to release quality underground house music and who better to inaugurate proceedings than detroit legend rick wade. releases on labels such as kolour ltd, robsoul, soulstar, rush hour, hudd traxx, harmonie park and much much more says it all, this guy need no intruduction!! vinyl only, no digital and limited pressing worldwide.

limited to 100 copies with a small art-zine included.

4 deep and jazzy techno classics back on wax! 300 vinyl copies pressed, no digital.

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.